[lace] modify, combine, and create new patterns

2011-10-15 Thread Jo
See https://kantelier.wordpress.com/2011/10/15/pommegranite/
Jo

 On that note, teach design along with the lacemaking itself. 
 No young person I know would be satisfied just knowing how to 
 follow existing patterns, or recreating old lace. Teach 
 what's needed to modify, combine, and create new patterns, 
 and we will.
 
 -Katelyn Schreyer


 Here is a better/bigger picture.
 http://farm7.static.flickr.com/6110/6239775603_188ec0183c_b.jpg
 Natalie

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[lace] Sign of the times

2011-10-15 Thread Jean Nathan
Unlike weaving or spinning, which require a fairly bulky piece of equipment 
(yes, I know you don't necessarily need a floor standing loom or spinning 
wheel), the more portable crafts such as crochet, tatting, knitting and 
needle lace just needle a simple hook, needle, pair of needles, shuttle and 
some yarn. So they look fairly simple to do (even if they're not). The 
comment made by many seeing bobbin lacemaking being made is about how 
complicated it looks, primarily because of the number of bobbins.


When they say It looks too complicated for me. How do you know where they 
all go? How do you know which ones to move?, etc, the majority just don't 
seem to believe that you only use four at a time. Nor do they believe it's 
logical, or that there are only two basic stitches just like in knitting.


We've just had a new lady join our Monday class. She said she's see it done 
many times and she's seen the have-a-go pillows. She finally plucked up 
the courage to ask if she could have a go at a recent demo and now seems to 
be hooked. Why was she frightened to try the have-a-go pillow?


There are lots of reasons why we're not getting many new people starting. 
Immediately I can think of fear of not succeeding, lack of patience, lack of 
time, lack of money, lack of the ability to concentrate for long. I'm sure 
there are many more. How do we get over that? I don't know.


Jean in Poole, Dorset, UK 


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Re: [lace]

2011-10-15 Thread Sue
I have also been into the webshots to check it out and upload but its 
completely different and nothing happening.  thumbnails in a long line on 
black background and even clicking on that changes nothing.  I noticed under 
each photo a small link saying delete this picture, so we have to be careful 
of loosing what it there, but so far haven't been able to click on and bring 
any picture up to its full size.

Sue T

Daphne wrote.


Hello everyone
I have been trying to upload a picture of a pendant which I was 
going

to ask if anyone knows what it is.
It is a teardrop shape with black lace inside.
Its all changed since the last time I uploaded the MP3 case.
Any ideas very welcome.


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Fw: [lace] webshots

2011-10-15 Thread Sue
I should also have said that they seem to be trying to encourage people to 
pay to upgrade, is this right?

Sue T

- Original Message - 

I have also been into the webshots to check it out and upload but its 
completely different and nothing happening.  thumbnails in a long line on 
black background and even clicking on that changes nothing.  I noticed 
under each photo a small link saying delete this picture, so we have to be 
careful of loosing what it there, but so far haven't been able to click on 
and bring any picture up to its full size.

Sue T

Daphne wrote.


Hello everyone
I have been trying to upload a picture of a pendant which I was 
going

to ask if anyone knows what it is.
It is a teardrop shape with black lace inside.
Its all changed since the last time I uploaded the MP3 case.
Any ideas very welcome.


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Re: [lace] More Determined

2011-10-15 Thread Dmt11home
Is there any way members of the list can assist you in getting  onto 
Project Runway, such as a letter/email campaign?
People making lace on TV seems to be rather common in Great  Britain, but 
not here. I can't recall any kind of lace making on TV that wasn't  in an 
English program.
Devon
 
 
In a message dated 10/14/2011 10:26:35 P.M. Eastern Daylight Time,  
susierose_89...@yahoo.com writes:

Hello to  One  All!

The idea of the demise of lacemaking hurts me to the  core. It makes me all 
that more determined to get on 'Project Runway' . What  would happen if 
they get a designer that can spin the yarn, weave the fabric,  make the outfit 
AND make the lace to go on the outfit!  

I've been  dubbed  'Nevada's Renaissance Woman' by The Nevada Arts Council. 
When I  auditiomed for season 6 of PR Tim Gunn said 'I love your 
background! I love  what you're wearing! I just want to see more!' I was the 
ONLY 
designer that  got in to the panel with 1 design! (What I was wearing.) You had 
to have a  minimun of 3 derigns to get to the 'green' room.   

What  would happen to our 'love' if a designer
was making it on TV?

For  the love of all things fiber related.

Susie Rose  (Finlay)

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RE: [lace] Re: Sign of the times - call for action?

2011-10-15 Thread Darlene Wainwright
I've also been reading the comments on this subject with interest. I took up
spinning and weaving in the '80s and when I looked at bobbin lace it seems
too delicate for my growing kids and pets to be around. I did not have a
room dedicated to my fibre craft so loom, wheel, sewing machine etc resided
in the living room. It wasn't until the kids left home that I got my
'weaving room' which eventually nearly took over the house.

None of my friends joined me in learning to weave. We were working women
with kids and husbands so time was very short. I got up at 5 every morning
to weave before going to work. I joined the local weaver's guild and nearly
all the members did not have day jobs and few of the working ones had kids.
This was the beginning of a time of women juggling family, home and jobs
while we thought we were 'liberated'. 

