[lace] Re: Lace Makers Lamps

2004-11-21 Thread Tamara P. Duvall
On Nov 22, 2004, at 0:33, Karolina Jeffers wrote:
I would like to tell you about an experiment a lacemaker set up at the 
AGM
in Sydney. She brought her "lacemaker lamps", I think there were more 
than one on the stand, lit up the candles, turned the lights off and - 
the light from the lamps was so poor that one could not make any lace 
or read or really do anything else than have a good conversation with 
anybody who was in the room.
I've been waiting and waiting, for someone who was there to chime in, 
but after 48hrs, I sit up and beg... :)

A different gathering entirely - an IOLI (I think) Convention somewhere 
(I wasn't there)... The electricity failed, someone brought out a 
*make-shift* lacemaker's lamp (a bowl filled with water, illuminated, 
from behind, by a candle? flashlight?) and it worked just fine, if 
one's to believe the reports...

I heard stories that lacemakers sat in circles a few rows deep around 
the
lamps,
That one I've not heard :)
In the days when people used candles most people went to bed with 
chickens
and got up with chickens as the daylight ruled their lives.
Mmm... I grew up "in the city", with electricity for 9 months out of 
12. But, for the rest of the year (in incremements - 8-9 weeks in the 
summer, 2-3 for Christmas, and about one week for Easter), I was packed 
off to my "family in the village" as often as not, until I was 14.

No running water and no electricity. We did pack it in relatively 
early, and did get up relatively early too. But, with the chickens? No 
way... :)  The chickens go to bed at sundown, and we'd stay up till 8-9 
PM, longer, if someone came to visit.

We didn't use the water-filled globes; I've never heard of/seen those 
until I joined Arachne... But we used oil lamps in the centre of the 
room (on the table) and candles in candlestcks (both mounted on the 
wall and hand-held) with a circle of highly polished metal in the back 
to reflect and diffuse the light... It's true that neither of those 
devices was as bright as a 100Watt bulb, but they were more than 
adequate (possibly brighter than a 40W bulb, which were often used in 
public places)

Also the candles were very expensive and were used sparingly.
The *wax* candles were, which is why they were kept for church use. The 
*tallow* ones (very smoky and smelly) were not.

I think that one has to be a bit cautious to believe everything one 
hears -
Couldn't agree more :)
---
Tamara P Duvall http://lorien.emufarm.org/~tpd
Lexington, Virginia, USA (Formerly of Warsaw, Poland)
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[lace] Lace Makers Lamps

2004-11-21 Thread Karolina Jeffers
Hello everyone,

I would like to tell you about an experiment a lacemaker set up at the AGM
in Sydney.
She brought her "lacemaker lamps", I think there were more than one on the
stand, lit up
the candles, turned the lights off and - the light from the lamps was so
poor that one could
not make any lace or read or really do anything else than have a good
conversation
with anybody who was in the room.

I heard stories that lacemakers sat in circles a few rows deep around the
lamps, the better ones sat closest
and the beginners a few rows out. This experiment proved that they were
stories only.

In the days when people used candles most people went to bed with chickens
and got up
with chickens as the daylight ruled their lives. Also the candles were very
expensive and were used sparingly.

I think that one has to be a bit cautious to believe everything one hears -
believable or not. The above
experiment was an example.

Have a lovely day
Karolina
from Melbourne where the weather is starting to warm up and the days are
getting longer




>
> Date: Sun, 21 Nov 2004 23:28:08 +1100 (EST)
> From: [EMAIL PROTECTED]
> Subject: [lace] Lace Makers Lamps (longish)
>
> Jean,
> I feel I can "argue" with you without falling out, as we know each other
as
> very nice people (!!!) Well I think you are nice anyway.  :)
>
> I am also most ready to learn and admit I am wrong, but here are my
> arguements, each of which might need some discussion as an email does
> not substitute for talk.
>
>

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Re: [lace] Springett collection auction/lacemakers lamps

2004-11-21 Thread Carol Adkinson
Hi All,

Talking about lace lamps!   When I first started to make lace,
the tutor
used to have an 'At Home' day for her students - a wonderful day,
making
lace, answering quizzes, and general gossip.  However, on one of
these days,
there was a power cut, and the lacemakiers lamp was brought out -
to quite a
bit of cynicism, I might add.   But - were we all confounded!
If the
water-filled glass bowl and the candles are set right, the light
is
concentrated just where it is needed on the pillow - just as good
as some of
the magnifier lights available now - and lace can continue.

