RE: [lace] Re: Pricking on the pillow

2004-01-07 Thread Bev Walker
Hi everyone

I'm all for labour-saving steps - I seldom pre-prick a pattern, but if I
do, it is when the pricking is in place on the pillow. My pillows are of
straw or ethafoam - but only occasionally I make a pattern more than once.
Before Christmas I made a half dozen bangles from the same pattern, and I
hadn't made a very sturdy copy of the pattern to begin with, but it and
the pillow held up.

What I did notice was the pillow *covering* was showing some distress
where pins had been placed repetitively. It is due to be replaced anyway.

I don't see the *need* to pre-prick a pattern - it would seem to be a
holdover from the days when parchment was the material of necessity. After
the draughtsman had drawn the pattern, he or someone else would prick the
pattern. The holes would be punctured with the parchment position on a
tray of lead, so I've read. Nice that we can choose to pre-prick or not ;)

I am now scheming to do multiple bookmarks - from the same pattern, which
is pointed at both ends, will make them continuously, never throw out or
add in bobbins once I've started (except to change colours) - the points
will end up as bundles. I'm going to work on an ethafoam roller.
(does this project sound daft?)

 -- bye for now
Bev in Sooke, BC (west coast of Canada) where the promised melt arrived
and the place is green again. Today's tasks do not involve bookmarks, how
dull g

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Re: [lace] Re: Pricking on the pillow

2004-01-07 Thread Laceandbits
In a message dated 07/01/2004 18:00:33 GMT Standard Time, 
[EMAIL PROTECTED] writes:

 
 I don't see the *need* to pre-prick a pattern

Time to add my tuppence worth.  The *need* depends very much on the lace you 
are making.  It is relatively easy to prick-as-you-go when you are doing lace 
of the type you were talking about in your post.  The holes are usually well 
spaced, and if one is slightly out of line it probably won't notice.

On the other hand, for Julie who is working her way through Bucks, where the 
pin holes are close together and multitudinous, to try to prick as you go is 
very much more difficult and has the potential for disaster, because it is so 
easy to miss a hole half hidden by a gimp line, or by mis-pricking slightly 
through all the threads to have one hole where two should be.  Also you can work 
this many-pin lace much more fluently if you can just put the pin in the hole. 
 

If you time how long it takes to prick a hole in a flat pricking on a board, 
about half a second I would reckon, and compare that to accurately finding the 
hole in the gap between pin and thread, trying to accurately prick with a pin 
or reaching yet again for your pricker and then picking up and placing the 
pin you'll get the idea.  It only feels as if you are saving time.

I have just finished a couple of bits of Milanese which I pricked before I 
worked them - and kept wondering why I had.  Having studied Withof worked on an 
undotted outline where you put the pin where you need it, I now enjoy doing 
that, and in Withof and similar laces it is accepted that you will prick as you 
go.  In Milanese sometimes you need the holes opposite each other and 
sometimes as a zig-zag depending on the braid chosen, so I was making new holes where 
I needed them because I had revised my plans as I worked.  When the holes are 
close to start with, there's not much of a gap to have second thoughts in.  So 
yes, as I said above, this way placing pins can be slower but if you're not 
sure where you are going to want the pins it can be a lot easier and I don't 
believe you do *need* to prick first.

Picking up on the thread about the angle of the hole, I was taught that the 
pricker should be held as near vertically as possible to get the most 
accurate pricking.  I think that when I am pricking I am concentrating on accuracy 
without worrying at which angle I should be pricking at.  And although I follow 
the basic 'edge pins out and middle pins back' rule, the pins around design 
features go at a slightly different angle to those that are 'just' ground, to 
give the workers more support for tensioning.  I don't think I could cope with 
working all that out as I prick but it just happens as I lace.

Jacquie - Tempted by the thoughts of starting a new bit of lace and at the 
same time bitten by my conscience to work on a UFO?  

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RE: [lace] Re: Pricking on the pillow

2004-01-07 Thread Panza, Robin
From: Bev Walker [mailto:[EMAIL PROTECTED]
I'm all for labour-saving steps - I seldom pre-prick a pattern, but if I
do, it is when the pricking is in place on the pillow. 