Today, it is rare for a woman to be stay a home mom or wife so still time
for one's own creative journey is short. I think the other reason is that
fashion is fleeting. Women don't keep their clothes for any length of time
so the idea of spending countless hours creating a trim is just not
something they are interested in doing. Cheap imports have taken the
appreciation of hand made goods from a lot of consumers.  I sure don't see
classic clothes woman will be keeping in their wardrobes for years anymore. 

Darlene Wainwright
darlen...@xplornet.com

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RE: [lace] Re: Sign of the times - call for action?

2011-10-15 Thread Darlene Wainwright
 Susan Reishus wrote:  Quilts make for a fun application, but wearable forms
such as jewelry (and there are a few incredible books out there)

I was wondering if you could give us some titles of books containing
jewelry? I've got basic books and some from the 80s which I purchased from a
senior who had stopped doing bobbin lace but haven't bought a book in
awhile. I'd love to hear about one doing jewelry. 

Darlene Wainwright
darlen...@xplornet.com

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[lace] Future of lace/was Demise of suppliers

2011-10-15 Thread Dmt11home
In a message dated 10/14/2011 5:38:41 P.M. Eastern Daylight Time,  
lac...@aol.com writes:

Also,  with 
my son, he wants to do patterns that apeal to him. He likes the  snakes, 
and I have made him spider and dragon patterns to do but he will  not be 
caught doing a butterfly or flower. Maybe we need a book tailored  for 
boys as I have not seen any out there. I have decided to take  Katelyn's 
approach and make him patterns from his cartoons and action  games. 
These interest him more even though they are only motifs, and have  
caught the attention of some of his friends. I think it is more a  
progression of lacemaking than anything else. If we draw them in with  
stuff like this, they will become interested in the older designs as an  
extention. I think it is the only way to increase our numbers and keep  
out suppliers.

I think the idea of having projects especially for boys  is a great idea. 
Bobbin lace is basically weaving, and plaiting, and boys from  time 
immemorial have done leatherwork and other such crafts. Men have also been  
professional weavers and tapestry makers. There is no need to use the weaving  
technique only in the service of ruffles and frills.
 
However, I am interested in the comment, if we draw them in  with stuff 
like this, they will become interested in the older designs as an  extension. 
Why is it a goal to have the next generation be interested in older  
designs? Why can't they adapt lacemaking to their interests and perspective? It 
 
is sort of like saying if we let the Impressionists mess around with big 
globs  of paint, then eventually they might progress to painting like the Dutch 
 
Masters.
 
I think we have to figure out what it is about lacemaking that  would fit 
in with what younger people want to do and then let them take off with  it to 
realms we cannot imagine.
 
Devon

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Re: [lace] Re: Sign of the times - call for action?

2011-10-15 Thread Carolyn M Salafia
I second this entirely; having lost 14 pounds during my 4 yr divorce and
regained the privilege (!) of shopping with my seventeen yr old daughter in
the juniors section, I am appalled by the short term nature of fabrics that,
at purchase, seem to be lovely to the touch and a good wear. Two careful
hand washes and they're completely pilly and look like I've worn them day
and night for months. The nature of fabric has simply changed, along with
the idea that there are classic clothes and that such clothes actually
last...

I have the laura ashley dress that, fifteen years ago, I cut off the lace
collar and replaced with my own (made with lots of help from certain folks
on this list). I wear it with pride, but the ten years younger mothers of my
kids' friends are interested, but more insofar as this demonstrates how
much older than them I really am.

When my kids were little I could,as I put it, bore them to sleep at naptime
with the click click click of my bobbins... they should only be so easy to
satisfy now!

best

carrie, whom roberta donnely tried to help dive back into lace a few years
ago, but who knew it would take four years to get my own life back, at least
to the extent it's mine currently  :-)

On Sat, Oct 15, 2011 at 9:38 AM, Darlene Wainwright
darlen...@xplornet.comwrote:

 I've also been reading the comments on this subject with interest. I took
 up
 spinning and weaving in the '80s and when I looked at bobbin lace it seems
 too delicate for my growing kids and pets to be around. I did not have a
 room dedicated to my fibre craft so loom, wheel, sewing machine etc resided
 in the living room. It wasn't until the kids left home that I got my
 'weaving room' which eventually nearly took over the house.

 None of my friends joined me in learning to weave. We were working women
 with kids and husbands so time was very short. I got up at 5 every morning
 to weave before going to work. I joined the local weaver's guild and nearly
 all the members did not have day jobs and few of the working ones had kids.
 This was the beginning of a time of women juggling family, home and jobs
 while we thought we were 'liberated'.

 Today, it is rare for a woman to be stay a home mom or wife so still time
 for one's own creative journey is short. I think the other reason is that
 fashion is fleeting. Women don't keep their clothes for any length of time
 so the idea of spending countless hours creating a trim is just not
 something they are interested in doing. Cheap imports have taken the
 appreciation of hand made goods from a lot of consumers.  I sure don't see
 classic clothes woman will be keeping in their wardrobes for years anymore.

