Re: [lace] Re: petals

2005-05-30 Thread Jenny Barron
 I am now attempting petals, my petals look like twigs.

With practice, they'll begin to look like pine-cones, and then like the 
real thing :)

my teacher called mine holly leaves, put me off for quite a while and I still 
avoid them if I can which is a shame 

jenny barron

Scotland

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Re: [lace] Picture of a needlelace needle required

2005-05-30 Thread Jean Barrett
Reply , from a non needlelacer; grab an ordinary sewing needle from  
Jean's sewing box and take a picture. Hey Presto, a needle lace  
needle. I've never heard of any special needles being used, unless  
someone prefers ball-point needles for when they are doing the fillings.
Jean in Cleveland U.K. after failing miserably at a bibllla course in  
Athens


On 29 May 2005, at 14:16, Brian Lemin wrote:

I have just discovered that I do not have a picture of a real  
needle lace needle (as opposed to a doll needle etc.)


Can anyone send me a scan/picture of one please?

Many thanks



Jean and Brian from Cooranbong, Australia
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Re: [lace] petals

2005-05-30 Thread Brenda Paternoster

Hello Lynn

The only way to learn how to make good leaves/petals is to get stuck in 
and make them, lots of them.  They will improve with practice.


Yes, you do use four threads for each petal, three are passives and the 
4th is a weaver.  As Tamara has already said *iron control* over the 
tension is the crucial part.  Do *not* tension the weaver without also 
tensioning the outer two passives.


Everyone's hands are different and there are various ways of holding 
the three passives; between the knuckles palm up. between the knuckles 
palm down or flat on the pillow.  Or the CCT method Tamara described.  
My preferred way is flat on the pillow.


I'm right handed so the weaver which needs a long leash is held in my 
right hand and the three passives have fairly short leashes so that I 
can spread ands tension them with the left hand.  I start with a cloth 
stitch, (CTC) then twist the right hand pair and the outside right 
bobbin becomes the weaver.  With loose tension, and without letting go 
of the weaver (no changing hands!) I move the weaver:


over, under, over, to the left
under, over, under, to the right
hold the passives down firmly and then tension the weaver.
For the 'under' movements keep the weaver in the right hand and lift 
the appropriate passive.
Repeat for as many times as is necessary, tensioning each time the 
weaver comes to the right hand side


At the end of the leaf twist the left hand pair (the right hand pair is 
effectively already twisted and finish with a cloth stitch (CTC) or 
cloth  twist (CTCT) as required.


It's the combination of tensions on the weaver and on the passives that 
creates the petal/leaf shape and it takes *practice*.  I wasn't aware 
of how I tension until DH asked once what I was flicking the bobbins 
for.  Turns out that each time I tension the weaver I give it a double 
jerk!


That's my way of doing it, but in the end whichever way of handling the 
bobbins works for you is the will be the right way for you.


Brenda

On 30 May 2005, at 01:06, Lynn Weasenforth wrote:


 I am now attempting petals, my petals look like twigs.
GGG Any suggestions?  Do I use four threads or more. h.  What a 
problem.

Brenda
http://paternoster.orpheusweb.co.uk/

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[lace] Help with square Valenciennes ground, please

2005-05-30 Thread Jean Leader
A friend and I are trying to puzzle out how best to work square 
Valenciennes ground (the one in 19th century Valenciennes). There 
seem to be plenty of variations for Valenciennes ground in Cook  
Stott's Bobbin Lace Stitches and Michael Guisiana's Binche Lace but 
none of them give us quite what we want.


Does anyone have any hints or tips? What we'd particularly like to 
know about is


1. Angle of the ground - 45 degrees? 50 degrees? or something else?

2. What is the best way of working the plait crossing? There seem to 
be several variations.


3. Where best to place the pin - in centre of crossing? to one side? 
below?  We know the ground should really be worked without pins but 
reckon we need to work up to that!


Any help gratefully received.

Jean in Glasgow where the sun is shining (despite today being a Bank Holiday)

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[lace] Re: pinning spiders (was: BLacing with hair)

2005-05-30 Thread Jane Partridge
In message [EMAIL PROTECTED],
[EMAIL PROTECTED] writes
What I do is put in the pin till I've got all the legs anchored to 
the ground.  

I find the easiest way to remember to do this (particularly for
students, but I occasionally forget too) is to re-use the centre pin for
the last ground pin - ie the pinhole directly below - of the surrounding
diamond. At this point, you are at a convenient point to tension the
spider, with all the ground pins in place for support.
-- 
Jane Partridge


-- 
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Checked by AVG Anti-Virus.
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Re: [lace] Help with square Valenciennes ground, please

2005-05-30 Thread Brenda Paternoster

Jean

I have a small half collar, or perhaps it's a cuff, with square 
Valenciennes ground that looks very much like that shown in Pat 
Earnshaw's Bobbin  Needle laces Identification  Care, page 58.


Being curved it's difficult to say what the working angle is but it 
appears to be 45 deg or less rather than the 50 deg that Earnshaw 
suggests.  It looks like 6 or 7 half stitches in each plait but I can't 
see what the crossing is - at x30 or on the scan.


