[NetBehaviour] Interferenze New Arts Festival

2010-07-13 Thread Vito Campanelli
Dear friends,
I'm curating the lectures/talks' section of next Interferenze New Arts 
Festival
:: Bisaccia (AV) - Italy :: 23 - 25 July 2010 ::

...Art, new technology, roots and culture of the territory.

This year, in its fifth edition, Interferenze offers an unusual writing 
of the natural environment which, through rural landscapes, outlying 
lands and the inappropriate places catches a glimpse of the ultimate 
sense of a complex action of a semantic reclaiming of identity and 
sustainability of territories.
Rural 2.0 is a new way of looking at rurality starting from the 
territory itself, but overcoming it's mere sense by communicating it as 
a mirror through which it is possible to read our contemporary times 
even in the aspects related to urban cultures; it allow us to see it as 
a way of life that opens up to a metropolitan dimension and to its fast 
changes, giving value not only gives to the impact on the environment 
but as well on society and culture.
In this sense, the rural territory is seen as a (new) medium through 
which we are able to re-draw and re-read the environment through an open 
and unique perception of boarder areas, such as cultural, aesthetic and 
social spaces...

More info at: http://www.interferenze.org

Best,
V.
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[NetBehaviour] Crowdsourcing the search for aliens.

2010-07-13 Thread marc garrett
Crowdsourcing the search for aliens.

For years, people have been using s...@home to help search for signs of 
extraterrestrial life in radio telescope data. But Jill Tarter, director 
of the Center for SETI Research at the SETI Institute, wants to take 
things to the next level. Whereas s...@home basically used people's 
computers as part of a giant distributed network to run a fixed set of 
filters written by SETI researchers, Tarter thinks someone out there may 
have even better search algorithms that could be applied. She's teamed 
with a startup called Cloudant to make large volumes of raw data from 
the new Allen telescope available, and free Amazon EC2 processing time 
to crunch the data. According to Tarter: 's...@home came on the scene a 
decade ago, and it was brilliant and revolutionary. It put distributed 
computing on the map with such a sexy application. But in the end, it's 
been service computing. You could execute the SETI searches that were 
made available to you, but you couldn't make them any better or change 
them. We'd like to take the next step and invite all of the smart people 
in the world who don't work for Berkeley or for the SETI Institute to 
use the new Allen Telescope. To look for signals that nobody's been able 
to look for before because we haven't had our own telescope; because we 
haven't had the computing power.' Slashdot.org

http://radar.oreilly.com/2010/07/crowdsourcing-the-search-for-a.html
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[NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread karen blissett

attachment: bored.gif___
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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread anniea
I like to be bored every now and then.

On Tue, Jul 13, 2010 at 12:42 PM, karen blissett 
karen.bliss...@googlemail.com wrote:



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Documentation of Huis Clos / No Exit - On Translation
Video, reactions of the performers and the public, photos and  the
performance protocol
http://bram.org/huisclos/ontranslation/indexfr.html

Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
Maria Chatzichristodoulou in Digimag 54 May 2010
http://www.digicult.it/digimag/article.asp?id=1793
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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread karen blissett
Talking about to be bored or not bored, what about Summer boringness?
The feeling of half empty cities where tourists walk around connected
to their cameras and the natives are far away, visiting old
grandmothers or aunts in the countryside?
Karen B

On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:
 I like to be bored every now and then.

 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett
 karen.bliss...@googlemail.com wrote:


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 --

 Documentation of Huis Clos / No Exit - On Translation
 Video, reactions of the performers and the public, photos and  the
 performance protocol
 http://bram.org/huisclos/ontranslation/indexfr.html

 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
 Maria Chatzichristodoulou in Digimag 54 May 2010
 http://www.digicult.it/digimag/article.asp?id=1793

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[NetBehaviour] S.LOW Projekt

2010-07-13 Thread info
S.LOW Projekt

 From July 15th to August 20th, 2010.

S.LOW is a Berlin-based cross-disciplinary project involving 34 
international and national visual artists, music composers working with 
electronic media, musicologists, performers, engineers, physical 
scientists and film-makers. The project aims to articulate synergies 
from such a mixed community of individuals who have been invited to 
respond to the concept of ‘slow’ and or ‘low ‘, in the context of the 
city of Berlin.