I suppose the conclusiong to that rambling is that, should you
get the
chance to acquire a lacemakers lamp - definitely go for it!

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[lace] lacemaker's lamp

2004-11-21 Thread mmouzon
I bought one of these years ago.  I thought it was interesting...having
only seen the candlestick stands.
http://www.jamestownglasshouse.com/Reproduction1.asp
 
Debbie in Florida USA

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[lace] Re: All Ratti Lace Available. Hooray!

2004-11-21 Thread Tamara P. Duvall
On Nov 20, 2004, at 7:36, [EMAIL PROTECTED] (Devon) wrote:
Yesterday, Gunnel and I and our Assistant Director at the Ratti put the
final two pieces of lace from the last box of lace from the Textile 
Study Room
into a storage location. With this act, we have finally finished 
unpacking all
the 5000 pieces of lace that were packed for the move from the old 
Textile
Study  Room to the new Ratti Textile Center at the Metropolitan Museum 
of Art.
The  unpacking has taken nine years.
I hope that the Met is considering adding an on-site, reasonably-priced 
lodging (similiar to those built by MCDonald next to hospitals); if the 
collection took 9 yrs to unpack, consider how long it will take to 
drool over each piece...

---
Tamara P Duvall http://lorien.emufarm.org/~tpd
Lexington, Virginia, USA (Formerly of Warsaw, Poland)
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[lace] Re: Springett collection auction

2004-11-21 Thread Tamara P. Duvall
Although they tend now to be all called lace makers lamps I think that 
they must have been widely used by anyone who needed extra light for 
reading, writing etc before the days of oil or electric light
Quite so. In my stamp collection, I have a Slovenian one with a picture 
of a stand, with glass globes suspended from it (3 are visible) and 
(presumably) a light-source in the centre. I keep it with my "lace 
tools" stamps, even though it's described as "shoemaking light". 
Kleinhout (from whom I got the series - 3 stamps, of which only that 
one is somewhat relevant) did warn me that it was not a *lacemaker's* 
lamp, but, since it's close enough in concept...
---
Tamara P Duvall http://lorien.emufarm.org/~tpd
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: help?

2004-11-21 Thread Tamara P. Duvall
On Nov 21, 2004, at 18:17, Whitham wrote:
I attended my lace guild meeting today and brought with me one of my 
books. One lacemaker asked if she could look at it and of course I 
said yes.  The next thing I saw, my book was being taken to the 
photocopier and being copied for 2 of the members.  It was not my 
intention to share my book in this way as I respect copyrights of the 
authors,  I wasn't even asked if I minded.

Any ideas how to handle this if it happens again?
Depends on your personality, I suppose. Me, I strongly believe in "do 
unto others..." so, when someone isn't "nice", then I feel free from 
having to be "nice" myself.

I expect, once I got over the speechless shock at that behaviour, I'd 
have marched to the copier, taken the book with one hand and the copies 
with the other, and informed the offender (sweetly, but through 
clenched teeth) that the book was still in print, and available at 
such-and-so. If that weren't the case (ie, the book was out of print 
and hard to find), I'd stil cavil at not being asked - as Liz (Beecher) 
said, a permission for a *look* does not imply a permission to make 
free with the book's contents.

This said, I often lend my books to people, and assume that they're 
likely to copy a pattern or two from them...

---
Tamara P Duvall http://lorien.emufarm.org/~tpd
Lexington, Virginia, USA (Formerly of Warsaw, Poland)
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Re: [lace] help?

