[lace] Cottier Bobbin

2011-10-14 Thread Brian Lemin
I was asked today to date a Cottier Bobbin, I.e. tell the person when it came
on to the market in France.  I had no idea and could not find out.. probably
because I hardly even have any schoolboy French these days!

Can anyone help please?

PS It annoys me that I do not know this (not that I think I should know
everything) but I cant ever remember reading about its manufacture and or
marketing.


Brian and Jean Lemin
Cooranbong. Australia
You can see my Lace bobbin stuff on:
http://www.cs.arizona.edu/patterns/weaving/webdocs.html
and my Ukulele stuff on:
http://ukulele3fingerjazz.weebly.com/

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[lace] Demise of suppliers

2011-10-14 Thread Jean Nathan
One of the problems is that once you've got your basic pillow, sufficient 
bobbins and (usually too many) books (for you to complete everything in it 
you want to), really the only thing you NEED is thread. And that won't keep 
a supplier in business.
They rely, not only on newbies, but those of us who already have the basic 
supplies WANTING extra pillows, patterns, books, bobbins and other equipment 
..


The there's the question are there sufficient young people taking up the 
craft and buying the supplies to replace those of us in our dotage who will 
eventually give up because we can no longer cope or go to join other 
lacemakers on a cloud.


Jean in Poole, Dorset, UK 


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[lace] New Stamps from France

2011-10-14 Thread nicky.hoewener-townsend
I went onto the website too, I have no French so it was initially a little 
daunting, then I noticed that I wasn't viewing the whole page so moved it 
around and found at the very top right four/five flags and clicked onto the 
UK one, and hey presto the pages were translated into English - no problem - 
the payment pages were in French only but it was all quite obvious as to 
what to do so all very straightforward - for a change.


Nicky in Suffolk 


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Re: [lace] Sign of the times - call for action?

2011-10-14 Thread Dmt11home
The 70s and 80s corresponded with a craft revival. There was a  lot of 
weaving going on and some people crossed over between this and lace.  Also, 
macrame was very popular. I think the multi element nature of macrame  helped 
set the stage for lacemaking. Many of the vendors that have been active  in 
the last generation, Kaethe Kliot, Robin Lewis Wild, Robbin  Russ, Holly  Van 
Sciver, were young then and entered the field of vending. I think that we  
are seeing the end of a movement that began in the 1970s. We were also going 
 through the bi-centennial which gave a lot of opportunity to demonstrate 
lace,  but with an emphasis on the historical aspect. 
However, we may be in another craft revival. I see young  people doing a 
lot of knitting and other craft work.
I am quite interested in the exhibition and symposium for  young lacemakers 
that is to be held in Pavia next fall. Textile Support is a  school that 
teaches fiber arts in Pavia. It is run by Anharad Rixon, the young  scholar 
who wrote about her research into the composition of lace thread during  the 
17th century. I think this website is very inviting to young fiber artist  
types. _http://www.textilesupport.it/index_en.html_ 
(http://www.textilesupport.it/index_en.html) 
Apparently there is no shortage of young lacemakers (under 35)  in Europe.
 
After looking at the Textile Support site, my boss at the MMA  went on the 
internet and found several places that seem to have the same kind of  set up 
in New York.  
 
_http://www.makeworkshop.com/content/classes/classes_general.html_ 
(http://www.makeworkshop.com/content/classes/classes_general.html) 
 
_http://www.textileartscenter.com/immersion_vacation_ 
(http://www.textileartscenter.com/immersion_vacation) 
 
_http://lenacorwinstudio.blogspot.com/_ 
(http://lenacorwinstudio.blogspot.com/) 
 
Unfortunately, what I think is really needed to connect to  young 
lacemakers is a young teacher with lots of energy who can tune in on what  
young 
people would find interesting about lace. 
 
Devon
 
 
 
In a message dated 10/13/2011 7:28:28 P.M. Eastern Daylight Time,  
lynrbai...@desupernet.net writes:

Dear  Clay, et al,
Any lacemaker worth his/her salt is  concerned about having suppliers in 
the future.  Part of it is tied to  whether or not a lace supplier can make a 
comfortable profit, whether the trip  to a lace day is worth the effort in 
terms of amount of sales.  This then  is a function of the number of lace 
makers at lace days and there to buy  supplies from, at a distance.  If you 
check the membership numbers of  IOLI, for example, the numbers have gone down 
over the last 10 years.   Significantly.  There was a point in the last 
century, (wow, doesn't that  sound long ago?) when the number of lace makers 
jumped, or at least rose  strongly.  I remember writing to all the suppliers 
listed at the back of  the books I had, for catalogs, in 1991, and finding 
that there were a number  who were not really there.  But no worry, because 
there were plenty of  others.  And then there was the online sales revolution.  
But that  does not seem to have increased the number of lacemakers. 

An ancillary  issue is the number of those wanting to buy supplies.  The 
number  increased greatly.  I'd like to know why.  For example, I've lived  
long enough to know that the number of fabric stores increases in times of  
poor economics, and decreases in times of plenty, over the last 40  years.  
Will that continue?  

What was happening in the '70's  and '80's that increased the number of 
lacemakers, and can we do that  again?  

We have been very fortunate in our vendors in the past,  because among them 
have been, and are, people passionate about the art,  seemingly willing to 
work hard merely for the love of lace, and these  stalwarts have done 
immeasurable things to the benefit of lace as it is  now.  But in a hard 
reality, 
we will have more lace suppliers if there is  a greater demand. 

The situation concerning vendors is merely a symptom  of a greater problem, 
in my opinion.  If there were an easy fix, it would  have been done.  

Lyn in Lancaster, where it has been rainy and  cloudy all day.  But the 
weather was great in Ithaca, making camping  during the Ithaca Lace Days a 
great pleasure. 