A major focus exists on the exchange of methodologies and knowledge, to 
address similar creative questions, which will investigate ideas such 
as; the creative use of s/low technologies versus cutting-edge ones; the 
degree of speed built into the creative process/thinking, particularly 
in cross-disciplinary works; high-low cultural streams as experienced by 
participants coming from academic and non-academic environments; 
slow/fast environmental impact of art and artists producing art; and 
finally, it has additional scope for investigation around vocabulary 
such as; low-cost/ recycled materials/low-budget/open source and related 
grammar.

As the result of collaborations among practitioners and their 
interaction with the local community, expected outcomes will range from 
the creation of new works, to residencies, screenings, discussion of 
methodologies employed, workshops, performances, coffee roundtables, 
etc., which will take place from July 15th to August 20th, 2010.

For more info: http://s.low-low.org/
S.LOW calendar of activities: 
http://crossdisciplinary.blogspot.com/2009/11/slow-programme-provisional.html


CONCERT Saturday, July 17, 2010 20UHR
Una tarda ALKU a NK (An ALKU afternoon at NK)

Roc Jiménez de Cisneros  Anna Ramos cordially invite you to an ALKU
event with live music, synthetic birds and hot Mexican chocolate.

EVOL (live performance for computer and gas horns)
Since the late nineties, EVOL have been producing what they call
“computer music for hooligans”, giving birth to musical forms built
upon a collision of structural ideas inspired by fractal geometry,
glimpses of quantum theory and rave culture. From glowsticks to air
horns, strangely familiar vocalisations and noise, their music
displays a radical and playful approach to algorithmic composition.
EVOL pieces have been published on record labels such as Entr’acte,
Mego, Presto!? and ALKU amongst others.

Rara Avis (informal sneak preview)
“Rara Avis” is a collective project about birdsong synthesis. The
compilation, to be published by ALKU this fall, features contributions
from Chris Brown (US), Oswald Berthold (AT), Anders Dahl (SE), Roc
Jiménez de Cisneros (ES), Fredrik Olofsson (SE), and Peter Worth (UK).
All of them wrote generative audio programs that imitate or recreate
bird speech through various synthesis techniques. This is the first
public preview of the records’ contents.

http://alkualkualkualkualkualkualkualkualkualku.org


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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread martin mitchell
Problem, developed by Ryan Air  Easy Jet .

M.

On 13 Jul 2010, at 12:22, karen blissett wrote:

 Talking about to be bored or not bored, what about Summer boringness?
 The feeling of half empty cities where tourists walk around connected
 to their cameras and the natives are far away, visiting old
 grandmothers or aunts in the countryside?
 Karen B
 
 On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:
 I like to be bored every now and then.
 
 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett
 karen.bliss...@googlemail.com wrote:
 
 
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 --
 
 Documentation of Huis Clos / No Exit - On Translation
 Video, reactions of the performers and the public, photos and  the
 performance protocol
 http://bram.org/huisclos/ontranslation/indexfr.html
 
 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
 Maria Chatzichristodoulou in Digimag 54 May 2010
 http://www.digicult.it/digimag/article.asp?id=1793
 
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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread anniea
again even this kind of boredom is not a problem to me,
but low cost airplanes are indeed
a great problem

On Tue, Jul 13, 2010 at 1:38 PM, martin mitchell martinmitc...@mac.comwrote:

 Problem, developed by Ryan Air  Easy Jet .

 M.

 On 13 Jul 2010, at 12:22, karen blissett wrote:

 Talking about to be bored or not bored, what about Summer boringness?
 The feeling of half empty cities where tourists walk around connected
 to their cameras and the natives are far away, visiting old
 grandmothers or aunts in the countryside?
 Karen B

 On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:

 I like to be bored every now and then.


