Re: [lace] Book Search

2009-05-22 Thread Sue Duckles

Morning Spiders

I get the impression that there are a lot of lace books that are out  
of print.  Why they can't be released on cd gets me.  Rather than  
their being reprinted, it would be useful if these old books could be  
scanned and put onto cd, cheaper than reprinting, more environmentally  
friendly on trees, can be used on computers (if they were .pdf files,  
they could be used on ALL computers) and we could print out the pages  
we need!


My ten pennorth anyway.

Sue in EY
On 21 May 2009, at 23:37, Susan Reishus wrote:


 It
seems most of the books I want are OOP and so it has been slow going.
Please let me know off list, and apologies if this is an  
unacceptable request.


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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Sue Duckles
Come on Shirley, put us out of our misery. we know the bobbins are  
now unavailable, but what style of bobbins were made??


Sue in EY
On 22 May 2009, at 04:05, Tamara P Duvall wrote:


On May 21, 2009, at 11:28, Jensen Marilyn wrote:

I have some aluminum bobbins which make such a wonderful sound when  
lacing- does anyone know who the maker is/was and if they are still  
making them?


I used to have a couple of aluminium hookies and they were made by  
someone in Australia. Tregellas, maybe? I'm pretty sure that the  
same supplier made straight bobbins as well.


Sorry not to be of more help but, if we keep your query on the front  
burner, perhaps someone's memory (better than mine) will be jogged?


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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Sue Duckles
I got some of the RGS bobbins at Harrogate.  Haven't spangled them  
yet. but they will be on the pillow soon as I get some beads to  
tone!  Gorgeous colours!


Sue in EY
On 22 May 2009, at 07:15, Jacqui Southworth wrote:


On Thu, 21 May 2009 23:44:54 -0400, you wrote:


So, I got this, which, I think, can be safely forwarded to the
list-at-large, without offending Lauren. It seems that I was right
about the source of the aluminium bobbins. And, if so, then maybe
Shirley Tregellas herself will tell us whether those bobbins are  
still

available or not; I think she reads our list occcasionally.


I used to sell the aluminium bobbins from Tregallas, and he stopped
making them around 2001 - he made quite a few for the CD 2000 project,
so it was definitely after 2000 - he stopped due to ill health.
I still get asked for them, and there is another person making them in
the UK - RGS Engineering:
http://rgsengineering.net
He makes them in lovely colours too. We saw him recently at the
Chepstow Lace Fair.
ttfn Jacqui


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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Lesley Blackshaw

Sue Duckles wrote:
I got some of the RGS bobbins at Harrogate.  Haven't spangled them 
yet. but they will be on the pillow soon as I get some beads to 
tone!  Gorgeous colours!





I saw those and was definitely tempted, but I'd just bought a book and 
had come to the end of my budget.  Have you used them before - I 
wondered how they handle as they did seem very light - do you think 
they'll need heavier beads?  Let me know how you get on with them.


Lesley

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Re: [lace] Book Search

2009-05-22 Thread Sister Claire
The Digital Archive of Documents Relating to Lace 
http://www.cs.arizona.edu/patterns/weaving/lace.html is right up your
alley.  =)

Sr Claire

On Fri, May 22, 2009 at 11:54, Sue Duckles s...@duckles.co.uk wrote:

 Morning Spiders

 I get the impression that there are a lot of lace books that are out of
 print.  Why they can't be released on cd gets me.  Rather than their being
 reprinted, it would be useful if these old books could be scanned and put
 onto cd, cheaper than reprinting, more environmentally friendly on trees,
 can be used on computers (if they were .pdf files, they could be used on ALL
 computers) and we could print out the pages we need!

 My ten pennorth anyway.

 Sue in EY
 On 21 May 2009, at 23:37, Susan Reishus wrote:

   It
 seems most of the books I want are OOP and so it has been slow going.
 Please let me know off list, and apologies if this is an unacceptable
 request.


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 To unsubscribe send email to majord...@arachne.com containing the line:
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 arachnemodera...@yahoo.com


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Re: [lace] Book Search

2009-05-22 Thread Sue Duckles
I've got that site bookmarked!  Excellent isn't it Sr Claire!

Thanks

Sue in EY
On 22 May 2009, at 10:38, Sister Claire wrote:

 The Digital Archive of Documents Relating to Lace 
 http://www.cs.arizona.edu/patterns/weaving/lace.html 
  is right up your alley.  =)

 Sr Claire

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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Sue Duckles
Do all bobbins need to be the same weight?  IMHO I'd have thought not,  
some old bobbins could have buttons on them, different weight to glass  
beads or would one not put bone and wood bobbins together, or ones  
with wood beads as opposed to glass.  Some ebay sellers put plastic  
beads on  what do others think?


Sue in EY
On 22 May 2009, at 10:16, Lesley Blackshaw wrote:


Sue Duckles wrote:
I got some of the RGS bobbins at Harrogate.  Haven't spangled them  
yet. but they will be on the pillow soon as I get some beads to  
tone!  Gorgeous colours!



I saw those and was definitely tempted, but I'd just bought a book  
and had come to the end of my budget.  Have you used them before - I  
wondered how they handle as they did seem very light - do you think  
they'll need heavier beads?  Let me know how you get on with them.


Lesley


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[lace] Aluminum Bobbins

2009-05-22 Thread Margot Walker
I mix bobbins of different sizes, weights, and materials without any  
problem.  I do have a pair of the Tregellas aluminum bobbins and they  
are light.  So when I spangled them, instead of a larger bobbin bead,  
I used silver charms from the charm bracelet that I had as a teenager.


On 22 May 2009, at 06:47, Sue Duckles wrote:

Do all bobbins need to be the same weight?  IMHO I'd have thought  
not, some old bobbins could have buttons on them, different weight  
to glass beads or would one not put bone and wood bobbins  
together, or ones with wood beads as opposed to glass.



