Re: In octaves
Op zondag 13 april 2008, schreef Jay Anderson:
I tried {c d e f} {c' d e f} but it didn't look right so I
resorted to a function. Is there an easier way to do this?
Possibly:
bassnotes = { c16 d e f g c bes a g es fis a g es r8 }
\new Voice
\clef bass
\relative c,, \bassnotes
\relative c, \bassnotes
best regards,
Wilbert Berendsen
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Re: barlines not shown
Op zondag 13 april 2008, schreef Stefan Thomas: I see an invisible barline. Cool :-) but seriously, you'd write \bar |. (without the spaces inside the quotes) best regards, :-) Wilbert Berendsen -- LilyKDE, LilyPond for KDE: http://lilykde.googlecode.com/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Running LilyPond from a memory stick
I would be interested in such a solution as well, since I just got a new Laptop from my employer with Windows Vista and no administrators rights to install any new programs. Interstingly enough, one exception is MikTeX, which can be installed in the local users directory without any administrators rights. /Mats Valentin Villenave wrote: 2008/4/12 Ben Lewis [EMAIL PROTECTED]: Start Run RegEdit? I know it exists in XP, so that should work. No; the point is, you should have to be able to run LilyPond from the USB stick *without* modifying the registry at all. Some applications (look, for instance, at the portable version of Firefox or GIMP) manage to intercept registry calls and substitute their own parameters; that's what we should try to implement. Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
stacked markup with parenthesis
Hi all ! I'm looking for a way to display a text on several lines with parenthesis around the line (no bracket, round parenthesis). I tried \columns and \center-align. That's ok to stack texts but how can I put parenthesis around ? (like \bracket does for squared bracket). Thks a lot ! Example : /\ | A | | B | \/ -- View this message in context: http://www.nabble.com/stacked-markup-with-parenthesis-tp16677616p16677616.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
LilyLib: SuperCollider to Lilypond Translation
Hi,
I recently made a set of classes that try to translate data from
SuperCollider to the Lilypond format. Useful if you want to see this
data in a traditional notated score rapidly and use this in a
composition.
Since my experience with Lilypond is minimal, I would appreciate very
much some criticism and help from you guys. Specially how I can make
this sequence look good in Lilypond :-)
For the rhythms I chose to work with rhythm trees, i.e. with a lists
of measures and a list of lists of the proportions inside each
measure.
Cheers!
Bernardo
- Examples:
* enter list of notes, list of measure sizes in eight-notes (can be
multiple of 0.5, like 4.5), proportions inside each measure (it
calculates the proper tuplet):
MakeLilySequence.quaterTones(notes, measures, proportions, tempo);
MakeLilySequence.quaterTones([60, 56.5, 56, 67, 65.5, 55.5, 54.5, 45,
56, 67], [4, 3, 5], [[1, 1, 1], [3, 1], [4, 1, 1, 1, 1]])
/time 4/8 /times 2/3 { c'8 gisih8 gis8 } /time 3/8 /times 3/4
{ g'8. fih'16 } /time 5/8 /times 5/8 { gih4 fisih16 a,16
gis16 g'16 }
MidiLy.quaterToneArray([60, 60.5, 61, 61.5]);
[ c' , cih' , cis' , cisih' ]
LilyOutput.makePdfMidi(File) // this create a pdf and a midi file
(command line) from a .ly file in the directory
../Music/LilypondFiles/File.ly
LilyOutput.viewPdf(File) // this open the PDF
LilyOutput.playMidi(File) // this play the midi with a program called qtplay