 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett

 karen.bliss...@googlemail.com wrote:



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 NetBehaviour@netbehaviour.org

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 --


 Documentation of Huis Clos / No Exit - On Translation

 Video, reactions of the performers and the public, photos and  the

 performance protocol

 http://bram.org/huisclos/ontranslation/indexfr.html


 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,

 Maria Chatzichristodoulou in Digimag 54 May 2010

 http://www.digicult.it/digimag/article.asp?id=1793


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 NetBehaviour@netbehaviour.org

 http://www.netbehaviour.org/mailman/listinfo/netbehaviour





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-- 

Documentation of Huis Clos / No Exit - On Translation
Video, reactions of the performers and the public, photos and  the
performance protocol
http://bram.org/huisclos/ontranslation/indexfr.html

Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
Maria Chatzichristodoulou in Digimag 54 May 2010
http://www.digicult.it/digimag/article.asp?id=1793
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[NetBehaviour] transmediale, festival for art and digital culture berlin.

2010-07-13 Thread info
transmediale, festival for art and digital culture berlin.

www.transmediale.de/en/awards2011

transmediale in collaboration with Mozilla have recently announced the 
creation of the Open Web Award 2011 a special third platform for 
creative excellence alongside the transmediale Award 2011 and the Vilém 
Flusser Theory Award 2011.

The Open Web Award is a new platform for radical, creative and 
innovative art works and projects that:

  are on the web and about the web
  use open and free technology
  incite participation and/or collaboration

Proposals may be critical, celebratory or both. Projects should have the 
potential to demonstrate and/or objectively critique the potential of 
open web issues, and those employing the creative use of HTML5 and other 
developing 'open' technologies will be given specific consideration. The 
point is to play with both the idea and materiality of the (open) web in 
ways that spark new thinking and practice.

The transmediale Award 2011 seeks original, innovative and visionary art 
works across a wide scope of form, process and practice. Works that 
embrace, question and enrich our understanding of and relationship to 
our globally complex, media immersed and technologically diverse 
society, and are exemplary of a high standard of critical digital 
practice are encouraged.

The Vilém Flusser Theory Award 2011 (VFTA) seeks innovative media theory 
and exemplary research into digital culture exploring current and 
pending positions in digital art, media culture and networked society. 
Echoing media philosopher and cultural nomad Vilém Flusser's unique 
investigative, cross-disciplinary and analytic approach, the Award is 
also open to outstanding and significant work which may be produced 
outside the bounds of traditional academia. Entries may include 
publications, positions, and projects from a broad range of theoretical, 
artistic, critical or design-based research that seek to establish and 
define new forms of exchange, vocabularies and cultural dialogue.

For all three Awards, transmediale and its partners (including CTM, the 
University of Arts / UdK Berlin and Mozilla) strongly encourage entries 
from artists and researchers, coders and activists operating in 
countries and regions in which critical digital art and culture are 
emergent.

To submit your work to the Awards competition please register and and 
complete the online form at www.transmediale.de/en/awards2011

Each Award comes with a total prize of 5000 EURO, with the Open Web 
Award 2011 winner also given the opportunity to have supported status on 
Drumbeat drumbeat.org.

Jury members of the transmediale 2011 Award and the Open Web Award 2011 
are Marisa Olson (New York), Matteo Pasquinelli (Amsterdam), Brandon 
Labelle (Berlin), Thomas Macho (Berlin), Defne Ayas (Shanghai), as well 
as a representative from Drumbeat for the Open Web Award 2011.

Jury of Vilém Flusser Theory Award 2011 are Marcel Rene Marburger 
(Cologne), Nils Roeller (Zurich), Carolyn Guertin (Austin) and Alex 
Galloway (New York)

Nominees for the transmediale Award and the Open Web Award will be 
notified in late September 2010, and in mid October for the Vilém 
Flusser Theory Award. After nominees have been announced an online open 
voting process will determine the Open Web Award finalist with the all 
Award Winners being announced in Berlin at transmediale.11 on Saturday 
February 5, 2011.
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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread martin mitchell
boredom an unsatisfying feeling sitting in ones mind in between creation of one 
image then next one lurking somewhere in imagination 

M.
On 13 Jul 2010, at 12:56, anniea wrote:

 again even this kind of boredom is not a problem to me,
 but low cost airplanes are indeed
 a great problem
 
 On Tue, Jul 13, 2010 at 1:38 PM, martin mitchell martinmitc...@mac.com 
 wrote:
 Problem, developed by Ryan Air  Easy Jet .
 
 M.
 
 On 13 Jul 2010, at 12:22, karen blissett wrote:
 
 Talking about to be bored or not bored, what about Summer boringness?
 The feeling of half empty cities where tourists walk around connected
 to their cameras and the natives are far away, visiting old
 grandmothers or aunts in the countryside?
 Karen B
 
 On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:
 I like to be bored every now and then.
 