-Original Message-
From: Clay Blackwell  clayblackw...@comcast.net
Sent: Oct 13, 2011 6:10 PM
To:  ARACHNE lace@arachne.com
Subject: [lace] Sign of the times -  call for action?

Dear Lacemakers -

In the past  ten days we have learned of not one but two of our trusted 
and  faithful lace vendors who have decided it is time to close shop.   
Lacy Susan has sold her business to someone in Colorado, and Tracy  
Jackson is hoping to sell The Lacemaker.   That leaves  only Holly 
VanSciver on the East coast who has historically traveled  to lace days 
and also provided a web business for our  convenience.  I'm afraid that 
the demise of these other two  vendors may put Holly over 

Re: [lace] Demise of suppliers

2011-10-14 Thread Sue Duckles

Haha Jean I love the bit about the only thing you need...

Reminds me of the start of my daughters shoe fetish 3 years old  
and saw red leather fur lined boots in a local shop.  The conversation  
went along the lines of I want those boots... I want never gets...  
says I.


madam waited till Grandma came Can we go to shops Grandma?, of  
course Grandma says yes... Madam shows Grandma the boots Grandma I  
NEED those boots to keep my toes nice and warm, guess who bought the  
boots (BTW, Kyra is now 25 and owns around 200 pairs of boots or  
shoes...)


Now are you sure you got the Need and Want the right way round???

Sue in East Yorks
On 14 Oct 2011, at 08:07, Jean Nathan wrote:

One of the problems is that once you've got your basic pillow,  
sufficient bobbins and (usually too many) books (for you to complete  
everything in it you want to), really the only thing you NEED is  
thread. And that won't keep a supplier in business.
They rely, not only on newbies, but those of us who already have the  
basic supplies WANTING extra pillows, patterns, books, bobbins and  
other equipment ..


The there's the question are there sufficient young people taking up  
the craft and buying the supplies to replace those of us in our  
dotage who will eventually give up because we can no longer cope or  
go to join other lacemakers on a cloud.


Jean in Poole, Dorset, UK
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[lace] Sign of the times - call for action? (long)

2011-10-14 Thread Jane Partridge
As Jean said, there comes a point when you have the equipment and thread 
you need and don't really need any more...


I don't think you can gain any real idea of the actual number of 
lacemakers based on Guild/Organisation membership - certainly one of the 
major problems facing any national Guild is that people share their 
magazines with others, thus removing the need for those people who, when 
asked at events why they are not a member, say our teacher brings the 
magazine into class so we don't need to join - thus for every member, 
there may be anywhere from two to ten non-members! This of course 
affects the members in that with less people subscribing, there are 
fewer of them to bear the costs of the services they receive, so 
subscriptions have to increase, and each time that happens, fewer renew 
their membership.


There are then the problems (very evident at the moment for one lace 
organisation) of not having willing volunteers to serve on committees - 
this is widespread, and the committee I'm on needs six more people to be 
elected next year to be able to work at full strength. (There is NO 
danger of our closing, but a strong danger of committee members being 
overworked if we don't gain some new blood!). You don't need to be an 
expert, or even an expert lacemaker, to serve on a committee - it helps 
to have input from all walks of lace-life!)


The biggest problem we all face is the lack of new lacemakers - in the 
UK the governments over the last 30 years or so have cut the funding for 
recreational classes - the brilliant idea of lifelong learning 
brought with it a need for everyone to have a certificate at the end of 
a course, and thus take exams with every course - which not everyone 
wants to do. So, Adult Education classes have dropped, to the point 
where, with the withdrawal of the City  Guilds courses in Lacemaking 
(except for existing students, and the goal posts as to when that will 
finish entirely keep being moved) means there are no recognised 
qualifications to justify the classes being held. Many teachers have now 
moved to running private classes, but this makes finding classes more 
difficult for those who would have looked down the Adult Education 
prospectus in their local newspaper, so they don't know where to look 
for classes.


When lacemakers go out and demonstrate, they frequently do so in 
needlecraft circles - and Organisation stands are taken at needlecraft 
shows - they totally ignore the fact that many people are interested in 
more than one range of activities - I have demonstrated with success at 
papercraft shows because we are the something very different - to be 
effective you need to be out where everyone can see, in shopping malls, 
zoos, stately homes, as well as craft fairs - with full details of all 
classes/groups meeting within the distance of which people are likely to 
travel to the place where you are. This of course takes research - it is 
no good handing out a teacher's name and address if they have or are 
just about to give up classes, or their class is full with a long 
waiting list. Data Protection laws also mean that you need permission to 
give out the information.


Don't be misled into thinking that it is only worth getting young people 
interested - many of the newly retired may have 30-40 years to take up a 
new interest, and you are never too old to learn, and to pass your 
skills on to your children and grandchildren. Gain a young person, and 
they may lose interest due to other pressures on time and finances. Gain 
an older person, and they may spread the interest throughout their 
family!


If you are the teacher/group member who takes your magazine in to share 
with others, consider what would happen if everyone did that - there 
would be insufficient members to keep the organisation active - so only 
show it once, explain the benefits you are gaining from your membership 
and give them a form so that they can join too! If they use the patterns 
in your magazine, remember both you and they are probably breaking 
copyright law!




In message 
18852739.1318548487564.javamail.r...@mswamui-swiss.atl.sa.earthlink.net

, lynrbai...@desupernet.net writes
 If you check the membership numbers of IOLI, for example, the numbers 
have gone down over the last 10 years.  Significantly.  There was a 
point in the last century, (wow, doesn't that sound long ago?) when the 
number of lace makers jumped, or at least rose strongly.


--
Jane Partridge

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[lace] Re: Sign of the times - call for action?