2004-11-21 Thread Thelacebee
In a message dated 21/11/2004 23:19:25 GMT Standard Time, [EMAIL PROTECTED] 
writes:

> What does one do in this case?
> 
> I attended my lace guild meeting today and brought with me one of my books. 
> One lacemaker asked if she could look at it and of course I said yes.  The 
> next thing I saw, my book was being taken to the photocopier and being 
> copied for 2 of the members.  It was not my intention to share my book in 
> this way as I respect copyrights of the authors,  I wasn't even asked if I 
> minded.
> 
> Any ideas how to handle this if it happens again?

I had this when someone asked to borrow a CD of mine to see if they wanted to 
buy a copy of it (so they said - yes I know!!)  - next thing I knew, everyone 
in the group had a copy of the CD.  I polietly took the offender to one side 
and said that whilst she had no problem with breaking copyright, I did and 
that would have preferred to have asked me for my permission, which I would 
have 
denied.  

She was really taken aback and responded that if I had wanted a copy of 
something she had then I could have anything taped - think she didn't get the 
fact 
that I'd never have asked her to do this.

I personally would have gone over and quietly said to her that when I agreed 
that she could look, I thought that she meant LOOK at the book, not photocopy 
it for herself, let alone her friends.  And that whilst she obviously has no 
issue with breaking copyright, she has made me break copyright without my 
permission.

Yes, I know that this is harsh but in this case she has violated kindness and 
trust.  When someone does something like this being nice and telling them off 
never seems to work - I'll be interested to see who has managed to do this 
'nicely' and get away with it.

After all, what she has done isn't nice, is it?

Regards

Liz in London

I'm back blogging my latest lace piece - have a look by clicking on the link 
or going to http://journals.aol.com/thelacebee/thelacebee

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Re: [lace] help?

2004-11-21 Thread Thelacebee
In a message dated 21/11/2004 23:43:00 GMT Standard Time, 
[EMAIL PROTECTED] writes:

> So now, whenever I demonstrate the programme, or give out a demonstration 
> disc,
> I smile very sweetly, and say very firmly:  "the demonstration version, 
> because
> it does not print or save, can be loaded on as many of your friends 
> computers
> as you like.  However, if you buy the full version, if you read the licence
> agreement (which most people don't!) you'll see that for your money you can
> instal it on your own computer, *for your own use* only.  Sharing the 
> programme
> is an abuse of copyright, and is also unfair on those who've paid the full
> price for the programme".
> 
> 
> Ruth Budge (Sydney, Australia)

I bought some Jewish software and on the disc it had the following statement;

"Copying this disk is theft and is against US and God's laws"

You can't ask for a more damning (pardong the pun) caveat than that!

Regards

Liz in London

I'm back blogging my latest lace piece - have a look by clicking on the link 
or going to http://journals.aol.com/thelacebee/thelacebee

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Re: [lace] help?

2004-11-21 Thread Ruth Budge
I've had people tell me they've let their friends instal the Lace 2000 software
on their computer - which is equally, an abuse of copyright and can lead to
prosecution.

So now, whenever I demonstrate the programme, or give out a demonstration disc,
I smile very sweetly, and say very firmly:  "the demonstration version, because
it does not print or save, can be loaded on as many of your friends computers
as you like.  However, if you buy the full version, if you read the licence
agreement (which most people don't!) you'll see that for your money you can
instal it on your own computer, *for your own use* only.  Sharing the programme
is an abuse of copyright, and is also unfair on those who've paid the full
price for the programme".

I suggest you work out in advance, some similar statement, applicable to the
loan of books, along the lines of "I really do feel very strongly that we
should all respect author's copyright, and for that reason I don't allow
photocopying of my books" - and smile nicely as you say it gently and firmly
before you hand the book over to the would-be borrower.

Ruth Budge (Sydney, Australia)

Whitham <[EMAIL PROTECTED]> wrote:What does one do in this case?