I've put a couple of scans on
http://paternoster.orpheusweb.co.uk/sq_val.htm
or
http://tinyurl.com/7hmhp

Brenda

On 30 May 2005, at 10:56, Jean Leader wrote:

A friend and I are trying to puzzle out how best to work square 
Valenciennes ground (the one in 19th century Valenciennes). There seem 
to be plenty of variations for Valenciennes ground in Cook  Stott's 
Bobbin Lace Stitches and Michael Guisiana's Binche Lace but none of 
them give us quite what we want.


Does anyone have any hints or tips? What we'd particularly like to 
know about is


1. Angle of the ground - 45 degrees? 50 degrees? or something else?

2. What is the best way of working the plait crossing? There seem to 
be several variations.


3. Where best to place the pin - in centre of crossing? to one side? 
below?  We know the ground should really be worked without pins but 
reckon we need to work up to that!


Any help gratefully received.

Jean in Glasgow where the sun is shining (despite today being a Bank 
Holiday)


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Brenda
http://paternoster.orpheusweb.co.uk/

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[lace] Needle lace example.

2005-05-30 Thread Brian Lemin
OK, thank you for the replies that I have had regarding the use of the 
tools.  Now I am thinking that I should have a picture of the needlelace 
that the tools and their users produce.


Any volunteers to send me a scan/ picture of a piece of needle lace?

BTW the general consensus is that there is no special needle for needle 
lace.




Jean and Brian from Cooranbong, Australia 


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Re: [lace] Help with square Valenciennes ground, please

2005-05-30 Thread Ilske Thomsen

Hello Jean,


1. Angle of the ground - 45 degrees? 50 degrees? or something else?

I didn't find anything about it but I will mesure it.

2. What is the best way of working the plait crossing? There seem to be 
several variations.
I remember that when I learned it we did the the round ground in 
another way as the square one. I scan you privately the two working 
schemes so I couldn#t make a fault with translation.




3. Where best to place the pin - in centre of crossing? to one side? 
below?  We know the ground should really be worked without pins but 
reckon we need to work up to that!
We weren't allowed to put a pin so we didn't. But if I would do so by 
the round ground in the middle and by the square one I don't think it 
makes any sense to put one. Perhaps it would help to both sides 
outside.


Here today the heat has gone and it is grey and rainish.
Greetings

Ilske

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re: [lace] petals

2005-05-30 Thread Bev Walker
Hi T. and everyone
 After setting in the pin (between the two pairs), make a cloth stitch
 (CTCT). Counting from left to right, the 3rd thread is your weaver.

Not wanting to confuse the issue with the name-the-stitch discussion, but
still:

Did you mean cloth stitch (CTC)? I make a CTC (not a CTCT) before starting
the leaf/tally/petal, was shown that early on by another lacemaker. I
would put an extra twist if I want to finagle a better weaver to the '3rd'
position - I can now weave a leaf/petal starting with any of the 4 threads
(go me)  Sometimes I only start with a CT if there would be too much neck
made by the CTC vs. the thickness of the thread I'm using.

For Lynn and other beginners, I'm fairly certain there is a website that
shows a leaf-in-progress, showing how the threads are angled as one works,
helpful if you've never seen one made 'in real' before.

-- bye for now
Bev in Sooke, BC (on Vancouver Island, west coast of Canada)
I guess I should try to find that website...

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Re: [lace] bookmarks sleeves

2005-05-30 Thread Carol Adkinson
Hi Spiders All,

Yes - I do realise that I'm a bit behind reading the messages, but we've had
a lovely two weeks in the Lake District (UK).  However, I don't think I have
seen a reply to this string, which inserts bookmarks the way I do - so ...

I cut a piece of heavyish paper just about double the width of the bookmark,
and as long as the bookmark.  Then, the paper is folded in half lengthwise,
and the bookmark put inside the fold, with a tiny little bit at the top
showing above the paper.

This is then inserted into he bookmark sleeve.  The paper is heavy enough to
slide to the top of the bookmark sleeve, so then the little tiny bit of the
bookmark which protrudes from the top is held inside the sleeve, by the
fingers, and the paper is pulled out.   The bookmark can be tapped gently to
make sure that it is straight inthe sleeve - and it is altogether a
relatively easy and successful way of inserting the bookmark.

I hope this helps.

Carol - back in flat (tish) Suffolk, after a lovely two weeks away in the
Lake District - already missing the hills and lakes!

Subject: [lace] bookmarks  sleeves

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Re: [lace] bookmarks sleeves

2005-05-30 Thread WaltonVS
Hi, best idea I have hear yet. Will try it next time,

Vivienne ~ Biggins Finca
Keep Lacing - Tatting - Crocheting -Embroidering - Sewing - Quilting and  
being crafty

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[lace] Lace Courses in UK

2005-05-30 Thread Jane Dickinson
Apologies Arachnes if this is a repeat, but I sent it last week in response
to Magda's enquiry and haven't seen it - yet!

 

* 

 

Dear Magda

 

I have a Rosaline Lace course with tutor Judith Cordell in Salisbury, in the
south of England, July 22nd-23rd.  It is right in the town centre and easily
accessible by Public Transport.  Fully residential.  You can find details of
this and other lace, beading and embroidery courses throughout England
throughout the year on my website;

 

www.greatescapes-weekends.com http://www.greatescapes-weekends.com/ 

 

To other Arachnes, especially those that have notified me that my website
was down over the past year, please note the new website address.  After a
year of computer problems, I 'think' we are up and running now and I'm
hoping to have more time again for Arachne!  The website is still officially
'under construction' but the links all work and the information is all
there.