MakeLilyRhythm.new(4, [1, 1, 1, 1, 1]) // first input is the size of
the measure in Eight notes, and the array is the proportions inside
that measure
[ 4/8, [ 16, 16, 16, 16, 16 ], [ 5, 4 ] ] // returns some values
usable for the lilypond notation, the third one is the Tuplet
- Classes:
(put in SuperCollider Extensions Folder
/
//Translate Midi values and rhythm trees to Lilypond Format//
/
/ bernardo barros 2008 //
/// feel free to comment, test, improve etc
/// send an email: bernardobarros #at *$gmail$* $%dot* com
MidiLy {
*halfToneNote { |midiNote|
var index, pitch, notes, octave, pitchList, octaveList, octaveIndex;
index = (midiNote % 12).round; // arredonda para quartos de tom
octaveIndex = (midiNote/12).floor;
pitchList = #[c,cis,d,dis,e,f,fis, g, gis,a, ais, b]; // para semitons
octaveList = [,, ,','',''', ];
pitch = pitchList[index];
octave = octaveList[octaveIndex];
^notes = (pitch ++ octave).asString;
}
*quaterToneNote { |midiNote|
var index, pitch, notes, octave, pitchList, octaveList, octaveIndex;
index = (midiNote % 12).round(0.5); // arredonda para quartos de tom
octaveIndex = (midiNote/12).floor;
pitchList = #[c,cih,cis,cisih,d,dih,dis,eeh,e,eih,f,fih, fis,fisih, g,
gih, gis,gisih, a, aih, ais, beh, b, bih]; // para quartos de tom
octaveList = [,, ,','',''', ];
pitch = pitchList[index*2];
octave = octaveList[octaveIndex];
^notes = (pitch ++ octave).asString; }
*halfToneArray { |midiNote|
var index, pitch, notes, octave, pitchList, octaveList, octaveIndex, noteList;
index = (midiNote % 12).round; // arredonda para quartos de tom
noteList = Array.new;
octaveIndex = (midiNote/12).floor;
pitchList = #[c,cis,d,dis,e,f,fis, g, gis,a, ais, b]; // para semitons
octaveList = [,, ,','',''', ];
pitch = pitchList[index];
octave = octaveList[octaveIndex];
notes = pitch.size.do({ arg i; noteList = noteList.add(pitch[i] ++
octave[i]) });
^noteList; }
*quaterToneArray { |midiNote|
var index, pitch, notes, octave, pitchList, octaveList, octaveIndex, noteList;
index = (midiNote % 12).round(0.5); // arredonda para quartos de tom
noteList = Array.new;
octaveIndex = (midiNote/12).floor;
pitchList = #[c,cih,cis,cisih,d,dih,dis,eeh,e,eih,f,fih, fis,fisih, g,
gih, gis,gisih, a, aih, ais, beh, b, bih]; // para quartos de tom
octaveList = [,, ,','',''', ];
pitch = pitchList[index*2];
octave = octaveList[octaveIndex];
notes = pitch.size.do({ arg i; noteList = noteList.add(pitch[i] ++
octave[i]) });
^noteList; }
}
MakeLilyRhythm {
*new { |measure, proportion|
var eightNomeScale, measureScaleLily, measureIndex, measuresOutputList;
var eightsSum;
var multipliedProportionSum, multipliedProportionFactor;
var noteDurationList, noteDurationScale, noteNotationScale,
noteDurationOutputList;
var noteDurationOutput;
var tuplet, m, n; // Tuplet calculation
converter a lista de compassos em notação Lilypond
eightNomeScale = (0.5, 1 .. 16);
measureScaleLily = #[1/16, 1/8, 3/16, 2/8, 5/16, 3/8,
7/16, 4/8, 9/16, 5/8, 11/16, 6/8, 13/16, 7/8, 15/16,
8/8, 17/16, 9/8, 19/16, 10/8, 21/16, 11/8, 25/16,
12/8, 27/16, 13/8, 29/16, 14/8, 31/16, 15/8, 33/16,
16/8];
measureIndex = ((measure * 2 - 1)).round;
measuresOutputList = measureScaleLily[measureIndex];
multiplicar a proporção até que ela seja 1 grau maior que a
Re: markup in header
Thank you for the hint. I´ve read it before. But I don´t know what it means:
This setting overrides selection using font-family, font-series and
font-shape. I thought *after* changing the font it *is* possible to change
the font-shape.