2011-10-14 Thread Susan Reishus
I don't think it is totally a dwindling interest in lacemaking.  It is also
the economy.  The overall trend is up in needlework that requires less
monetary investment and provides more actual creative activity and
satisfaction (or bang for your buck, as we say in the US).  An analogy is
the surge in lace and sock knitting, where $20 can have you into a project and
knitting for a long time. vs. a sweater where the old $60 investment is now
$120-350, so people go for one skein projects that are more intense.

Many
people stashed out with patterns, prickings, thread and other things in the
last decade and are now culling back and using up what they have, and watching
to see what the economy will do.  There are some who don't spend because they
cannot as their income has been compromised, and those who have the same flow
but save to be cautious (though affected a small percentage by food and gas
prices).  I have had a some friends who spend more when there is a recession,
as they feel a moral obligation to help the economy, but I see both sides. 
Along with OOP books being so high priced and fewer new ones to choose from,
people could get stilted at the onset, to at least some degree.  The challenge
I see, is for lace suppliers to be out in the marketplace so people remember
them and sell product (for touch  see) vs. being accessible for those who
want to order online or via the phone.  I have had much frustration in not
being able to reach vendors as they are gone so often to market, and admit I
gave up on one vendor for that reason.

When the consumer weighs the financial
investment to go to fairs and view books personally, the math comes out better
to order and take the risk, as there are other places one can unload, whether
a local guild or online sale.  That doesn't cover attending fairs to learn,
see others, and the creative satiation, but one quickly realizes that we need
to subsidize our authors and vendors.  Frankly, I believe a monopoly would not
serve well for many reasons.  There are lesser known vendors who are still
there to serve us (whom have also discussed quitting).  


This may end up
further subsidizing the downloadable or digital market, as constricted
accessibility forces people to become self-reliant for writing and designs and
then will be forced to self-publish, as has happened in lace knitting.  I have
tried to support smaller vendors as their prices were often fairer and their
customer service and sharing, exemplary.  Sadly, the writing is on the wall
unless the word gets out to the media 
about lacemaking.  The lace fashion
trend is there, but people don't seem to even know about bobbin lace, for
instance. 


Many things will shuffle out with changes going on more intensely
in the world.  I went into an area variety type store that had everything
imaginable, and only spent $60.  I thought the owner would hug me.  We don't
realize how difficult it is out there financially, so help when you can.  I
have lived the life of self-employment where you have to be at trade fairs,
and in the meantime people need you to be in the office and no staff good
enough to be able to replicate what you do.  You become torn and financially,
physically, mentally and emotionally drained.

Please purchase what you can,
when you can.  I think we need not only to make lace, but take it out in the
public (such as wearing it) so people see what is possible to make/do.  


The
kindness and customer service from Lacy Susan and Lacemaker USA, will leave a
big void.


Best,
Susan Reishus

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[lace] Re: Cottier Bobbin

2011-10-14 Thread Laurie Waters
Jacques Cottier was an early 19th century manufacturer of lacemaking 
equipment in France.  He published a book called Manuel Pratique pour 
apprendre soi-meme a faire la dentelle aux fuseau, which helped advertise 
his equipment. That went through 4 editions, 1902, 1904, 1908, 1913. He is 
most well known for his 'encapsulated' bobbin where you screw off the bottom 
portion of the bobbon and put in a small spool of thread (which he 
conveniently sold). The thread comes out to the shank through a tiny hole. 
The bobbin is illustrated in detail in his book. Not terribly practical. A 
complete set of these with the original pillow sold a few years ago, it 
looks very impressive all put together.  Cottier was also one of the early 
19th century promotors advocating the 'lace by numbers' system that quickly 
made its way into the Torchon Lace Company literature for the Princess Lace 
Machine in the USA.

Laurie
http://lacenews.net 


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[lace] Re: Cottier Bobbin

2011-10-14 Thread Laurie Waters
There's a great site for information on Cottier at 
http://dentelle-et-papillon.over-blog.com/article-les-fuseaux-cottier-46874641.html

Laurie
http://lacenews.net

- Original Message - 
From: Laurie Waters lswaters...@comcast.net

To: lace@arachne.com; Brian Lemin brid...@bigpond.com
Cc: Laurie Waters lswaters...@comcast.net
Sent: Friday, October 14, 2011 7:18 AM
Subject: Re: Cottier Bobbin


Jacques Cottier was an early 19th century manufacturer of lacemaking 
equipment in France.  He published a book called Manuel Pratique pour 
apprendre soi-meme a faire la dentelle aux fuseau, which helped advertise 
his equipment. That went through 4 editions, 1902, 1904, 1908, 1913. He is 
most well known for his 'encapsulated' bobbin where you screw off the 
bottom portion of the bobbon and put in a small spool of thread (which he 
conveniently sold). The thread comes out to the shank through a tiny hole. 
The bobbin is illustrated in detail in his book. Not terribly practical. A 
complete set of these with the original pillow sold a few years ago, it 
looks very impressive all put together.  Cottier was also one of the early 
19th century promotors advocating the 'lace by numbers' system that 
quickly made its way into the Torchon Lace Company literature for the 
Princess Lace Machine in the USA.

Laurie
http://lacenews.net 


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[lace] briefly, and deletable without reading

2011-10-14 Thread Carolyn M Salafia
I wanted to thank people who provided me with helpful information (and some
personal/moral support) over 4 years ago.

My divorce is now final (yes, over 4 years).

I look forward with excitement to my first lace day attendance in a long
time. May not make Chesapeake, but looking forward to doing what I can to
promote the craft.