 

Hope there is something that takes your fancy and you have a great holiday!

 

Best wishes.

 

Jane Dickinson, organiser of Great Escapes Lace, Bead  Embroidery Weekends 

East Sussex, UK

 

* * * * * * * * * * * * * * * * * * * * * * 

 

To Michelle looking for lace in London/Chester, there is a course in
Salisbury in June - Milanese Lace with Pat Read.  Salisbury is accessible by
train from London.  

 

To all Arachnes within reach of my venues you are welcome to drop in and see
what is going on on any of my weekends.  The tutors usually put on very good
displays of their work.  It is great to see the pieces from the books in
real life.  There is always the 'work in progress' to look at too.  

 

I hope to see some of you somewhere.

 

Best wishes.

 

Jane.

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[lace] Re: Making a tatting shuttle part 4 The best way

2005-05-30 Thread susan
sorry jane, i ment to send the reply to lace.  just ignore it or delete
the letter when it comes to you.  i have a bad habit of hitting the
reply button instead of writing in the lace email address.

i saw a simple tatting shuttle that i think i will imitate and make
with some thin veneer.  it is just a flat oval with pointed tips, one
end near the top has a small half circle cut out of it,and on the other
side on the opposite end there is another small half circle cut out of
it.  it looks easy to unwind and easy to make.  

i don't really understand the tatting shuttles, but i have never seen
one.  i saw how to make them, and i understand the directions, but how
does the thread unwind from in the middle?   how does the thread come
out of the shuttle when you need to unravel it? 

thank you for the directions on the difference between tatting and
needle lace.  

happing lace making!

   


--- Jane Partridge [EMAIL PROTECTED] wrote:
 In message [EMAIL PROTECTED],
 susan
 [EMAIL PROTECTED] writes
 i am sure i can make enough of them to
 start a small project in tatting this way.  
 
 Susan, you only need one tatting shuttle to get started! Tatting is a
 technique making larks head knots using a shuttle - usually, but not
 always, still attached to the ball of thread (so that you have the
 ball
 thread and the shuttle thread - this way you can make chains but
 to
 make a ring you only need the shuttle wound with thread (you can
 make
 flowers to decorate cards in this way). 
 
 i think tatting is a lot like needle lace, and in fact they even
 make
 tatted lace with a needle specifically made for tatting. 
 
 Needlelace is detached buttonhole/blanket stitch, worked with a
 needle.
 You need a firm pad to work on, onto which you couch your outline
 threads (cordonnet) - these are the support for the buttonhole stitch
 fillings, and to remove the lace you cut and remove the couching
 stitches so that you can lift the completed lace from the pad. Needle
 tatting, on the other hand, is effectively making a series of clove
 hitch knots on the needle, and then pulling the end of the thread
 (which
 is threaded through the eye of the needle) through the loops on the
 needle. Thus it is a string of knots - and doesn't have to be
 supported
 other than by your fingers while you work. Needle tatting is floppier
 than shuttle tatting.
 
 Where shuttle tatting is concerned, you can try it out with your
 shuttle
 thread wound onto a piece of card - it is your hands that support the
 thread on the whole, the shuttle is just a convenient storage for
 getting a long length of thread into knots! At a demo last year, I
 was
 asked about tatting (I was doing bobbin lace, my colleague, needle -
 we
 can both tat) and not appearing to have a shuttle with me, I borrowed
 one of the cards (you know the small ones cross stitchers use to
 store
 their threads on) from Anne and used that. A bit cumbersome, but it
 worked. Later, back at home, I discovered I had had my shuttle hiding
 at
 the bottom of my equipment all the time!  
 
 -- 
 Jane Partridge
 
 
 -- 
 No virus found in this outgoing message.
 Checked by AVG Anti-Virus.
 Version: 7.0.322 / Virus Database: 266.11.17 - Release Date:
 25/05/2005
 
 


from susan in tennessee,u.s.a.



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[lace] petals website

2005-05-30 Thread Bev Walker
Hi everyone, Lynn and other beginners, also for leaf 'improvers'
Here is the site I was looking for - yes, it's in French, but the pictures
speak universal ;)
go to
http://perso.wanadoo.fr/dentelle.fuseau/
on the left hand list of links click on Trucs et astuces (tricks and
hints) then scroll down to Points d'esprit ovale, click on photos:Point
d'esprit ovale - and there it is, all in photos

Thank you to Brenda for the suggestion of
http://www.gwydir.demon.co.uk/jo/lace/
this one doesn't seem to have instructions for leaves/tallies (but it is a
good on-line instructional page!)
 --
bye for now
Bev in Sooke, BC (on Vancouver Island, west coast of Canada)
Cdn. floral bobbins
www.woodhavenbobbins.com

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[lace] Re: petals

2005-05-30 Thread Tamara P Duvall

On May 30, 2005, at 12:15, Bev Walker wrote:


Hi T. and everyone

After setting in the pin (between the two pairs), make a cloth stitch
(CTCT). Counting from left to right, the 3rd thread is your weaver.