 Darlene Wainwright
 darlen...@xplornet.com

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-- 
Carrie

carolyn.sala...@gmail.com

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Re: [lace] More Determined

2011-10-15 Thread Susie Rose
On Sat Oct 15th, 2011 6:18 AM PDT dmt11h...@aol.com wrote:Is there any way 
members of the list can assist you in getting  onto Project Runway, such as a 
letter/email campaign?People making lace on TV seems to be rather common in 
Great  Britain, but not here. I can't recall any kind of lace making on TV 
that wasn't  in an English program.Devon  In a message dated 10/14/2011 
10:26:35 P.M. Eastern Daylight Time,  susierose_89...@yahoo.com writes:Hello 
to  One  All!The idea of the demise of lacemaking hurts me to the  core. It 
makes me all that more determined to get on 'Project Runway' . What  would 
happen if they get a designer that can spin the yarn, weave the fabric,  make 
the outfit AND make the lace to go on the outfit!  I've been  dubbed  
'Nevada's Renaissance Woman' by The Nevada Arts Council. When I  auditiomed 
for season 6 of PR Tim Gunn said 'I love your background! I love  what you're 
wearing! I just want to see more!' I was
 the ONLY designer that  got in to the panel with 1 design! (What I was 
wearing.) You had to have a  minimun of 3 derigns to get to the 'green' room.  
 What  would happen to our 'love' if a designerwas making it on TV?For  
the love of all things fiber related.Susie Rose  (Finlay)

Hello to One  All!

I have to get on the show by my own talent. NOW once I'm on the show, that's 
when public response will come into play, big time!  I believe it was season 5 
where every designer was picked by a design house.  There is a 28 page contract 
that includes a confidentally clause. I can't even tell my family that I'll be 
on the show. But I have to make arrangements for my daughter for the month of 
June. That's when the entire season is shot, sans fashion week. That's in Sep.  
If I'm in I'll tell everyone to watch to see if I made until the trailers 
start. 
I'm 1 of the few designers that's a conplete package: designing, pattern making 
and sewing. I had a great teacher, my Mom.  She sewed for the Vanderbilts, 
Betty Drake (Cary Grants wife), Elizabeth Taylor and the like.  All of what I'm 
wearing will be my own design. Why would I want to promote some other designer 
when I'm there to promote me. I even found a 'cobbler' that will make shoes  
boots to my specs. :-D
Life happens while I'm putting my portfolio together.  The county wants to tear 
down my home...BUT they'll won't make us homeless. They're helping us to 
replace our home on ovr property. Stress  I are really good friends.

For the love of fiber!  Susie Rose
(Tag line for PR:  My name is Susie Rose. Remember roses has thorns.)

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[lace] lace jewelry

2011-10-15 Thread hottleco
Hello All!  Just to let you know--Deborah Beever will be teaching a lace 
jewelry workshop in Pittsburgh next month.  Her work is stunning  utilizes 
metallic threads.  If you are interested in attending this event sponsored by 
PLG, please contact me privately for details.  Sincerely, Susan Hottle, Erie, 
PA USA

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[lace] future of lacemaking/Steampunk

2011-10-15 Thread Dmt11home
Good Lord. Why are we demonstrating at State Fairs when we  should be
demonstrating at Steampunk events?

Am I living in an alternate universe, or what? I searched  Steampunk Lace
and a lot turned up.

I began looking up Steampunk activities in my area and am  amazed. This
week the New York Nineteenth Century Society which is composed  of YOUNG
PEOPLE
despite the name (talk about misleading names) is having an  event about
corsets in a bar. Their website indicates that they have a Victorian
handsewing circle in which people are reputedly lace making.
_http://nineteenthcenturysociety.org/articles/_
(http://nineteenthcenturysociety.org/articles/)

I urge everyone to investigate Steampunk. I am putting the  Wikepedia
definition at the end of this email. But this has tremendous  potential. For
one
thing, most of the world's current supply of lace was  produced for exactly
this era. Also lace books currently being sold have  patterns for
accessories that haven't been worn since this era. Lacemaking fits  in so well
with
Steampunk that it is incredible. The entire ethos of the weird  19th century
is a perfect match with lace making history. It would not be hard  at all to
create a lacemaking persona for Steampunk events. In fact, arguably  Tatty
Remlage of the Bulletin, publication of the International Old Lacers  already
is one.

We just missed Steampunk Week, a total immersion week planned  by, I kid
you not, Lord Hastings R. Bobbins!

I am going out of my mind!