With sincere regards and respect,

Carrie Salafia

-- 
Carrie

carolyn.sala...@gmail.com

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Re: [lace] Need and Want, was Demise of suppliers

2011-10-14 Thread lynrbailey
Dear Jean, Sue, et al,
 I must side more with Sue on this.  Lace is, in general, superfluous.  
(Won't that get a lot of responses!)  You can't put it on to make you warm, 
alone it doesn't cover your nakedness, You can't use it to dry things, or use 
it to cook, or in the garden, or eat it, unless you make it to sell, and then 
feed yourself, and who does that in these times?  It does, however, engage the 
mind, creates things of beauty, satisfies the soul, create intellectual 
inquiry, and helps find friends with a mind like your own.  As a group, 
lacemakers are a highly, highly intelligent bunch, although I say it as 
shouldn't.  
 The only place where Jean's idea actually works, in my opinion, is in 
thread, if you work only in white.  One spool of Egyptian 60 lasts a long, long 
time.  I have a pound of Fawcett linen 40/2 that I bought in the '80's, and it 
appears almost full, although I have used it a lot.  
 Suppliers carry things for lacemakers because they can be useful.  Those 
plastic things that can be used for coasters, with a place for a scrap of lace 
can spur one on.  I need a use for my lace, and that can be hard to find.  
 Books, now there's my downfall, especially egregious since lace books 
usually are not cheap, and go from there to incredibly pricey.  And you can't 
say, well, I can get it out from the library, or borrow it from my friend.  
Perhaps I should look into the lending capacities of my local group, or IOLI, 
but I am an information and book junkie, and need such things on my own 
shelves.  I reread.  That and fabric is where I am a true packrat.
 A savvy supplier angles things so the teacher also has a new book, and 
also carries all the other books of that author/teacher.  I know such a 
situation increases sales to me.  A savvy supplier also keeps an eye out for 
things from other disciplines that can be useful to the lace maker. 
 I wonder if there is a way to parlay the current revival in knitting to 
recruit new lace makers?  

Lyn in Lancaster, Pennsylvania, US, where it's still cool, 66F, 17C, grey, 
damp, raining.  A good day to sit, eat chocolate, and make lace.


-Original Message-
From: Sue Duckles s...@duckles.me.uk
Sent: Oct 14, 2011 7:25 AM
To: Jean Nathan j...@nathan54.freeserve.co.uk
Cc: Lace lace@arachne.com
Subject: Re: [lace] Demise of suppliers

Haha Jean I love the bit about the only thing you need...

Reminds me of the start of my daughters shoe fetish 3 years old  
and saw red leather fur lined boots in a local shop.  The conversation  
went along the lines of I want those boots... I want never gets...  
says I.

madam waited till Grandma came Can we go to shops Grandma?, of  
course Grandma says yes... Madam shows Grandma the boots Grandma I  
NEED those boots to keep my toes nice and warm, guess who bought the  
boots (BTW, Kyra is now 25 and owns around 200 pairs of boots or  
shoes...)

Now are you sure you got the Need and Want the right way round???

Sue in East Yorks
On 14 Oct 2011, at 08:07, Jean Nathan wrote:

 One of the problems is that once you've got your basic pillow,  
 sufficient bobbins and (usually too many) books (for you to complete  
 everything in it you want to), really the only thing you NEED is  
 thread. And that won't keep a supplier in business.
 They rely, not only on newbies, but those of us who already have the  
 basic supplies WANTING extra pillows, patterns, books, bobbins and  
 other equipment ..

 The there's the question are there sufficient young people taking up  
 the craft and buying the supplies to replace those of us in our  
 dotage who will eventually give up because we can no longer cope or  
 go to join other lacemakers on a cloud.

 Jean in Poole, Dorset, UK
 -

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Re: [lace] Need and Want, was Demise of suppliers

2011-10-14 Thread Katelyn Schreyer
As a 20-something, I frequently see people in my age group knitting.
However, they're not knitting sweaters or stockings, they're knitting plush
dolls inspired by video games and TV shows.

If you see a 19 year old knitting a orange and yellow hat, she is not just
making a new hat for the winter, she is making a Jayne Hat as inspired by
a character in the sci-fi western TV show Firefly.

Several other knit projects I see *frequently* are stuffed animal style
Metriods, from the classic 80s video game of the same name, and SackBoy
dolls, as inspired by the more recent Little Big Planet.

In my own experience with bobbin lace, I have started to make lace gears,
which I aim to assemble in a Honiton fashion to create clockwork-inspired
edgings or fan leaves for a Steampunk costume.

Lacemaking, for me, and knitting for my peers, is about creating art
relevant to my other interests. Hanky edgings and doilies are as much of
interest to me as a pair of plain stockings are to a young knitter: beyond
the learning phase, absolutely none.

To appeal to a younger demographic, emphasize butterflies and angels. Once
one has the skills to design and make a butterfly, they can then go on to
create pretty much anything.

On that note, teach design along with the lacemaking itself. No young person
I know would be satisfied just knowing how to follow existing patterns, or
recreating old lace. Teach what's needed to modify, combine, and create new
patterns, and we will.

-Katelyn Schreyer

On Oct 14, 2011, at 10:24 AM, lynrbai...@desupernet.net 
lynrbai...@desupernet.net wrote:

Dear Jean, Sue, et al,
I must side more with Sue on this.  Lace is, in general, superfluous.
 (Won't that get a lot of responses!)  You can't put it on to make you warm,
alone it doesn't cover your nakedness, You can't use it to dry things, or
use it to cook, or in the garden, or eat it, unless you make it to sell, and
then feed yourself, and who does that in these times?  It does, however,
engage the mind, creates things of beauty, satisfies the soul, create
intellectual inquiry, and helps find friends with a mind like your own.  As
a group, lacemakers are a highly, highly intelligent bunch, although I say
it as shouldn't.
The only place where Jean's idea actually works, in my opinion, is in
thread, if you work only in white.  One spool of Egyptian 60 lasts a long,
long time.  I have a pound of Fawcett linen 40/2 that I bought in the '80's,
and it appears almost full, although I have used it a lot.
Suppliers carry things for lacemakers because they can be useful.  Those
plastic things that can be used for coasters, with a place for a scrap of
lace can spur one on.  I need a use for my lace, and that can be hard to
find.
Books, now there's my downfall, especially egregious since lace books
usually are not cheap, and go from there to incredibly pricey.  And you
can't say, well, I can get it out from the library, or borrow it from my
friend.  Perhaps I should look into the lending capacities of my local
group, or IOLI, but I am an information and book junkie, and need such
things on my own shelves.  I reread.  That and fabric is where I am a true
packrat.
A savvy supplier angles things so the teacher also has a new book, and
also carries all the other books of that author/teacher.  I know such a
situation increases sales to me.  A savvy supplier also keeps an eye out for
things from other disciplines that can be useful to the lace maker.
I wonder if there is a way to parlay the current revival in knitting to
recruit new lace makers?