There are times it becomes pretty important.  For example, I find it very
hard to get pins accurately placed on roller pillows, if the pattern isn't
pre-pricked.  Between difficulty seeing the dots (with pins and threads
crowding around) and the tendency for the pin to slide down the front of the
roller instead of digging in exactly where you pointed it, pins can be off
by as much as half the pin-spacing.  This can be pretty obvious in ground,
and can distort the lines of figures/shapes.

Even on cookie or block pillows, fine (narrow-spaced) lace doesn't give you
much room for fudging, and the fine lace is also that much more crowded with
pins and threads.

As lazy as I am, I nearly always pre-prick (or regret it when laziness or
hurriedness won) at least the first few inches.  Then I start the pattern
and prick some more when I approach the end of the pinholes.  My
productivity is not so high that I'm in danger of wearing out my pillows by
pricking on them, so I will continue the practice despite the dire warnings
of some.

Robin P.
Pittsburgh, Pennsylvania, USA

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Re: [lace] Re: Pricking on the pillow

2004-01-07 Thread Bev Walker
Hi all

Further to the *need* to pre-prick - I do Bucks, and with fine thread, and
I don't bother to pre-prick an entire pattern - it is too hard on my
hands. I have a brand of stationery's copy card that is firm enough to be
a pricking, and soft enough to permit pinholes as I go, or prick ahead
with it in place on the pillow if I want - sometimes doing an inch head is
good, especially if the fingers are getting sore from pushing in pins (yes
have tried various paddings and methods to protect fingertips - prefer not
to go there in this message,) and the fingers like the change to grasping
the pricking tool (a lovely one aluminum I bought from Shirley when Ends
'n' Odds was in business - miss you Shirley!) .

I appreciate totally that many lacemakers prefer to prick their patterns
first, on a surface of choice, and yes, if the pinholes are close
together, it would be advised if a person is concerned about misplacing a
pin.  This doesn't bother me for most laces - but Honiton - definitely yes
I do pre-prick a Honiton pattern, because of the very heavy card I use for
it - and I would use lighter card (and not pre-prick) except the heavy
card is better for doing the sewings with needlepin. I find a scrap of
styro and carefully prick the pattern on that.  It is a test of will - I
really don't like doing it this way.

So I concede there is an example of needing to pre-prick - because of the
card material. There is another argument of course, for those lacemakers
who rely on the holes for tactile reference as they work.

A Bucks hint: I've learned to skip pinning areas of ground - the lacing
is less tedious if you don't bother with pins;  same with Torchon ground -
just mind the tension.

-- 
bye for now
Bev in Sooke, BC (west coast of
Canada)

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RE: [lace] Re: Pricking on the pillow

2004-01-07 Thread Liz Beecher
Actually, now this shows how I haven't made any lace for two months, I 
got my big pillow out that I was blogging on and thought about what I 
had said about having it prepricked as it was so big so I could work out 
where the two halves should be.

Here is another reason for pre-pricking if you make lace like I do and 
before you all start shouting I'm not implying that I make it better or 
worse than anyone else but this is just an observation from when I've 
made lace with other lacemakers.

I make lace very fast.  I am ambidextrous when making lace and move 
bobbins with both hands at the same time and when making similar lace of 
the same width, style no of bobbins as other lacemakers of the same 
experience I make it roughly half as fast again as they make it.

If I had to stop to prick the pattern it would slow me down considerable.

I did put up a stuck and filmed pattern once for a Springett miniature 
fan and pricked as I went - this slowed my lacemaking down to the point 
that I had to stop and prick all the rest of the pattern.

The lace group that I first joined used to run Saturday workshops on 
things that were craft but not lace related, as a bit of fun.  One of 
these was a white embroidery course and the lady that taught it was 
fantastic, a great teacher and also a great lacemaker and during the day 
I said that I didn't like pricking patterns but had to because they 
slowed down my lacemaking.

She said that all lacemaking activities were a meditative thing to enjoy 
and that if you looked at it as that then you would enjoy it all.

I thought this was a bit suss until I started doing yoga where you went 
through the cycles of movements and lost yourself in the repitition.