 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett
 karen.bliss...@googlemail.com wrote:
 
 
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 --
 
 Documentation of Huis Clos / No Exit - On Translation
 Video, reactions of the performers and the public, photos and  the
 performance protocol
 http://bram.org/huisclos/ontranslation/indexfr.html
 
 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
 Maria Chatzichristodoulou in Digimag 54 May 2010
 http://www.digicult.it/digimag/article.asp?id=1793
 
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 -- 
 
 Documentation of Huis Clos / No Exit - On Translation
 Video, reactions of the performers and the public, photos and  the 
 performance protocol 
 http://bram.org/huisclos/ontranslation/indexfr.html
 
 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
 Maria Chatzichristodoulou in Digimag 54 May 2010
 http://www.digicult.it/digimag/article.asp?id=1793
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[NetBehaviour] Fwd: Birdhouse Effect- open call for participation - plz fwd

2010-07-13 Thread Olga
The Argleton event is an artistic experiment organised by Birdhouse Effect
with an open call to anyone willing to participate and modulate it.

Argleton is a town in the northwest of U.K. which appeared in Google maps
without existing in reality.  Have a look for more details
http://en.wikipedia.org/wiki/Argleton

This project attempts to locate the city of Argleton in a wider cultural
narrative. The project comments on the cognitive conceptions of space
understood through maps, the notion of place in a mobile and globalised
world and the production of place as a container of experiences.

The event will take place through Twitter for three days Tuesday 13th,
Wednesday 14th and Thursday 15th of July. A part of it will be broadcast in
real time between 16.00- 18.00 (GMT) everyday from
http://www.birdhouseeffect.com/argleton.htmlhttp://www.birdhouseeffect.com/

Buildings from all around the world will be projected in a real time video
synthesis, creating the hybrid space and time of a non-existent town.

During the three days of  the event the participants will exchange messages
through Twitter, sharing experiences and information about this particular
town. Feel free to write down your own imaginary experiences, memories and
anything you wish to share.

All tweets will be reproduced in the project as long as they follow certain
easy rules:

1. All tweets should be in English.
2. They should include the word “Argleton”.
3. You can only use present and past tense.
4. At the end of each tweet you need to add #BirdhouseEffect


I.e. In Arglerton I used to have the best ice-cream ever!#BirdhouseEffect
  Buses are always so slow in Argleton.#BirdhouseEffect

In case someone wants to take part in the project without creating a twitter
account the following account is available:

username: abirdhouse
password: effect

See you all in Argleton!!



-- 
Olga P Massanet
--
www.ungravitational.net
virtualfirefly.wordpress.com
www.vimeo.com/ungravitational
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[NetBehaviour] take.music.for.example_002

2010-07-13 Thread don trust
lifetones::distance.no.objectjubulani.quads::ngiyeke.mfana©
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[NetBehaviour] Things Can Break - Tech Women Crashing Computers and Preconceptions.

2010-07-13 Thread marc garrett
Things Can Break.

Tech Women Crashing Computers and Preconceptions.

Aileen Derieg

Free Space, Free Access, Free Software

Sometime around the mid-1990s electronic communication was discovered as 
a useful tool for activism and organizing among leftist, progressive, 
alternative groups. The first hurdle was to gain access to this useful 
tool, but at the same time there was also a strong awareness of a need 
to maintain control, as concerns were voiced in various discussions 
about the danger of electronic communication being monitored. For people 
with academic affiliations, it was possible to get an email address 
through a university, but that usually meant only being able to read 
email at the university. With the growing popularity of email, this 
increasingly meant reading email with the next person in line breathing 
down one's neck and reading over one's shoulder. Free services like 
Hotmail initially provided a welcome alternative and independence from 
university facilities, and Internet cafes started springing up in cities 
all over the world. However, this still limited access to those who 
already had some familiarity with email and could afford the fees 
charged by Internet cafes.