My question is: Is it possible to change the font-name *and then* the
font-shape or font-series?
Thank you for a helpful answer to a learning newbie...:-)
coffer
Mats Bengtsson-4 wrote:
See the documentation of font-name in the Internals Reference:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-internals/font_002dinterface#font_002dinterface
/Mats
Quoting coffer [EMAIL PROTECTED]:
Hi all,
first of all: thank you to all of you who developed and improved this
wonderful software - I´m really happy with it.
Now my question: When I use a \markup command in the header and change
the
current font (not the font-family), both the italic and bold style don´t
work. Is it a bug or is there a mistake in my file?
I´m using v2.11.43 and Win XP.
This is my solution that doesn´t work (in the header block):
title = \markup { \normal-text { \override #'(font-name . Day Roman) {
\bold { Title
subtitle = \markup { \override #'(font-name . Day Roman) \override
#'(font-shape . 'italic) { Subtitle }}
Thank you in advance for all help,
coffer.
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Re: markup in header
The setting of font-name is a low-level setting which means that the
other properties
will not even be considered. If you want a bold version of the font,
then specify the
font name of that version. For example, the manual shows how to use
Vera Bold.
/Mats
coffer wrote:
Thank you for the hint. I´ve read it before. But I don´t know what it means:
This setting overrides selection using font-family, font-series and
font-shape. I thought *after* changing the font it *is* possible to change
the font-shape.
My question is: Is it possible to change the font-name *and then* the
font-shape or font-series?
Thank you for a helpful answer to a learning newbie...:-)
coffer
Mats Bengtsson-4 wrote:
See the documentation of font-name in the Internals Reference:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-internals/font_002dinterface#font_002dinterface
/Mats
Quoting coffer [EMAIL PROTECTED]:
Hi all,
first of all: thank you to all of you who developed and improved this
wonderful software - I´m really happy with it.
Now my question: When I use a \markup command in the header and change
the
current font (not the font-family), both the italic and bold style don´t
work. Is it a bug or is there a mistake in my file?
I´m using v2.11.43 and Win XP.
This is my solution that doesn´t work (in the header block):
title = \markup { \normal-text { \override #'(font-name . Day Roman) {
\bold { Title
subtitle = \markup { \override #'(font-name . Day Roman) \override
#'(font-shape . 'italic) { Subtitle }}
Thank you in advance for all help,
coffer.
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=
Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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OCR to lilypond
I've used just about every notaion program that exists, but I still like to just write out my sheets on staff paper with a pencil prior to entering the data into a formal notaion software like lilypond or whatever. It would be wonderful if I could generate lilypond source code from a hand-written staff initially, then go back and tweak it in code. After all, all the information is there on the page, it just needs to be interpreted. Is anyone aware of any commercial program, dll, or open source projects that are working on music OCR that would have the potential to (one day) be used to generate lilypond source code? Preferably open source. -- View this message in context: http://www.nabble.com/OCR-to-lilypond-tp16678797p16678797.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: OCR to lilypond
Am 14.04.2008 um 17:50 schrieb Rick Hansen (aka RickH): I've used just about every notaion program that exists, but I still like to just write out my sheets on staff paper with a pencil prior to entering the data into a formal notaion software like lilypond or whatever. It would be wonderful if I could generate lilypond source code from a hand-written staff initially, then go back and tweak it in code. After all, all the information is there on the page, it just needs to be interpreted. Is anyone aware of any commercial program, dll, or open source projects that are working on music OCR that would have the potential to (one day) be used to generate lilypond source code? Preferably open source. -- View this message in context: http://www.nabble.com/OCR-to-lilypond-tp16678797p16678797.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user Funny you should think of it that way, the last two scores I've done, I've actually written not on normal staff paper, but on notebook paper in lilypond code, a kind of hybrid between seeing several staves and having the lilypond code. It makes translating to lilypond code a bit easier, because, at least for the input things, I'm thinking about how it's going to be in lilypond. While I'm sure this could be very easily read and translated by OCR software and used by lilypond's parallel music option, if a change needed to be made to just one staff, or if you wanted to extract music for parts, it would be pretty involved. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: OCR to lilypond