I attended my lace guild meeting today and brought with me one of my books. 
One lacemaker asked if she could look at it and of course I said yes. The 
next thing I saw, my book was being taken to the photocopier and being 
copied for 2 of the members. It was not my intention to share my book in 
this way as I respect copyrights of the authors, I wasn't even asked if I 
minded.

Any ideas how to handle this if it happens again?

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Find local movie times and trailers on Yahoo! Movies.
http://au.movies.yahoo.com

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[lace] help?

2004-11-21 Thread Whitham
What does one do in this case?
I attended my lace guild meeting today and brought with me one of my books. 
One lacemaker asked if she could look at it and of course I said yes.  The 
next thing I saw, my book was being taken to the photocopier and being 
copied for 2 of the members.  It was not my intention to share my book in 
this way as I respect copyrights of the authors,  I wasn't even asked if I 
minded.

Any ideas how to handle this if it happens again?
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Re: [lace] Starts/Endings for Ornaments inside rings

2004-11-21 Thread Thelacebee
In a message dated 21/11/2004 13:48:16 GMT Standard Time, [EMAIL PROTECTED] 
writes:

> Good morning,
>   I would like to make some Christmas tree ornaments that are positioned
> inside little brass bangles.  Can someone give me a reference for the
> starting and ending of such projects.  I belong to the Great Lakes Lace
> Guild and we have quite an extensive library available to us.  Or maybe a
> few who have made these would be willing to share their experience.   Or
> refer me to the archives if this has been discussed recently.
> Thanks so much
> Mary in Ann Arbor

Having just been reading my Christine Springett book that I bought at 
yesterday's fair my obvious suggestion is any of her books which cover Xmas 
decorations.

Regards

Liz in London

I'm back blogging my latest lace piece - have a look by clicking on the link 
or going to http://journals.aol.com/thelacebee/thelacebee

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Re: [lace] Pillow source

2004-11-21 Thread Brenda Paternoster
It would make a useable pillow, but my guess is that the polystyrene is 
not dense enough to stand up to a great deal of   pin sticking and will 
disintegrate sooner rather than later.

Brenda
On Nov 21, 2004, at 8:46 am, Jean Nathan wrote:
Towards the end of the summer, our local chain stores and supermarkets 
were
selling dense polystyrene bodyboards/boogie boards - short surf boards 
about
3 ft long - which had a large flat area in the middle very cheaply to 
clear
the shelves ready for the Christmas stock. I thought they would make 
lace
pillows if cut down a bit.

Jean in Poole
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Brenda
http://www.argonet.co.uk/users/paternoster/
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Re: [lace] hearts and more - for Newbies

2004-11-21 Thread Tune
Dear Jeri,
Thank you so much for telling us about the Christmas tree at the
Metropolitan and also your own. They both sound amazing and I so enjoyed
your description. Makes me happy to think that Denmark's Georg Jensen
inspired your collection and it is wonderful that you have so many happy
memories to treasure.
all the best and keep bobbin' along from Avril

And on the 8th day, God created golf courses and lacemakers

Avril Bayne
Denmark 

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[lace] Lacemakers lamps

2004-11-21 Thread Diana Smith
As Brian knows, I have several 'lacemakers' lamps, I also disagreed with him
until I acquire an example that still had its wick holder in tact. I have
since found another, one wick holder is metal the other earthenware.
These so called 'lacemakers lamps' appear quite regularly on ebay and I've
downloaded pictures of most and can say that a reasonable percentage have
still got the holder for the wick.
I also think the estimates for the bobbins at auction are very high and
considering the state of the market at the moment I think they are over
optimistic. There are one or two I would like for my collection so I'm
hoping they are wrong ;-)
Diana

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[lace] needle lace

2004-11-21 Thread Tess1929
Check out the Prof's site: He has just posted the old DMC needle lace book.  
There are a couple of other new ones too, thanks to Devon.

To see the postings of the month, go to Postingsof the month: 

http://www.cs.arizona.edu/patterns/weaving/2004-11.html 

I'm scanning a lovely old book right now which is a translation into English of 
a description of an exhibition held in Paris in 1900.  I saw this book some 
years ago at a museum library, but they wouldn't let me scan it.  Then, 
mirabile dictu!, it arrived quite by surprise from a lacemaker in California.  
This and ILL are how I find books to scan for all the lacemakers in the world 
to see.