ASCII (Amsterdam Subversive Code for Information Interchange) was 
founded at the end of the nineties in a squatted building in Amsterdam 
explicitly to meet a growing need for free access and control over the 
tools: “ASCII is a non-profit internetworkspace running on open source 
software. We try to show that there's more than just M$ Windows and we 
try to convince our fellow activists that using software made by the 
biggest multi-national corporation in the world must be bad. ASCII 
started in 1999 in a squatted building on the Herengracht. Our main goal 
in that time was to get all the squatters an email address. Nowadays, 
using email and the web is so common that we could choose new goals: We 
provide internet in action camps, host websites for organisations that 
were not welcome elsewhere and try to facilitate the use of internet by 
activists. […] We feel the Internet should be accessible to anyone and 
that censorship sucks. Infringement on free speech, surfers’ privacy and 
over-commercialization of the net are major problems already. At this 
rate the net will soon be one huge billboard where multinational 
companies provide the world with good, clean family fun. Not if we can 
help it! We hope the subversive elements of the world will continue to 
infiltrate the net.”[2] The squatter scene in Amsterdam at that time was 
clearly in need of its own Internet cafe, and ASCII quickly became a 
popular place to check email, meet like-minded people and generally hang 
out, and – most importantly – for learning, developing and practicing 
useful technical skills.

more...
http://eipcp.net/transversal/0707/derieg/en
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[NetBehaviour] invite to eat at furtherfield by Helen Varley Jamieson

2010-07-13 Thread marc garrett
Hi everyone,

This from Helen Varley Jamieson, who is on a short residency at 
furtherfield's space...

marc

--

hi friends,
 
paula  i are in london, working very hard on our new project 
(http://www.make-shift.net) in residency at Furtherfield 
(http://furtherfield.org).

we'd like to invite you all to a pot-luck dinner this coming saturday, 
17th july. partners/friends welcome. from 6pm until late (or until 
public transport starts turning everyone into pumpkins).

apparently not everyone may know what pot-luck means - it means that 
everyone brings something for a shared meal,  we take pot-luck on the 
menu (i.e. we could end up eating 5 desserts  hardly any main, but 
that's ok! : )

Furtherfield's address is:
Unit A2
Arena Business Centre
71 Ashfield Rd
London N4 1NY

 there is a location map here: http://tinyurl.com/34h62yy
(altho the arrow is hard to see  actually not completely accurate!!)

the closest tube station is manor house (picadilly line)  it's about a 
10-15 minute walk from the station. (along greenlanes, right into 
hermitage road, left into ashfield rd  it's the former industrial 
estate at the end of ashfield road - unit A2 is the first building you 
come to).

hope to see you on saturday!

paula  helen : )



helen varley jamieson: creative catalyst
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.avatarbodycollision.org
http://www.upstage.org.nz


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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread martin mitchell
 and leave me alone.

M.
On 13 Jul 2010, at 16:05, Alan Sondheim wrote:

 
 thank god they're half empty; if only the rest would leave.
 
 - alan
 
 On Tue, 13 Jul 2010, karen blissett wrote:
 
 Talking about to be bored or not bored, what about Summer boringness?
 The feeling of half empty cities where tourists walk around connected
 to their cameras and the natives are far away, visiting old
 grandmothers or aunts in the countryside?
 Karen B
 
 On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:
 I like to be bored every now and then.
 
 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett
 karen.bliss...@googlemail.com wrote:
 
 
 ___
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 --
 
 Documentation of Huis Clos / No Exit - On Translation
 Video, reactions of the performers and the public, photos and  the
 performance protocol
 http://bram.org/huisclos/ontranslation/indexfr.html
 
 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
 Maria Chatzichristodoulou in Digimag 54 May 2010
 http://www.digicult.it/digimag/article.asp?id=1793
 
 ___
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 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
 
 
 
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 ==
 email archive: http://sondheim.rupamsunyata.org/
 webpage http://www.alansondheim.org
 music archive: http://www.espdisk.com/alansondheim/
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[NetBehaviour] Total Karenism and Karenist Propaganda Methods.

2010-07-13 Thread karen blissett
Total Karenism and Karenist Propaganda Methods.