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Montag, 14. April 2008 schrieb Rick Hansen (aka RickH): I've used just about every notaion program that exists, but I still like to just write out my sheets on staff paper with a pencil prior to entering the data into a formal notaion software like lilypond or whatever. It would be wonderful if I could generate lilypond source code from a hand-written staff initially, then go back and tweak it in code. After all, all the information is there on the page, it just needs to be interpreted. Is anyone aware of any commercial program, dll, or open source projects that are working on music OCR that would have the potential to (one day) be used to generate lilypond source code? Preferably open source. Well, hand-written scores are not (well or at all) supported by any OMR application that I'm aware of. With printed scored, I have had the best results with SmartScore, but I have no idea how well or if at all it understands hand-written scores. If you find any OMR application, that exports to MusicXML (SmartScore or Audiveris do), you can then use musicxml2ly to convert the MusicXML file to lilypond... Cheers, Reinhold - -- - -- Reinhold Kainhofer, Vienna University of Technology, Austria email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/ * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/ * K Desktop Environment, http://www.kde.org, KOrganizer maintainer * Chorvereinigung Jung-Wien, http://www.jung-wien.at/ -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.6 (GNU/Linux) iD8DBQFIA4yOTqjEwhXvPN0RAkFqAKC6Kov9lUPo911BcOc7cXQr5AYzcQCbBW2v nPYRqcdGjvQvRTpAxWiE1ow= =Y8/q -END PGP SIGNATURE- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: OCR to Lilypond
Finale and Sibelius have OCR plugins or addons, and I've used one of them as a demo (I'm 99.9% sure it was Sibelius) and it was atrocious. It would take longer to fix all its mistakes than it would to just enter your music from scratch, I think. Maybe the version you buy is better than the demo but I doubt it. I can't imagine anyone buying it after using the demo! Myriad (the makers of Harmony Assistant) have a program called PDF-to-Music that does pretty well, but then you're stuck with the file in their closed-source format. I'd be interested to know of a non-proprietary music OCR program as well. Good luck. Tim Reeves Message: 6 Date: Mon, 14 Apr 2008 08:50:40 -0700 (PDT) From: Rick Hansen (aka RickH) [EMAIL PROTECTED] Subject: OCR to lilypond To: lilypond-user@gnu.org Message-ID: [EMAIL PROTECTED] Content-Type: text/plain; charset=us-ascii I've used just about every notaion program that exists, but I still like to just write out my sheets on staff paper with a pencil prior to entering the data into a formal notaion software like lilypond or whatever. It would be wonderful if I could generate lilypond source code from a hand-written staff initially, then go back and tweak it in code. After all, all the information is there on the page, it just needs to be interpreted. Is anyone aware of any commercial program, dll, or open source projects that are working on music OCR that would have the potential to (one day) be used to generate lilypond source code? Preferably open source. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
beam everything together inside a 4/5 sixteenth tuplet
when I run this..
\relative c' {
\times 4/5 {c16[ d e8.]}}
I don't get the two first sixtenths beamed together...
How do I beam everything inside that tuplet together?
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solved - Re: beam everything together inside a 4/5 sixteenth tuplet
\relative c' {
\times 4/5 {c16[ \set stemLeftBeamCount = #2 \set stemRightBeamCount =
#1 d e8.]}}
padovani escreveu:
when I run this..
\relative c' {
\times 4/5 {c16[ d e8.]}}
I don't get the two first sixtenths beamed together...
How do I beam everything inside that tuplet together?