Margot Walker in Halifax on the east coast of Canada
Visit the Seaspray Guild of Lacemakers web site:
http://www3.ns.sympatico.ca/quinbot

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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Lesley Blackshaw

Sue Duckles wrote:
Do all bobbins need to be the same weight?  IMHO I'd have thought not, 
some old bobbins could have buttons on them, different weight to glass 
beads or would one not put bone and wood bobbins together, or ones 
with wood beads as opposed to glass.  Some ebay sellers put plastic 
beads on  what do others think?|


I was thinking more that they seem very light and I've got a couple of 
light bobbins that I find don't handle as well as the heavier ones - 
especially with regard to tension.


Would appreciate the comments of those with more expeience than I.

Lesley

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Re: [lace] Book Search

2009-05-22 Thread Clay Blackwell

Actually, some books now are available on disk, but not many.

Clay

Sue Duckles wrote:

Morning Spiders

I get the impression that there are a lot of lace books that are out 
of print.  Why they can't be released on cd gets me.  Rather than 
their being reprinted, it would be useful if these old books could be 
scanned and put onto cd, cheaper than reprinting, more environmentally 
friendly on trees, can be used on computers (if they were .pdf files, 
they could be used on ALL computers) and we could print out the pages 
we need!


My ten pennorth anyway.

Sue in EY
On 21 May 2009, at 23:37, Susan Reishus wrote:


 It
seems most of the books I want are OOP and so it has been slow going.
Please let me know off list, and apologies if this is an unacceptable 
request.


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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Clay Blackwell
I'm not claiming to have more experience than you, Lesley, but I will 
share my thoughts anyway!  When I'm working a project, I'm not watching 
the bobbins, I'm watching the work.  So I pick up all bobbins the same.  
If it's larger and heavier than the others, I may fumble it.  If it's 
lightweight, or significantly smaller, I may treat it (and the thread 
attached) too aggressively, affecting the tension.  When I work with 
Binche bobbins, I've finally decided that they all need to be the same 
type Binche bobbin on a project.  Maybe I'm being obsessive/compulsive 
(and yes, I have this tendency!), but that's just the way it works best 
for me.  I have two different types of Binche bobbin, one which is 
slightly larger and heavier than the other.  I like both types, but 
don't mix them.


I think with my Midlands, there is more lattitude.  But since the 
bobbins are mostly shaped the same, and have spangles that are 
consistent in size (my OCD again??), I don't have as much trouble with 
differences. 

I have a large project on a pillow right now that must have four or five 
different types of bobbins on it.  I'm not enjoying this, because I'm 
constantly having to pay attention to the bobbins as well as the 
threads.  But...  we do what we have to do!!  I am not willing to go out 
and buy three dozen more bobbins to fill in this project!!


Clay

Lesley Blackshaw wrote:

Sue Duckles wrote:
Do all bobbins need to be the same weight?  IMHO I'd have thought 
not, some old bobbins could have buttons on them, different weight to 
glass beads or would one not put bone and wood bobbins together, 
or ones with wood beads as opposed to glass.  Some ebay sellers put 
plastic beads on  what do others think?|


I was thinking more that they seem very light and I've got a couple of 
light bobbins that I find don't handle as well as the heavier ones - 
especially with regard to tension.


Would appreciate the comments of those with more expeience than I.

Lesley

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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Beth Marshall
I have a couple of the aluminium bobbins commemorating the CD 2000 project, 
and they are lighter (and a little slimmer) than any of my wooden bobbins.
I love the sound they make, but I personally feel they're too light to use for 
anything except fine thread lace.

I see that the RGS engineering describe their aluminium bobbins as being about 
the same weight as bone bobbins. I only have one bone bobbin, and it's quite a 
small one compared to my wooden midland ones, so ... how do other people find 
bone bobbins compare to wooden ones in weight?

Beth
in a rather showery Cheshire, NW England

 I was thinking more that they seem very light and I've got a couple of
 light bobbins that I find don't handle as well as the heavier ones -
 especially with regard to tension.


 Lesley

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Re: [lace] Re: Odd request: value of lace bobbins

2009-05-22 Thread Sue Babbs
Malcolm Fielding spangled wood bobbins bought in 2003 cost me  between $13 
and $17 each. I guess the smooth finish, the intricacy of his turning, the 
exotic woods and the importing from Australia all contribute to them being 
more expensive than the average wood bobbin. However you can tell when 
you've reached one on the pillow simply by touch. They are wonderful to work 
with


Sue


I agree with whoever pointed out that most wood bobbins, no matter how 
fancy the decoration, were well below $10 each in the '90s, probably more 
like $5 each (less, for the simpler turnings).  I think bone were mostly 
around $10, maybe as much as $15 for the really fancy ones.  Rather than 
trying to identify and price each bobbin, if you use these values ($5 for 
wood, $10 for bone) on the assumption that some of yours were more and 
some were less, that should give you a reasonable assessment of your 
collection's worth.




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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Lesley Blackshaw

Beth Marshall wrote:
I have a couple of the aluminium bobbins commemorating the CD 2000 project, 
and they are lighter (and a little slimmer) than any of my wooden bobbins.
I love the sound they make, but I personally feel they're too light to use for 
anything except fine thread lace.


I see that the RGS engineering describe their aluminium bobbins as being about 
the same weight as bone bobbins. I only have one bone bobbin, and it's quite a 
small one compared to my wooden midland ones, so ... how do other people find 
bone bobbins compare to wooden ones in weight?


Beth
in a rather showery Cheshire, NW England


I don't have any bone bobbins (yet!) so nothing to compare with.  Thanks 
for your comments.


It is rather showery here in Cheshire, isn't it?

Lesley

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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Sue Duckles
I'll have to dig out an unspangled bone and the aluminium one and  
weigh them see if there is a difference, or they're the same  
mind you, different makers bobbins can be different weights, thinking  
of the shapes and sizes!  It's probably so little that it doesn't  
matter... milligrams probably!