Devon

Steampunk is a sub-genre of _science fiction_
(http://en.wikipedia.org/wiki/Science_fiction) , _fantasy_
(http://en.wikipedia.org/wiki/Fantasy) ,
_alternate history_ (http://en.wikipedia.org/wiki/Alternate_history) , and
_speculative fiction_ (http://en.wikipedia.org/wiki/Speculative_fiction)
that
came into prominence during the 1980s and early 1990s._[1]_
(http://en.wikipedia.org/wiki/Steampunk#cite_note-Clute-Grant-0)   Steampunk
involves a
setting where _steam power_ (http://en.wikipedia.org/wiki/Steam_power)  is
still
widely  used—usually _Victorian era_
(http://en.wikipedia.org/wiki/Victorian_era)  _Britain_
(http://en.wikipedia.org/wiki/United_Kingdom) —that
incorporates  elements of either science fiction or fantasy. Works of
steampunk
often feature  _anachronistic_ (http://en.wikipedia.org/wiki/Anachronism)
_technology_ (http://en.wikipedia.org/wiki/Technology)   or futuristic
innovations as Victorians may have _envisioned_
(http://en.wikipedia.org/wiki/Retrofuturism)  them, based on  a Victorian
perspective on _fashion_
(http://en.wikipedia.org/wiki/Fashion) , _culture_
(http://en.wikipedia.org/wiki/Culture)
, _architectural style_ (http://en.wikipedia.org/wiki/Architectural_style) ,
 _art_ (http://en.wikipedia.org/wiki/Art) , etc. This  technology may
include such fictional machines as those found in the works of _H. G.  Wells_
(http://en.wikipedia.org/wiki/H._G._Wells)  and _Jules Verne_
(http://en.wikipedia.org/wiki/Jules_Verne) .
Other examples of steampunk contain alternative history-style presentations
 of such technology as _lighter-than-air_
(http://en.wikipedia.org/wiki/Lighter-than-air)  _airships_
(http://en.wikipedia.org/wiki/Airships) , _analog
computers_ (http://en.wikipedia.org/wiki/Analog_computer) , or  such
digital _mechanical computers_
(http://en.wikipedia.org/wiki/Mechanical_computer)
 as _Charles Babbage_ (http://en.wikipedia.org/wiki/Charles_Babbage)  and
_Ada  Lovelace_ (http://en.wikipedia.org/wiki/Ada_Lovelace) 's _Analytical
engine_ (http://en.wikipedia.org/wiki/Analytical_engine) .
Various modern utilitarian objects have been _modded_
(http://en.wikipedia.org/wiki/Modding)  by individual artisans  into a
pseudo-Victorian
mechanical steampunk style, and a number of visual and  musical artists have
been
described as steampunk.

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Re: [lace] future of lacemaking/Steampunk

2011-10-15 Thread Katelyn Schreyer
Lord Hastings Bobbins does several events, one of which is TeslaCon in
November (sold out, I'm afraid).

However, as a presenter at TeslaCon, I've gotten a steak peek at the
schedule of events, and it includes an area set aside as a Knitting Parlor
(after the ladies of TeslaCon appropriated one by force in the hotel lobby
last year), a panel on Steampunk Embroidery, and an class on Bustlemaking.

Steampunk is often described as Victorian Science Fiction.  But one of the
most important parts of Steampunk is the idea that things should be
beautiful in the way that modern manufactured products are not. Why build a
time machine if you can't put polished wood panelling and
bronze filigrees all over it? Why make a death ray if you can't etch
scrollwork and inlay mother of pearl into the handle? And

And yes, I will be presenting at TeslaCon on lacemaking.

For those of you who are interested, here are some pictures of what I have
been working on:

http://www.flickr.com/photos/68691357@N07/

Katelyn Schreyer
krschre...@gmail.com


On Sat, Oct 15, 2011 at 12:39 PM, dmt11h...@aol.com wrote:

 Good Lord. Why are we demonstrating at State Fairs when we  should be
 demonstrating at Steampunk events?

 We just missed Steampunk Week, a total immersion week planned  by, I kid
 you not, Lord Hastings R. Bobbins!

 I am going out of my mind!

 Devon

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[lace] Re: More Determined

2011-10-15 Thread Susan Reishus
The challenge with Project Runway is that you are given guidelines,
pre-existing goods, and a pressured timeline to make a garment.  I haven't
followed it closely, as it frustrated me from the workmanship to varying lack
of design aptitude, IMO.

When you add in an element of making the actual
textiles and embellishments from scratch, it becomes overwhelming for the
designer in the projects intensity, and frankly would make for a boring show
for many to watch.  I come from that purist perspective, but you burn out over
the decades and one needs to make a living...people aren't typically willing
to invest the extra money nor wait for pieces.  It appears to me that people
are chosen not only for design potential, but also personalities that will
make the show interesting.  Of note, many are criticized for repeating
techniques or styles in their design, so if every item had lace, that could be
considered too much repetition.

I think the best way to get the word out, is
for someone to focus on hosting a show.  That can be someone versed in their
own techniques, and/or adding in others with specialities.  Venues like PBS or
HGTV would be places to start.  Time wise, again it becomes a crunch, as it is
typically ideal to show an item being started, and featured in various stages,
so you would be making a minimum of 3 pieces, one of which would be finished. 
That is a lot of work for the average lacemaker.  Then you begin to look at
how many resources you have to tap, and flying in people from other countries,
and is there a point where you would tap out features within a year or two? 
I don't want to be negative, but it has to be viewed from the lacing side, to
the consumer and what the market will bear, and getting all past a producer
and director, who may not see lace as an appealing venue, meaning there is a
limited market.  


Sometimes it is not what you are selling, but how you do
it and getting it to the market place.  Many lace suppliers rely upon tapping
pre-existing interest or via retro fairs, but it truly needs to be shared with
those who don't know it exists, or are interested and don't know where to find
instruction and supplies.  This is the same conundrum that many artists have
suffered from; where one needs an representative that markets and sells
product or gets the word out, but then what it the take, as it is so labor
intensive?

The simple analogy would be to think of Elizabeth Zimmerman, who
began a series of PBS shows on knitting, I believe in the 60-70's.  I never
saw them, and who woulda thunk that it would have subsidized an increase in
knitting interest, followed by a marketplace where fabrics became scarce, but
yarn was widely available.  Threads are there, whether you like them or not,
as people are doing forms of needlework, from cross stitch to hardanger and
embroidery, etc.  In my area, she is making as much money as ever, so the
thread market is there in whatever way or to whatever degree.