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Re: OCR to Lilypond
Am 2008-04-14 um 19:41 schrieb Tim Reeves: Myriad (the makers of Harmony Assistant) have a program called PDF- to-Music that does pretty well, but then you're stuck with the file in their closed-source format. They've also OMeR as standalone music OCR, but it saves only in Myriad's MUS format (used by Melody and Harmony Assistant). When I tried it, the music input was usable, but it couldn't import lyrics. And I'm rather sure it wouldn't reckognize handwriting. Harmony Assistant can export to MusicXML. I never tested that, though. See http://www.myriad-online.com/en/index.htm Greetlings from Lake Constance --- fiëé visuëlle Henning Hraban Ramm http://www.fiee.net http://angerweit.tikon.ch/lieder/ https://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: OCR to Lilypond
Am 2008-04-14 um 21:27 schrieb fiëé visuëlle: Am 2008-04-14 um 19:41 schrieb Tim Reeves: Myriad (the makers of Harmony Assistant) have a program called PDF- to-Music that does pretty well, but then you're stuck with the file in their closed-source format. They've also OMeR as standalone music OCR, but it saves only in Myriad's MUS format (used by Melody and Harmony Assistant). When I tried it, the music input was usable, but it couldn't import lyrics. And I'm rather sure it wouldn't reckognize handwriting. Harmony Assistant can export to MusicXML. I never tested that, though. See http://www.myriad-online.com/en/index.htm Sorry, I overlooked there's also PDF-to-Music Pro that directly exports MusicXML: http://www.myriad-online.com/en/products/pdftomusicpro.htm But it's only suitable if you've scores in (vector) PDF, not for your handwritten stuff. Greetlings from Lake Constance --- fiëé visuëlle Henning Hraban Ramm http://www.fiee.net http://angerweit.tikon.ch/lieder/ https://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Orchestra file template?
Just curious if there's a place to find lilypond templates, particularly one for an orchestra score? I'm having too many errors while trying to program my own layout with partcombine and staffgroup not getting along with one another. Thanks. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: OCR to Lilypond
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Montag, 14. April 2008 schrieb Tim Reeves: Finale and Sibelius have OCR plugins or addons, and I've used one of them as a demo (I'm 99.9% sure it was Sibelius) and it was atrocious. Yes, I also tried a few. But SmartScore Pro produces really good results (of course depending on the image resolution). If your imag has only four pixels or so between the lines of each staff (which means that the beams of the 16th notes are basically only one fat beam; I've tried such a piece more or less successfull), then you'll have to do a lot of editing, but with 300dpi I got really good results. Myriad (the makers of Harmony Assistant) have a program called PDF-to-Music that does pretty well, but then you're stuck with the file in their closed-source format. Note that for this you'll need a real PDF containing lines, curves, etc., not a PDF containing an image of the score! I'd be interested to know of a non-proprietary music OCR program as well. Audiveris is the only usable open source OMR application that I know: https://audiveris.dev.java.net/ It still has it quirks and you'll have to do a fair amount of corrections, though. Cheers, Reinhold - -- - -- Reinhold Kainhofer, Vienna University of Technology, Austria email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/ * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/ * K Desktop Environment, http://www.kde.org, KOrganizer maintainer * Chorvereinigung Jung-Wien, http://www.jung-wien.at/ -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.6 (GNU/Linux) iD8DBQFIA7WnTqjEwhXvPN0RAjyhAKCo9lJtDy5y84Hf04OPfzvvbHi23wCgpmm4 EpHJMzpERmoobrsQLuWq8CI= =FgKi -END PGP SIGNATURE- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
vertical braces in the lyrics - I'm stuck
I am really stuck and would appreciate some help. I have tried just
about every which way there is and I apparently don't understand the
concept here.
I am trying to enter braces at the beginning of the song. I was
suggested that they should go in the set stanza part of the lyrics and I
agree with that. All the other place I tried it wants to use a note.