Sue in EY
On 22 May 2009, at 13:35, Lesley Blackshaw wrote:

 Beth Marshall wrote:
 I have a couple of the aluminium bobbins commemorating the CD  
 2000 project, and they are lighter (and a little slimmer) than any  
 of my wooden bobbins.
 I love the sound they make, but I personally feel they're too light  
 to use for anything except fine thread lace.
 I see that the RGS engineering describe their aluminium bobbins as  
 being about the same weight as bone bobbins. I only have one bone  
 bobbin, and it's quite a small one compared to my wooden midland  
 ones, so ... how do other people find bone bobbins compare to  
 wooden ones in weight?
 Beth
 in a rather showery Cheshire, NW England

 I don't have any bone bobbins (yet!) so nothing to compare with.   
 Thanks for your comments.

 It is rather showery here in Cheshire, isn't it?

 Lesley

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Regards
Sue.

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Re: [lace] Re: Odd request: value of lace bobbins

2009-05-22 Thread Dmt11home
While Robin makes some good points here, and perhaps the $5/wood, $10/bone
formula is a good one to go with, ultimately. The issue is not what you
paid for  a bobbin in the 1990's or even what you would pay for a bobbin now,
but what you  could sell the bobbin for, now. Typically retail has 100% mark
up. So, the  minute you drive that bobbin out of the showroom so to speak,
you would be  lucky to sell it for half what you paid for it. Also, the
bobbins are used.  They may not be polished, they may have nicks in them.
They may have  thread on them. They may be dusty. I bought hundreds of wood
bobbins from  an estate for a dollar a piece. That was a year or two ago. Now
we are in a  market where houses and stock are worth 30% less than a year
ago in many cases.  If a couple were to split their assets based on the
historical value of their  home and stocks, it would be unreasonable. What is
the
market for used lace  equipment now?
I went into a Metropolitan Museum store at my local mall, which is being
closed due to severe cut backs at the museum, which will be resulting in
layoffs. Everything in the store was at half price, including a lovely
necklace
 such as I had bought to wear to my daughter's graduation two years ago.
Even at  half price, and with my museum discount, I didn't see anything I
wanted to buy,  given the economic climate.
Devon



In a message dated 5/22/2009 12:31:44 A.M. Eastern Daylight Time,
robinl...@socal.rr.com writes:

A number  of people have posted suggestions on who the makers were, and you
have  responded by whether the name sounded familiar.  Another way to do
this  is to look at the websites and old catalogues and see if the *style* is
familiar.  Many bobbin makers have distinctive styles, especially the
shape of the head and the tail.  For example, Acorn bobbins generally  have
an
acorn-shape tail end.  Springett's bone bobbins have a head  composed of a
very round ball with a very flat disk (his wood bobbins don't  have the
distinctive head, but they're shorter than most makers').   Fielding's
bobbins
have a long tapered piece, like a cone, where Springett's  is a thin disk.
Stuart Johnson has a tiny head with deep groove for the  thread.

My suggestion is to start by looking at samples of bobbins, not  just to
find your bobbins but to see if you have some of the same style.   Then you
could write or email the makers to see if they have info on what  their
bobbins sold for in the '90s.

Here's my opinion/suggestion  for the relative pricing.  In general, bone
were much more expensive than  wood (I'd say bone, in the '90s, cost about
what fancy wood Midlands sell for  now, but I don't claim to be expert).
Painting pictures (flowers,  people, scenes) cost a lot more than paint that
colored areas of the bobbin  (barber pole stripes, graduated color).
However,
some detailed painted  designs are actually decals stuck on and lacquered.
 Mother-of-pearl  inlay is quite expensive, pewter inlay significantly less
so.  Beads  and/or wire wrapping are probably somewhere around the price of
pewter  decorations (a little more, a little less, but same ballpark).
Fancy  turning of wood would be a bit less than the extra decorations
mentioned
 above, but certainly worth more than simple/plain bobbins.

I agree with  whoever pointed out that most wood bobbins, no matter how
fancy the  decoration, were well below $10 each in the '90s, probably more
like
$5 each  (less, for the simpler turnings).  I think bone were mostly around
$10,  maybe as much as $15 for the really fancy ones.  Rather than trying
to  identify and price each bobbin, if you use these values ($5 for wood, $10
for  bone) on the assumption that some of yours were more and some were
less, that  should give you a reasonable assessment of your collection's
worth.

Robin P.
Los Angeles, California,  USA
robinl...@socal.rr.com

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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Brenda Paternoster
I like my bobbins to be all the same size and weight.

I mostly work with large continentals (all the same) for thick yarns or
spangled midlands bobbins, and they can vary a lot, in thickness and in
length!  If I mix sizes and weights it affects both tension and ease of
working.

I keep the shorter ones (Springett's etc) in one box and the longer ones
(most other English turners) in another box, and over the years I've been
trying to make the spangles all much the same size; a lot of ready
spangled bobbins have spangles which are a bit light for my taste so I end
up adding a couple of beads but some of my older (used old, I don't have
any antiques) bobbins have spangles which are too big and clunky.

Bone is heavier than wood so I don't mix them with wooden bobbins, but I
have a couple of antler horn and a glass bobbin which mix OK with bone,
and from what I remember of the aluminium bobbins which were around c1980
(I never bought any) they were heavy enough to have mixed with bone. 
Plastic and wood will usually mix together OK.

Brenda

Sue Duckles wrote:
 Do all bobbins need to be the same weight?  IMHO I'd have thought not,
 some old bobbins could have buttons on them, different weight to glass
 beads or would one not put bone and wood bobbins together, or ones
 with wood beads as opposed to glass.  Some ebay sellers put plastic
 beads on  what do others think?