Not wanting to confuse the issue with the name-the-stitch discussion, 
but

still:

Did you mean cloth stitch (CTC)?


Yes, indeed I do; don't know how that extra T managed to sneak into the 
text; it doesn't into the leaf :)



I make a CTC (not a CTCT) before starting the leaf/tally/petal


Yes, so do I; irrespective of how you make the leaf (in hands, on the 
pillow, over under, TTC, whatever), all the books seem to tell you to 
start with CTC (cloth stitch)


Lynn: most abject apologies for the coinfucion; you said you'd printed 
out the directions. Please correct that oopsie.


Bev: many thanks for catching it. It's yet another proof of my theory 
that it's better to answer questions on the list  than off; your 
chances of getting free proofreading are greater :)


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Help with square Valenciennes ground, please

2005-05-30 Thread Tamara P Duvall

On May 30, 2005, at 5:56, Jean Leader wrote:


What we'd particularly like to know about is

1. Angle of the ground - 45 degrees? 50 degrees? or something else?


Something else, though don't know what it is. I seem to remember 
Giusiana saying it was 55degrees, but won't swear to it (nor to 
anything else I seem to remember g).


2. What is the best way of working the plait crossing? There seem to 
be several variations.


I have two books on the subject: Annick Staes' Valenciennes (a 
portfolio) and Valenciennes Variaties by Yvonne Krijgsman and 
Margreeth Dirksen. Staes has some general information on the lace; 
Variaties are patterns only.


I can't find a diagram of the square ground in the first, but there's a 
connection between the ground and the footside illustrated, and it 
seems to indicate that it's likely to be the same as the plait crossing 
in the Variaties book, which *does* have a diagram of both the ground 
and the ground/footside connection. According to the diagram:


Both plaits approach the crossing in untwisted state (ie, end with TC)
Cloth stitch (CTC) the two centre pairs.
Cloth stitch the two lh prs. Cloth stitch the two rh prs.
Plait (TC) to the next crossing.

3. Where best to place the pin - in centre of crossing? to one side? 
below?  We know the ground should really be worked without pins but 
reckon we need to work up to that!


I'd put it under the CTC of the two centre pairs, since that's the 
weight-bearing stitch, where the two plaits meet for the first time 
after travelling on a diagonal path (always a stretchy proposition). 
But I could be influenced by the way Flanders pins its rosy ground: 
only the first and the last stitches are pinned, both underneath (open 
pin), while the side stitches are left to sift for themselves.


Staes goes on to say about the Square Ground:
Most old prickings had no pinholes, except for the odd single pinhole 
to be found within the ground area of some very wide designs. These 
pinholes were used for support pins. Without these support pins, the 
diagonal pinless mesh would probably have become too extended to keep 
its shape


And, in another passage, Basic rules, she says:
Threads are not pulled so firmly as in most other bobbin laces. With 
Valenciennes Laace, it is not what you pull that matters, but what you 
DON'T PULL. Use a larger pillow to enable the bobbins to be spread wide 
apart when making the ground stitches. This is one of the secrets of 
achieving a neat pinless ground


I've never made any Val myself, but I have used the square ground plait 
crossing in a couple of guipure (Cluny/Beds) patterns. Not a whole slew 
of them (as in a ground), but a few in a quick sequence (the plaits 
between crossings were shorter than in Val). I found them very nice and 
easy and *tight*. That is, a supporting pin wasn't necessary, if 
tensioning was just so. But, also, I used linen thread, which tends 
to hold/mesh better than cotton (and never mind *silk* g). Which 
probably wouldn't be possible in reproduction Val, since there's no 
linen fine enough to be had now.


PS Many thanks, Jean, for the article on Kat Stitch Ground (Lace 118, 
April '05). It's the clearest diagram/explanation of Paris Ground I've 
ever seen; I especially like the grey/black part, which shows precisely 
which pairs move down and which diagonally. Now that things are 
*clear*, I may even try it one day :) It is, BTW very similiar to the 
Round Ground shown in Staes' Valencienne portfolio, except that Val 
had two twists, not one, at the crossings. But that's where I'd put the 
pin in Val ground too, if I had to...


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] Picture of a needlelace needle required

2005-05-30 Thread Jeriames
In a message dated 5/29/05 9:35:44 AM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:


 I have just discovered that I do not have a picture of a real needle lace 
 
 needle (as opposed to a doll needle etc.)
 
 Can anyone send me a scan/picture of one please?
 

Dear Brian,

You have not said how you plan to use the needle photo.  If it is to 
illustrate something on your Web Site, you need more information about 
needlelace, so 
that people will not be mis-led.  Nearly always, more than one type of needle 
is used for different stages in the making of a single piece of needlelace!

I have made a variety of needlelaces, and a variety of needles are 
appropriate, depending on the type of needlelace being made and the threads to 
be used.  
It's like bobbins - you use what works for the type of lace you are making 
and the thread(s) you are using!

Books of four different prominent needlelace book authors from the U.S. and 
England have been referenced below in pretty much direct quotes, and if you 
looked at more books by experts you would find even more recommendations!
Each 
of these authors has written more than one book on needlelace, and there are 
many more authors of fine books on the subject.  I am not aiming at over-kill 
here but an attempt to clear up a misconception that one type of needle will 
suffice.