OK, so I still hate mounting lace, but ever since when I'm a bit 
stressed, I pick a pattern and lock myself away in my bedroom with a 
great CD on or the afternoon play on the radio and just enjoy the 
repeativeness of the rythmic pricking.

I picked this up quickly as it is very much how I make lace - I don't 
think as I do it, I just make the lace according to how the pattern 
feels, which works as well for honiton and Bucks as for torchon.

Whether you prick through a copy then draw in the pattern or stick and 
film then prick it doesn't matter, it's the act of loosing yourself in 
it that is important.

...erm ... just read what I have written and now I think I sound 
absolutely barmy - but I WORKS FOR ME.

Liz
x


Panza, Robin wrote:

 
  As lazy as I am, I nearly always pre-prick (or regret it when laziness or
  hurriedness won) at least the first few inches.  Then I start the pattern
  and prick some more when I approach the end of the pinholes.  My
  productivity is not so high that I'm in danger of wearing out my
  pillows by
  pricking on them, so I will continue the practice despite the dire
  warnings
  of some.
 
  Robin P.
  Pittsburgh, Pennsylvania, USA

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RE: [lace] Re: Pricking on the pillow

2004-01-06 Thread Panza, Robin
From: Karen Butler [mailto:[EMAIL PROTECTED]
Similarly, the inexpensive polystyrene pillow  I bought to try Honiton
developed  a hole in the centre.  It is still usable, with pieces of green
baize packing the hole, but as I've since bought a traditional Honiton
pillow, it is only used occasionally.

This is from re-using the *area* instead of re-using the *holes*.  When you
prick on the pillow, the pin goes into the same hole.  When you do a series
of motifs on the same portion of a pillow, you're putting pins into
*approximately* the same place, which damages the area around the last set
of pinholes.  Do that often enough, and you've got overlapping pinholes.
But if you prick on the pillow and *leave the pattern there* to work, you're
using the same pinholes, not putting pins *next to* former pinholes.  That's
why it's not more wear to the pillow.

Incidentally, if you prick vertically on a pillow, and pins are angled
back (and to the side at edges), the holes made in the pillow by pricking
would not conform with the subsequet pin hole.

Why would you prick differently than your intended pin-directions?  I prick
the edges outward and the pins slide right into the slots I made with the
pricker.

Robin P.
Pittsburgh, Pennsylvania, USA

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RE: [lace] Re: Pricking on the pillow

2004-01-05 Thread Panza, Robin
From: Tamara P. Duvall [mailto:[EMAIL PROTECTED]
You don't view yor pricking from the same angle when you prick on a 
corkboard set flat on a table and when you prick on a pillow; you're 
less likely to be *accurate* when pricking on a pillow. 

I'm not convinced this is necessarily so.  May vary from lacemaker to
lacemaker.  A cookie pillow, for example, isn't all that different from a
cork board.  Nor are some people all that super-careful when pricking on a
board (cork or otherwise).  I agree it may be a little harder with a roller,
especially a small roller, but not necessarily a flatter pillow.

A well-made pillow is likely to be a good deal harder than a 
corkboard; 

This one I whole-heartedly disagree with.  My good pillows are *not* harder
than cork, although some of the cheaper ones may be.

Also, you can put the layers of waxed paper (to make your pricking needle
slide in and out easily, without getting a wax build-up) under a pricking
and over a corkboard more easily than under a pricking that's on a
pillow.

I find it pretty easy to slip wax paper under the unused portion of the
pricking.  And you can always just include the wax paper under the pattern
when you mount the pattern on the pillow.  What harm is there if the wax
paper stays there?

The covering fabric and the pillow itself (especially those made from
different foams) take enough beating from having the the pins stuck in and
pulled out during lacemaking; it's unkind to treat them as pricking boards
in addition to that :)

But the pin goes exactly into the hole made by the pricker--the pattern hole
is exactly aligned with the pricker-made hole in the foam, so that's no
wear.

R

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Re: [lace] Re: Pricking on the pillow

2004-01-04 Thread Liz Beecher
Tamara,

The thank you was for putting me up for 2 months in her flat whilst I 
was working away from home and now, come to think of it, as I also paid 
her rent, no it was too much and I was conned but as I had made the lace 
for my wedding dress which never got made at least I don't have to look 
at it!!

