Re: [lace] Wrapps per inch

2011-06-06 Thread Anna Binnie

On 6/06/11 11:27 AM, Elizabeth Ligeti wrote:

The beauty of Brenda's book, is that all the wpi are done by her, -
therefore the same hand and the same tension. This means it is a better
comparison than each of us doing our own measure!

Regards from Liz in Melbourne, Oz
lizl...@bigpond.com

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NO tension by the same hand can vary quite significantly!

Anna

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Re: [lace] Wrapps per inch

2011-06-06 Thread Laceandbits
NO, tension by the same hand can vary quite significantly!
 
But surely not as much as us each doing our own.  So long as the  winder is 
aware of the amount of tension they are putting on the thread, and  with 
practise, there will be some consistency.  Also I think I am right in  saying 
that Brenda does more than one for each thread, and the final figure is  an 
average.
 
I have always found it an excellent book for selecting threads as  
substitutes to those suggested by a designer, or to change from one fibre to  
another, or to collect a group of very similar threads to sample for a  
particular 
grid.  But NO book or chart will completely replace working a  sample, 
because in the same way as each person will thread wrap  differently, each 
person's lacemaking tension is different.
 
Because of the more stretch/thinner thread relationship, someone with very  
firm tension can work with a thicker thread than someone who has slacker  
tensioning.  Thus, if the original sample of a piece of lace is  worked with 
a thread towards the thick range for that design, and another  lacemaker 
with less tight tension works the same combination, the latter will  most 
likely struggle to make the lace, and will end up with a clumpy looking  piece 
of 
work.  The reverse, of course, is that if your tension is tighter  than the 
original lacemaker's, your lace may end up looking too whispy for your  
taste.
 
So, particularly if you are about to start a large project, even if you  
have bought a pattern and the recommended thread, please take an hour or so to 
 work a small sample of something like a cloth stitch diamond and a little  
ground; this you can unpin and have a sample to handle as well as  seeing 
what it looks like, to decide if it is the right thread for you, your  
lacemaking with that pattern, and how you like your lace to look and  feel.  
When 
the project itself may take you hundreds of hours, this small  precaution is 
well worth doing.
 
Jacquie in Lincolnshire

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Re: [lace] Postcard Exchange

2011-06-06 Thread pene piip
I have received 24 participation requests from the following arachneans 
(in order of receipt):


Lorri Ferguson of Washington, USA
Sallie Owenby of Wyoming, USA
Sue Duckles of East Yorkshire, UK
Anne Nicholas of Middlesex, UK
Antje González of Spain
Joepie Hammett of East Sussex, UK
Pat Hallam of Nottingham, UK
Ilse Depaepe of Belgium
Laura Sandison of New Mexico, USA
Miriam Gidron of Israel
Janet Theaker of East Yorkshire, UK
Lesley Blackshaw of Cheshire, UK
Dawn Podsiad of Delaware, USA
Beth McCasland of Washington, USA
Nicky Hoewener-Townsend of Suffolk, UK
Barbara Stokes of NSW, Australia
Sue M. Harvey of Norfolk, UK
Diane Z of Maine, USA
Amber Lackey of Virginia, USA
Eve Hoffenkamp of Minnesota, USA
Dona Bushong of Guam
Laura Forrester of Tasmania, Australia
Kathy Hensel of Oregon, USA

Let me know if you sent me an e-mail  your name is missing.
We have 6 new participants this year. Does anyone else want to be included?
Deadline is  Friday, 15th June  then send out addresses on the 
Wednesday, 20th June.


Ciao for now,
Pene in Tartu, Estonia
where it is warming up  the mosquitoes are swarming!

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Re: [lace] Re: black thread

2011-06-06 Thread David C COLLYER

Dear Alice,
DO NOT use blue film for black thread.  The contrast is poor.  White 
might be a bit stark, but a light pastel sounds like a better 
choice.  I know now, for next time.


I know exactly what you mean, and in my experience I find it easiest 
to use blue backing for white thread and an apple green colour for 
black. Not sure why this works so well as my colours are much richer 
than pastel.


David in Ballarat

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Re: [lace] Wrapps per inch

2011-06-06 Thread Brenda Paternoster
   So long as the  winder is 
 aware of the amount of tension they are putting on the thread, and  with 
 practise, there will be some consistency.  
Yes with practice tension on a winding does become more even.  I know that I 
usually knit or crochet to the stated tension if I'm using the same yarn and 
needles/hook, and I think that I probably use a fairly average sort of tension 
when making windings.


