RE: [lace] Spanier Arbeit

2013-04-16 Thread Bridget Marrow
I'm sorry, its happened again.  My email went through without its text.  I'll
try again:
 From: bridgetmar...@msn.com
To: lace@arachne.com
Subject: Re: [lace] Spanier Arbeit
Date: Mon, 15 Apr 2013 16:19:25 +0100







I have seen two of the Spanier Arbeit gorms:  one in Prague at the
OIDFA conference and the one in the Israel Museum.  They date from the 19th or
early 20th century.  They seem to be an attempt to semi-mechanise, and
therefore speed up, a process which must have originally been done by hand,
but without seeing them in use it is very difficult to work out how they
actually worked.  The finished result is more like a braid than lace, and it
seems always to have been made in metal thread.

I’ve just found a picture of
another on the web:
http://blog.seniorennet.be/etterjefke/archief.php?ID=1126237

This one is
earlier, and is said to be from late 18th century Galicia. It looks more
rough-and-ready, perhaps even home made.  Unfortunately I couldn’t get much
information from the website which appears to be a lace blog in Dutch or
Flemish.

Incidentally, I don’t recommend searching for Spanier Arbeit in
Google images - you just come up with a lot of pictures of Spaniards working!
Adding Silver Thread helped, and produced two or three really nice pictures.
If you use the Yiddish spelling, Shpanyer Arbet, you do rather better, with
lots of pictures of caps, collars and other dress trimmings and portraits of
people wearing them.  Bridget, in Pinner UK, where the sun is out at last.

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Re: [lace] Spanier Arbeit

2013-04-15 Thread Bridget Marrow
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Re: [lace] Lace in contemporary fashion‏

2013-04-01 Thread Bridget Marrow






Thanks to Leonard for the link to the Financial Times article (18 March 2013).  
I'm a bit slow in catching up with the digests. The latest edition of 'Threads' 
 (May 2013) features two striking all-lace dresses on the cover, and an 
interview with their designer, Mimi Prober, who works with remnants and 
recycled lace. Well worth a look if you can get hold of it. (If you don't know 
it, 'Threads' is a dressmaking magazine published in the States by Taunton 
Press.)  http://www.taunton.com/threads/pages/th_currentissue.asp Happy 
EasterBridget, in Pinner UK 

  

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Re: [lace] Lace in contemporary fashion

2013-03-31 Thread Bridget Marrow
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[lace] Olympic Lace

2012-07-29 Thread Bridget Marrow
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RE: [lace] The Hollow Crown

2012-07-05 Thread Bridget Marrow
Very difficult to tell.  Metal thread embroidery would  certainly be more
authentic for the period.  But I don't think they were aiming for precise
historical accuracy in the costumes.Bridget
  Subject: Re: [lace] The Hollow Crown
 From: cyncewilli...@sbcglobal.net
 Date: Tue, 3 Jul 2012 06:28:20 -0500
 To: bridgetmar...@msn.com

 On the one photo I looked at closely, I'd lean toward metal
embroidery--specifically couched threads.

 Cynthia


 On Jul 3, 2012, at 5:59 AM, Bridget Marrow wrote:

  Have any of you watched the new Shakespear trillogy opening play;
  Richard II.
 
  Yes I know it's machine lace but the gold lace in Ben Wishaws
  white tunic gown was mesmerising.  
  Totally anachronistic, of course, but the whole thing was rather
gorgeous.
  Google may not have a closeup of the lace, but there's a lovely shot of
Wishaw
  in full, golden armour plus sunglasses! Bridget in Pinner, UK
 
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RE: [lace] The Hollow Crown

2012-07-03 Thread Bridget Marrow
Have any of you watched the new Shakespear trillogy opening play;
Richard II.

Yes I know it's machine lace but the gold lace in Ben Wishaws
white tunic gown was mesmerising.  
Totally anachronistic, of course, but the whole thing was rather gorgeous.
Google may not have a closeup of the lace, but there's a lovely shot of Wishaw
in full, golden armour plus sunglasses! Bridget in Pinner, UK

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RE: [lace] The Laughing Cavalier' Lace

2012-05-30 Thread Bridget Marrow
It's happened again! My message has appeared in the digest without its text. I 
don't understand it, but will try again.  I've switched to plain text, which 
may work better.
 

From: bridgetmar...@msn.com
To: lace@arachne.com
Subject: RE: [lace] The Laughing Cavalier' Lace
Date: Mon, 8 May 012 1::5::4 +100


I was able to visit the Wallace Collection last week to see their Fencing and 
Fashion exhibition. The emphasis is very much on fencing - lots of fancy 
swords, but no lace. However, the main galleries made up for it, with lots of 
wonderful portraits. I paid my respects to the Laughing Cavalier, and had a 
good look at his cuffs. Definitely needlelace, a wide band of reticella edged 
with punto in aria. There's more of the same on his collar, but is is so 
densely pleated you can hardly see the lace, and it doesn't show up in the 
photograph:
 
http://wallacelive.wallacecollection.org:080//eMuseumPlus?service=ExternalInterfacemodule=collectionobjectId=4959
 
Somehow I missed the Little Lacemaker with her blackwork cap, though I know 
she's there somewhere.
 
http://wallacelive.wallacecollection.org:080//eMuseumPlus?service=ExternalInterfacemodule=artistobjectId=410viewType=detailView
 
Altogether a very pleasant visit, and nice and cool on the hottest day of the 
year so far!
 
Bridget Marrow, in Pinner, UK 

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RE: [lace] The Laughing Cavalier' Lace

2012-05-28 Thread Bridget Marrow
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[lace] Piecework

2012-05-01 Thread Bridget Marrow
I don't know what went wrong, but the message I sent yesterday arrived without
its text, so all I can do is try again:

I've just received the latest (June/July)  Piecework, their annual lace
edition.  It contains an interesting article on Bucks point, with a pretty
edging pattern.  Also articles on a modern form of Reticella,
Margaretenspitze, Clones crochet, Tatting and Lace Knitting, all with a
certain amount of how-to instructions. Worth looking for on a bookstand if you
don't subscribe.
Bridget Marrow (no commercial interest, just a happy subscriber)

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[lace] Piecework

2012-04-30 Thread Bridget Marrow
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RE: [lace] lace photos

2012-04-07 Thread Bridget Marrow
Dear Lorelei and other spidersthank you so much for posting the link to Iva
Proskova's wonderful lace.  I was privileged to take a class with her when
OIDFA was in Prague in 2004.  She was an inspiring teacher, encouraging us to
follow our design instincts whether small or large scale - I came away with a
pretty pendant and lots of ideas.  Some of the class designed shawls!  Happy
memories.Bridget, in Pinner, where its turned cold again.

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Re: [lace] Removing fold lines from a handkerchief

2012-02-25 Thread Bridget Marrow
In fact, I am now wondering
if they are not handkerchiefs...If not handkerchiefs, could they be challice
veils?  Often mistaken for handkerchiefs, they are used in the Catholic church
to cover the communion cup. Typically they have a rounded centre, rather than
square, of very fine material with quite deep lace edging.  I suppose they
would also have to be washable - the wine would be bound to spill
sometimes!Bridget, in Pinner

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RE: [lace] Pronounciation of lacis

2012-02-24 Thread Bridget Marrow
Who'd have thought there'd be so many different ways of pronouncing 5 little
letters!My email of yesterday went through with a section missing, so I'll try
again, with a comment on lexicalization:
I've just checked in the Shorter Oxford Dictionary (which isn't that short!):
it gives only the French pronunciation - lass-ee, with the final s silent,
though the word has been in use in English since the 16th century, so it ought
to be naturalised by now.  It also gives a second meaning: in anatomy it is
used for a particular network of cells around the kidneys - so now you know!
Bridget, in Pinner, North London

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Re: [lace] Pronounciation of lacis

2012-02-22 Thread Bridget Marrow
 Katelyn wrote:
LAY-sis appears to be how just about every English-speaker (UK or US) who
hasn't heard the term would guess to pronounce it. The pitfall here is that
the word is French in origin, so it's probably pronounced lah-SI, as the
english lacy, but the first vowel being more open, and stress on the
second syllable.

Of course, there's always the chance that the word has been fully
Anglicized and is pronounced properly in English as LAY-sis, as but it
seems an obscure enough word that lexicalization is unlikely...

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Re: [lace] galoon

2012-01-29 Thread Bridget Marrow
Historically galloon refers to metal thread lace or braid, as used on
military uniforms or 18th century laced coats.Here's the Wikipedia
definition: Galloon is a decorative woven trim sometimes in the form of a
braid and commonly made of metallic gold or silver thread, lace, or
embroidery. Galloon is used in the trim of military and police uniforms,
ecclesiastical garments, and as trim on textiles, drapery, and upholstered
furniture.
Modern lace manufacturers seem to be using it more loosely, for any sort of
double-edged strip lace, scallopped or straight.  Google turned up several of
them.  Bridget, on a foggy evening in Pinner

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Re: [lace] lace shoes men's shoe buttons

2011-12-05 Thread Bridget Marrow
Now I'm wondering if there were lace spats???  .  There certainly
were! They may have been the most impractical garments ever thought of, but I
have a pair.  They were in a bag of bits and pieces given to an amateur drama
group I belonged to.  The wardrobe mistress could see no possible use for
them, so she passed them on to me.  They must date from 1900-1910.  They are
made of chemical lace, have press-studs (poppers) rather than buttons, and an
elastic strap to hold them under the foot.  There were actually two pairs, one
natural cream, the other dyed brown.  So I have donated one pair to the Lace
Guild.  They were their object of the month for April 2009. Bridget, in Pinner
Middlesex, where it is seasonably cold today

[demime 1.01d removed an attachment of type image/jpeg]

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Re: [lace] lucky charms

2011-12-03 Thread Bridget Marrow
I like to have a button on my pillow for luck, but the silver button in a
Christmas pudding was for a batchelor.  I think also the thimble may have
signified an old maid.  So neither very suitable for a wedding garter!Other
Christmas pudding charms were a boot (for travel) a horseshoe (for luck) and a
ring (for marriage).A friend of mine says in her family they also had a small
silver pig (for a laugh) - but pigs are also lucky.A real boot is sometimes
tied to the back of the bride and groom's  car after the wedding, so that
would be quite appropriate. A silver button is one of the charms stirred into
a Christmas pudding so it
may well be and it could certainly go on a garter. A silver thimble and a
small silver coin are some of the others  Bridget Marrow in Pinner,
Middlesex.