-- 
Brenda in ALlhallows, Kent
http://paternoster.orpheusweb.co.uk/

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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread Malvary J Cole
I have several Aluminum bobbins, but I have no idea who made them.  I also 
inherited a few of mum's aluminum bobbins (although I think hers would 
probably be made of aluminium as they were English)!


I love them.  I don't find them any different to work with except that they 
hold lots of thread because the necks are longer than on most of my wood 
bobbins.  I have a couple which have the names of lakes in the Lake District 
(NW England) and others commemorate marriages and/or births of members of 
the royal family.  They are straight with no other decoration than the 
inscription.


When I was at the Lace Show in Birmingham last November there was a company 
there selling aluminium bobbins, but although I loved the colours I did not 
like the feel of them as they were too heavily decorated with grooves and 
bumps.


I tend to look for plainer shaped bobbins (wire in grooves, pewter inlays 
etc are ok if the bobbin is smooth) and prefer lovely colours in the wood 
grain or other forms of decoration.


Malvary in Ottawa where it is grey at the moment after a very hot sunny day 
yesterday (I got a little bit of sunburn where I missed with the suncream). 


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[lace] Re: Aluminum Bobbins

2009-05-22 Thread Jane Partridge
In message 5c3e2d9a-e7c6-40da-9a14-d7167a637...@duckles.co.uk, Sue 
Duckles s...@duckles.co.uk writes

I'll have to dig out an unspangled bone and the aluminium one and
weigh them see if there is a difference, or they're the same
mind you, different makers bobbins can be different weights, thinking
of the shapes and sizes!  It's probably so little that it doesn't
matter... milligrams probably!


The aluminium bobbins I have are very light, as aluminium is a 
lightweight metal. Meanwhile, I have bone bobbins that are far heavier 
than any of my wooden ones (which is why I rarely use them)  - the 
exception being small antique ones that are almost travel bobbin size. 
Having one of the ebony and silver bobbins that were produced for The 
Lace Guild's 25th anniversary, I could understand silver or brass 
bobbins being comparable in weight to bone, but not aluminium, it is the 
lightest of the three!


If you have bobbins of more than one type and weight, it probably makes 
sense to separate them and use them according to the thread - thicker 
threads will need heavier bobbins, finer threads lighter ones. You can 
even out the weight in some respect by the spangles, but using a very 
light (eg plastic) spangle on a heavy bobbin will result in an 
unbalanced bobbin, and will be just as annoying in use!


Where spangles are concerned, I hate dangly bits (including the teardrop 
beads sometimes used as bottom beads) and use beads made from glass, 
semi-precious stone or ceramics, sometimes with metal beads for spacers. 
I went through a phase of using glass beads shaped as cats as bottom 
beads, as I liked the beads - in practice, they caught on everything and 
were more of a pain than our three real ones! I haven't re-spangled the 
bobbins, they just rarely see the outside of the case they are in

--
Jane Partridge

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Re: [lace] Kenmare lace search

2009-05-22 Thread Pat Tinney
I am in Texas. I have not been able to find out anything about this except 
for a reference in an article on the Crawford Art Gallery in Cork, Ireland.


http://www.crawfordartgallery.ie/1876-1900.html

There is a reference to the  wife of an American millionaire named 
Winnaces and a quilt costing £300.


There is also a citation for this reference.

HTH
Pat

--
From: Janice Blair jbl...@sbcglobal.net
Sent: Thursday, May 21, 2009 1:50 PM
To: lace lace@arachne.com
Subject: [lace] Kenmare lace search


Hi,
Last night at our guild meeting at the local library, the librarian came 
in to
visit and told us about a trip she had taken to Ireland.  She has come 
back
with a mission.  She visited the Kenmare Lace  Design Center where she 
saw
demonstrations of a local needlelace run by Nora Finnegan.  The center 
also
houses the unique antique Kenmare Lace preserved by the sisters at St. 
Clares

Convent.  www.kenmarelace.ie

They would like to trace a Bedspread and Pillow Cover of Kemore 
Needlepoint

lace which was commissioned by Mrs. Winnaces from the convent of the Poor
Clares, Kemare in 1889.  The cost then was $300 - the cost of 3 houses at 
that

time.  I was thought to be in a museum in Texas run by a Senator Thomas'es
wife - since deceased and the museum is now closed.  This lace was 
described
by Alan Cole in the late 1800's as The most important piece of lace ever 
made

in Ireland.

If any of our Texas Arachne or our more knowledgeable spiders have ever 
heard

of this museum or piece of lace please let me know and I will pass on the
information.  I think the nuns want to have some photos for display in 
their

museum and would like to know who owns the pieces now.

Thanks,
Janice



Janice Blair

Crystal Lake, 50 miles northwest of Chicago, Illinois, USA

www.jblace.com

http://www.lacemakersofillinois.org

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[lace] Book search/Archives/a new book

2009-05-22 Thread tess parrish
It always makes me so happy when someone, Sister Claire in this case,  
introduces the Archives to someone who hasn't heard about them.   
Although we are no longer adding to number of CDs, eight in all, we  
are always ready to scan and post any books or other out of copyright  
(before 1923 or with the permission of the author if newer) and hope  
to keep on doing so as long as they can be found.

And so, the great news for today is that Alex Stillwell has given us  
permission to include her marvellous book The Technique of Teneriffe  
Lace.  It has been scanned and posted, and can be found at  
http://www.cs.arizona.edu/patterns/weaving/ 
Scroll over to This Month and you will find it there, ready to  
read or copy.

We don't have many copies of contemporary books, which is of course  
understandable, but we are extremely grateful to the authors for the  
few that we have been allowed to scan and post.  This is a completely  
volunteer site and we check everything for copyright.  Our only  
request is that anyone downloading books or other materials use them  
for their own purposes and not for any commercial gain.