That is my
idea for the day, that could make a difference.  Erica Wilson created a
needlepoint empire, and Laurel Burch and Mary Englebreit come to mind, though
not within needlework per se, but Laurel Burch did foray into fabric.  You
have to be or find someone who looks passable on TV with a decent voice and
warmth, who can interview people, and those will probably need a 3 month heads
up to work their feature, and then you ask how they can be covered as they
won't make money, other than a token payment to visit, unless someone wants to
sell theirs.  Most people fight to get on TV so they can sell their goods,
supplies, books or public speaking/teaching.  It is the same thing that
natural health struggles with in this economy.  You can potentially heal
something with a $3-10 bottle of herbs, and how do you educate and let people
know when pharmaceuticals charge ten to a hundred times the original cost, so
have funds to advertise...people often
 don't know that they can heal themselves without going to a doctor, the
same as some can teach themselves and order supplies via the internet, etc.
Perhaps someone with more focus upon history, can educate and interview, vs.
having to make it themselves.  Then how many have the energy to do a show that
can easily take 80 hours a week, and end up not doing much of the thing they
love the most, lace?  As some of the perhaps more mature lacers who may have
the most knowledge, really up for such an energy investment?  Maybe Jeri is
interested?  :)


Best,
Susan Reishus

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[lace] Katelynn - Steampunk

2011-10-15 Thread Susie Rose
Hello to One  All!


Katelynn - Absoulutely Brillant! (I was plesantly surprised when my cheapie 
cell phone was able to open the picture!)


I've been making a black/gold torchon trim that I really wasn't happy with. 
Last year I decided after I get another 2 yards, I was going to offer it at my 
Esty store  for Steampunk or reenactors. The pillow hangs on my wall gathering 
dust.  I also have the supplies  patterns to make Victorian clothing. Think 
about the movie, The League of Extraordinary Gentlemen.  That is Steampunk.

Hugs,
Susie Rose

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[lace] Project Runway - A Lace Challenge (and other controversial comments)

2011-10-15 Thread Laurie Waters
Imagine a Lace Challenge on Project Runway.  Contestants stand outside a 
mysterious room from whence comes clacking noises (remember the wrestling 
challenge?). Open the door and you see about fifty bobbinlace makers. And 
they could come from USA, England, Brazil, Spain, Russia, all over. 
Especially the last three where lacemaking is very much alive and well. Just 
look at the LaceNews YouTube collection, these countries break records in 
videos. The contestents are assigned a team of lacemakers with which to 
work, and in 1-3 days come up with a handmade lace design.
As an alternative, they could all be taken to the Met or somewhere to look 
at great examples from their collections.
This has been on my list of top ten desires for several years. How could it 
be accomplished?


Regarding the discussion about the demise of lacemaking, which I've been 
following. I relate to this in the beginnings of the Minnesota Lace Society 
in the late 70's. It was an organization of very strong-willed women, mostly 
in their 20's, out to make the best adventure we could, while at the same 
time working, going to school, and we were not distracted by the Internet or 
Social Media, or gaming or anything like that. We had yet to get careers, 
and were only thinking about families. Lacemaking offered a wonderful, broad 
challenge.
For my two cents, lacemaking in America is not making use of the Internet 
like it should. How can you attract young people if you don't offer them the 
learning opportunities they have grown up with? I hear too much discussion 
about how to get books published, and distribution of magazines.  Every 
magazine in the country is under pressure from what you can just get on the 
Web, and let's face it; even FiberArts just tanked.  Compare and contrast 
this with countries like Spain and Brazil and Russia, where there was always 
a broad professional industry well into the late 20th century.  The skills 
are being passed to the children as a matter of course.  Somehow I don't 
think the computer age has taken hold there quite as well as it has in the 
US.  This is not derrogatory, I sometimes teach in Lisbon and the University 
of Barcelona, and am becoming more familiar with that part of the world. 
You wonder why things are dying in the US. We have no professional 
tradition, no incentive to pass skills onto the children. And what they can 
find on the net are not centers of attraction for their interest.  This has 
got to change, and it is the primary reason that I'm putting so much effort 
into internet resources with the LaceNews sites (more will come).
And you know, every time I see photos of Americans at lace conventions, 
etc. - we all look so old. Including me. The advance of computers will kill 
lacemaking far more efficiently than anything we can do. Another interesting 
thing, in trying to list all the Lace Days in England, it's fairly rare that 
a group will have a web site - a little better in the US, but not much. 
Lacemakers, who should be passing on their skills, or even just learning 
them because they are now retired, and have the time, are not always 
computer literate.  We need to fix this. We need to make it easy to join an 
organization (Paypal Lace Guild!!!). We need to move the discussion into the 
present, not speculate about the past.  Make this a special topic in some of 
the upcoming lace conventions, where ever they are.
Funny - scuba diving is another of my passions, and organizations like PADI 
are talking exactly this way - how to move into the computer age.

Laurie
http://lacenews.net

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[lace] Susan - More Determined

2011-10-15 Thread Susie Rose
Hello to One  All!