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RE: [lace] A lace fence

2011-11-14 Thread Bridget Marrow
Apologies:  my email sent on Friday seems to have arrived without its text!
I'll try again.  Here goes -









Those within reach of London might like to know that a panel of Jeroen
Verhoeven's Lace Fence is currently on display at the VA in a (free)
exhibition The Power of Making. A very modern take on the idea of craft.  A
few other items of textile interest include a pair of crochet lace knickers
from a cooperative in Poland (also discussed on Arachne a while back). The
exhibition is on until 2 January.
Bridget in Pinner, England

On 1-Nov-11, at 8:33 PM, Witchy Woman wrote:
My favorite is the lace fence...http://www.lacefence.com/
It's bobbin lace made with wire, with chain link fencing used for  the
ground.The book showed the panels being made in a workshop in India by
constructionsworkers.  Interesting story

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Re: [lace] A lace fence

2011-11-11 Thread Bridget Marrow
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RE: [lace] Lace in literature

2011-10-07 Thread Bridget Marrow
Valenciennes lace in 1453?  Oh dear, oh dear, whatever next! The date is
really too early for lace of any sort, and besides the idea of lace as a
trimming for a nightdress or underwear belongs to the 19th and 20th centuries,
when lace was no longer a luxury item worn to display your wealth. I caught
Philippa Gregory out in one of her earlier books (can't remember which one)
where she has a girl peeling potatoes in early Tudor times, long before they
were generally available in Europe. The trouble with this sort of petty
inaccuracy is that it destroys the credibility of the whole book - you're
forever wondering what else she's got wrong. Bridget, in Pinner,Middlesex. On
Mon, 26 Sep 2011, Pene Piip wrote: I recently read The White Queen, The
Virgin's Lover,   The Red
Queen by Philippa Godfrey in that orderIn The Red Queen she refers to
Margaret wearing a nightgown which has
the finest Valenciennes lace.

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[lace] Music and Lace

2011-07-10 Thread Bridget Marrow
Dear Nathalie and other spiders the most immediate connection I can think of
is that Mozart's mother is said to have made lace.  There is a portrait of her
holding up a piece of lace as if she is proud of it (see Google images).  As
others have said, that was the great age of lace in dress - I love the idea of
piano playing being influenced by full lace cuffs!  Mozart certainly wore
them. On Fri, 8 Jul 2011 Nathalie wrote:Would there be someone among you who
can see a connection between lace
with music?...

Bridget, in Pinner, Middlesex.

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RE: [lace] Definition of lace

2011-05-14 Thread Bridget Marrow
Dear Noelene
best definition so far!  Thank you.
Bridget


Lace is just air
Surrounded by thread
If not for lacemakers
The craft would be dead.

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RE: [lace] Definition of lace

2011-05-07 Thread Bridget Marrow
How about:
A pattern of holes surrounded by thread.
- that at least eliminates the worn out sock!

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Re: [lace] Fans

2011-01-13 Thread Bridget Marrow
On Fri, 31 Dec 2010 Linda wrote:
Does anyone know of any images on-line of antique lace fans? It would
be interesting to see if there differences in their design.

This website
http://www.royalcollection.org.uk/eGallery/exhibition.asp?exhibition=FANS

shows fans from an exhibition  Unfolding Pictures: Fans in the Royal
Collection (2005), which had a number of lovely lace fans belonging to the
Queen.  You have to pick them out, there are a lot of other fans as well, and
some that look like lace from the thumbnail turn out not to be - one of the
earliest, c 1600, looked like lace, but turns out to be cut leather!  As it
seems to be imitating lace, maybe actual lace fans were around at the time.
There's lots of detailed information about each fan, so it's well worth
studying.

Sorry this is a bit late, I'm only just catching up on digests.
Happy 2011 to everyone.

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[lace] Re: knotting and tatting?

2010-08-10 Thread Bridget Marrow
It so happens I have just been reading a book on Tatting: Technique and
History by Elgiva Nicholls (a Dover reprint of a book first published in
1962).  In the historical introduction she describes two portraits very
similar to the one Yuko saw:



It has been said that the employment of the shuttle shows off the worker's
hands to greater advantage than any other instrument of needlework.  In 1759
Sir Joshua Reynolds painted the Countess of Albermarle with a shuttle in her
hand.  The portrait is in the National Gallery.  In the following year Anne
Chambers, Countess Temple, was painted by Allan Ramsay.  The sitter, who is
wearing a tight, long-waisted dress profusely trimmed with lace, holds a
rather large jewelled shuttle;  her piece of work, to which the shuttle thread
is attached, is concealed in the lace-trimmed 'pocket' suspended by a ribbon
from the left wrist.



Just such a pocket is visible in the French portrait.



She confirms the earliest printed reference to tatting as 1843, but gives no
convincing explanation as to where the word came from.



Early in the 20th century, tatting enjoyed a revival spearheaded by Queen
Marie of Roumania who, with her friend Lady Hoare, published The Art of
Tatting in 1910.  Full of original and inspiring designs, Nicholls calls it
'a milestone in tatting evolution'.



So perhaps, as Hunting is referred to as 'the Sport of Kings',  we should
think of Tatting as 'the Craft of Queens' !



Bridget, from Pinner, UK

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[lace] Raffle results

2010-05-31 Thread Bridget Marrow
I had loads of entries for my double raffle. So this morning I turned them out 
off the box, gave them a good stir round, and drew the winners:
 
For the HONITON TEA TOWEL -  Shere'e Robinson
 
For the LACEMAKER CROSS STITCH CHART - Vickie Green
 
I'm sorry to dissappoint the rest of you, better luck next time.
Meanwhile, happy lacemaking.
Bridget, in Pinner, Middlesex, where its a grey day but seems to be warming up 
a bit at last. 

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RE: [lace] bucks point fan

2010-05-30 Thread Bridget Marrow
Dear Faye
yes, the book is still available from sole supplier Roseground:  
www.roseground.com

Happy lacing
Bridget

 From: f...@tpinstruments.com.au
 To: bridgetmar...@msn.com
 Subject: RE: [lace] bucks point fan
 Date: Thu, 27 May 2010 07:03:57 +1000

 Can you ask if the book is still for sale and if so how I can get one please

 Thank you
 Faye Owers
 Tasmania

 -Original Message-
 From: owner-l...@arachne.com [mailto:owner-l...@arachne.com] On Behalf Of
 Bridget Marrow
 Sent: Thursday, 27 May 2010 2:55 AM
 To: Arachne Lace Digest; po...@me.com
 Subject: Re: [lace] bucks point fan

 ...There's a book: Simply Bucks. a collection of original Bucks Lace
 Patterns by Jane Lewis in the UK Lace Guild library, which can be
 borrowed...


 I don't know the book, but I do know Jane Lewis. She's my lace teacher. I
 can ask her tomorrow if the Flowers fan is one of hers.

 Bridget, in Pinner, Middlesex
 

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Re: [lace] bucks point fan

2010-05-26 Thread Bridget Marrow
...There's a book: Simply Bucks. a collection of original Bucks Lace Patterns 
by Jane Lewis
in the UK Lace Guild library, which can be borrowed...
 
Dear Celia

I don't know the book, but I do know Jane Lewis. She's my lace teacher. I can 
ask her tomorrow if the Flowers fan is one of hers.

Bridget, in Pinner, Middlesex 

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[lace] New Raffle

2010-05-03 Thread Bridget Marrow
I've recently been going through various lace-related bits and pieces, and I 
have found a couple of items that I'd like to pass on to new owners. What 
better than an Arachne raffle?

HONITON TEATOWEL (No, not a teatowel made out of lace - don't be silly!)
A souvenir sold a few years ago at the Honiton Museum. It shows a lacemaker 
surrounded by the tools of her trade and with typical Honiton lace motifs, all 
on a deep blue background. I was going to use it as a cover cloth, but never 
have, so it is in pristine condition.

CROSS STITCH CHART OF A LACEMAKER
shows a Bruges lacemaker at her pillow. Thread codes are for DMC/Madeira 
stranded cotton.  Finished size is given as 21 x 29 cm.  I'm not really into 
cross stitch, so I'm never going to make it.
 
Usual system: Send an email to me (NOT to the list) with subject either HONITON 
RAFFLE or CROSS STITCH RAFFLE.  You're welcome to enter both, but separate 
emails please. I'm happy to post anywhere in the world, and will make the draw 
on 31 May. 
 
Best of luck!
 