Lyn in Lancaster, Pennsylvania, US, where it's still cool, 66F, 17C, grey,
damp, raining.  A good day to sit, eat chocolate, and make lace.


-Original Message-

From: Sue Duckles s...@duckles.me.uk

Sent: Oct 14, 2011 7:25 AM

To: Jean Nathan j...@nathan54.freeserve.co.uk

Cc: Lace lace@arachne.com

Subject: Re: [lace] Demise of suppliers


Haha Jean I love the bit about the only thing you need...


Reminds me of the start of my daughters shoe fetish 3 years old

and saw red leather fur lined boots in a local shop.  The conversation

went along the lines of I want those boots... I want never gets...

says I.


madam waited till Grandma came Can we go to shops Grandma?, of

course Grandma says yes... Madam shows Grandma the boots Grandma I

NEED those boots to keep my toes nice and warm, guess who bought the

boots (BTW, Kyra is now 25 and owns around 200 pairs of boots or

shoes...)


Now are you sure you got the Need and Want the right way round???


Sue in East Yorks

On 14 Oct 2011, at 08:07, Jean Nathan wrote:


One of the problems is that once you've got your basic pillow,

sufficient bobbins and (usually too many) books (for you to complete

everything in it you want to), really the only thing you NEED is

thread. And that won't keep a supplier in business.

They rely, not only on newbies, but those of us who already have the

basic supplies WANTING extra pillows, 

Re: [lace] Sign of the times - call for action? (long)

2011-10-14 Thread Joy Beeson

On 10/14/11 7:53 AM, Jane Partridge wrote:


(There is NO danger of our closing, but a strong danger
of committee members being overworked if we don't gain
some new blood!).


Which leads to another vicious circle when one member can't
take it any more and drops out, which increases the strain
on the others . . .

--
Joy Beeson
http://joybeeson.home.comcast.net/
http://roughsewing.home.comcast.net/
http://n3f.home.comcast.net/ -- Writers' Exchange
http://www.debeeson.net/LakeCam/LakeCam.shtml#content
west of Fort Wayne, Indiana, U.S.A.

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Re: [lace] Demise of suppliers

2011-10-14 Thread Brenda Paternoster
On 14 Oct 2011, at 08:07, Jean Nathan wrote:

 Then there's the question are there sufficient young people taking up the 
 craft and buying the supplies to replace those of us in our dotage who will 
 eventually give up because we can no longer cope or go to join other 
 lacemakers on a cloud.

Personally I think that that is the main issue, and I think that it's probably 
true world wide and not just here in UK, or US where this discussion began.   
The older ones stay with the craft until they are either unable to continue but 
there are very few new, younger lacemakers taking their places.

Back in the 70s when I started learning BL we were glad to get hold of any sort 
of bobbins or thread and there were very few books published.  Then the boom 
years came in the 80s and 90s with suppliers and bobbin makers galore, but 
gradually many of them decided they had had enough.  Some of the businesses 
were sold as going concerns but but usually when that happened the new owners 
were not able to carry so much stock,  and so the choices became more limited.  

Also the traders, like their customers, are ageing.  I know that there are 
several UK suppliers who are near, if not past, pensionable age.  With the 
current economic woes of the world and the fact that getting up early, driving 
for a couple of hours, shifting a van load of wares into a hall, greeting 
customers and then shifting most of it back to the van and driving home again 
knowing that the stock all has to be put away again for mail orders to be dealt 
with is physically demanding, and it wouldn't surprise me if the UK were to 
loose some of the long established lacemaking supplies business in the next 
year or so.

I don't know what the answer to this is, although it is true that  adult 
education has also declined significantly over the last few years which means 
that it is harder for a beginner to find the tuition they need and so goes on 
to learn some other craft that is more accessible.  My only regret after the 
years I spent teaching in adult education is that not a single one of my 
students went on to become lace teachers themselves.

Brenda in Allhallows
www.brendapaternoster.co.uk

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[lace] Lace newbies and continuation of textile arts

2011-10-14 Thread lizkenr8
I came into lace making accidentally by purchasing a bag of bobbins at a
thrift store several years ago.  I didn't know what they were, but they were
cheap and looked interesting.  I thought I could use them in dollhouse
miniatures.  Then while browsing on ebay for something else sometime later, I
learned what they were.  It was still a while after that before I was exposed
to the craft itself.

Our local library has an online listing of many local groups, and Lacemakers
of the Ozarks is one of them.  Most of the meetings are at one library branch
or another.  I visited a meeting with my bobbins, rented a pillow made of
covered builders foam for a small refundable fee, and learned the basic
stitches.  They teach beginners for free and seem to truly love and embrace
anyone who wants to learn.  Some of the lace makers go to local fiber arts
fairs, re enactments, period demonstrations, etc.  They are always willing to
show and share.  This year there were quite a few very impressive bobbin lace
pieces in the fair, and demonstrators took shifts at the exhibit.

By the way, I was 55 when I made my first cross/twists.  I have replaced
builders foam pillows with real lace pillows and my collection of lace books
has grown.  I am now retired and hope to continue to learn and make lace along
with all the other things I've always wanted to do.  Ironically, I've kind of
over scheduled my retirement!