But without the Professor, this work would never come to fruition.  He is 
remarkable. And patient.

Tess ([EMAIL PROTECTED])

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[lace] Starts/Endings for Ornaments inside rings

2004-11-21 Thread Mary Shue
Good morning,
   I would like to make some Christmas tree ornaments that are positioned
inside little brass bangles.  Can someone give me a reference for the
starting and ending of such projects.  I belong to the Great Lakes Lace
Guild and we have quite an extensive library available to us.  Or maybe a
few who have made these would be willing to share their experience.   Or
refer me to the archives if this has been discussed recently.
Thanks so much
Mary in Ann Arbor

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[lace] lacemakers lamps

2004-11-21 Thread Jean Peach
Now please don't get upset with what I am going to say, 


I have never spoken about lacemakers lamps before, having read this
discussion I decided to contact a lace teacher who learnt her lace
from a very young age and is now retired.

I was told she only ever saw lacemakers outside their cottages making
lace.  But does know about the small lacemakers lamp that she has
it was made in the town where she was born. It is very small, very
heavy, you put water in the glass then you put tallow and light it.  After
a time you will see rings of tallow around the glass.  As there was a
candle factory in the town where the candles were made that is where
the tallow was bought.

Jean Peach

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[lace] teaching after 6 months

2004-11-21 Thread J.Falkink-Pol
Dear spiders, and Jacqui

I'm glad with the positive reactions in this case. In my country I got
negative reactions because I started teaching without the bobbin lace
teachers course: "I thought we are past that pioneering stage" was the
comment.
As I had more experience than six months I assembled my own lessens from
various sources. But as I'm too chaotic I was glad to find the Torchon
sampler (the one with more than 4000 pins) of Gerrie Antonides. Available on
http://www.heikina-de-ruijter.com/ if I'm not mistaken. Dutch but clear
drawings. It is a 10 Euro selfpublished A4-size 28 page booklet. Photographs
lack grey but are acceptable. I don't expect it to get out of print: just a
matter of photo-copying a new batch. In this case I value that more
important than a glossy version. I only expect on average less than one new
student a year and don't want to have to buy new books because my students
can't get my favorite any more.

Jo Falkink

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[lace] Lace Makers Lamps (longish)

2004-11-21 Thread brido
Jean,
I feel I can "argue" with you without falling out, as we know each other as
very nice people (!!!) Well I think you are nice anyway.  :)

I am also most ready to learn and admit I am wrong, but here are my
arguements, each of which might need some discussion as an email does
not substitute for talk.



I agree that lace makers did use water bowls/bottles/flasks as magnifying
lens and there are some water bowls around.

1. The bowls were much larger in diameter so that the candle could get
closer. A bit like goldfish bowls. ( I think this is a fairly critical
point).
2. Their bases are comparatively narrow (but not unstable)
3.  They mostly do not have handles. (It is so natural for a small oil
lamp to have a handle)
4. Frequently they are part of some sort of "table set" ie they stand as a
set of globes with a candle/s in the middle.  Rather like a smaller and
more refined candle block "stool".
5. In practice it is essential for the candle to get up closely to the
bowl, and a base like the "lace makers lamp, will not allow the candle to
get close enough.  The exception is on the candle block as there was light
coming from one candle and four or more globes, this gave a greater amount
of "ambient light" that did not require such focus as does a single light.
 As you will know they sat the lace makers around the light in order of
their skills, the first circle was the first light (and the best makers)
and so on to four or even more "lights" or circles.
6. Yes, any person who wanted better light for a task, particularly
watchmakers and jewlers, not to mention the the people at the manor who
wanted to read ot write letters etc, used water bowl magnification.

7. To be practical, there needs to be an adjustable height device for the
candle. There were candle sticks that had a spring in them to keep  the
flame up to the correct level
, but there are nothing like the numbers of those around to keep up with
the water bowls.