Bridget Marrow, 'enjoying' a damp bank holiday in Pinner, UK
bridgetmar...@msn.com 

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RE: [lace] Hyperbolic Crochet

2010-03-29 Thread Bridget Marrow
I was lucky enough to see the Sydney Hyperbolic Crochet Reef (or part of it) 
when it was exhibited in London 2 or 3 years ago.  It was beautifully displayed 
and lit.  Quite awesome - using fishing line and bits of plastic as well as 
conventional materials to conjure up the beauty of all the sea creatures that 
are threatened by damage to Coral Reefs.
 
Bridget, in Pinner, Middlesex
 

Date: Sun, 28 Mar 2010 13:04:54 -0500
From: deanna7 Cohen 
Subject: [lace] Hyperbolic Crochet patterns

Here are some free patterns for hyperbolic crochet, if you want to try it. I
had fun with some of these and others quite a while back. Don't remember what
I did with them or I would post a picture.

http://sydneyreef.blogspot.com/2009/04/blog-post.html   
  

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RE: [lace] The Tudors - costumes

2010-03-29 Thread Bridget Marrow
HENRY VIII

On Mon, 22 Mar 2010, Sue Harvey wrote:
I was lucky enough to get a couple of photos of Henry VIII and did notice 
that the front of his costumes seemed to be decorated with gold bobbin lace

Hi Sue,
you obviously had a wonderful day out at Hampton Court. Thank you for posting 
the photos. The costumes look splendid, and really bring the portraits to life. 
I think the goldwork may have been embroidery rather than lace on the original. 
Though, again going by contemporary portraits, gold lace and bobbin-made braids 
were around before the white linen laces came to England. Very little actual 
lace survives from this (or any other) period because the valuable gold could 
be melted down and used again.

LADY JANE GREY

On Tue, 23 Mar 2010, Elizabeth Ligeti wrote:
I have seen a photo of a painting where Lady Jane Grey certainly had narrow 
torchon-type lace around her cuffs

Hi Liz,
I'm intrigued to know what Portrait you are referring to. There aren't that 
many, and most (if not all) are later copies rather than strictly contemporary. 
The National Portrait Gallery in London has recently put on display a painting 
newly identified as Jane Grey, but even that was painted 40 years after her 
death. It has no lace - just a little embroidery at the neck and cuffs.

Bridget Marrow, in Pinner, Middlesex. 

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Subject: [lace] The Tudors - costumes

2010-03-21 Thread Bridget Marrow
Any lace, except for the most primitive, is anachronistic for the Henry VIII 
period.  Reticella was just beginning in Italy, but there is no evidence for it 
reaching England this early.
 
The costumes for The Tudors are pure fantasy - like the series itself. 
Historical accuracy just doesn't come into it. Enjoy it for the sexy romp it 
is, but please don't confuse it with History!
 
Bridget Marrow, in Pinner, Middlesex, where I've spent the first afternoon of 
Spring making lace in a sunny conservatory. 


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[lace] Catalan lace

2010-03-01 Thread Bridget Marrow
I'm forwarding this request from Heather Toomer, as she is not on Arachne.
Bridget


 Toomers 25/02/2010 17:28 
  Catalan Lace - news and query

  I recently spent a fascinating afternoon in the lace museum at Arenys de Mar, 
on the coast just north of Barcelona. The museum was given a lot of material by 
a local firm which made bobbin laces up to the 1960s, including many original 
patterns, prickings, laces and sales documents. The area made particularly fine 
bobbin lace in the Art Nouveau and Art Deco styles in a period when our hand- 
lace industry was dying. The museum's well worth a visit to see the local 
bobbin lace although not all other laces are correctly identified.

  A volunteer at the museum, who has a background in art history, is 
researching the local industry and has written articles for Spanish and other 
periodicals. He is very keen to promote knowledge of the industry outside Spain 
so would appreciate suggestions of any publications that might take his 
articles - they would be provided in English. I have suggested 'Lace' and 
'Text' but other suggestions would be very welcome.

  Please contact Heather Toomer on heathertoo...@ukgateway.net or 01761 241540  
  

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[lace] Amazing Lace!

2010-02-28 Thread Bridget Marrow
Its always interesting to see new uses for lace in fashion - traditional or 
extravagant.
Check out the BRIT AWARDS, held in London about a week ago. I wouldn't normally 
take much notice of them, but the newspaper pictures made me investigate 
further.
 
Most extraordinary was LADY GAGA, who arrived looking almost Venetian, in a 
huge wig, a lace face mask and an all-enveloping white cloak which came off to 
reveal a body stocking encrusted with just enough lace to preserve her decency 
(if not her modesty!).
 
Rather more demure was PIXIE LOTT, who wore an elegant little-black-dress with 
lace sleeves and a pretty lace fill-in at the neck.
 
Several of the other stars wore lace sleeves, overskirts, etc.  mostly black.
 
At first glance LILY ALLEN appeared to be wearing a big red collar in lace, but 
a close-up showed that it was actually beaded, but none the less striking for 
that.
 

So there you have the latest trends.  For images, Google BRIT AWARDS 2010.


Bridget, in Middlesex, where it is still raining... 
  

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[lace] Re: and a purloined solution...

2010-02-15 Thread Bridget Marrow
Does anyone know of a UK supplier for this gadget - the Gimp Grabber or
wooden-handled hackle plier?  It sounds most useful.  I only have a very basic
hackle plier, with no handle at all, and find it quite awkward to use.  I
certainly couldn't use it to hold a broken thread prior to throwing it out.



on Thu, 11 Feb 2010 Clay Blackwell wrote:

...After I used my first Swivel Hackle, I had the notion that it would be
very pleasing if the metal handle could be replaced with a bobbin. I
gave Richard Worthen one of these hackles, and asked him to insert the
working part into one of his turned bobbins 



and on Fri, 12 Feb 2010 kenn van dieren replied:
 ...the copyright symbol is for the name of the tool Gimp Grabber not the
tool itself...



Bridget Marrow, in Pinner, Middlesex.

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Re:[lace] Lace reference in literature

2010-02-06 Thread Bridget Marrow
Hi Mark and other Arachnids

like you, I've never read LES  MISERABLES, and I must be one of the few
remaining Londoners who hasn't seen the musical.  But I know (I've just
checked) that the story begins in 1815, and the main action takes place not
during the original French Revolution, but a later uprising in 1832.  This
makes a big difference to the lace.



Yes, Mechlin would still have been fashionable, but the machine lace industry
was already flourishing: The first machines had been smuggled out of England
in parts, and were set up in Calais, which remained the centre for Machine
Lace production until the 20th century.



However a lace factory was often more of a depot, where cottage lacemakers
would bring their work and the wholesaler, or factor would supply them with
patterns and thread.  Obviously, they were not allowed to sell lace to anyone
else.  This was the system in England, and I'm sure was much the same in
France - after the glitch during the Reign of Terror (c1790-1800) when
lacemaking almost died out.



Bridget, in Pinner, where the day finally seems to be brightening up.

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[lace] Re: Cranford

2010-01-26 Thread Bridget Marrow
Robin wrote:

I believe milk was used to darken, not lighten the lace. Milk is used to brown
crusts on baked goods and can be used like lemon juice as an invisible ink
that appears when heated. The speaker (in the book) also compares using milk
to make the lace cream instead of the darker yellow from using
tea/coffee.

I'm sure this is right.  Bear in mind that by the mid 19th century cheap
machine-made lace was readily available.  It was cotton and very white.  So to
show that you were wearing old, handmade lace (like Mrs Forrester) it was
important that it looked like antique linen.



Bridget, in Pinner, Middlesex.

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[lace] FW: Love Lace

2009-12-19 Thread Bridget Marrow
This reached me from another email list.  I'm sure it will be of interest to
Arachne.  Our Australian spiders may know more about it?  Bridget, on a very
snowy day in Pinner, UK



 Date: Wed, 16 Dec 2009 13:03:08 +

 From: Peter McNeil peter.mcn...@uts.edu.au 03/12/2009 01:56 
 Subject: Love Lace
 
  Powerhouse Museum International Lace Award: Love Lace


  The Powerhouse Museum, Sydney has launched its call for expressions
  of interest for this award on the web.
  The award seeks to challenge conventional notions of lace and its
  application in the areas of fashion, the built environment and
  digital multi media.
  At a time when innovation in textiles and materials is at the
  forefront of international design trends, we encourage the design of
  openwork structures in materials limited only by the artist’s
  imagination. We expect this brief will lead to experimentation with
  a wide range of materials and techniques and that we will gather
  work ranging from large spatial pieces to exquisitely delicate
  designs.


  Each entry submission will be judged by a panel of Australian and
  International judges with reference to visual impact, originality
  and creativity, skill in execution and innovation in design,
  materials and technique. The work must be original and reflect the
  artist’s identity and cultural origins. The overall winner will be
  presented with $20,000 and there are five other prizes of $4,000
  including an Australian and New Zealand student prize.


  Please pass this information on to any colleagues or contacts that
  you feel may be interested in this very broad design award for
  openwork structures which encompasses fashion and the built
  environment.
  Finalists’ work will be displayed in an exhibition at the Powerhouse
  Museum, Sydney from July/August 2011.
  For more information go to: www.powerhousemuseum.com/lace/ or
  email: l...@phm.gov.au
 
  Lindie Ward
  Curator
  Design and Society
  Powerhouse Museum
  PO Box K346, Haymarket
  NSW 1238
  Australia

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Re: [lace] Exhibition - Urh Sobocan

2008-08-17 Thread Bridget Marrow
I'm very behind with lace digests, but have finally set aside some time this 
weekend to read them and browse through all the fascinating links.  
When I got to the piece about Urh Sobocan the name didn't ring a bell, but the 
story did - the young Slovenian artist designing lace pictures which his 
grandmother then makes up for him.  I checked the websites with pictures of his 
work and realised where I had seen them before:  he was on the same 
post-graduate course at Central St Martins as my youngest niece.  Of course, I 
went to the graduation show, and remember admiring his lace pictures - very 
different from anything else in the show!  I meant to follow it up, but term 
having ended, my niece was no longer in touch with him, so I didn't take it any 
further.  I'm very glad to have come across him in such a different context, 
and to have a chance of buying the magazines with pictures of his work.  
Its an exciting, and very modern use of lace.  I'm only sorry I can't get to 
Derbyshire to see the new exhibition.