I don't think there is any set age or time of life for learning a new
hobby/craft/skill.  But the excitement passed on by those who teach and the
thrill of completing a project eggs one on.  To me it seems the way to advance
the interest in any craft is to get out there and demonstrate where ever it
can be done.   Excitement and enthusiasm is contagious.  Seeing a lot of
bobbins on a pillow can be very intimidating, but being shown it is just a
variation of some simple moves makes a person think anyone can do it.
Granted, there are a lot of other things to remember besides cross/twist.

Once one becomes interested, a desire for books and supplies naturally
follows.  Sometimes borrowing a book or a magazine leads to the purchase of
the same.  I agree that lace making books are expensive and sometimes hard to
come by.

My sister is interested in learning now, too.  She is also in her 50's.

Liz in breezy, cool Missouri, USA

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[lace] Sign of the times

2011-10-14 Thread Louise
I have been following the thread with regards to losing lace suppliers 
and wanted to put a suppliers point of view across.

I started designing torchon lace patterns a number of years ago and as I 
already had an online craft shop I found it very easy to add my patterns 
to my shop. Attending lace days was similarly easy to arrange as I was 
already involved in organising a lace fair. Lace fairs are very hard 
work but they can be a source of delight when you get repeat customers 
saying such nice things about your patterns.

I tend to design small patterns which can be made up quickly by me (I 
never sell anything unless I have made it myself) but they show how lace 
can be used in the 21st century. I am very grateful for all the positive 
feedback that I have received and the regular customers who purchase 
from me.

I try and promote lace wherever I am and yes it may look like I'm trying 
to sell my patterns but if I don't then I can't continue. I did offer to 
do an interview with a lace site but I have never heard anything else 
since which means I don't get coverage, which in turn means I don't get 
new customers, no new customers then I have no business. Catch 22 
situation for everyone. Being a lace supplier will not make you rich in 
money but the joy I know that people get from making my patterns makes 
me very rich indeed.

I have been concerned about the lack of younger people making lace for a 
number of years. I tried to address this with my lace group but didn't 
seem to get anywhere. Without younger people coming up then there will 
be no lace group which will be a real shame. For some reason the lace 
group committee have not demonstrated for a number of years which means 
we are a hidden craft. If lace stops being made then it will be a great 
shame. We need more people who are prepared to promote lace and not keep 
it hidden.

Lou Woo
-- 
The Craft Corner http://www.the-craft-corner.co.uk/

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[lace] Cottier

2011-10-14 Thread tess parrish
Just a note: the Cottier book is on the Arizona website.  It was  
posted in August of this year. Just put Cottier in the search block  
and it will come right up.   Enjoy!


Tess (tess1...@aol.com) in Philadelphia for a bit, enjoying old  
friends, my mother lace group, and all that a large city offers.


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[lace] new old books on Arizona

2011-10-14 Thread tess parrish
If you go to this month on the Arizona web site, you will see that  
John has been busy!  There are six or more new books, all from  
archive.org, and more will be coming as I send them to him and he does  
the hard work of putting them up on the site for all of us to see.


Thanks, John!

Tess (tess1...@aol.com)

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[lace]

2011-10-14 Thread Daphne Martin
Hello everyone
 I have been trying to upload a picture of a pendant which I was going
to ask if anyone knows what it is.
It is a teardrop shape with black lace inside.
Its all changed since the last time I uploaded the MP3 case.
Any ideas very welcome.

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[lace] RE: Demise of suppliers

2011-10-14 Thread lackam

I am going to put my two cents worth in here.

I am a fairly new lace maker having only started a year and a half ago. 
I am 47. I first heard about lace from a book back in secondary school 
but didn't have the time to pursue it then. I discovered it again when 
I came across an ad for Lace at Sweet Briar in VA, two years ago. I 
contacted Clay and she sent me the broshure. I managed to talk my 
mother ( 69 at the time) into going with me since she was looking for a 
new craft. Imagine my surprise to learn while in those classes that 
there was a lace guild right there in town. I had lived there 15 years 
and never heard of it. I think part of the problem is the way we are 
advertising ourselves. The newer generations are looking for it to be 
online or on billboards/flyers they can see easily. They don't look 
things up at libraries anymore or any of the older methods. And don't 
count out the older generation; like my mother, they may be tired of 
their old crafts and want to try something new.


The group has been great and we do have several ladies newer to lace 
than me. I mainly teach the next generation (my son) lace and our guild 
has changed the by laws to include children his age (10). With the 
younger children I think you need to approach the scouts or schools to 
gain an entry becasue so many kids are over scheduled that if it isn't 
spnsored by one of those groups, they don't hear about it. Also, with 
my son, he wants to do patterns that apeal to him. He likes the snakes, 
and I have made him spider and dragon patterns to do but he will not be 
caught doing a butterfly or flower. Maybe we need a book tailored for 
boys as I have not seen any out there. I have decided to take Katelyn's 
approach and make him patterns from his cartoons and action games. 
These interest him more even though they are only motifs, and have 
caught the attention of some of his friends. I think it is more a 
progression of lacemaking than anything else. If we draw them in with 
stuff like this, they will become interested in the older designs as an 
extention. I think it is the only way to increase our numbers and keep 
out suppliers.



Amber L
Forest, VA

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[lace] Re: Sign of the times - call for action?

2011-10-14 Thread Witchy Woman
I've been reading the messages about the demise of Lacy Susan and The
Lacemaker Shop.

I'm particularly sad about The Lacemaker Shop because it's about an hour away
from where I live.  While it's nice to order things like thread and bobbins
online, I hesitate to buy books sight unseen.  Every time I went there I ended
up spending about double what I had planned, because I was able to look at the
books, and always found at least 2 or 3 more than I had on my list.