1.  Jill Nordfors Clark, Needle Lace Techniques  Inspiration - modern 
needlelaces made with a great variety of threads, and needlelaces made on 
sewing 
machines:  Along with tapestry (blunt-ended) needles with a large eye and large 
darning needles, you will need a selection of sharp-pointed needles.  If you 
are planning to incorporate tiny beads, you'll also need a beading needle.  
For machine stitching on paper #90/14 (or larger) sewing machine needles are 
required.

2.  Pat Earnshaw, Needlelace (Merehurst Embroidery Skills series):  Sharps 
for couching down the outlining thread, since the needle has to be pushed 
through both the pattern and its support.  A blunt-tipped needle, either ball 
point or tapestry, is used for working the stitches; its *rounded tip cannot 
accidentally split the threads*.

3.  Valerie Grimwood, Starting Needlepoint Lace - A Course for Beginners:  
1 - Ball-pointed sewing needles for the lace stitches.  2 - Ordinary fine 
sewing needles for tacking and couching.

4.  Nenia Lovesey, Introduction to Needlepoint Lace:  For the couching down 
of the design:  *Betweens have a round eye and a No. 8 is about right when 
using sewing cotton.  *Crewels have long eyes and a No. 10 is right for single 
strands of stranded sewing cotton or silks of a higher number than 100/3s.  
*Sharps No. 8 has a round eye; the needle is finer and longer than the No. 8 
Betweens.  For making the lace stitches:  *Ballpoint needles were first 
introduced 
to use with man-made stretch fabrics, but have proved their worth for working 
the needlelace stitches as they have blunt ends and small round eyes, whereas 
*Tapestry needles have thick wide eyes that can spoil the lie of the close 
work.

With the instructions in these or any needlelace books, it would be wise to 
use the threads recommended, as they are the ones that will fit the needles.  
Each author has done the work for you - determining what is best for the 
instructions in her book.

Lace, as you know, is not a subject that can be condensed correctly into a 
one sentence summary.  The same is true of the tools and thread used to make 
many varieties of lace.

Kindest regards,

Jeri Ames in Maine USA
Lace  Embroidery Resource Center

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[lace] Needlelace

2005-05-30 Thread Elizabeth Ligeti

Brian  Jean Cooranbong, Australia
- I will contact you off list with some NL pictures etc.
Regards from Liz in Melbourne
[EMAIL PROTECTED]

-
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[lace-chat] Don't ask just play

2005-05-30 Thread Jean Nathan

This hasd been around for a long time. It's is a geometric progression.. You
send to ten, who each send to ten (10 x 10), who each send to 10 (10 x 10 x
10) and so on. Bit like a virus - so many emails being generated - can we
clog up the email system? Probably not, but how annoying when you get so
many of these in your inbox when the people you send to send them back

Jean in Poole

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Re: [lace-chat] Re: These made me laugh too

2005-05-30 Thread Jenny Barron
Yours, plowing through the entire series (now that I've finally 
assembled all its ingredients and can read the books in order) of the 
detective feats of the 17th c samurai Sano Ichiro, and learning bits 
about the political system of Japan of that time.

that sounds interesting Tamara, I loved Robert Van Gulik's Judge Dee series set 
in 7th century China - are there many books in the series? Is it also a trait 
of lacemakers that we have to read books in orderg. I have to confess I will 
not read part of a series of books - even if they are stand alone books - if I 
cannot get them all, I'm sure I miss out on books that I would love but I can't 
help it

jenny barron

Scotland

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[lace-chat] admin: chain letters

2005-05-30 Thread spindexr
Gentle spiders,

If you all want to participate in this chain letter and clog up your inboxes, 
please feel free to do so by private mail. I don't think we need to see this 
again on lace-chat. Thanks!

Best wishes,

Avital
Moderator

 Sorry, guys, it's quick and for a kid's school project! This is
 for a science fair project. If you could do this I would 
 appreciate it!
 DON'T ASK, JUST PLAY! Copy and paste this letter into a new email
 (PLEASE do NOT hit Forward), then read the list of names. If your
snip

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[lace-chat] Latest Star Wars movie

2005-05-30 Thread Jennifer Audsley
Hi Spiders,

I saw SW Ep III a week ago with 2 of my boys (aged almost 10 and almost 8). 
They are SW fanatics - as is their little brother, aged 3 and a half, who was 
WAY young to see the movie, but is very cross he didn't get to see it. They 
loved it. They found 2 scenes a bit confronting, but nothing too bad.

From an adult perspective, it is very long and a bit boring, however there are 
some good bits interspersed here and there, and I absolutely loved the last 5 
minutes or so. It segues beautifully and cleverly into Ep IV, almost bought a 
tear to my eye! As someone who has always enjoyed the SW saga, I think it is 
well worth the price to see how everything all ties in. There are plenty of 
faults, and I found some the supposed motivation unconvincing, but am glad to 
have seen it. 

Enjoy it (no lace outfits for Padme in this one, tho plenty of dumb outfits - 
why didn't someone have a long talk with George Lucas??? Three strings of 
pearls around the shoulders/decolletage on a negligee - youch!!)

Jen in chilly Melbourne, Australia. 