  We also have requirements for the quality of the scans we are able  
to make, and look for originals that are in good shape.  For instance,  
photocopies don't scan well, and we can rarely use them, sadly.  I am  
always happy to be contacted by anyone who thinks that something she/ 
he has found would be a good addition.

In the case of this book, I have to thank Alex first of all, because  
without her generosity we would none of us be able to read and use  
it.  But I must also thank Jeri Ames, who pulled it down from the  
shelves of her enormous embroidery and lace  library here in Maine and  
who was kind enough to drive an hour to bring it to me.  And not least  
of all, we must all be grateful to John Cropper in Arizona who takes  
my scans, reviews them for errors, turns them into PDFs, and posts  
them on the site for all of us to enjoy.  These make up the team which  
has brought The Technique of Teneriffe Lace to us all.

We are grateful to them all. Now, go take a look!

Tess (tess1...@aol.com) in Maine USA, where yesterday all records were  
broken with a temperature of 93F' (33.9C')!

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[lace] Cro-Knitting: was: broomstick lace

2009-05-22 Thread Joy Beeson

In knitting terms, Tunisian Crochet, aka Afghan Stitch, is
worked by casting stitches onto the single hooked needle,
binding them off by repeatedly pulling a loop through two
loops, then picking up the stitches by pulling a loop 
through each stitch, then binding them off again.


When was a child, we called it cro-knitting and I could do
it long before I learned to knit or crochet.  I never
learned but the the one basic stitch, and used it to make
dishrags out of scraps of cotton rug yarn.  They worked
rather like an abrasive sponge, and lasted a long time.

--
Joy Beeson
http://joybeeson.home.comcast.net/
http://roughsewing.home.comcast.net/
http://n3f.home.comcast.net/ -- Writers' Exchange
west of Fort Wayne, Indiana, U.S.A.
where a long sunny spell is following a long rainy spell.

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Re: [lace] Book Search

2009-05-22 Thread Susan Reishus
I am aware of this, but of course Further Steps in Honiton Lace isn't there
in the Arizone.edu archives.  
I am a visual person, have to touch and have access to all, and printing out
200 pages, typically is a $32 cartridge of ink (or most of it) and then some
paper. 
(I have filled ink cartridges too, but find at least locally, they don't fill
them, and once had the ink run out after about 35 pages, so that is no savings
at all!)
Thank you,Susan Reishus

--- On Fri, 5/22/09, Sister Claire quietasa...@gmail.com wrote:
The Digital Archive of Documents Relating to Lace
http://www.cs.arizona.edu/patterns/weaving/lace.html is right up your
alley.  =)

Sr Claire

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[lace] Aluminum Bobbins (and asst.)

2009-05-22 Thread Susan Reishus
...However you can tell when you've reached one on the pillow simply by
touch...
To me, this says it all.  In a past life I was a competitive drummer, and
carefully chose my sticks before purchasing.  (Rolling on a glass counter
determines if the stick was straight or not, for starters).  I feel the same
with bobbins, so often choose a less expensive wood, but the type and finish
(which varies so much!) and then get as many as I can so they are similar.  I
am a tactile person with recovering perfectionist tendencies however). :-)
Not an advanced bobbin lace maker like many, but consistency in the tools
would make the actual weaving process the primary focus, and enhance the
pleasure so your hand-mind isn't taking in extra info about differences in the
hand and sound.  I believe you buy the best tools you can afford.
I liken it to paring knives.  I remember a wife telling me her husband was a
chef, yet the only paring knife she had was an old steak knife, which made the
job tedious and hard to avoid waste.  I would rather have one good paring
knife, than a bunch of ineffective ones.  
On the aluminum note, there are arguments about toxicity, and some say it is,
and some say it isn't, but note that many well-known knitters died of
alzheimers, when aluminum needles were the main foray.  I was just reading a
medical book last night and they gave more evidence that it does factor into
health.  If you have ever had a metal detox, and specifically aluminum, you
can't believe the difference it makes in how you feel and think!
On the bobbin value subject, my concern is that Arachne posts are available to
everyone/ANYone via search engine, and so what is shared can be used for or
against querant.  I posted what little I had to offer directly to the person
asking because of this.  Perhaps something to consider.  I absolutely LOVE
Devon's sense of equity and let her know personally, as all of her points are
pertinent and relevant.  I suspect she may have some legal education, or
gleaned much practical and lucid wisdom from life.  VBG
Best,Susan Reishus  

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Re: [lace] Book Search

2009-05-22 Thread Jeriames
Dear Book Lovers,

Books on disk will become obsolete technology.  Remember what you were
able to use 14 years ago (when Arachne started).  Some  products are no
longer
usable and may be physically degraded.  In  some cases, it is not possible
to upgrade directly from them, or extremely  complicated measures must be
taken using equipment we do not have in our  homes.

Some books on my shelves that Tess has scanned go back two hundred  years.
At least, some amongst our book collectors are able to  provide originals.

A few old books have been reissued:  It takes time, and long memos to  keep
you informed. And I am told many members delete my messages because  of
length.  I like to write enough that there are no  questions!

Someone told me that the Chinese have obtained all rights to scan books  in
major libraries in the US.  I do not know the details, but just  think
about the possibilities of some books being banned in future.  We  need lace
books in as many forms (printed, scanned, etc.) and  locations as possible -
for future lacemakers.

Jeri Ames in  Maine
Lace and Embroidery Resource Center





**Kick start your favorite grad’s career with mobile email for
under $50.
(http://pr.atwola.com/promoclk/100122638x1221971194x1201441917/aol?redir==htt
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[lace] obsolete technology

2009-05-22 Thread Laceandbits
Please excuse the double posting but there is a lace connection because the 
appeal is on behalf of one of my lace students, and she uses this 
particular piece of obsolete technology to write up lace notes.  At the moment 
she is 
using Brenda Paternoster's bookmark pattern and is way past her 50th 
variation - and that's all on the same size grid so she isn't doing the same 
variation with thick and thin thread and calling it two.  And Brenda will now 
know who I'm talking about.