The thing that frustrated me most about the store was that it wasn't open very
often.  I had thought about organizing a field trip with a few people, but
it was a bit frustrating to try and find a day that she was open that was
convenient for everyone.  She travelled to various lace days and SCA events.
A good part of her income came from these events.

If it were a few years down the road I would have seriously considered taking
over her business.  But life is a little too complicated now.  I hope whoever
buys it keeps it in the area.

Peg
in Fairview Park OH, where it's a cool fall evening


~~~
G:  What is it you want?

D:  Freedom...
 to want nothing...
 to expect nothing...
 to depend on nothing.

from THE FOUNTAINHEAD by Ayn Rand

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[lace] Re: Cottier Bobbin

2011-10-14 Thread Brian Lemin

Laurie,

You are right.  I have now bookmarked a translation web site.

Thank you for your links.



- Original Message - 
From: Laurie Waters lswaters...@comcast.net

To: Brian Lemin brid...@bigpond.com
Cc: Laurie Waters lswaters...@comcast.net
Sent: Saturday, October 15, 2011 12:32 AM
Subject: Re: Cottier Bobbin


Take a look at 
http://dentelle-et-papillon.over-blog.com/article-les-fuseaux-cottier-46874641.html
And there is absolutely no excuse for not speaking French anymore. Just go 
to Google Language and copy the text in. Voila!

Laurie

- Original Message - 
From: Brian Lemin brid...@bigpond.com

To: Laurie Waters lswaters...@comcast.net
Sent: Friday, October 14, 2011 7:26 AM
Subject: Re: Cottier Bobbin


Well, thank you for such a detailed reply.  I presume it is reasonable to 
think that it was not produced until the early 1900s?


Most valuable information.  Thank you Laurie.  :)

PS as I did my Google search I am reasonably sure I saw an eBook 
available for free download of one of his books.  I presumed it was in 
French so did not pursue the entry.





- Original Message - 
From: Laurie Waters lswaters...@comcast.net

To: lace@arachne.com; Brian Lemin brid...@bigpond.com
Cc: Laurie Waters lswaters...@comcast.net
Sent: Saturday, October 15, 2011 12:18 AM
Subject: Re: Cottier Bobbin


Jacques Cottier was an early 19th century manufacturer of lacemaking 
equipment in France.  He published a book called Manuel Pratique pour 
apprendre soi-meme a faire la dentelle aux fuseau, which helped 
advertise his equipment. That went through 4 editions, 1902, 1904, 1908, 
1913. He is most well known for his 'encapsulated' bobbin where you 
screw off the bottom portion of the bobbon and put in a small spool of 
thread (which he conveniently sold). The thread comes out to the shank 
through a tiny hole. The bobbin is illustrated in detail in his book. 
Not terribly practical. A complete set of these with the original pillow 
sold a few years ago, it looks very impressive all put together. 
Cottier was also one of the early 19th century promotors advocating the 
'lace by numbers' system that quickly made its way into the Torchon Lace 
Company literature for the Princess Lace Machine in the USA.

Laurie
http://lacenews.net

__ Information from ESET NOD32 Antivirus, version of virus 
signature database 6542 (20111014) __


The message was checked by ESET NOD32 Antivirus.

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The message was checked by ESET NOD32 Antivirus.

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[lace] suppliers supplies

2011-10-14 Thread hottleco
Hello All!  The scheduled loss of The Lacemaker shop in Cortland is a downer of 
immense proportions  not just for lacemakers.  Tracy is an outstanding 
resource for all sorts of fascinating techniques:  bobbin lace, needlelace, 
tape lace, Viking knitting, tatting, crochet, lace knitting, embroidery, 
Chinese braiding, nalbinding, sprang, kumihimo, beading--and the list goes on 
and on.  In addition to carrying the equipment, supplies  books, she has 
generously shared her skills, knowledge  trouble shooting prowess.  You can 
buy things on the internet, but you can't buy the ideas, encouragement  
feedback--they are priceless.  Tracy has been my teacher, mentor  friend in 
lacemaking  other textile adventures for more than 10 years.  From my private 
emails, I know I'm not the only one addicted to the merchandise, events  
creative camaraderie at the The Lacemaker so it's hard to imagine what will 
happen in the upcoming vacuum.  I'm sure many of you have a lace-bond with your 
!
 favorite supplier, but I would say a visit to Cortland was different  
personal--sort of like having Lace Day  a workshop anytime the shop was open.  
What a shame we've come to the end.  Sincerely, Susan Hottle, Erie, PA USA, 
wishing her the best while feeling sorry for myself 

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[lace] Cottier bobbin

2011-10-14 Thread Brian Lemin
Laurie,

Of course the link you gave us has its own translator button on.  Very nice
touch.

The page is most informative including a great X-ray picture which I found
very interesting.

I am still looking for a date when the bobbin was first invented or marketed.
Clearly he displayed it at the 1900 Paris Universal Exhibition but I presume
it was around before then.


Brian and Jean Lemin
Cooranbong. Australia
You can see my Lace bobbin stuff on:
http://www.cs.arizona.edu/patterns/weaving/webdocs.html
and my Ukulele stuff on:
http://ukulele3fingerjazz.weebly.com/

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Re: [lace] Need and Want, was Demise of suppliers

2011-10-14 Thread lynrbailey
Dear Katelyn, et al,
 That was a really helpful post.  The essence of the fascination of bobbin 
lace is moving bobbins around the pillow, and all of a sudden you get something 
breathtakingly beautiful.  That's the common factor.  But the anime and costume 
connection makes sense for younger lacemakers.  Design capabilities would then 
be essential.  Thank you.  Hadn't thought about it that way.  Butterflies are 
easy, they're all over in pattern books.  Angels are much fewer.  

Lyn in Lancaster, PA, US, where the weather should clear by tomorrow.  


-Original Message-
From: Katelyn Schreyer krschre...@gmail.com
Sent: Oct 14, 2011 12:07 PM
To: lace@arachne.com lace@arachne.com
Subject: Re: [lace] Need and Want, was Demise of suppliers

As a 20-something, I frequently see people in my age group knitting.