See the hand drawn braces tying the 2 lines of each verse together?
That is what I'd like to accomplish. There is a smple of the code at the
bottom of this email
Ok, here is the first stanza of the first verse
stanzaOneOne = \lyricmode { \set stanza = 1. { Child, you're mine
and I love you. Lend thine ear to what I say.
stanzaOneTwo = \lyricmode { \set stanza = Child, I have no great
-- er joy Than to have you walk in truth.
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Re: GDP: Opinions sought on markup command snippets
Hi everybody, I'd like to thank David and the two Trevors for their input on this issue. I've decided to follow the approach of examples in isolation for the majority of cases, plus fuller examples where warranted. Once I've added a few snippets, we'll get a clearer idea of what's likely to work best, so please don't hesitate to comment further once I've started. Regards, Neil ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Metronome marks
Hi Alexander, On 11/04/2008, Alexander Kobel [EMAIL PROTECTED] wrote: I think there's another drawback of the snippet. I had a very similar problem, trying to add marks like Moderato (* = 63), yet using rehearsal marks at the same time for sectioning the piece. Problem is, Lily can't handle two RehearsalMark events on the same beat (don't know whether there's a workaround), so I wanted to use MetronomeMarks. Here's my snippet to do so; I suspect it should be fairly straightforward to modify to mimic the rhythmMark behaviour. I hope you don't mind, but I've added your snippet to the LSR as Adding a text indication to metronome marks. Unfortunately, it doesn't work under 2.10, so it's waiting for LSR to move to 2.11 (and the nod from Valentin to approve it). Of course it would be nice if the \tempo command would be run directly in \tempoChangeMarkup; however I'm running into type problems here. Is it possible to convert string-duration via Scheme? Else I always had to type \tempoChangeMarkup #foo #(make-duration 4) #120 or am I wrong there? There's a function in define-markup-commands.scm called parse-simple-duration which will convert a duration string to a list. You can then just use ly:make-duration to turn the list elements into a duration: #(use-modules (ice-9 regex)) #(define (parse-simple-duration duration-string) Parse the `duration-string', e.g. ''4..'' or ''breve.'', and return a (log dots) list. (let ((match (regexp-exec (make-regexp (breve|longa|maxima|[0-9]+)(\\.*)) duration-string))) (if (and match (string=? duration-string (match:substring match 0))) (let ((len (match:substring match 1)) (dots (match:substring match 2))) (list (cond ((string=? len breve) -1) ((string=? len longa) -2) ((string=? len maxima) -3) (else (log2 (string-number len (if dots (string-length dots) 0))) (ly:error (_ not a valid duration string: ~a) duration-string #(define (string-to-duration duration) (let ((parsed (parse-simple-duration duration))) (ly:make-duration (car parsed) (cadr parsed))) ) I think the main problem is how to set tempoWholesPerMinute, unless you're not bothered about MIDI output. Regards, Neil ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
[ANN]: LilyKDE 0.5.1 released
Hi all, LilyKDE 0.5.1 has been released, fixing the menu actions that did not work on some setups. Also added a new French translation by Valentin Villenave (many thanks!) and an updated Turkisch translation by Server Acim (thanks as well!) LilyKDE is for you if you use LilyPond and have KDE. LilyKDE consists of: - Kate plugin: run LilyPond, preview, hyphenate lyrics, input MIDI with Rumor - Konqueror service menu and textedit service to make point-and-click work. best regards, Wilbert Berendsen -- LilyKDE, LilyPond for KDE: http://lilykde.googlecode.com/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Metronome marks