Anyway, she has a gadget called a Phillips Video Writer which is a word 
processor and printer all in one.  She is able to save to floppy, but although 
we haven't tried that yet I suspect that a modern PC isn't going to be able 
to read the data from said floppy disks.

The problem is that this machine was made from 1986 (or there abouts) and 
discontinued in the 90s, presumably as PCs got cheaper and cheaper.  The ink 
tapes that it uses were discontinued in 2002 (but she didn't know that, and 
didn't stock up) and she is down to her last one.  Each only prints 40 
pages, although I suspect if we can find a way to rewind it, it would print 
through at least one more time, in the same way that typewriter ribbons did.

So..  Does anyone remember these machines and do you know if we 
can rewind/re-use the ink tapes, or arachne miracle time, does anyone have 
any tapes for these machines.  I think they may have made more than one 
version of it; the tape she has is labelled NMS 3030/5.  Or, finally, does 
anyone know what 'language' it worked in; is there any chance my PC could 
read/print from her floppy disks.  If someone thinks I could, I'll get her to 
post 
me one to try.

In hopes Jacquie in Lincolnshire.

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Re: [lace] obsolete technology

2009-05-22 Thread bev walker
Jacqui (and everyone)
There is a device that reads floppies to our latest pc's transferring data
via the USB connection. I have one, found it at a computer part recycling
dealer. Check out the traders in your country, if there is a large dealer
online for instance. I would check with NCIX, here, for instance.

On Fri, May 22, 2009 at 10:04 AM, laceandb...@aol.com wrote:

 She is able to save to floppy, but although
 we haven't tried that yet I suspect that a modern PC isn't going to be able
 to read the data from said floppy disks.


-- 
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west coast of
Canada

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Re: [lace] obsolete technology

2009-05-22 Thread Laceandbits
I had a floppy disk reader installed when I had my PC built, as my digital 
sewing machine works from them, and I have a separate floppy disk reader 
that goes into the USB port, for my lap top, (for the same reason) if that's 
what you mean.  

I have the mechanical technology to read floppies, I just suspect that my 
PC won't understand the language. 

Or did you mean you can buy a reader that can translate?

Jacquie

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[lace] Re: Size of Bobbins

2009-05-22 Thread Alice Howell
Bobbins the same weight?  Well, not necessarily.  I have met people who 
required their bobbins to weigh the very same on a pillow. To the milligram.  
Butthat's a bit compulsive.  I would say...lacemaking is more efficient if 
the bobbins on a project are similar in size and weight.  The fingers can 
fumble more when switching from a short to a long bobbin, or from a thick to a 
thin, or from a light one to a heavy one.

I have mixed styles of bobbins frequently, when I didn't have enough of one 
kind available for the project.  However, I try to keep them as similar as 
possible.

The exception to this is for gimp bobbins.  I often use a distinctly different 
bobbin for gimp because I want my fingers to be alert that it's not a normal 
thread bobbin.  Thus, I can use a larger bobbin that can deal with thick gimp 
thread better than whatever bobbins are being used on the main project.

I'm currently making a scarf that has a design inserted into every repeat with 
a different color for each design. When winding bobbins for all the color 
inserts, I ran out of the type used on the main scarf.  I used what was empty, 
and now find myself weaving a very thin pair through the thicker ones of the 
passive threads.  It feels, and looks, very weird.  Thankfully, I will use the 
thin pair only a short distance and then discard it.

It's experiences like this that encourage lacemakers to acquire a quantity of 
bobbins in different sizes.  (But I have to admit that I know a couple 
lacemakers who have only one kind of bobbin, and they stick to their preferred 
bobbin on all projects.)

Alice in Oregon -- where summer has come, at least for a couple weeks.  
Predictions are for a long hot summer.  I may be very happy about installing a 
heat pump this spring.  PS...My one new lace student is very enthusiastic.  Her 
grandmother made lace and she's excited about learning how to do it.  



- Original Message 
From: Sue Duckles s...@duckles.co.uk

Do all bobbins need to be the same weight?  IMHO I'd have thought not, some old 
bobbins could have buttons on them, different weight to glass beads or 
would one not put bone and wood bobbins together, or ones with wood beads as 
opposed to glass.  Some ebay sellers put plastic beads on  what do others 
think?

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Re: [lace-chat] Re: [lace] obsolete technology

2009-05-22 Thread Liz Thackray
I suspect it is highly unlikely you will be able to read the floppies  
on your computer - it is even possible they are not standard diskettes  
- and the language is almost certainly a proprietary one.


It is just possible that the files are plain txt, in which case, if  
your computer will read them, you might be able to access them by  
either copying to windows and changing the extension to txt instead of  
whatever it is at present and opening in Notepad.


Alternatively, if you have a friendly local printer, they may have  
hardware capable of reading old disks and obsolete proprietary  
languages (I had one extract data from some 5 floppies not that long  
ago)


Good luck

Liz

On 22 May 2009, at 18:39, laceandb...@aol.com wrote:

I have the mechanical technology to read floppies, I just suspect  
that my

PC won't understand the language.



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RE: [lace] Book Search

2009-05-22 Thread Patricia Dowden
I am aware of this, but of course Further Steps in Honiton Lace isn't
there
in the Arizone.edu archives. 

***  Further Steps in Honiton Lace is still in copyright and will be,
probably for the lifetimes of everyone on Arachne
 
I am a visual person, have to touch and have access to all, and printing out
200 pages, typically is a $32 cartridge of ink (or most of it) and then some
paper. 
(I have filled ink cartridges too, but find at least locally, they don't
fill
them, and once had the ink run out after about 35 pages, so that is no
savings
at all!)

 There are internet sites where you can have out of copyright material
from the Archives printed and bound for very reasonable prices.  For the
life of me, I can't remember the name of the one I like.  I have sent a
message to a friend and will post when I get an answer (or remember!)