Bridget, in London, England.


On Sun, 3 August, Jane Partridge wrote:

On Friday night I had had an invite to go to the private viewing of the
Men Only exhibition at The Beetroot Tree (www.thebeetroottree.com)
which is a gallery at Draycott, in Derbyshire (not far from Long Eaton,
and Junction 25 of the M1, for those in the UK). One of the four artists
is Urh Sobocan (there is a saucer-shaped accent over the c), from
Slovenia, who designs lace which his grandmother then makes up. The
designs in the exhibition are based on his grandfather's WW2 experience,
very similar to (but not quite as intricate as) the War Lace design that
was featured in the centre of Lace several years ago - and now at long
last I can see how that design could be made! The other three artists
have used various media and stitched textiles, and all complement each
other. Some of the pieces in the exhibition are pictured at
http://trendz.pl/urh-sobo-an-sztuka-nowej-europy - though it will
possibly need a translation (?Tamara, can you) if anyone wants to know
about his background, the pictures speak for themselves. Seeing the
actual lace was well worth making the journey for, as was being able to
meet the artists and speak to them (Urh speaks fluent English) about the
techniques used.

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Re: [lace] Someone needs help on ebay

2008-02-29 Thread Bridget Marrow
Date: Wed, 27 Feb 2008 08:32:32 -From: Jean Nathan
[EMAIL PROTECTED]A seller on ebay is asking for help identifying
an item he/she thinks is for lacemaking (yes another one, but at least
he/she's asking for help)http://tinyurl.com/2a4rvtIsn't it our old friend the
Golf Tee?

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RE:[lace] Lacemaking Ancestors?

2007-11-19 Thread Bridget Marrow
Original  message:

With the lace list being so quiet just now, I thought I'd tell you about one of 
my latest genealogical finds. While tracing one family (the Braybrooks) on my 
Dad's side, I found census records for them in 1841 in Keyston, Huntingdonshire 
and all the female members of the families (there were several groups) were 
lacemakers! That means I now have 'race memories' of lacemaking from both sides 
of the family as my maternal grandmother made lace most of her life though only 
as a hobby. Clearly I was meant to learn to make lace myself :-)

What I don't know is the type of lace that would have been made in Keyston. It 
is on the border of Northamptonshire but could have been influenced by either 
Bedfordshire or Buckinghamshire. Does anyone have any suggestions to offer?


Dear Helen and other spiders


1841 is in any case too early for Bedfordshire lace, which didn't really get 
going until after 1851, when Maltese lace had wowed everybody at the Great 
Crystal Palace Exhibition.  The lacemakers followed the fashion, copying and 
adapting it to make Beds-Maltese which later, thanks largely to the genius of 
designer Thomas Lester, became the distinctive Bedfordshire lace we know today.


Co-incidentally, Cranford is set at the same period - early 1840s.  Rightly 
the lace shown is small scale, Bucks or Mechlin style.  Though I do think they 
might have found a more spectacular piece for the cat the swallow - that after 
all was meant to  be a priceless 18th century antique!

Happy lacing

Bridget, in Watford, England

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Re: [lace] Preference of book format

2007-10-25 Thread Bridget Marrow
Dear Carole

Yes, I would opt for a CD such as you describe - it would take up less
room than a book, and I am seriously short of shelfspace!

It would be wonderful to be able to print out patterns as one needed them
- the pricking straight onto card - and I assume would make scaling up or
down very easy.  I don't think I would print out the whole book.

Thank you for the brilliant idea.

Bridget, in Watford, England

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[lace] [Lace] Arachne Archive

2007-08-02 Thread Bridget Marrow

Greetings Spiders
I'm just breaking in a new computer and I have lost (hopefully only 
mislaid?) my favourites list.  Please could someone remind me of the url 
for the Arachne Archive?  Then I can bookmark it in what seems to be a new 
system.

Bridget, in Watford, England

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Re:[lace] Cecil Higgins Museum, Bedford

2007-03-21 Thread Bridget Marrow

I'm forwarding the following information from Jennifer Davies:


I have recently been to the Cecil Higgins Art Gallery a couple of times to 
see and photograph the Thomas Lester lace; I thought that you would want to 
know that sadly the museum is to close ... for a couple of years for 
refurbishment. When finished there will be more space to display the lace 
but as the museum did not get the lottery funding they needed they don’t 
really know how long it will take. The roof in the store room is leaking so 
the collection has to be put away and then the buildings and display areas 
all upgraded.


The Thomas Lester lace displayed in the Cecil Higgins Art Gallery (next door 
to the Bedford Museum) is absolutely wonderful and if you have the chance do 
go and see the lace while it is still available. There are pieces mounted in 
vertical draws that you can pull out at the top of the stairs and a room 
beyond the upstairs gallery with lace and patterns all round the walls. 
There is a café to buy drinks but no food on sale. Entrance is free but the 
museum is closed on Mondays.


And the following comes from the Museum itself:

The Gallery will be closing in June .  and the last open day will
be Sunday 17 June 07.

Jennie Clarke  (Secretary)  Cecil Higgins Art Gallery  Bedford Museum
[EMAIL PROTECTED]

Bridget Marrow, in Watford, England, where it has suddenly turned wintry 
again


original message:
[lace] Cecil Higgins Museum, Bedford
Elizabeth Ligeti
Wed, 14 Mar 2007 16:59:18 -0800

I have just received reliable information, that the Cecil Higgins Museum in 
Bedford will be closing, during the summer, for about a year for 
Refurbishment. Therefore, anyone travelling over there hoping to see the 
Lester Lace will be unlucky.


There is a possibility that the lace will be displayed at another museum, - 
it is a thought being looked into, I think, and I will pass on any other 
information I get.



Regards from Liz in Melbourne, Oz

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Re:[lace] Spangles

2007-02-25 Thread Bridget Marrow

On Fri, 23 Feb 2007 17:27:17 -0400 Margot Walker wrote:

Isn't it interesting that in the American English they use the French
word 'paillettes' and in Canadian English, we use the British
'spangles'?  Of course, there's nothing logical about language, but
we're the English/French bilingual country :D

and in England the commonest word is 'sequin', which derives from Arabic 
and I believe originally meant a small gold coin.


Bridget Marrow, in damp Hertfordshire.

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[lace] eye candy

2006-12-04 Thread Bridget Marrow

Have a look at:
http://www.kerrytaylorauctions.com
go to current auction - the lace begins at lot 184.
There's an interesting selection, though the standard of photography is not 
really good enough for lace details.


Bridget, in Watford, England.

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RE: [lace] Reddish Spanish prickings

2006-11-24 Thread Bridget Marrow
I should have said comparatively cheap - saffron is something I buy when I 
am in Spain, because it is still a lot cheaper there than in England.  I 
know it  has always been a labour intensive crop, but if you could use the 
residue to dye card, that sounds more like  thrifty lacemakers!


I take your point about the thread - its was just an idea, and I havn't 
worked enough with metallics
to know about not rolling it up.  It's clearly a fanciful picture, not an 
accurate one. Not enough bobbins, for a start!



Original Message Follows
From: eva schaefer [EMAIL PROTECTED]
To: Bridget Marrow [EMAIL PROTECTED], [EMAIL PROTECTED]
Subject: RE: [lace] Reddish Spanish prickings
Date: Thu, 23 Nov 2006 18:51:23 +0100 (CET)


 I'd not heard of this use of saffron before.  It
 could only have been common
 in countries like Spain where saffron is cheap.

Just had to come out of lurkdom for a moment - saffron
is not cheap in Spain.  I spent some days eight years
ago with a family who picked the flowers, separated
the stamens and did the roasting.  They then sold it
to the dealer for 1 kilo at 100.000 pesetas - about
600 Euros. The price varies from year to year
according to the crop.

They used - then, at least - what was left of the
flowers to make the dye for the prickings, only to
show me how, because yellow cardboard is now used in
La Mancha.


Greetings from Spain, Eva




___
Telefonate ohne weitere Kosten vom PC zum PC: http://messenger.yahoo.de

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Re: [lace] Plays about Lacemakers

2006-07-16 Thread Bridget Marrow
I was pleased to read (Sat, 08 Jul 2006) about the new revival of Shirley 
Gee's play Ask for the Moon, and sorry I couldn't get to see it.  I well 
remember the original London production at (I think) the Hampstead Theatre. 
Shirley Gee was a promising playwright of the 1970s/80s who died far too 
young.


The only other play I know featuring lacemakers as characters is Le Baruffe 
Chiozzotte by the 18th century Italian playwright Carlo Goldoni.  
(Hullaballoo on Chioggia would be a rough translation).
It is set on the island of Chioggia in the Venetian Lagoon, where all the 
men are fishermen and all the women make lace.  It's a comedy about feuding 
families, and escalates to a ludicrous battle royal in which the women use 
their lace pillows as weapons!  I think they must have been the upright, 
cigar-shaped ones that are still used on Malta.
The play is written in a strong local dialect - not even standard Venetian - 
so it is not often revived even in Italy and I don't think it has ever been 
translated into English.