I understand the particulars of PR  the strict gvidelines the designers need 
to adheir to for each challenge.  Playing the same note will get 'auf' the 
show. (When I have the time I make challenges for myself. Slips of paper go 
into a jar  I pull 1 out  shop my extensive fabric stash. And start working. 
But something they do on the website is let the pvblic know whose clothes the 
designers are wearing. That's where I can showcase the other designs I'm 
capable of.  Thats where my knowledge in other areas will prevail. That may or 
may not be in the challenges. 

There are 2 forms of fashion: off the rack  coutvre.  I make both.  I KNOW the 
industry  jvst want to get my designs more out there. In addition to getting 
more people interested in fiber arts.  And get out of the 'by appointment only' 
mode.  I make good money on 1 of a kind couture. Not every millionaire or 
billionaire wants their wife look like a Hollywood trollup. But its a way to 
get exposed to a wider audience.

Hugs,  

Susie Rose

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Re: [lace] Sign of the times - call for action? (long)

2011-10-15 Thread The Lace Bee
I have realised that as the years progressed I really didn't know what I was
buying at the start of my lace equipment purchasing career.  I bought what I
was told rather than what worked for me.  The teacher that I had believed in 7
beads to a bobbin (east midlands) and liked very long, wide bobbins.  She also
liked very domed pillows.
 
I've discovered that I like thin bobbins that are
neither long nor short and I am a 5 bead person.  I also prefer the feel of
ebony (due to the fact that wood to me is to the touch like fingers down a
chalk board unless it's waxed or sealed and ebony is better to the touch for
me) and I love bone because I can have it thinner for the same weight as wood
so more bobbins on the pillow.
 
I like flatter pillows as they seem to work
better for mein tensioning (domed for me tension too tight, it's just the way
I work, nothing else).  
 
So, I've spent 20 something years gradually
replacing everything I bought at the start.  At this rate I'll never finish -
a bit like painting the forth bridge.
 
My bobbin a month from the wonderful
Chris Parsons is not going to make him a fortune but all the other people who
have signed up for the bobbin a month may keep him going.  
 
Jane is right
that that those with the money are those coming into the craft at retirement
and who hopefully have may productive years ahead of them to make lace, but I
also feel strongly that children are hit too hard with school work and should
be encouraged in their creativity through craft and skills but that's
something I'll have to sort out when the revolution comes.
 
L
 

Kind Regards
Liz Baker

thelace...@btinternet.com

My chronicle of my bobbins can be found
at my website: http://thelacebee.weebly.com/

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Re: [lace] Demise of suppliers

2011-10-15 Thread The Lace Bee
There is also a very sad byproduct of the age of lacemakers increasing which
we have seen in the military modeling world.  If those coming in new to the
craft are older with more disposible income they bring with them purchasing
power.  I believe that suppliers should make a profit - it is a thank you to
them for finding the things that I need and supplying them.  However, in the
modeling world we have seen the cost of supplies start to increase year on
year faster than inflation.  I understand that if you are only producing a
small amount of something it costs more per unit than if you make thousands
but a model which cost £10 5 years ago now costs £40.
 
Why?  Because people
will pay for it.  We went to EuroMilitare (equivilant of the Xmas lace maker
fair that used to be at the NEC for size and venue).  There was fantastic
model on display that was limited to 250 and only available at the show.  I
was in love and really wanted it.  Hubby went to find out the cost and it was
more than we were intending spending on the whole day.  Hubby wanted to still
buy it but I wouldn't because it was inflated and I wasn't going to play.  My
bocoytt was a complete waste of time because they sold out in a matter of
hours.  But I made my point to myself.
 
I am worried that if the money is
there prices will rocket.  However, I don't think that many of our suppliers
have caught up with inflation.  The first pair of bone bobbins I bought in
1989 were £16 each and this is not far off what we often pay today.
 
Books
are more reasonable and far more available today.  I am paying the same today
for books as I did for similar ones over 20 years ago.  In fact, many of the
books I bought then are still available and cost the same now as then.
 
But I
do still worry.

Kind Regards

Liz Baker

thelace...@btinternet.com

My
chronicle of my bobbins can be found at my website:
http://thelacebee.weebly.com/




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[lace] Spreading the word

2011-10-15 Thread Lyn Bailey
So, we have a lot of ways to increase the lace making population.  I interject
here the significant problem in the US, that most Americans have never seen
lace being made, don’t know what it’s about, and don’t know anyone who
makes lace.

Increase the variety of places where we demonstrate.  In other words, Make
Lace In Public.

Engage knitters.  I am amazed at how many lace makers also knit.

Advertise.  Often meetings and demonstrations can be advertised for free.

Bring in the children.  Find out where they are learning crafts and skills,
and offer to teach them in a way they enjoy.

Make beginning classes, the first class, free, or almost so.

Wear lace.  That way you can talk about it.  Who’s writing the book on lace
on T-shirts?

Demonstrate where the young are.  Look into Steampunk.  Ask your kids, or
grandkids.

Think of ways of making lace engaging to young people.  Designs, add color.

Anyone want to add?

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Re: [lace] Spreading the word

2011-10-15 Thread Sue Duckles
You know it's odd that statement Today I attended Pudsey Lace
Fair, Jane Partridge was there and we ended up chatting about lace
(now I wonder why LOL)  anyway, one item we were discussing was
how many ways one can wear the lace from a tiara it could be worn
as cuffs on a tshirt for instance.

Tiny motifs can be made into brooches, earrings, pendants etc, and you
don't have to worry about it going through the washing machine!! You
can stitch it onto hankies, tshirt fronts, shirts etc...