8.  The best arguement for these "Lamps" are that they were used by lace
makers as lamps to go in front of their bowls.

9 I am sure that a trip to the Aylesbury museum where they are there,
complete with their wick holder will help in this discussion. (Dont rush
off until I have been home to check which museum it was!)

In fact this business came up on the list a few years ago relating to the
reproduction lace makers lamps being sold in some US heritage museums.

The antique industry calls them "lace makers lamps" that is what they will
always be called, because that "battle" is lost.  At the moment I hold to
view that it is a misnomer.

When I get home I will try and dig out my research notes on this subject
and send them to you.

BTW I have told you that we are House sitting".  More accurately we are
"cat sitting".  The cat owns the house, our kids pay the mortgage!

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Re: [lace] Springett collection auction

2004-11-21 Thread Jean Barrett
On 20 Nov 2004, at 12:43, [EMAIL PROTECTED] wrote:
Well, I have spent a bit of time looking at the catalogue today.  There
are soome beautifull bobbins for sale.
By now you will all be aware of my opinion that the so called "lace 
makers
lamps" are a generic term that has been given to oil lamps.
I agree with you about the beautiful bobbins and the prices, but I 
think that you are a bit wrong on the 'lacemakers' lamps. They are not 
and were not oil lamps. The globe stands alone in front of a candle or 
other light source to magnify the light. The candle stool had places 
fro several globes all sharing the light from one candle. I have a 
picture in a German book which shows lace makers from the Erzegeburg 
(sp?) during the war working with a water globe in front of an oil 
lamp. Although they tend now to be all called lace makers lamps I think 
that they must have been widely used by anyone who needed extra light 
for reading, writing etc before the days of oil or electric light
Jean in Cleveland U.K.

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[lace] Piper's silk

2004-11-21 Thread Jean Nathan
I used Piper's silk for one of my intermediate Lace Guild Assessments. I
gave about six weeks notice of when I wanted to start, and sent samples in
cotton of the colours I was looking for in 80/3 spun silk. Susan was very
helpful in matching the colours with two of them in their own 80/3 spun silk
and one in Gutterman's equivalent. The Gutterman's was 50 m spools, where
Piper's was 75 m, and she hadn't allowed for that and not sent enough of the
Gutterman's - easily done. So I telephoned her and she sent a sample of the
nearest, but darker colour in their own 90/2 gloss because she hadn't any
more of the Gutterman's in that colour, and had just the right amount in the
darker one, which she put aside for me until I'd decided if I wanted it. I
did, and the amount I wanted cleared their remaining stock. The colour
suited me just as well, and I received the new batch before I'd sent the
Gutterman's back. She's very trusting.

She was really helpful, but obviously they don't keep unlimited stocks of
each colour and type so they're bound to have times when some aren't
available. Add to that attendance at fairs - like
Havant yesterday where they were doing a roaring trade (and incidentally had
made up packs of silk ready to make the initials in Sandi Woods new book in
the colours Sandi used - round about GBP12 per pack) - where they have to
have good stocks for immediate sales. Obviously they weren't dealing with
any mail orders yesterday, and probably not Friday or today either. NEC
coming up shortly, so presumably they'll want all their stock for that 2 day
fair.

If you have a problem, telephone Susan - I've always found her most helpful
and there's usually a simple answer to a problem. On their web site, they do
say: "All Silks are wound to order, in date sequence; please advise if
required for specific dates or classes."

Usual disclaimers - just a very satisfied customer. I've always found them
excellent to deal with.

Jean in Poole

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[lace] Pillow source

2004-11-21 Thread Jean Nathan
Towards the end of the summer, our local chain stores and supermarkets were
selling dense polystyrene bodyboards/boogie boards - short surf boards about
3 ft long - which had a large flat area in the middle very cheaply to clear
the shelves ready for the Christmas stock. I thought they would make lace
pillows if cut down a bit.

Jean in Poole

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