Hi Risto, On 12/04/2008, Risto Vääräniemi [EMAIL PROTECTED] wrote: On 12/04/2008, Alexander Kobel wrote: I think there's another drawback of the snippet. I had a very similar problem, trying to add marks like Moderato (* = 63), yet using rehearsal marks at the same time for sectioning the piece. Problem is, Lily can't handle two RehearsalMark events on the same beat (don't know whether there's a workaround), so I wanted to use MetronomeMarks. Sounds familiar. :-) I got around the simultaneous RehearsalMark limitation by using invisible measures. My dirty trick is attached below. This time it worked but there might be situations, when it doesn't. I've taken the liberty of adding your snippet to the LSR as Creating simultaneous rehearsal marks. Like Alexander's snippet, it works better under 2.11, so it's also waiting for an LSR version change. I've removed the extra-spacing-width overrides, since they're the default setting for RehearsalMark. Regards, Neil ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: vertical braces in the lyrics - I'm stuck
Hi Tim, On 14/04/2008, Tim Litwiller [EMAIL PROTECTED] wrote: I am really stuck and would appreciate some help. I have tried just about every which way there is and I apparently don't understand the concept here. I am trying to enter braces at the beginning of the song. I was suggested that they should go in the set stanza part of the lyrics and I agree with that. All the other place I tried it wants to use a note. See the hand drawn braces tying the 2 lines of each verse together? That is what I'd like to accomplish. There is a smple of the code at the bottom of this email Since you want a fetaBraces markup after the stanza number, you'll have to \set stanza outside \lyricmode; see section 2.1.4.2 Adding dynamics marks to stanzas, which should provide you with some inspiration for rearranging your file. Regards, Neil ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Metronome marks
On Mon, 14 Apr 2008 22:42:40 +0100 Neil Puttock [EMAIL PROTECTED] wrote: I hope you don't mind, but I've added your snippet to the LSR as Adding a text indication to metronome marks. Unfortunately, it doesn't work under 2.10, so it's waiting for LSR to move to 2.11 (and the nod from Valentin to approve it). Please add it to input/new/, then. That's exactly what it's for, and this way it'll appear in the lilypond Snippet lists. Also, this gives us a nice collection of items to add when LSR moves to 2.11. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: vertical braces in the lyrics - I'm stuck
Neil Puttock wrote:
Hi Tim,
On 14/04/2008, Tim Litwiller [EMAIL PROTECTED] wrote:
I am really stuck and would appreciate some help. I have tried just about
every which way there is and I apparently don't understand the concept here.
I am trying to enter braces at the beginning of the song. I was suggested
that they should go in the set stanza part of the lyrics and I agree with
that. All the other place I tried it wants to use a note. See the hand
drawn braces tying the 2 lines of each verse together? That is what I'd
like to accomplish. There is a smple of the code at the bottom of this email
Since you want a fetaBraces markup after the stanza number, you'll
have to \set stanza outside \lyricmode; see section 2.1.4.2 Adding
dynamics marks to stanzas, which should provide you with some
inspiration for rearranging your file.
Regards,
Neil
Thanks for that pointer - that is what I was missing
so here is what I ended up with - it isn't exact - the brace could be a
little more bold and if I make it
reach all the way across both line it makes the song not fit one page
any more so it is a little bit on the short side
leftbrace = \markup { \override #'(font-encoding . fetaBraces) \lookup
#brace105 }
stanzaOneOne = {
\set stanza = \markup { 1. \leftbrace }
\lyricmode { Child, you're mine and I love you.
Lend thine ear to what I say.
...
}
}
stanzaOneThree = {
% \set stanza = \markup {}
\lyricmode { Child, I have no great -- er joy
Than to have you walk in truth.
...
}
}
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Re: In octaves
bassnotes = { c16 d e f g c bes a g es fis a g es r8 }
\new Voice
\clef bass
\relative c,, \bassnotes
\relative c, \bassnotes
This doesn't quite work for everywhere I want to use it.
I want to be able to keep the music inline with the other non-octave music
section. So I want syntax like {c d e f \octaves {c d e f} c d e f}.
When I was trying the approach dynamic marks were duplicated and
simultaneous notes weren't combined into chords. It's close, but not quite what
I want.
Thanks!
-Jay
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