Does anyone know any more instances of lace in drama?

Bridget, in Watford, England.
Just catching up with digests after a week away.

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Re: [lace] tatting - history

2006-05-31 Thread Bridget Marrow

The

art of tatting may be traced to the 16th century
Italian macrame work, and is a variation of the punto a gruppo or knotting
stitch.  It was done in France in the 18th century.


If it were done that long ago, HOW did they do it?
What is the oldest reference to a tatting shuttle as
we know it?

It's extremely difficult to find documentary evidence, but the Shorter 
Oxford Dictionary does give dates for the first published use of the words 
in the sense we want:


1842 - tatting = a kind of knotted lace, netted with a small, flat 
shuttle-shaped instrument
1767 - shuttle = a thread-carrying device...used for knotting, tatting and 
embroidery


Tatting clearly derives from Knotting, done with a very similar shuttle, and 
very popular in the 18th century, though I'm sure it goes back earlier.  
I've seen several portraits of elegant 18thc ladies wielding shuttles to 
show off their delicate hands.  Here's one by Joshua Reynolds:


http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=ng1259



BUT knotting was done on a straight piece of thread - to be used in 
tassel-making or added to embroidery (they didn't have access to the 
wonderful textured threads that we have).


The breakthrough, probably about 1830-40, was working out how to link the 
knotted thread into the typical little rings.  The new technique immediately 
became popular, and then someone decided to christen it tatting...


Bridget, in Watford, England

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[lace] What is everybody up to?

2006-05-19 Thread Bridget Marrow
Last week, with a weekend course coming up, I finally finished two pieces 
that had been sitting around almost-but-not-quite-done for far too long (I 
needed the pillow from one and the bobbins from the other!)  They were a 
Binche pattern:  Cathy Belleville's Moonlight Serenade; and a sample of the 
traditional Buck Waterlily edging, which I shall pursue further, possibly as 
a hexagon or a collar.


Then I spent a delightful weekend at Great Missenden, where Jan Tregidgo was 
teaching a very mixed class, ranging from absolute beginners to some working 
on complex Thomas-Lester-style Bedfordshire (I suppose I'm somewhere in 
between).  Luckily Jan is the sort of teacher who can take it all in her 
stride. I made a start on a new Beds edging, designed by Barbara Underwood.


We all left making plans for her next course, in November, which will focus 
on Christmas lace.


Still in Beds mood, I arrived home to find a package from the Lace Guild 
with a copy of Jean Leader's new book of motifs for review - so that will 
keep me busy when I'm not at my pillow.


Bridget Marrow, on a dark, dreary day in Watford, Hertfordshire.

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RE:[lace] Bucks lacemakers postcard on Lacefairy's website

2006-04-05 Thread Bridget Marrow
What a wonderful picture!  Thank you very much, Brenda and Lori, for making 
it available to us. You can see the lace they are making quite clearly - How 
interesting that it is what we would now call Bedfordshire, or Beds/Cluny.


Bridget, in Hertfordshire UK, where the sun is shining and the daffodills 
are out at last.


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Re: [lace] Lace Guild AGM

2006-03-25 Thread Bridget Marrow

Hi Malvary and other spiders,

I shall also be painting bobbins on Saturday and multi-plaiting  on Sunday!  
I look forward to seeing you there.  I have a spider-web brooch that I shall 
wear (if I can find it in time) and also a spider pin for my pillow.


Bridget, in Watford, England

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[lace] Lace in Fashion

2006-03-06 Thread Bridget Marrow
The new THREADS magazine (April/May 2006 - isn't the year going fast?) has 
an article on dressmaking with lace.  Of course they are talking about 
machine lace yardage.  They show examples of the three 'fashion' laces - 
known as Alencon, Chantilly and Guipure - that we were discussing a while 
back.  There are hints and tips on cutting out and sewing, and a picture of 
a black lace bolero which is stylish and stunning.


Bridget, in Watford, England.
I was making lace by a sunny window this morning, but now the sky has 
clouded over and its cosier in the computer corner!


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Re: [lace] lace in fashion

2006-02-10 Thread Bridget Marrow

Hi Bev and other spiders

I've just ordered, from a mail order catalogue, a denim dress with a panel 
of tape lace across the back.  Not quite so revealing as the Marie Claire 
one, but obviously part of the same trend.  I hope it will be the star of my 
summer wardrobe and I'll be able to wear it at the Lace Guild convention in 
April.


Its great to see fashion taking up lace again - even if the lace itself may 
not be top quality.


Bridget
in Watford, England, where the sun is shining and I can see that my windows 
need cleaning, but will probably make lace this afternoon instead!


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[lace] Inscribed bobbins

2005-12-22 Thread Bridget Marrow

on Tue, 20 Dec 2005 Jean Barrett wrote:
 Susan does not strike me as a victorian name. I have been searching for 
a 'Jean' bobbin for years but I know that I am unlikely to find one. 
Victorians just did not call their daughters that


Dear Jean and all spiders,

I think there were Susans around in Victorian times - it is after all a 
variant on the biblical name Susannah.  Black-Eyed Susan  was a popular 
melodrama and Thomas Hardy used the name for a character in The Mayor of 
Casterbridge.  They may not, of course have made lace!


Like Jean, I've never found a bobbin with my name on it.  I think the 
problem there is regional:  Jean (Scottish) and Bridget (Irish) both come 
from areas where bobbin lace never really caught on.


Signing off now, as I go away tomorrow.
Happy Christmas everyone, and a lace-filled New Year.

Bridget in Watford, England

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Re: [lace] more paintings

2005-12-04 Thread Bridget Marrow
I've just done a Google image search on Cornelis de Vos, and found some 
portraits of people wearing fantastic lace.  Including his own little 
daughters (but not the St Nicolas - thank you, Jo, for posting the link)  
Recommended for eye candy.


Bridget, in Watford, England.

- - Original Message -
From: Jo Falkink [EMAIL PROTECTED]

I created a link page with the actual painting and some more.

Jo Falkink
near Gouda, Netherlands


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Re: [lace] lace day query

2005-11-09 Thread Bridget Marrow

This is a query for British arachnes:

Does anyone know the date of the next Cockfosters (North London) lace day?
It's usually quite early in the year (? February), and I expected details to 
be in the latest edition of Lace, but there is nothing there, nor on the 
Lace GUild website.


Bridget in sunny (for the moment!) Watford.

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Re: [lace] lace in the news

2005-10-19 Thread Bridget Marrow

on Sat, 15 Oct 2005  Anne Toney wrote:

Maybe there's hope for the fashion world after all.  I noticed that one
piece of advice is steer clear of synthetics.  I wish there were more
pictures, as I don't have time right now to search for the items mentioned.

Dear Anne
if you go to the website

http://www.telegraph.co.uk/fashion/main.jhtml?xml=/fashion/2005/10/12/eflace12.xml

and click on the heading In pictures: how to wear lace it will take you to 
a slide show of the illustrations.  About half-a-dozen pictures - though the 
lace isn't very obvious in all of them!


Happy browsing
Bridget, in Watford, England.

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Re: [lace] 3 pair italian lace

2005-09-30 Thread Bridget Marrow

On Thu, 29 Sep 2005, Irene wrote:

Is there somewhere on the internet that I can see what 3 pair italian lace
looks like?
I am curious.

Another site you might look at is

http://www.italiainvita.it/workshops/merletti/gorizia.html

- the workshop happened last year, but there is an explanation of the 
three-pair fiandra lace, which they call punto fiandra di gorizia, and a 
close up of it used as a background.


Bridget (a damp day in Watford, England)

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Re: [lace] Visit to Normandy

2005-09-29 Thread Bridget Marrow

Dear Anne
I have just got back from a weekend in Normandy. These are the places we 
went to:


BAYEUX  -  the Musee Baron Gerard has a lace display, alongside other local 
items. They have the original of one of the well-known lacemaker paintings - 
by Frederic Panchet (1812-1895). The Museum is now housed in the Hotel du 
Doyen, which used to be the home of the Conservatoire de la Dentelle.  This 
is now in a spectacular 16th century half-timbered building on the 
charmingly named Rue du Bienvenue, very near the cathedral.  There will 
usually be one or two lacemakers at work in what is basically a little shop. 
 They have patterns and bobbins for sale, and a small display of recent 
work - in traditional and modern styles.
Another shop, Naphtaline, also very near the cathedral, has antique lace for 
sale, also sometimes old bobbins, lacemaker postcards, etc.


The famous Tapestry should keep non-lacemakers out of mischief for a bit.  
The cathedral is well worth a visit.  There is a World War II museum and one 
dedicated to De Gaulle.


I could recommend a hotel in Bayeux if you would like me too.

ALENCON  - Leave plenty of time for the Musee des Beaux-Arts et de la 
Dentelle where the lace display is superb.  There is also a very good video, 
telling the history and showing, in closeup detail, just how this particular 
kind of needlelace is made.  Examples of the use of lace in modern haute 
couture top off the historical displays.  I didn’t get to the Conservatoire 
(spent too long in the gallery) but was told it is still going, just, with 
only one student!  Perhaps not surprising, as the full apprentiship takes 8 
years (and we think we can learn a new lace on a weekend course). There was 
a lace demonstration, but this may have been because it was a special 
“heritage” weekend (Les Journees de Patrimoine, 17-18 Sept.) Its like our 
“open house weekend”.  It might be worth checking when this falls next 
year..