Patty

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[lace] Re: [lace-chat] obsolete technology

2009-05-22 Thread Laceandbits
I think that maybe I haven't been clear enough about the difficulty we have 
with the Video Writer.  Several people have written to tell me that 
A-drives/floopy disk readers are still available.  That isn't the problem; I 
have 
one on both my PC and my laptop for my sewing machine software.

There also isn't any problem with what is on the Video writer at the 
moment; she has printed off her latest batch of lace notes and the rest of the 
stored stuff in the memory or on floppies is things like recipes that she 
doesn't need as paper copies.

The floppy disc bit only comes into the equation if we can't get any more 
ribbon cartridges because *if* a PC could read the Video Writer's language 
(highly unlikely) then she could go on using it and someone else could print 
for her.  But it's not worth her doing that if we then have to jump through 
expensive hoops to get it converted and printed.  The alternative is that she 
buys a laptop and small printer but that is really more than she wants 
to/can spend out and she has very limited footprint space for it.

What we need is either a source of more cartridges (none on e-bay) or 
advice on reusing the ones she has.  There is a company that comes up on Google 
that appears to sell them, but they are all 'Not Available'!  This isn't 
surprising as Phillips stopped making the cartridges in 2002, and the machines 
some time before that.  And yes, we have phoned Phillips here and in Holland 
and they sold their last ones just before Christmas.

So, it's a very long shot that someone may have had one of these machines 
and still have some ribbon cartridges in the back of a drawer, or found out a 
way to use a cartridge more than once as at only 40 pages each, it must 
have been an expensive business, and I think if it was us we would have at 
least tried to find a way to use it a second time.  But arachne has come up 
trumps in the past on equally long shots, so I thought I would try it.

I hope that I have clarified the matter.
Jacquie

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Re: [lace] Kenmare lace search

2009-05-22 Thread Janice Blair
Hi Pat,
Thanks for the web link.  I will pass it on to Eve at the library.  Sounds
like it might be the piece they are looking for but it does not say where it
went to.
Janice

Janice Blair

Crystal Lake, 50 miles northwest of Chicago, Illinois, USA

www.jblace.com

http://www.lacemakersofillinois.org

--- On Fri, 5/22/09, Pat Tinney tinn...@austin.rr.com wrote:

From: Pat Tinney tinn...@austin.rr.com
Subject: Re: [lace] Kenmare lace search
To: Janice Blair jbl...@sbcglobal.net, lace lace@arachne.com
Date: Friday, May 22, 2009, 9:05 AM

I am in Texas. I have not been able to find out anything about this except for
a reference in an article on the Crawford Art Gallery in Cork, Ireland.

http://www.crawfordartgallery.ie/1876-1900.html

There is a reference to the  wife of an American millionaire named Winnaces
and a quilt costing £300.

There is also a citation for this reference.

HTH
Pat

--
From: Janice Blair jbl...@sbcglobal.net
Sent: Thursday, May 21, 2009 1:50 PM
To: lace lace@arachne.com
Subject: [lace] Kenmare lace search

 Hi,
 Last night at our guild meeting at the local library, the librarian came in
to
 visit and told us about a trip she had taken to Ireland.  She has come back
 with a mission.  She visited the Kenmare Lace  Design Center where she saw
 demonstrations of a local needlelace run by Nora Finnegan.  The center also
 houses the unique antique Kenmare Lace preserved by the sisters at St.
Clares
 Convent.  www.kenmarelace.ie

 They would like to trace a Bedspread and Pillow Cover of Kemore
Needlepoint
 lace which was commissioned by Mrs. Winnaces from the convent of the Poor
 Clares, Kemare in 1889.  The cost then was $300 - the cost of 3 houses at
that
 time.  I was thought to be in a museum in Texas run by a Senator Thomas'es
 wife - since deceased and the museum is now closed.  This lace was
described
 by Alan Cole in the late 1800's as The most important piece of lace ever
made
 in Ireland.

 If any of our Texas Arachne or our more knowledgeable spiders have ever
heard
 of this museum or piece of lace please let me know and I will pass on the
 information.  I think the nuns want to have some photos for display in
their
 museum and would like to know who owns the pieces now.

 Thanks,
 Janice



 Janice Blair

 Crystal Lake, 50 miles northwest of Chicago, Illinois, USA

 www.jblace.com

 http://www.lacemakersofillinois.org

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Re: [lace] obsolete technology

2009-05-22 Thread Brenda Paternoster

Hi Jaqui

 At the moment she is
using Brenda Paternoster's bookmark pattern and is way past her 50th
variation - and that's all on the same size grid so she isn't doing  
the same
variation with thick and thin thread and calling it two.  And Brenda  
will now

know who I'm talking about.
She's going a rate of knots - last time I spoke to her, about 2-3 weeks  
ago it was only 40 something!


Anyway, she has a gadget called a Phillips Video Writer which is a word
processor and printer all in one.  She is able to save to floppy, but  
although
we haven't tried that yet I suspect that a modern PC isn't going to be  
able

to read the data from said floppy disks.


I've been Googling Philips Video Writer.
It seems to be a thermal ribbon, whatever that is/was.
Have you tried to re-wind the ribbon?  It might be a case of  
semi-destructively prising the casing apart, rotating the spindle or  
whatever manually and then sticking the cartridge back together with  
glue or sticky tape.


Anyway, the person most likely to know what the operating system of the  
VideoWriter was is someone called Rex Battenberg,

http://www.dieterkoenig.at/ccc/po/s_po_rexbattenberge.htm
bottom quarter of the page
or same article at
http://www.classic-consoles-center.at/interviews/interview-with-rex- 
battenberg

but neither of them have a contact for the guy.

Have you tried putting one of the floppies into your PC?