Liz

Tamara P. Duvall wrote:

   I had given her 4 metres of handmade lace as a thank you
 
  A thank you for what? For removing herself from your orbit? Might
  have been worth *something*, I suppose, but not 4 meters of lace; not
  even if it was a piece of 8-pair lace...

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Re: [lace] Re: Pricking on the pillow

2004-01-03 Thread Liz Beecher
Ok, here are my reasons -

1) pricking as you go damages your pillow as you have to use more force 
to go through the card and my cork board is cheaper and more replaceable 
than my pillows

2) When you work unusual patterns such as ovals on a block pillow, if 
you don't have all the pattern how on earth can you work out how to 
place it on the pillow

3) I've been making a very large piece that is symetrical and therefore, 
by pricking through two lots of card I pricked the whole thing out in 
half the time

4) when working a long straight piece or a square, you can to the same 
as #3 by pricking the two halves in one go.

Look, if you don't like pricking then photocopy, stick and film but 
don't get up set then if the finished piece doesn't quite have the sharp 
edges that those who prick first get as it is not easy to accurately put 
in the pins that way

And - if like me and Tamara you don't like winding the bobbins get a 
bobbin winder

Here's a story - the last time I was teaching lace the woman I was 
teaching pulled a face and said that she didn't like spangling.  So, 
trying to encourage her and because I had some time spare I offered to 
spangle some of the bobbins so that she had enough to start making lace 
and had some to copy when she spangled them herself.

Then she said that she found pricking the patterns hard on her hands - 
I've taught people with arthritus before and can sympathise - so I let 
he use one of my patterns that was already pricked out

Then she said that she couldn't work the bobbin winder she had bought, 
so I wound some bobbins on it to show her how, but she kept having 
problems with it and in the end, when I'd finished demonstrating how to 
use it I'd wound them all

Then she said that she couldn't follow me starting it off so could I 
have a go ...

I looked at her and said, 'so exactly which thiing about making lace was 
it that you actually wanted to do?'

She replied 'ah, there's two things, sitting at the reenactment with my 
pillow so people can see how clever I am and wearing it'

I managed to say, straight faced, 'were you actually intending to make 
any then?'

That was the last lesson that I gave her as she felt I wasn't supportive 
enough (I thought it wasn't because I wouldn't make the lace for her) 
and I understand that she got her boyfriend's mum to teach her the 
basics and she swans around the reenactments with the same piece of lace 
that she started with.

The only thing that really hurt was that I had given her 4 metres of 
handmade lace as a thank you and it was being passed off as her own work.

Moral of the story - we all have bits of the process we hate - me it's 
mounting the stuff, and we moan about them but we still love doing the 
craft but if you hate doing it as much as this woman did go find 
something else to do.

Have fun

Liz





Tamara P. Duvall wrote:

  On Jan 2, 2004, at 13:10, Antje González wrote:
 
   Why do you prick the whole pattern all at once? I start pricking a few
   centimeters, then I work until the pricked holes are finished, prick
   again a
   few centimeters, continue working... This makes the whole process more
   relaxing.
 
  I've often been tempted to do it the same way; pricking and winding
  bobbins are *not* on my list of favourite activities related to
  lacemaking, so it would be nice to thin it out and fit in some of
  the favourite bits (like moving bobbins) in-between the less favourite
  ones.
 
snipped
 
  -
  Tamara P Duvall

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Re: [lace] Re: Pricking on the pillow

2004-01-03 Thread Laceandbits
Just loved your story, Liz.

One of my best is when we were demonstrating lacemaking at an exhibition, one 
lady hovered for ages, then asked if lace bobbins were sold in John Lewis (a 
well known English department store).  We said it was possible, but not 
likely, and offered her lace supply and teacher's addresses.

Oh, no, it's all right. came the reply I'm sure they must do.  I'll go and 
buy A PAIR and teach myself.

A tad confused with knitting maybe but I have idled away many pleasant 
minutes since, wondering how she got on!

Jacquie

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