ARGENTAN - we only stopped briefly, as we had been warned that the museum 
was closed.  Tourist Information told us it is due to reopen in June 2006, 
so you should be alright.  Again the cathedral is worth visiting, with 
moving reminders of wartime devastation.


We did not get to COURSEULLES, home of polychrome lace, but have heard 
rumours that the museum there is closed.  Great shame if so.


CAEN - I don’t know if there is a lace museum, but it might be worth 
contacting Michel Bouvot [EMAIL PROTECTED] who organises courses and 
summer schools and has written books on “Blonde de Caen”.


I hope at least some of this information is useful.  We certainly had a 
lovely time, and gorgeous september weather.


Bridget (in Watford, England)

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[lace] is this lace?

2005-08-16 Thread Bridget Marrow

For amusement only, have a look at
www.mkgalerie.nl/ shanewaltener_wonderweb.htm

Bridget, in Watford, England.

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[lace] Re: exhibition in Dortmund, Germany

2005-07-10 Thread Bridget Marrow
Thank you, Ilske, for your description of what sounds like a marvellous 
exhbition - I only wish I could get to see it.  I was lucky enough last year 
to go to the OIDFA meeting in Prague and see the work of Emilie Palicková 
and other wonderful Czech lace makers


Bohemian garnets are real garnets.  They produce loads of them, as well as 
the beautiful glass beads that Tamara was thinking of.


But please, what is a sun doiley?

Bridget, in Watford England, where the sun is shining at last and I might be 
able to make lace in the garden this afternoon.


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[lace] Re: Mechlin, where did the pins go?

2005-03-28 Thread Bridget Marrow
On Thu, 24 Mar 2005  Tamara P Duvall  wrote:
In Prague, in one of the exhibits, I saw a totally modern
piece  - huge, in comparison to old Mechlin - where the ice ground
was used to delineate glass panes in a picture of a (cathedral?)
window. The downstrokes might have been elongated a bit (an extra
TC?), but the visual effect was totally satisfying and precisely right.
I've been carrying that image in my (admittedly leaking g) mind ever
since, for possible future use...
Dear Tamara and other Spiders,
I was lucky enough in Prague to take a course on the use of Mechlin Ground 
in modern lace.  Our tutor was Iva Proskova.  We began by drawing freehand 
shapes - almost scribbles.  Then we drew in a grid for the ground - not 
neccessarily regular - and indicated areas of cloth stitch etc.  We did use 
pins, where they seemed neccessary to support the threads, but there was no 
pre-pricking.

I found it a very liberating and inspiring method.  I came away with two 
very wearable pendants and lots of ideas for the future.

You can see some of Iva Proskova's work at the Czech lace website:
http://www.palickovani.cz/en/def_p.htm
Happy lacing
Bridget, in Watford, England
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Re:[lace] what's plonk

2005-03-22 Thread Bridget Marrow
On Thursday, March 17, 2005, at 05:34  PM, [EMAIL PROTECTED] wrote:
Plonk is a term we use for the type of wine that you can clean a toilet 
with.
It's said to be a corruption of 'vin blanc',  as encountered by British 
soldiers in France for the first time during World War I.

Bridget, in Watford, England where it is a lot warmer but raining again.
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Re: [lace] DMC linen floss

2005-03-01 Thread Bridget Marrow
Good to see that DMC are reviving an old idea.
I have some (very) old skeins of linen floss that I bought years ago from 
someone who was having a turnout.  They are labelled Knox's Linen Floss - 
size 3.  And yes, I have used them for lace, usually as gimps with a more 
conventional linen thread.  As you would expect with floss, they are quite 
lightly twisted.
You do need to take extra care when winding onto a bobbin from a skein 
rather than a spool.
I look forward to seeing the new DMC range.

Bridget, in Watford, England, where it was snowy this morning but has all 
disappeared now.

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Re: [lace] Danish Flower Thread

2005-03-01 Thread Bridget Marrow
Reading about DMC's new linen thread reminds me that they seem to have given 
up supplying Danish Flower Thread.  Does anyone know of another stockist?  
It seems to be almost unobtainable in the UK now.

Bridget, in Watford, England
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Re: [lace] Temporary closures of galleries at V A

2005-01-26 Thread Bridget Marrow
It's not all bad news at the VA.  The main costume gallery (Room 40) is due 
to reopen in February with a new permanent display as well as a temporary 
exhibition 'Style and Splendour: Queen Maud of Norway's wardrobe 1896-1938'  
(Queen Maud was a granddaughter of Queen Victoria).  I don't know how much 
lace there will be - I'll report back when I have seen the exhibition.

I don't know what is happening in the Textile Study galleries - that's where 
the pull-out frames of lace are.  Its very sad if they have had to be closed 
as a security measure.  The actual thefts were of small (valuable) items of 
porcelain and sculpture.  But the thieves were able to come back and help 
themselves three times!  So obviously drastic measures have had to be taken.

Meanwhile there is some stunning lace on display, mostly on costume, in the 
new British Galleries.

I agree with Jean that it is sensible to phone for information before 
travelling from a distance - the website is not always up to date.
www.vam.ac.uk

Bridget, in Watford, England
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[lace] Binche book

2005-01-17 Thread Bridget Marrow
Dear spiders
does anyone know how I can buy a copy of Vera Cockuyt's book 'Suggestions 
how to Improve Binche'?  I have a copy on loan from the Lace Guild at the 
moment, I'm finding it most useful and shall miss it when it has to go back, 
so I'd like my own copy.

Do any of the UK suppiers carry it?  Or should I buy it direct from the 
author?  It is self-published, but there is no address in the book, so I 
don't know how to contact her.

Bridget, in Watford, England.
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[lace] Wear More Lace!

2005-01-10 Thread Bridget Marrow
Dear Spiders
I have decided to join Devon's campaign to make lace more visible by wearing 
lace (particularly modern lace) in public rather than keeping it for lace 
days and annual conventions.

So, on Friday I went to a neighbour's drinks party wearing a pendant I made 
at the OIDFA course in Prague.  Much admired  by the hostess (though she 
didn't offer to buy it!)

On Saturday I went to the theatre - the Old Vic in London - wearing an 
all-black outfit accessorised with a scarf trimmed with Crysanthemum lace.  
As the show was a Pantomime, I'm not sure whether the audience qualifies as 
rich and cultivated!  but it was great fun anyway.

Happy New Year to all lacemakers and lace wearers.
Bridget in Watford, England.
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RE: [lace] Earnshaw lace at Springett auction?

2004-11-26 Thread Bridget Marrow
Dear Devon and other spiders
I now have a copy of the (printed) catalogue for the 15/16 December auction. 
 There is quite a lot of lace, as well as costume and other textiles.  
Apparently it is only 'part 1' of the Springett Bobbin collection.

Seven lots (595-601) are identified as from the Pat Earnshaw Collection: 
they are all needlelace, mostly early Italian or French, and are obviously 
museum quality items.  Alas, only one is illustrated. They'll come up for 
sale, as will the bobbins, on the second day 16 Dec 2004

I shall try and get to the viewing before the sale, and will report back.
on Wed, 24 Nov 2004 13:27:39 EST
Devon wrote:
I just returned home to find a message on my phone alerting me to the
Springett auction. The caller, however, said that the auction featured Pat
Earnshaw's lace as well. Does anyone know about this? I looked through the 
lots
and
couldn't identify what it would be. A search of the word Earnshaw didn't  
help
either.

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Re: [lace] Chantilly

2004-11-26 Thread Bridget Marrow
Two more books on Chantilly lace:
Chantilly: Tachniek en Patronen  (Nederlandse Kant Opleiding 1997) ISBN 
90-5603 063-9
Text in Dutch/English/German/Danish.  A good introduction to the basic 
techniques.  Some simple patterns to practise on, and some very pretty ones 
later on.  There's a butterfly that particularly took my fancy.

When you've worked your way through those, you might be ready for
Schwarzarbeit: ein Buch Über Chantilly by Ulrike Lohr (Bochum 1996)  no ISBN
Not  for a complete beginner, but it has clear diagrams (as you'd expect 
from this author) bilingual text in German and English, and some gorgeous 
patterns.

Happy lacing
Bridget Marrow
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Re: [lace] Christmas Lacemaker's Fair at NEC

2004-11-26 Thread Bridget Marrow
Dear Beth and Helene Its a date!  I'll do my best to be there, and will
wear my spider-web brooch. Bridget in Watford, England Date: Thu, 25 Nov
2004 14:47:00 +
From: beth [EMAIL PROTECTED]
Subject: [lace] Christmas Lacemaker's Fair at NEC

Hi, everyone
Helene (Dowler, from NY) and I will be meeting up on the Saturday (4th
December) at 12.30 at the Roseground stall (stand C4) if anyone else
would
like to join us.
Beth
in Cheshire,England

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RE: [lace] 13th cent needlelace from China?

2004-11-19 Thread Bridget Marrow
Thank you, Devon, for the Met Museum link.  Its a wonderful piece and the 
photography is awesome.

http://www.metmuseum.org/Works_Of_Art/viewOne.asp?dep=20viewmode=0item=1987.277
A few years ago I saw a similar peice of Chinese needlelace at an antique 
dealer's in London.  It was dated early 14th century, the colours were as 
fresh as the day it was made.  The design was floral, more naturalistic than 
the Met piece, quite similar to later Chinese satin stitch embroideries.  
But the stitch was definitely detatched buttonhole.