Brenda in Allhallows, Kent
http://paternoster.orpheusweb.co.uk/index.html

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Re: [lace] Re: Aluminum Bobbins

2009-05-22 Thread robinlace
 Clay Blackwell clayblackw...@comcast.net wrote: 
I think with my Midlands, there is more lattitude.  But since the bobbins are 
mostly shaped the same, and have spangles that are consistent in size (my OCD 
again??), I don't have as much trouble with differences. 

Human physiology is such that, the smaller or lighter-weight an object is, the 
smaller the detectable difference.  So two binche bobbins need to be quite 
similar in size and weight to feel the same.  Midlands are larger and heavier 
to begin with, so the difference must be larger to be felt.

My impression is that fast lacemakers require more uniformity among their 
bobbins than slower lacemakers.  I don't have any problem with differences in 
size and shape (within reason), but I'm quite slow.  I'm not looking at the 
bobbins while grabbing and moving them (although one reason I'm slow is that I 
do stop to look at them and admire their beauty!), but I'm not thrown when a 
bobbin is a different size/weight/shape from what I just put down.  I think the 
really fast lacemakers are just too efficient, so relatively slight variations 
interfere noticeably with their efficiency.  I'm so inefficient that I can 
absorb the differences without noticing any slowdown.

I also think those who work with very fine threads have to have more uniformity 
among their bobbins.  Slight differences in tensioning are not noticeable with 
heavier thread (I do get praise for the uniformity of my tension, but I tug 
pretty strongly), but finer thread takes very little tension, so slight 
differences are more noticeable the same as slight differences in weight are 
more noticeable when the weight is small.

Robin P.
Los Angeles, California, USA
robinl...@socal.rr.com

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[lace] Are you new to lace or was it passed on?

2009-05-22 Thread Susan Reishus
Synchronicity abounds on Arachne!  I was just to ask if most have come into
bobbin lace (or other forms) via lineage, or self-initiation, and then Alice
posted this:
new lace student is very enthusiastic.  Her grandmother made lace and she's
excited about learning how to do it.  
Sometime they say hobbies, twins, looks, skip a generation, but I am
interested if most on this life are repeating something that they were exposed
to about lace, or came to it of their own accord.
Of course the various forms of lace would add interest to the response!
In my case, my Granny did everything creative, and I begged to learn to tat
and was promised when she retired, but when that happened she said she was
much too tired, and her eyes weary, so I picked it up on my own later. The
lace knitting evolved from the knitting she taught me, but I don't think she
did bobbin lace.  I understand my great grandmother from England did all, but
with the Great Depression, even thread was an issue so only have some cutwork
and crochet from her, though the pieces were divided amongst many offspring so
cannot be certain.  
Best,Susan Reishus 

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Re: [lace] Are you new to lace or was it passed on?

2009-05-22 Thread bev walker
Oh good, a poll!
I found lace on my own, none of my foremothers did such a thing - they
sewed, mended, knitted, as required, during their careers as housewives and
mothers; they were also businesswomen. No lace pedigree in my family, and
none of my offspring or their offspring are interested. There it is, and
here I am.

On Fri, May 22, 2009 at 6:26 PM, Susan Reishus elationrelat...@yahoo.comwrote:

 Synchronicity abounds on Arachne!  I was just to ask if most have come into
 bobbin lace (or other forms) via lineage, or self-initiation, and then
 Alice
 posted this:
 new lace student is very enthusiastic.  Her grandmother made lace and
 she's
 excited about learning how to do it.


-- 
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west coast of
Canada

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[lace] Are you new to lace or was it passed on?

2009-05-22 Thread C Johnson
HI all,

I am new to lace as of 2001.
I had tried everything else, from my mother's knee to classes to reading the
book to learn to do most everything, even weaving and spinning.  
So Lace just seemed like the next step in the study of fiber Arts.

I have never regretted my interest in fiber arts.

Susie Johnson
Morris, IL
cjohnson0...@comcast.net

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[lace] Aluminum Bobbins

2009-05-22 Thread Tregellas Family
   Thanks for all the wonderful comments on our aluminium bobbins.  Yes 
we do still make them but we have reduced the number of styles we make 
because my husband can no longer polish them (courtesy of the medical 
profession).  At the moment we only sell in Australia and make to order. 

   I've not had any problems with difference in weight and I do tend to 
use whatever bobbins are not presently in use on other projects.


Cheers,
Shirley T.  -  still needing rain in Adelaide, South Australia.

endso...@internode.on.net

Home Address:
J.S.  S.R. Tregellas
14 Sheringa Drive,
Morphett Vale,   5162
Australia

Electronic and Ham Radio Home Page:
http://www.users.on.net/~endsodds

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Re: [lace] Are you new to lace or was it passed on?

2009-05-22 Thread Lorri Ferguson
I first saw Bobbin lace being worked in 1976 at a Heritage Fair and thought
some day I want to learn that.  Then some 12-14 yrs. later I heard about
'gold and silver wire lace' and since I was using gold and silver wire in my
jewelry career I thought 'I can do that too' but realized I needed to learn in
fiber first.  First from books and then I found Lacemakers of Puget Sound.   I
have made some wire lace but really became hooked with the process.

So while I found 'lace' myself, I come from a family of women who were sewers,
knitters, and needle workers.  I have always done things with my hands.  I
even did a weekend class at Blacksmithing.  Really fun too!

Lorri

 --Synchronicity abounds on Arachne!  I was just to ask if most have come
into
 bobbin lace (or other forms) via lineage, or self-initiation, and then
 Alice  posted this:  new lace student is very enthusiastic.  Her grandmother
made lace and
 she's  excited about learning how to do it.

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Re: [lace-chat] obsolete technology

2009-05-22 Thread Sue Babbs
Are any of the ribbons on this site what she needs? if so, maybe she can 
email the company to find out who stocks them - or find a business to order 
them for her!


http://www.compredia.com/ribbons-philips-ptw-series.html

Sue 


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