 Also I think I am right in  saying 
 that Brenda does more than one for each thread, and the final figure is  an 
 average.
Yes - if it comes out the sime first two times that's it, but if it varies 
sometimes needs four or five wrappings to get the final/published figure.
 
 but NO book or chart will completely replace working a  sample,
There's so much more to a thread than just the thickness.  Direction and 
firmness of spinning, fibre content and various treatments that the fibres may 
or may not have had during the thread manufacturing process.
 
 So, particularly if you are about to start a large project, even if you  
 have bought a pattern and the recommended thread, please take an hour or so 
 to 
 work a small sample of something like a cloth stitch diamond and a little  
 ground; this you can unpin and have a sample to handle as well as  seeing 
 what it looks like, to decide if it is the right thread for you,
Jane Atkinson's new book 'Contemporary Lace for You' has a very simple diamond 
and ground pricking in graded sizes from 3mm between foot edge pins to 10 mm 
between pins which she uses for sampling threads.  It is surprising sometimes 
just how much variation in the density of pinholes some threads can take.  
There will always be an optimum pin density for any given thread, but spread 
the pinholes out for a lighter airier look and crowd them in for a heavier, 
denser appearance.

Brenda in Allhallows
www.brendapaternoster.co.uk

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[lace] Spider Web fabric

2011-06-06 Thread jviking
Hi All, I was just exploring a little and came across this wonderful
spider  web fabric.  Very cute!  The Eric Carle museum focuses on
children's pictures books, Eric Carle illustrated The Hungry Caterpillar
among other books.


http://www.carlemuseum.org/Shop/Fabric

Jane in Vermont, USA where we are having a lovely day- blue skies,
temperate temperatures and green leaves!
jvik...@sover.net

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Re: [lace] Jean's Floral Bucks Book

2011-06-06 Thread bev walker
Hi David and everyone
My copy arrived last week - as Jean points out the craftsmanship is
exceptional. Each pattern composed from a unit pricking. I want to
focus on a Binche project before hanging bobbins for one of the
florals - in the meantime they are good reading, much like reading a
piece of music to oneself, would anyone else agree?
What a gift from Joyce via her daughter Maggy, and Jean.

On 6/6/11, David C COLLYER dccoll...@ncable.net.au wrote:
 Dear Jean,
 your Floral Bucks Point book arrived here safe and sound today, and
 what a feast for the eyes. These pieces are exactly the type I love so much.

-- 
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west
coast of Canada

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[lace] Re: working with black thread

2011-06-06 Thread Tamara P Duvall
I use light or medium grey as background for everything -- white, black and 
colour. It provides enough contrast for me (except grey itself, of course), 
being a neutral colour it doesn't interfere with any other, and it doesn't make 
my eyes tired from being loud or too distinct. 

Years ago, I bought two huge rolls of medium grey transparent Contact plastic 
and put that over patterns printed on white paper. Now that its beginning to 
run low and I'm trying to conserve it as much as I can (I've not been able to 
replace it), I laid in a supply of grey printer paper, run my patterns off on 
that and cover them with the -- easily available -- transparent, no colour, 
Contact plastic.

The colour of the card is, for me, immaterial, since the pattern (printed on  
ordinary weight paper -- cheaper than card) is stuck on top of it, before the 
whole is covered with plastic.  

-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] of lace bicycle baskets

2011-06-06 Thread hottleco
Hello All!  I must be channeling Lyn or vice versa!  I too saw an opportunity 
for creatively saving money on a bicycle basket but I didn't plan to do all the 
work myself.  Lyn, you're an over-achiever!!  On Sat. I was in Waterford, PA in 
a little antique shop  was looking over her fine selection of vintage lace  
linens when the air raid/tornado siren went off.  Heck yes--it was a tornado  
a monstrous, funky black saucer shaped cloud that looked like an alien space 
ship passed near the downtown with thready funnel shapes dangling from it.  
Horizontal rain, hail  waves in the street.  Needless to say, as soon as it 
passed I headed for home without purchasing anything but this place is worth a 
return trip with lace doilies  lace trimmed embroidered items for $2-3 each.  
My thought was to make a patchwork of vintage pieces  cover a new or used 
basket.  Sort of like the cloth lining on a picnic basket except on the 
outside.  Here in Millcreek Township, the recreation center 
 runs basket making classes  they are free for seniors!  The same guy that 
taught me to cane a chair seat teaches the baskets  other types of weaving.  
Although I don't own a bike, it sure would make a clever  personal gift.  
Hmmm.  Sincerely, Susan Hottle, Erie, PA where it will be 90* on Wed so I'd 
better finish planting my flowers tomorrow   

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