The dealer showed me another example in a beautiful (very expensive) book on 
Chinese embroidery.  Alas, I could afford neither the book nor the 
embroidery!  I tried (with permission) to take photographs, but it was 
framed, behind glass and rather high up, so there was no chance of getting 
detail.

As others have said, this was the time of Marco Polo and the beginnings of 
trade between Europe and the Far East.  Even though the (male) explorers may 
not have been particularly interested in embroidery, some pieces must have 
been brought  back.  The only puzzle is why it took the Venetians so long to 
realise the potential of detatched buttonhole stitch and to develop it into 
their own art form - the exquisite needlelace which took fashionable Europe 
by storm in the 16th century.

Bridget in Watford, England
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[lace] RE: Mountbattens

2004-09-26 Thread Bridget Marrow
Here is more than you probably wish to know about Prince Philip.  From the 
royal family's website:
http://www.royal.gov.uk

Prince Philip, Duke of Edinburgh, Earl of Merioneth and Baron Greenwich, 
was born Prince of Greece and Denmark in Corfu on 10 June 1921.

He was born the only son of Prince Andrew of Greece. His paternal family is 
of Danish descent - Prince Andrew was the grandson of King Christian IX of 
Denmark.

His mother was Princess Alice of Battenberg, the eldest child of Prince 
Louis of Battenberg and sister of Earl Mountbatten of Burma. Prince Louis 
became a naturalised British subject in 1868, joined the Royal Navy and rose 
to become an Admiral of the Fleet and First Sea Lord in 1914. During the 
First World War he changed the family name to Mountbatten and was created 
Marquess of Milford Haven. Prince Philip adopted the family name of 
Mountbatten when he became a naturalised British subject and renounced his 
Royal title in 1947.

Prince Louis married one of Queen Victoria's granddaughters. Thus, The 
Queen and Prince Philip both have Queen Victoria as a 
great-great-grandmother. They are also related through his father's side. 
His paternal grandfather, King George I of Greece, was Queen Alexandra's 
brother.

Pretty complicated, huh? Remember that pretty well every European royal 
family is related to Queen Victoria, one way and another (she had a lot of 
daughters to marry off).

Bridget, in Watford, England, where the nights are getting chilly.
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[lace] RE: Re Vintage Textile Fair, Manchester UK

2004-09-11 Thread Bridget Marrow
OOps!  I made a mistake.  Jumping to conclusions, I managed to confuse two 
different Vintage Textile Fairs - same venue, different dates.

The Antique   Vintage Clothing and Textile Fair on Sunday 26 September 10am 
- 5pm, at the Armitage Centre, Fallowfield, Manchester  
(http://www.artizania.co.uk/manchester_fair.htm)

is NOT the one organised by the Textile Society, which is not until Sunday 6 
March 2005 at the same address.  
(http://www.textilesociety.org.uk/pages/fair.htm)

Apologies to Steph and to anyone else I may have misled
Thanks to Jane for pointing out the mistake.
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Re [lace] Vintage Textile Fair, Manchester UK

2004-09-09 Thread Bridget Marrow
Thank you, Steph, for calling our attention to the forthcoming Antique  
Vintage Clothing and Textile Fair (Sunday 26 September 10am - 5pm, Armitage 
Centre, Fallowfield, Manchester)

However, on a point of accuracy, the fair is not organized by Artizania, 
though they seem to be claiming it for their own, but by the British Textile 
Society whose website:

http://www.textilesociety.org.uk/pages/fair.htm
has considerably more detail.
I've belonged to the Textile Society for a number of years, but have never 
yet managed to make it to the fair.  Maybe this year

Bridget, in Watford, England
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Re: [lace] mixed lace

2004-09-09 Thread Bridget Marrow
At an OIDFA gathering some years ago, probably in Belgium, I remember 
hearing a piece of bobbin-with-needle lace referred to as mixed-up 
Brussels!

Bridget, in Watford, England.
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[lace] lace] Coventry

2004-07-07 Thread Bridget Marrow
Well, I finally got to the Myth or Mystery exhibition.  I was all set to 
go on Saturday, but the trains were not running a full service at the 
weekend, and I jibbed at doing half the journey by bus. So, I missed the 
presentations and had the place almost to myself on Monday.

It took me some time to find the Gallery, and when I did half of it seemed 
to be a building site - which may be why there was not as much space 
available as the Lace Guild would have liked.

I am simply in awe of what my fellow lacemakers have achieved - not least 
the arachnids!
Hearty congratulations to Jill Harward (and welcome to Arachne!), winner of 
the John Bull trophy, and to the South Australian lacemakers who conjured up 
Medusa's Ghost.  I couldn't possibly mention all the entries I admired.  
The technical standard was so high, and the theme had obviously appealed 
imaginations from the youngest to the oldest!  I wonder which they were?

Here's to 2007, and our Arachne entry.  I havn't signed up to the sub-group 
that is planning it, so I hope they will let us know how they are getting on 
from time to time.

Signing off now, as I am off to Prague tomorrow.  When I get back, I might 
confess to my longest running UFO (it beats any that have been mentioned 
yet!)

Happy lacemaking
Bridget, in Watford, England
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[lace] Re: lace survey

2004-07-02 Thread Bridget Marrow
on 30 Jun 2004  Paula Harten wrote:
The strip of Sedlice lace, a Bohemian lace, in the 2004 OIDFA Bulletin#1 
caught my eye since the picture and pricking were there, I decided I could 
try to figure it out. 

Dear Paula
glad to know someone else has had a go at the Sedlice lace edging.  I 
thought it looked pretty and not too difficult

Did you work it with the footside on the right  or the left?  I started out 
with the footside on the
right, English-style, and couldn't get going on it at all.  The threads just 
didn't flow.  Then I reversed the pricking, and everything fell into place!  
I've made enough to trim the cuffs on a blouse, and I'm very pleased with 
it.

Bridget Marrow, in Watford, England (wondering where the summer has gone)
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[lace] Re: Threads and OIDFA

2004-06-21 Thread Bridget Marrow
Dear Spiders
thanks to everyone who responded to my Thread Query (15 June) with helpful 
advice and suggestions for equivalents to Linen 33/4.  I have also 
contacted the OIDFA secretariat in Prague, and they say the required threads 
will be available to buy at the workshop.  I shall take some Moravia Linen 
with me anyway, just in case, and because I like the colours!

I shall be in Prague from 8 July, and I hope to meet some of you at the 
workshops and some more at lunch on Sunday.  I have a small spider brooch to 
wear, and will be on the lookout for others.

Happy lacing
Bridget Marrow
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[lace] Thread query

2004-06-15 Thread Bridget Marrow
Dear Spiders
I've just got my requirements list for the workshop I'm doing in Prague 
before the OIDFA Congress.  The thread they've asked for is Linen 33/4.  
I've never come across this, and it doesn't seem to be in Brenda's Threads 
for Lace book.  If any of you have worked with it, can you tell me what it 
is like and whether there is an easily obtainable substitute?

Bridget, in Watford, England
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Re: [lace] Mary Queen of Scots (was bobbin lace in movies)

2004-04-13 Thread Bridget Marrow
on Sun, 11 Apr 2004 Johanna Brown wrote:
I was watching an old movie with Catherine Hepburn as Mary, Queen of 
Scots
and in once scene where Mary is in her drawing room with her ladies in
waiting, one of the ladies is doing bobbin lace

Dear Johanna and esteemed Spiders,

I'm sure I saw this film some time ago, probably on TV, but I don't remember 
spotting a lace pillow.  The film certainly wasn't historically accurate as 
far as the plot was concerned!

Bobbin lace was of course made at the time and the large frame for 
needlepoint sounds just right. It is known that Mary Queen of Scots was a 
skilled needlewoman, some of her needlepoiunt embroideries still exist, and 
she also made Lacis, but it is unlikely that she herself made bobbin lace.  
There's a lovely story of her annoying her Council (all men, natch) by 
working at her embroidery during Council Meetings.  They found it (and her) 
most distracting.  It's as if Maggie Thatcher had taken her knitting into 
the House of Commons!

There's an excellent book by Margaret Swain called The Needlework of Mary 
Queen of Scots.  My copy is a reprint, published in 1986 by Ruth Bean. ISBN 
0903585 227. I'm pretty sure there was an earlier American edition.  Its 
well worth getting from a library if you can.

Back to the movie...

Sherry,

the title of the film was MARY OF SCOTLAND, released in 1936.  I think its 
fair to say it was not Katherine Hepburn's finest hour.  Neither the script 
nor the supporting cast did her justice - but that's just my opinion.  I 
hope you can track down a copy and make up your own mind.

Bridget, in Watford, England

_
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RE:[lace] a good beginning Bobbin Lace Book

2004-04-09 Thread Bridget Marrow
On  Wed, 07 Apr 2004 20:25:26 -0600
Janet Anderson wrote:
I am very new both to this list and to the craft of lace making.
I am interested in learning bobbinlace techniques especially ones from the
Renaissance and Elizabethan eras
Dear Janet
as you are particularly interested in Elizabethan and Renaissance lace, I 
would recommend a little book called ELIZABETHAN LACE by Gillian Day.  She 
concentrates on plaited bobbin lace, which is the basis of the Elizabethan 
style.  She also gives basic instructions for simple needle-lace, reticella 
and lacis.  There's a lot in a small space!

I don't alas know whether it is still in print, but do get hold of it if you 
can.

Published in 1995 by the Elviston Press, Boston Spa, England.
ISBN 0 9522709 35
Good hunting!

Bridget Marrow, in Watford, England.