However, they're not knitting sweaters or stockings, they're knitting plush
dolls inspired by video games and TV shows.

If you see a 19 year old knitting a orange and yellow hat, she is not just
making a new hat for the winter, she is making a Jayne Hat as inspired by
a character in the sci-fi western TV show Firefly.

Several other knit projects I see *frequently* are stuffed animal style
Metriods, from the classic 80s video game of the same name, and SackBoy
dolls, as inspired by the more recent Little Big Planet.

In my own experience with bobbin lace, I have started to make lace gears,
which I aim to assemble in a Honiton fashion to create clockwork-inspired
edgings or fan leaves for a Steampunk costume.

Lacemaking, for me, and knitting for my peers, is about creating art
relevant to my other interests. Hanky edgings and doilies are as much of
interest to me as a pair of plain stockings are to a young knitter: beyond
the learning phase, absolutely none.

To appeal to a younger demographic, emphasize butterflies and angels. Once
one has the skills to design and make a butterfly, they can then go on to
create pretty much anything.

On that note, teach design along with the lacemaking itself. No young person
I know would be satisfied just knowing how to follow existing patterns, or
recreating old lace. Teach what's needed to modify, combine, and create new
patterns, and we will.

-Katelyn Schreyer



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[lace] Christmas Lace Card Exchange

2011-10-14 Thread Lackam
Hi everyone,
 
Yes it is late coming. As no one else has jumped in to run the exchange  
this year I am volunteering with Jenny Brandis's help. She will archive the  
pictures and any pricking you are willing to donate on her site. As we are  
starting so late, our time table is a little skewed and making time will be  
shorter.
 
Anyone interested in participating in the exchange has until October 31 to  
send me their name, address, and where they would like to send/receive a 
card  from. If you are willing, or want, to do more than one include that 
information  also. I will match everyone up and send out your addresses to each 
other no  later than November 2nd. Please try to complete your lace and have 
it in the  mail by December 5th. 
 
Please ensure that you send a photo of your lace to me or Jenny so we can  
post them on her site. 
 
If there are any question. feel free to ask.
 
Amber Lackey
Forest, VA, USA
_lackam@aol.com_ (mailto:lac...@aol.com) 

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[lace] More Determined

2011-10-14 Thread Susie Rose
Hello to One  All!

The idea of the demise of lacemaking hurts me to the core. It makes me all that 
more determined to get on 'Project Runway' . What would happen if they get a 
designer that can spin the yarn, weave the fabric, make the outfit AND make the 
lace to go on the outfit!  

I've been dubbed  'Nevada's Renaissance Woman' by The Nevada Arts Council. When 
I auditiomed for season 6 of PR Tim Gunn said 'I love your background! I love 
what you're wearing! I just want to see more!' I was the ONLY designer that got 
in to the panel with 1 design! (What I was wearing.) You had to have a minimun 
of 3 derigns to get to the 'green' room.   

What would happen to our 'love' if a designer
 was making it on TV?

For the love of all things fiber related.

Susie Rose (Finlay)

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[lace] Re: Sign of the times - call for action?

2011-10-14 Thread Susan Reishus
I noticed a few comments about a bobbin lace surge in the 80-90's, perhaps
starting in the 70's.  I don't remember an upsurge in doing domestic things
like working with threads and textiles (though the weaving and macrame
comments were true in the 70's...a bit of a spin off from the hippie
movement).  I think it has much to do with the economy.  People began spending
money as they had more, and there was a lot of indulgence and paying high
prices for things in the 80's and 90's.  The recession curbed some of that and
people began to cull back.

Knitting escalated after 9/11 as a sort of
nesting and prioritizing old values thing, as people sought more security
and things that lasted or were evidence of time invested and perhaps would
become a legacy of their life and work.  Movie stars who knit helped make it
socially acceptable, as I remember being scoffed at when knitting on planes
when I was in my 20's in my silk dresses and heels, off to something
important, asking me why I was doing old ladies work.

I don't understand why
lace isn't grabbing a hold like knitting, except that bobbin lace isn't as
portable.  A large percentage of knitting and crochet's popularity is because
of toteable projects, as many are on the move so much of the time.  Of course
now hands are busy with mobile devices too.  Needle lace would fill that bill,
but is fairly involved and delicate work, and I note that a lot of creative
work that is toted is bulky yarn types of things...quick satisfaction in an
evening or a few meetings or perhaps bus rides.  


We are a push-button world
and want quick satisfaction.  Yarn shops have few sweater sales, but loads of
one or two skein projects.  I also think that many people make things more for
gifts than for home decoration or personal attire, so that also requires
something faster.  The point made that lace is old fashioned is valid, as I
make lace, but it isn't something that fits my decor, nor apparel style.  Some
does have to be re-styled to what fits within one's life or taste (or
trends),  Trim for christening gowns, hankies and garters for brides, are rare
events.  Quilts make for a fun application, but wearable forms such as jewelry
(and there are a few incredible books out there), would make things more
inviting, perhaps.  Also, the trend is to wear simple wash and dry attire that
is quite casual and not condusive to lace.  Though lace is fashion forward
still, one often needs large pieces for a garment, vs. using it as
embellishment.

Best,
Susan Reishus
PS:  Can we PLEASE remove complete repeats
of referred to posts?  Digests recently have only about 25-30% new content -
the rest is lengthy repeats of the old and a fight to try to ferret out the
new.  It is so nice when there is only a cut  paste or comment to start, so
we know what is being referred to.  Thanks.

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