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[lace-chat] Humour - risque

2005-05-30 Thread David Collyer

Subject: These are quite funny

Subject: Top Ten He Said She Said
10) He said... I don't know why you wear a bra; you've got nothing
to put in it. She said...You wear pants, don't you?
9) She said...What do you mean by coming home half drunk?
He said... It's not my fault...I ran out of money.
8) He said... Since I first laid eyes on you, I've wanted to make
love to you really badly. She said...Well, you succeeded.
7) He said... 'Two inches more, and I would be king'
She said...'Two inches less, and you'd be queen'
6) On wall in ladies room: My husband follows me everywhere..
Written just below it: I do not.
5) He said... Shall we try swapping positions tonight?
She said...That's a good idea you stand by the ironing
board while I sit on the sofa and fart. 
4) Priest... 'I don't think you will ever find another man like
your late husband.'
She said...'Who's gonna look?'
3) He said.. What have you been doing with all the grocery money
I gave you?
She said...Turn sideways and look in the mirror you fat bastard.
2) He said... Let's go out and have some fun tonight.
She said...Okay, but if you get home before I do, leave the hall
light on.
1) He said... Why don't you tell me when you have an orgasm?
She said...I would, but you're never there.

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Re: [lace-chat] Re: Van Gogh's family tree

2005-05-30 Thread David Collyer

Dear Friends,

Tamara, say gracht (canal)

I'd do my best (imagine choking on a chicken bone twice, with an aaah in 
the middle), and the room would explode in friendly laughter; ah... 
they'd say, you *might* 'make it' in *Belgium*, but, in Netherlands, you 
need to practice a lot more...


I had to laugh at that. When I was learning Dutch the phrase they used to 
give me was:

acht en tachtig verschrekkelijkke kacheltjes [88 terrible little stoves].
My spelling is no doubt off a bit.

Glottal is right, Lynn; we have trouble coping with it because, except 
for the Netherlands version of Dutch, glottal stops of that intensity are 
used only in African and Arabic languages;


Actually I don't regard the g and ch in Dutch as glottal stops at all. 
Yes, they are guttural but not stopped. Aslo there are many Aboriginal 
Australian languages which have really good glottal stops in them. In the 
Gupapuynggu family of languages of Nth East Arnhem Land, the glottal stop 
is actually a letter in their alphabet and written with an apostrophe, e.g.:-

wangalili' ngarra marrtji - to home I go.
David in Ballarat


And, to finish, here's a delicious (love the multiple meanings g) 
addition to the original Van Gogh's Family Tree:


From: R.P.


When I forwarded the Van Gogh joke, my malacologist friend (studies
snails) replied with this:


  And of course, his snail-eating French cousin... Escar Gogh


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace-chat] Humour

2005-05-30 Thread David Collyer
Dear Friends,
I'm biting the bullet here - don't mean to offend anyone, but it did make 
me laugh
David in Ballarat

The train was quite crowded, so the U. S. Marine walked the entire length
looking for a seat, but the only seat left was taken by a well-dressed,
middle-aged, French woman's poodle

The war-weary Marine asked, Ma'am, may I have that seat?

The French woman just sniffed and said to no one in particular,

Americans are so rude. My little Fifi is using that seat.

The Marine walked the entire train again, but the only seat left was under
that dog.

Please, ma'am. May I sit down? I'm very tired.

She snorted, Not only are you Americans rude, you are also arrogant!

This time the Marine didn't say a word, he just picked up the little dog,
tossed it out the train window, and sat down. The woman shrieked, Someone
must defend my honor! Put this American in his place!

An English gentleman sitting nearby spoke up,

Sir, you Americans often seem to have a penchant for doing the wrong
thing. You hold the fork in the wrong hand. You drive your cars on the
wrong side of the road. And now, sir, you've thrown the wrong bitch out the
window.

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re: [lace-chat] These..laugh/books in order

2005-05-30 Thread Bev Walker
Hi everyone and Jenny who wrote:

 in 7th century China - are there many books in the series? Is it also a
 trait of lacemakers that we have to read books in orderg. I have to

Not this lacemaker ;)
If it happens that I have the chance, I would read them in order, but if
not, I read them as I have them. Also
I read the end of a book first so I don't get overanxious about the story
arc :p

I did read the first Diana Gabaldon Highlander book first, skipped through
the second, and didn't bother with the others until Fiery Cross, read all
but one segment of that, and I won't bother reading her last one when or
if it is out. I've been reading any and all Mary Stewarts, though hers are
novels and needn't be read in order (except the Merlin trilogy - which I
read out of order but only because that's how the books happened by,
including the '4th' one) um, where was I - I think it is useful for
reading a career writer's work to begin at their beginning,
but not something I adhere to.
What I am reading now,  the first of Alex. McCall Smith's 'series'
beginning with the No. 1 Ladies Detective Agency.
-- 
bye for now
Bev in Sooke, BC (recovering from a heat wave on Vancouver Island, west
coast of Canada)
Cdn. floral bobbins
www.woodhavenbobbins.com

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re: [lace-chat] Star Wars...