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RE: [lace] OIDFA

2004-04-01 Thread Bridget Marrow
My booking confirmation has come through.  Hooray!
So I shall be in Prague, and also at the Lace Guild convention in 
Scarborough.
I look forward to meeting other spiders there - and hope I'll have got my 
spider brooch finished in time!
Keep lacing

Bridget,  in Watford England, where Spring has sprung at last.

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Re: [lace] Is everyone on holiday?

2004-02-25 Thread Bridget Marrow
Not on holiday, but I did go away for a lovely lacey weekend at Great 
Missenden.  The course was on Belgian laces (Flanders, Binche, Bruges etc) 
and I have at last made a start on Cathy Belleville's Olive Branch pattern.  
Going well so far :-)

Only the weather let us down - instead of spring sunshine we had a sudden 
frost. The coots and moorhens were skating on the pond on Saturday morning, 
and Sunday was wet and windy.

Still who cares when you can snuggle up to a lace pillow?

Bridget, in Watford England.

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Re: [lace] sizing of patterns

2004-01-24 Thread Bridget Marrow
on Thu, 22 Jan 2004 08:49:08 + Jean Barrett wrote:

Can I canvas opinions on how patterns are presented in books. ...
If you were buying a book would you prefer to have such patterns
cut in half, probably with an overlap so that you can put them together
again, or would you prefer them to be reduced with the % enlargement
noted so that you can print them out actual size yourself?
Dear Jean and other spiders,

I've just been sent a book to review for Lace, published by the Dutch Lace 
Guild (LOKK) to celebrate their 25th anniversary.  There's a wonderful 
selection of patterns, all but the smallest are reproduced at 50%.  This 
seems to me a good solution.  Most people would photocopy the pricking 
before making it anyway, and modern machines make it very easy to adjust the 
size.  Indeed many lacemakers make their own adjustments to allow for 
different threads or the intended use of the lace.  Use any extra space for 
decent size diagrams.

PS  I like Adele's idea of a scale line - that would be very helpful

Lacefully yours

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Subject: Re: [lace] IOLI Previews

2004-01-20 Thread Bridget Marrow
Spare a thought for us poor Brits.  It'll be at least another fortnight 
before I get my copy of the  Bulletin.

Bridget, in damp and dreary Hertfordshire, UK

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[lace] Bowes Museum

2004-01-04 Thread Bridget Marrow
I don't know the Bowes Museum personally, but have seen some publicity for 
their current exhibition (until 18 April 2004).  Wedding Belles - two 
centuries of bridal gowns. From the brochure, these appear to be positively 
dripping with lace!

With best wishes for a wonderful trip

Happy new year to everyone

Bridget,  in Watford, England

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[lace] Richard II, hankies and pockets

2003-09-11 Thread Bridget Marrow
On Mon, 8 Sep 2003, Jean Barrett wrote: I am not a very learned lace 
historian, but any who has been making lace for a few(!) years gathers a 
little of the history along the way. I settled down to watch a production of 
Shakespeare's 'Richard II' yesterday evening. It was from the Globe theatre, 
Bankside, London and was being done in more or less Elizabethan costume. I 
wanted to see it as this was the play we had to study for our exams at 
school and I wanted to see how much I remembered (not all that much 
actually) but I found I was being constantly distracted by the costume. They 
were very good and very decorative, but within the first 2 minutes there was 
Richard flourishing a lace edged hanky about 8 inches square and the lace 
had worked corners. Surely it should have been bigger? Then what about that 
lovely linen collar, edged with Bedfordshire lace? Most of the laces I could 
not begin to put a name to and I hadn't thought to tape it. Finally was a 
scene where Richard is shown with his hand in the pockets of his breeches. I 
had a feeling that pockets were not fitted into clothing until a later 
date.

Dear Jean and other spiders,
I didn't see the televised version of Richard II from the Globe, but I was 
lucky enough to see it live in the magnificent Middle Temple Hall earlier in 
the year.  Of course from the audience one didn't get 'close-ups' of the 
lace, so it wasn't so distracting.

Richard II and his first Queen, Ann of Bohemia, are credited with 
introducing the handkerchief as a fashionable item to the English court, 
which is why, I think, so much was made of it.  But yes, it should have been 
larger and the corner was all wrong.

Pockets for women were a separate item until the late 18th century - worn 
under  the skirt and reached through a gap in the seam.  For men 'built-in' 
pockets came much earlier.  Janet Arnold in Patterns of Fashion shows 
several early 17th century breeches with pockets.  The word certainly occurs 
in Shakespeare.

The Globe wardrobe prides itself on making clothes as authentic as possible, 
both in fabrics and construction.  All the stitching is done by hand, and 
they have begun to commission hand-made braids and narrow laces.  But 
inevitably there are still compromises.  They can't afford fine needlelace, 
reticella and punto-in-aria for their collars and ruffs.  At least they're 
not using chemical lace or nylon!

In case anyone is historically confused, the aim of the production was not 
to replicate the fashions of Richard II's time (14th century), but those of 
the time when the play was written in the reign of Queen Elizabeth I (late 
16th century).

Bridget, in Watford, England.

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Re: [lace] Barbara Fay

2003-09-07 Thread Bridget Marrow
Many thanks to all those who sent me Barbara Fay's email address.  I'm about 
to go on holiday, but will contact her when I get back.
Keep lacing
Bridget Marrow

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[lace] Barbara Fay

2003-09-02 Thread Bridget Marrow
More information please:

Has anyone an email addy. (or snailmail address) for the bookseller Barbara 
Fay?  I don't think she has a website.

thanks,

Bridget, in Watford UK.

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Subject: [lace] Summer projects

2003-08-03 Thread Bridget Marrow
Dear Spiders,

I'm currently working my way through Mary Niven's Flanders Lace, and its 
driving me mad!  I don't really like working from diagrams, and find 
Flanders ground very frustrating - 4 pairs and 6 (count 'em!) separate 
stitches for one pinhole!  I'm more used to Point ground, where you use 2 
pairs and don't even have to cover the pin. I'm no where near pattern VIII, 
so it'll be some time before I catch up with Bev.  However I must persevere, 
as I have booked for a Binche course in February, and everybody says you 
need to grasp Flanders first.  I was much encouraged by Clay's enthusiasm 
for Binche, and her assurance that you can, eventually, get away from the 
diagrams.

On my mindless pillow, suitable for travelling or sitting in the garden, 
is a length of a simple Bucks Point edging - Peacock's Eye - in pale 
turquoise with a metallic blue gimp.  Sounds a bit gaudy, but it isn't 
really.  I've done just over a yard, plan to trim a blouse with it (next 
summer...or the one after.)  Might even complete the 5-metre challenge.

My next serious piece is a beautiful Bucks corner, designed by Pamela 
Nottingham.  Pricking and bobbins to be prepared before the start of next 
term.

Oh, and I have to mount two Crysanthemum lace scarf ends completed last 
term.  The chiffon's there, and the lace, and the silk threadsomehow 
they havn't put themselves together!

Bridget, about to make lace in the garden, in Watford, England.

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RE: [lace] Lace Fans

2003-08-03 Thread Bridget Marrow
I too am a great fan of the Fan Museum in Greenwich.  They pulled out all 
the stops last year with an exhibition of lace fans to mark the OIDFA visit. 
 Over now, alas, but there are some pictures on their website: 
www.fan-museum.org
go to Temporary Exhibitions - Exhibition Archive.

The current exhibition is A Fanfare for the Sun King” from 3rd June until 
21st September 2003. I don't know if there is any lace, I hav'nt seen it 
yet, but it should be spectacular.

Bridget, in Watford, England.

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RE: [lace] Pounds, shillings and pence

2003-08-02 Thread Bridget Marrow
Annette wrote:
I'm not old enough to remember
farthings, since they were withdrawn when I was about 3 years old, but I
have seen them - I think they had a robin on the back.


The bird on the back of a farthing was a wren - the smallest British bird 
for the smallest British coin.  I have one on a bobbin somewhere, for luck.

Bridget, in sunny Watford, UK

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Re:[lace] Further Steps in Honiton Lace

2003-07-17 Thread Bridget Marrow
Addresses for the  UK second hand book dealers that Brenda mentioned are:

Judith Mansfield Books
Claremont South
Burnley Road
TODMORDEN
Lancashire  OL14 5LH
Black Cat Books
Ann Morgan-Hughes
Meadow Cottage
High Road,  Wortwell
HARLESTON   Norfolk IP20 0EN
another who specialises in books on costume, lace and embroidery is:

Felicity J.Warnes
82 Merryhills Drive
ENFIELD
Middlesex   EN2 7PD
I've not dealt with Black Cat Books, but have found the other two very 
helpful.

Bridget, in Watford, England

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Re: [lace] Kant in de Gouden Eeuw: Lace in the Golden Age

2003-07-17 Thread Bridget Marrow
I've just been to the Dutch lace guild website to check out their new book, 
and also found some charming free patterns. They are little motifs suitable 
for key rings or jewellery:  one valenciennes, two bucks point. Go to

http://www.lokk.nl/defaultboek.html

and click on gratis patroon on the left-hand menu.

Bridget in Watford, England, where our mini-heatwave has now broken. Its 
raining, and cool enough to sit at the computer again.

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[lace] lacemaking doll on ebay

2003-07-05 Thread Bridget Marrow
There's a charming and very unusual Lacemaker Doll on eBay UK:

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItemitem=3231451268category=114

(sorry, I don't know how to turn it into a proper link)

Item number  3231451268

Bridget, in Watford, England.

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