Karenists utilize all of the technical means at their disposal - the
press, radio, TV, movies, posters, graffiti, stickers, mail-art,
networking, music, Internet, video, DVD, computers, painting,
sculpture, poetry, novels, collage, montage, etc. There is no Karenism
as long as one makes use, in sporadic fashion and at random, of a
manifesto here, a poster or a radio program there, organizes a few
apartment festivals and network meetings, writes a few slogans on the
walls; that is not enough. Each usable medium has its own particular
way of limited use. A video does not play on the same motives, does
not produce the same feelings, does not provoke the same reactions as
a poster. The very fact that the effectiveness of each medium is
limited to one particular area clearly shows the necessity of
complementing it with other media. A word spoken on the radio is not
the same, does not produce the same effect, does not have the same
impact as the identical word spoken in private conversation at an
apartment festival or in a public speech before a large crowd at a
stadium. To draw the individual into net of Karenism, each technique
must be utilized in its own specific way, directed toward producing
the effect it can best produce, and fuse with all the other media,
each of them reaching the individual in a specific fashion and making
her react anew to the same theme - in the same direction, but
differently.

We are here in this world in the presence of an self organizing
reality that already controls the formation of the entire universe. We
merely are creating a mythic version of it to facilitate our ability
to communicate to each other about it and help to shape our expression
of it. Through the myth it creates, Karenism imposes a complete range
of intuitive knowledge. Intuitive knowledge - being ambiguous – is
susceptible to multi-sided interpretation.

This myth – due to the primal nature to which it refers - becomes so
powerful that it invades every area of communication, leaving no
faculty or motivation unaffected. It stimulates in the individual a
feeling of all inclusiveness. Karenism has such motivational force
that it engages the whole of the individual, ensuring collective noise
in unison but schizophrenic.
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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread don trust
korean.class101.com::it's.too.boring!sonic.youth::satan.is.boring.©


 Original Message 
Subject: Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.
From: martin mitchell martinmitc...@mac.com
Date: Tue, July 13, 2010 8:46 am
To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org

and leave me alone.M.On 13 Jul 2010, at 16:05, Alan Sondheim wrote:thank god they're half empty; if only the rest would leave.- alanOn Tue, 13 Jul 2010, karen blissett wrote:Talking about to be bored or not bored, what about Summer boringness?The feeling of half empty cities where tourists walk around connectedto their cameras and the natives are far away, visiting oldgrandmothers or aunts in the countryside?Karen BOn Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:I like to be bored every now and then.On Tue, Jul 13, 2010 at 12:42 PM, karen blissettkaren.bliss...@googlemail.com wrote:___NetBehaviour mailing listNetBehaviour@netbehaviour.orghttp://www.netbehaviour.org/mailman/listinfo/netbehaviour--Documentation of Huis Clos / No Exit - On TranslationVideo, reactions of the performers and the public, photos and theperformance protocolhttp://bram.org/huisclos/ontranslation/indexfr.htmlArticle IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,Maria Chatzichristodoulou in Digimag 54 May 2010http://www.digicult.it/digimag/article.asp?id=1793___NetBehaviour mailing listNetBehaviour@netbehaviour.orghttp://www.netbehaviour.org/mailman/listinfo/netbehaviour-- Open, Free, Public and Distributed at last.___NetBehaviour mailing listNetBehaviour@netbehaviour.orghttp://www.netbehaviour.org/mailman/listinfo/netbehaviour==email archive: http://sondheim.rupamsunyata.org/webpage http://www.alansondheim.orgmusic archive: http://www.espdisk.com/alansondheim/==___NetBehaviour mailing listNetBehaviour@netbehaviour.orghttp://www.netbehaviour.org/mailman/listinfo/netbehaviour___
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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread James Morris
bori) to be boring is to be bored. bored is the new boring. does
boring as is boring. some boring minds don't mind peopling each other.
some mindful people bore each other. some mindful boring pimples
people others reach. some palpable plibbles boring dumb pimplets
apples some. flap from screen next to the one image,,.. other bits
mask bored quantum states. boredom is the new god. god is new, the
boredom god. mindfully sticking unflappability. all self-styled
exciting-people ignored it's message of world boredom.



borii) to be bored is to be boring. boring is the new bored. boring is
as boring does. some people don't mind boring each other. some boring
people mind each other. some boring mindful people pimple each other.
some boring dumb mindful pimples paple plibbles. from one screen to
the next, images, flap. other people flap boredom quibble flags.
therefor, for they're the ear of god, is new boredom dance state,
static, quantum quibble bits. boring people's tears dance amongst
static quantum pimples. the ear for the new god, arrived today, in a
decidedly static quantum state, they will perish in fields of brightly
coloured perilous pansies!
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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread martin mitchell
   
boring.