Once we have the thought that lace can be worn, the ideas are as large
as our imagination.  Try giving it to a friend, young relation, old
relation anyone who has ever expressed an interest in lace... tell
them about your closest teacher...

We may revive this hobby yet!!

Sue in East Yorkshire
On 15 Oct 2011, at 23:04, Lyn Bailey wrote:


 Wear lace.  That way you can talk about it.  Who’s writing the
 book on lace
 on T-shirts?

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Re: [lace] Spreading the word

2011-10-15 Thread lynrbailey
A woman I met at IOLI convention washes the lace attached permanently to
the T shirt in the wash, then hangs to dry. 

When I was doing my thing as a barrister, (trial attorney in the US) I
plunked my lace handkerchief into the chest pocket.  And I have a book
that has lace that is supposed to go on the lapels of a jacket.  Then
there's lace scarves made out of laceweight yarn. 

Lyn in Lancaster, Pennsylvania, US, where it was a beautiful fall day,
cool, breezy, brilliant sun.  Vast improvement over the rain of the last
3 days. 

  -Original Message-
  From: Sue Duckles
  Sent: Oct 15, 2011 6:18 PM
  To: Lyn Bailey
  Cc: lace@arachne.com
  Subject: Re: [lace] Spreading the word

  You know it's odd that statement Today I attended Pudsey Lace
  Fair, Jane Partridge was there and we ended up chatting about lace
  (now I wonder why LOL)  anyway, one item we were discussing was
  how many ways one can wear the lace from a tiara it could be worn
  as cuffs on a tshirt for instance.
  Tiny motifs can be made into brooches, earrings, pendants etc, and
  you don't have to worry about it going through the washing machine!!
  You can stitch it onto hankies, tshirt fronts, shirts etc...
  Once we have the thought that lace can be worn, the ideas are as
  large as our imagination.  Try giving it to a friend, young relation,
  old relation anyone who has ever expressed an interest in lace...
  tell them about your closest teacher...
  We may revive this hobby yet!!
  Sue in East YorkshireOn 15 Oct 2011, at 23:04, Lyn Bailey wrote:

Wear lace.  That way you can talk about it.  Who’s writing
the book on lace
on T-shirts?

  /lynrbailey@desu pernet.net

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[lace] More Determined

2011-10-15 Thread Janice Blair
From: Rosemary Horr rja...@msn.com

Good day all, Check out Janice Blair's site: www.jblace.com.
At the bottom of the page is the link to Janice discussing lace on a Chicago
news show in 2008.  Lurker,Rosemary Flagstaff, AZ

I can't recall any kind of lace making on TV that wasn't  in an
 English program.
 Devon


Thanks Rosemary for the plug.  I seem to remember that Carol Duval had a 
lacemaker on her tv craft program once, but craft programs on HGTV seem to have 
disappeared, unless I am missing the time slots.  Today most of the programs 
seem to be about house buying, not crafts.

My interview was by a guy who liked to interview people with different and 
interesting hobbies.  I only got one query from the program and never heard 
from 
the woman again.  I was trying to plug out convention in Rockford but I think 
they cut those references.

As a designer of simple patterns I would like more ideas of what people want to 
see.  It is hard to come up with ideas.  What things do boys like?  How about 
an 
Angry Bird.  Ideas please.

BTW, the halloween cat pattern on my website has some pinholes missing on the 
right cheek.  A lacemaker doing it caught the missing pins.  Ruth Budge gave me 
advice on why they disappeared when exporting the design from Lace RXP and when 
my DD can get round to it, the pattern will be corrected.  Easy enough for any 
lacemaker to put in the missing pinholes if they follow the picture of the 
lace. 

Good luck to Susie on Project Runway.  Let us know when to start looking for 
you, but please don't be the bitchy one.  I always root for the underdog.  Not 
sure I like any of the 3 left in it so far.
Janice
  Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
www.jblace.com
http://www.lacemakersofillinois.org

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Re: [lace] Re: Cottier Bobbin

2011-10-15 Thread Laurie Waters

Oops. You are absolutely correct. I have no excuses.
Laurie


- Original Message - 
From: Sue Babbs sueba...@comcast.net

To: Laurie Waters lswaters...@comcast.net
Sent: Friday, October 14, 2011 9:32 AM
Subject: Re: [lace] Re: Cottier Bobbin


If his book was published in the early 1900s, wasn't he a late 19th 
century or early 20th century manufacturer (not early 19th century)? Just 
puzzling, not criticizing.


Sue


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[lace] Halloween cat pattern

2011-10-15 Thread Janice Blair
Hi,
My daughter has replaced the pricking for the Halloween cat on the Pattern 
Gallery of my website.  It is also in the LACE newsletter, so you can download 
a 
useable pricking at www.jblace.com

I hope to be posting the photos of my lace entries from the IOLI convention 
soon.  I won a first with my needlelace Paul Revere in the Technical and third 
with my bobbin lace Santa Maria, which also won Popular Vote.  I got my 
Bulletin 
today so I can now do a bit of boasting. :-)
Janice
 Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
www.jblace.com
http://www.lacemakersofillinois.org

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[lace] Webshots

2011-10-15 Thread Janice Blair
I have added three photos to the Webshots page and had no problem with them.  
If 
you click on each picture they will enlarge.  This link should go to the second 
page of my album.
http://community.webshots.com/album/149126673AmIpMo?start=12