2005-05-30 Thread Bev Walker
Hi Jane and everyone

No I haven't seen it, yes I'm going to - 2 of my adult sons went and want
to go again. The one, a techno-geek, liked the cool FX; the other
appreciated the story resolution. I don't know if George Lucas can be
saved from himself, I still like the 'second' (= the 5th episode)(talk
about viewing stuff out of order LOL) best, he is a brilliant producer, a
stifling director and a plain bad writer :p

I highly recommend buying the soundtrack to Revenge of the Sith - the
bonus DVD is worth every penny (in fact I consider I had paid for the
music dvd, and got a bonus soundtrack). It is an hour-long encapsulation
of the entire 6 movies, with elegant intro. to each segment by a most
un-Palpatine Ian McDiarmid, and including footage from RotS. The sound and
visuals are stunning technical achievements, best seen on the most
up-to-date viewing device (with digital output) but not bad at all on an
aging television set and cheapie surround sound system.

-- 
bye for now
Bev (Sky)Walker in Sooke, BC (on Vancouver Island, west coast of Canada)
Cdn. floral bobbins
www.woodhavenbobbins.com

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[lace-chat] Weekend Residential Workshops

2005-05-30 Thread Jane Dickinson
Dear Arachnes

 

To all of those that have notified me that my website was down over the past
year, at last please note the new website address;

 

www.greatescapes-weekends.com http://www.greatescapes-weekends.com/ 

 

After a year of computer problems, I 'think' we are up and running now and
I'm hoping to have more time again for Arachne!  The website is still
officially 'under construction' but the links all work and the information
is all there.

 

To any of you within reach of my venues you are welcome to drop in and see
what is going on on any of my weekends.  The tutors usually put on very good
displays of their work.  It is great to see the pieces from the books in
real life.  There is always the 'work in progress' to look at too!  

 

I hope to see some of you somewhere.

 

Best wishes.

 

Jane Dickinson, organiser of Great Escapes Lace, Bead  Embroidery Weekends 

East Sussex, UK

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[lace-chat] Motivation in Star Wars

2005-05-30 Thread Martha Krieg
I didn't in fact find the motivation thin - I found it classically 
tragic, on the lines of the cause of the murder of Oedipus...

--
--
Martha Krieg   [EMAIL PROTECTED]  in Michigan

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[lace-chat] Japanese mysteries

2005-05-30 Thread Tamara P Duvall

On May 30, 2005, at 3:41, Jenny Barron wrote:

that sounds interesting Tamara, I loved Robert Van Gulik's Judge Dee 
series set in 7th century China


I liked those too, but like these better :)


 - are there many books in the series?


9 so far: 1) Shinju, 2) Bundori, 3) The Way of the Traitor, 4) The 
Concubine's Tattoo, 5) The Samurai's Wife, 6) Black Lotus, 7) The 
Pillow Book of Lady Wisteria, 8) The Dragon King's Palace and 9) The 
Perfumed Sleeve.


At least... There may be 10, but only 9 are available in paperback. And 
I can't check, because the last one is still on its way to me (usually, 
the paperback has a preeview of the forthcoming hardback). I had 
confirmation that it had been sent, so it seemed safe enough to start 
reading the series; the books are fairly long, and, with luck, the last 
one will reach me by the time I'm ready for it g


Is it also a trait of lacemakers that we have to read books in 
orderg.


Probably nothing to do with lacemaking and all to do with personality 
traits (I'm a tad obsessive g), but I like to read a series in order. 
I'm as much interested in the life and development of the recurring 
characters, as I am in the central plot/mystery (possibly even more 
g). And, given my bad memory, I'm not likely to make much sense of 
that, unless I read the books in order.


When I came accross The Way of the Traitor at my library, it looked 
interesting and I checked it out. Only to discover that it was the 3rd 
in a series, and the library didn't have the first two... :( So, I 
bought them, read them, then gave them to the library *before* checking 
out #3 again and finally reading it :)  Afterwards, I made sure I read 
each book as it came out - or so I thought. But, recently, I discovered 
#8 on the new books shelf, and found that I had missed #7. And, again, 
the library didn't have it... Enough was enough, and I decided to get 
the whole series for myself. It'll now be always to hand if I want to 
check a detail, and I won't have to watch the library shelves, but the 
lists of new stuff on Amazon or Barnes and Noble (and then can order it 
from my local bookstore).


Same story on another favourite mystery series of mine: Sharan Newman's 
 Catherine LeVendeur series (12thc France mostly, but one book was set 
in England and one in Germany). Of the 7 books (published as 
paperbacks) to date, I've read 5 and now own 5 (but not the same 5 
g). The remaining 2 are on their way to me. When I've finished 
reading about Ichiru and Reiko (his wife), I'll enjoy reacquainting 
myself with Catherine and Edgar (her husband). In proper order :)


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace-chat] :) Fwd: Cats

2005-05-30 Thread Tamara P Duvall

Just so... :)


From: B.R.


Four men were bragging about how smart their cats are.
The first man was an Engineer, the second man was an Accountant, the
third man was a Chemist, the fourth was a Government Employee.

To show off, the Engineer called to his cat,T-square, do your stuff.
T-square pranced over to a desk, took out some paper and a pen and
promptly drew a circle, a square, and a triangle.
Everyone agreed that was pretty smart.

But the Accountant said his cat could do better.
He called his cat and said, Spreadsheet, do your stuff.
Spreadsheet went out into the kitchen and returned with a dozen cookies.
He divided them into 4 equal piles of 3 cookies each.
Everyone agreed that was good.