M.

On 13 Jul 2010, at 17:23, don trust wrote:

 korean.class101.com::it's.too.boring!
 sonic.youth::satan.is.boring.
 ©
 
 
 
 
  Original Message 
 Subject: Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.
 From: martin mitchell martinmitc...@mac.com
 Date: Tue, July 13, 2010 8:46 am
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 
  and leave me alone.
 
 M.
 On 13 Jul 2010, at 16:05, Alan Sondheim wrote:
 
 
 thank god they're half empty; if only the rest would leave.
 
 - alan
 
 On Tue, 13 Jul 2010, karen blissett wrote:
 
 Talking about to be bored or not bored, what about Summer boringness?
 The feeling of half empty cities where tourists walk around connected
 to their cameras and the natives are far away, visiting old
 grandmothers or aunts in the countryside?
 Karen B
 
 On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:
 I like to be bored every now and then.
 
 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett
 karen.bliss...@googlemail.com wrote:
 
 
 ___
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 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
 
 
 --
 
 Documentation of Huis Clos / No Exit - On Translation
 Video, reactions of the performers and the public, photos and  the
 performance protocol
 http://bram.org/huisclos/ontranslation/indexfr.html
 
 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
 Maria Chatzichristodoulou in Digimag 54 May 2010
 http://www.digicult.it/digimag/article.asp?id=1793
 
 ___
 NetBehaviour mailing list
 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
 
 
 
 -- 
 Open, Free, Public and Distributed at last.
 ___
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 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
 
 ==
 email archive: http://sondheim.rupamsunyata.org/
 webpage http://www.alansondheim.org
 music archive: http://www.espdisk.com/alansondheim/
 ==___
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 NetBehaviour@netbehaviour.org
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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread James Morris
martin mitchell smells of farts but his ability to be boring is far
more persuasive.



On 13 July 2010 17:29, martin mitchell martinmitc...@mac.com wrote:

 boring.
 M.
 On 13 Jul 2010, at 17:23, don trust wrote:

 korean.class101.com::it's.too.boring!
 sonic.youth::satan.is.boring.
 ©



  Original Message 
 Subject: Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.
 From: martin mitchell martinmitc...@mac.com
 Date: Tue, July 13, 2010 8:46 am
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org

  and leave me alone.
 M.
 On 13 Jul 2010, at 16:05, Alan Sondheim wrote:

 thank god they're half empty; if only the rest would leave.

 - alan

 On Tue, 13 Jul 2010, karen blissett wrote:

 Talking about to be bored or not bored, what about Summer boringness?

 The feeling of half empty cities where tourists walk around connected

 to their cameras and the natives are far away, visiting old

 grandmothers or aunts in the countryside?

 Karen B

 On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:

 I like to be bored every now and then.

 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett

 karen.bliss...@googlemail.com wrote:


 ___

 NetBehaviour mailing list

 NetBehaviour@netbehaviour.org

 http://www.netbehaviour.org/mailman/listinfo/netbehaviour



 --

 Documentation of Huis Clos / No Exit - On Translation

 Video, reactions of the performers and the public, photos and  the

 performance protocol

 http://bram.org/huisclos/ontranslation/indexfr.html

 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,

 Maria Chatzichristodoulou in Digimag 54 May 2010

 http://www.digicult.it/digimag/article.asp?id=1793

 ___

 NetBehaviour mailing list

 NetBehaviour@netbehaviour.org

 http://www.netbehaviour.org/mailman/listinfo/netbehaviour




 --

 Open, Free, Public and Distributed at last.

 ___

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 NetBehaviour@netbehaviour.org

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 ==
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 music archive: http://www.espdisk.com/alansondheim/
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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread don trust
the.richard.kent.style::go.go.children.©


 Original Message 
Subject: Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.
From: James Morris ja...@jwm-art.net
Date: Tue, July 13, 2010 9:41 am
To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org

martin mitchell smells of farts but his ability to be boring is far
more persuasive.