One is the Halloween cat and the others are my winning entries at IOLI 
convention.
Janice
 Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
www.jblace.com
http://www.lacemakersofillinois.org

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Re: [lace] Demise of suppliers

2011-10-15 Thread Chris Brill-Packard
  
Yes, Jean the important question is young people taking up the craft –
where are they? 
We had a successful lace demo on 9/25/2011, where 21 lace
“fish” where made by community members attending a Fall Fest.    Boys,
girls and adults lined up to make their own lace “fish”.  Used colored
threads, let them choose their own bead color for the eye, most finished in
15-20 minutes.   Siblings stood and watched and then made their own.  
After watching their sibling do their fish, the next sibling was quicker.  We
have new lacers coming in November for beginning lessons – ages will vary. 
One person is a middle school teacher who plans on teaching bobbin lace to
students during “study hall” because the kids are asking to learn a hand
craft.  As she laced her own fish, she felt that it was a craft to enhance
math skills.  So instead of crocheting or knitting, she wants to learn bobbin
lace to teach to her students.   So I will help her out with this
endeavor.   
This teacher stated that “Home Education” is coming back to
the schools……why….kids do not know how to cook which may be a reason
behind our obesity levels due to fast food.   So the schools are looking at
“Home Economics” again as a “life skill class”.   I do not have kids
so I was not aware that “Home Ec” is coming back.   The home education
teachers are LOOKING for a HAND CRAFT to teach the students during
the section on sewing.   So maybe we can approach teachers to ask what their
needs are.   Maybe we can teach some teachers our craft to share with
students and then once exposed, these students will join our groups and
purchase those supplies.     Also, I was approached by a community college
teacher stating that she was looking for a hand craft to teach as part of a
back to basics for relaxation to counter the high tech world that students
have these days.    
I started lace making after seeing 8 bobbin lace
pillows with 8 different types of lace in progress on the pillows at a
“Fiber  Arts” exhibit at a community college (1982).   My lace teacher
found a community college arts teacher that became interested in her lace
making techniques and invited her to exhibit during the 3 day show.   
Maybe
we can reach out and expose school and community college teachers to our
“Hand Craft”?
 Chris.in Cleveland, Ohio area where it is a very windy
fall day!
 
On 14 Oct 2011, at 08:07, Jean Nathan wrote:

 One of the
problems is that once you've got your basic pillow,  
 sufficient bobbins
and (usually too many) books (for you to complete  
 everything in it you
want to), really the only thing you NEED is  
 thread. And that won't keep a
supplier in business.
 They rely, not only on newbies, but those of us who
already have the  
 basic supplies WANTING extra pillows, patterns, books,
bobbins and  
 other equipment ..

 Then there's the question are
there sufficient young people taking up  
 the craft and buying the supplies
to replace those of us in our  
 dotage who will eventually give up because
we can no longer cope or  
 go to join other lacemakers on a cloud.

 Jean
in Poole, Dorset, UK
Chris Brill-Packard

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[lace] Vermeer's Lacemaker on Exhibition at the Fitzwilliam Museum

2011-10-15 Thread Laurie Waters
I just published an announcement of the Lacemaker exhibition on LaceNews, 
along with some extensive comments.  Art historians rarely know anything 
about lacemaking, and so like to expound on the color and delicacy of the 
work. Take another look, from a lacemaker's perspective.

Laurie
http://lacenew.net 


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Re: [lace] lace jewelry

2011-10-15 Thread robinlace
I will second Susan's comment on Deborah's gorgeous Mirecourt jewelry.  It's 
stunning!  Boy, do I wish I could attend the workshop!  She's also a great 
teacher, a lot of fun, very knowledgeable, very clear at explaining (and 
patient for the ones who don't catch on so quickly).  It will be a wonderful 
weekend for anyone who goes.

Robin P.
Los Angeles, California, USA
robinl...@socal.rr.com

 hottl...@neo.rr.com wrote: 
Hello All!  Just to let you know--Deborah Beever will be teaching a lace 
jewelry workshop in Pittsburgh next month.  Her work is stunning  utilizes 
metallic threads.  If you are interested in attending this event sponsored by 
PLG, please contact me privately for details.  

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[lace] Re: Jewelry Designing

2011-10-15 Thread Susan Reishus
Sorry, but my jewelry books are packed.  One comes to mind that was
exceptional, but I cannot even remember the title, and I think it is OOP, but
was from Germany?  No help, I know.  Find a motif you like, or draw one, and
make it into something.  Don't forget wire, and look at beading
stores/magazines and fashion magazines (or the 'net).

As far as fashion
design, I am familiar as that is my education and I have done it for almost 50
years.  There are major department stores whose buyers will take private
collections, and things like the shopping channels.  Then you need to be ready
with volume.  I digress, even though initially it was about weaving and lace
made from scratch for garments.  In one's life, one does many things to
benefit all, and at times oneself, and it always changes in various ways. 
Ultimately, lace will live on as it has, as people can find thread, make
bobbins, and draw designs if they have to.  It is just nice to have supplies
available and for others to be able to make a living, also.  Making fine
thread of high quality though, I am not up for.  LOL


I am dropping out of
the subject, since I have already written lengthy messages.  :)

Best,
Susan
Reishus 

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