But the Chemist said his cat could do better.
He called his cat and said,Measure, do your stuff.
Measure got up, walked over to the fridge, took out a quart of milk, got
a 10 ounce glass from the cupboard and poured exactly 8 ounces
without spilling a drop.
Everyone agreed that was good.

Then the three men turned to the Government Employee and said, What can
your cat do? The Government Worker called to his cat and 
said,Coffee-Break, do your

stuff.

Coffee-Break jumped to his feet, ate the cookies, drank the milk, 
cr*pped on the paper,
screwed the other three cats, claimed he injured his back while doing 
so, filed a grievance report for unsafe working conditions, put in for 
Workers Compensation and went home for the rest of the day on sick 
leave.


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace-chat] :) Fwd: St. Peter

2005-05-30 Thread Tamara P Duvall

Another Pearly Gates one; they tend to be really good...


From: B.R.


Three men died on Christmas Eve and were met by Saint Peter at the 
Pearly Gates.
In honor of this holy season, Saint Peter said, You must each 
possess something that symbolizes Christmas to get into heaven.


The first man fumbled through his pockets and pulled out a lighter. He 
flicked it on.

It represents a candle, he said.
You may pass through the Pearly Gates, Saint Peter said.

The second man reached into his pocket and pulled out a set of keys.
He shook them and said, They're bells.
Saint Peter said, You may pass through the Pearly Gates.

The third man started searching desperately through his pockets and 
finally pulled out a pair of women's panties. St. Peter looked at the 
man with a raised eyebrow and asked, And just what do those 
symbolize?

The man replied, These are Carols.

--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace-chat] Re: Van Gogh's family tree

2005-05-30 Thread Lynn Carpenter
 Jean Nathan [EMAIL PROTECTED] wrote:

 Only works in the UK because we know van Gogh is pronounced 'van Go' 
 in the
 US. The UK tends to pronounce it 'van Goff'.

and I replied:
 And in the Netherlands, they pronounce it with a difficult, I don't 
 know,  glottal? sound.

and Tamara P Duvall [EMAIL PROTECTED] wrote:

Tamara, say gracht (canal)

I'd do my best (imagine choking on a chicken bone twice, with an aaah 
in the middle), and the room would explode in friendly laughter; 
ah... they'd say, you *might* 'make it' in *Belgium*, but, in 
Netherlands, you need to practice a lot more...

Glottal is right, Lynn; we have trouble coping with it because, 
except for the Netherlands version of Dutch, glottal stops of that 
intensity are used only in African and Arabic languages; all European 
ones are much more gentle :)

Yeah, I can hear it in my head, but I can't *make* that sound voluntarily.
At least not when I am healthy!

Now in the middle of the winter, in the middle of the second cold (the one
that followed right on the heels of the first cold), I might wake up in the
middle of the night making similar noises, but at that point I'm trying to
breathe, rather than communicate.

Lynn Carpenter in SW Michigan, USA
alwen at i2k dot com
Who confesses to being mostly Dutch -- you can't tell a thing from last
names!

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[lace-chat] Re: pronunciation

2005-05-30 Thread Lynn Carpenter
Jean Nathan [EMAIL PROTECTED] wrote:

I don't know about anyone else, but when I read the emails from the list, 
Tamara, Joy, Lynn, Pam, Joy and everyone else have all written them in a 
slight 'East End of London' accent because that's how I speak so that's how 
I read them.

And I mostly hear you guys (that's Michigan-accent for y'all) with my
undetectable-to-me Michigan accent.

http://www.michigannative.com/ma_home.shtml

:)

Lynn Carpenter in SW Michigan, USA
alwen at i2k dot com

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[lace-chat] Re: pronunciation

2005-05-30 Thread Martha Krieg
Lynn, This site is a hoot!  Yes, lots of people around here DO talk 
like that -- not so much the college-educated ones, but definitely 
the clerks at Walmart's!  (One addition: He wonders why it's ink 
pen. Undoubtedly that is a result of the immigration of factory 
workers from the South, where some dialects have the same vowel in 
pen as in pin. Since you don't want a lace-making pin to write a 
check with, you'd have to specify an ink pen.


An awful lot depends on the family you were brought up in, too. My 
father originally wanted to be a radio announcer, so he taught 
himself standard American instead of rural western Ohio in the 
30's, so we learned a relatively neutral dialect. Lots of people in 
my home town in Ohio did say warsh and punkin (pumpkin) - but it 
was never heard from any of my family. Dad spent his life as an 
industrial power salesman for the electric utility, rather than on 
the radio, but undoubtedly the higher-class accent was a useful thing 
for him in that as well.


At 9:31 PM -0400 5/30/05, Lynn Carpenter wrote:

Jean Nathan [EMAIL PROTECTED] wrote:


I don't know about anyone else, but when I read the emails from the list,
Tamara, Joy, Lynn, Pam, Joy and everyone else have all written them in a
slight 'East End of London' accent because that's how I speak so that's how
I read them.


And I mostly hear you guys (that's Michigan-accent for y'all) with my
undetectable-to-me Michigan accent.

http://www.michigannative.com/ma_home.shtml

:)

Lynn Carpenter in SW Michigan, USA
alwen at i2k dot com

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--
--
Martha Krieg   [EMAIL PROTECTED]  in Michigan

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