On 13 July 2010 17:29, martin mitchell martinmitc...@mac.com wrote:

 boring.
 M.
 On 13 Jul 2010, at 17:23, don trust wrote:

 korean.class101.com::it's.too.boring!
 sonic.youth::satan.is.boring.
 ©



  Original Message 
 Subject: Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.
 From: martin mitchell martinmitc...@mac.com
 Date: Tue, July 13, 2010 8:46 am
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org

 and leave me alone.
 M.
 On 13 Jul 2010, at 16:05, Alan Sondheim wrote:

 thank god they're half empty; if only the rest would leave.

 - alan

 On Tue, 13 Jul 2010, karen blissett wrote:

 Talking about to be bored or not bored, what about Summer boringness?

 The feeling of half empty cities where tourists walk around connected

 to their cameras and the natives are far away, visiting old

 grandmothers or aunts in the countryside?

 Karen B

 On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:

 I like to be bored every now and then.

 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett

 karen.bliss...@googlemail.com wrote:


 ___

 NetBehaviour mailing list

 NetBehaviour@netbehaviour.org

 http://www.netbehaviour.org/mailman/listinfo/netbehaviour



 --

 Documentation of Huis Clos / No Exit - On Translation

 Video, reactions of the performers and the public, photos and the

 performance protocol

 http://bram.org/huisclos/ontranslation/indexfr.html

 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,

 Maria Chatzichristodoulou in Digimag 54 May 2010

 http://www.digicult.it/digimag/article.asp?id=1793

 ___

 NetBehaviour mailing list

 NetBehaviour@netbehaviour.org

 http://www.netbehaviour.org/mailman/listinfo/netbehaviour




 --

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 ___

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 NetBehaviour@netbehaviour.org

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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread martin mitchell


?

M.

On 13 Jul 2010, at 17:41, James Morris wrote:

 martin mitchell smells of farts but his ability to be boring is far
 more persuasive.
 
 
 
 On 13 July 2010 17:29, martin mitchell martinmitc...@mac.com wrote:
 
 boring.
 M.
 On 13 Jul 2010, at 17:23, don trust wrote:
 
 korean.class101.com::it's.too.boring!
 sonic.youth::satan.is.boring.
 ©
 
 
 
  Original Message 
 Subject: Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.
 From: martin mitchell martinmitc...@mac.com
 Date: Tue, July 13, 2010 8:46 am
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 
  and leave me alone.
 M.
 On 13 Jul 2010, at 16:05, Alan Sondheim wrote:
 
 thank god they're half empty; if only the rest would leave.
 
 - alan
 
 On Tue, 13 Jul 2010, karen blissett wrote:
 
 Talking about to be bored or not bored, what about Summer boringness?
 
 The feeling of half empty cities where tourists walk around connected
 
 to their cameras and the natives are far away, visiting old
 
 grandmothers or aunts in the countryside?
 
 Karen B
 
 On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:
 
 I like to be bored every now and then.
 
 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett
 
 karen.bliss...@googlemail.com wrote:
 
 
 ___
 
 NetBehaviour mailing list
 
 NetBehaviour@netbehaviour.org
 
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
 
 
 --
 
 Documentation of Huis Clos / No Exit - On Translation
 
 Video, reactions of the performers and the public, photos and  the
 
 performance protocol
 
 http://bram.org/huisclos/ontranslation/indexfr.html
 
 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
 
 Maria Chatzichristodoulou in Digimag 54 May 2010
 
 http://www.digicult.it/digimag/article.asp?id=1793
 
 ___
 
 NetBehaviour mailing list
 
 NetBehaviour@netbehaviour.org
 
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
 
 
 
 --
 
 Open, Free, Public and Distributed at last.
 
 ___
 
 NetBehaviour mailing list
 
 NetBehaviour@netbehaviour.org
 
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
 
 ==
 email archive: http://sondheim.rupamsunyata.org/
 webpage http://www.alansondheim.org
 music archive: http://www.espdisk.com/alansondheim/
 ==___
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 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
 
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Re: [NetBehaviour] Invitation to join me

2010-07-13 Thread Ann Light
 the list declined rapidly 
when encountering shifts towards media-replication that lead it to 
operate as a more closed arena [such as dealing with cross postings 
across various art lists at the time]: in particular i found 1 owner 
[essentially a moderator] espoused a lock-down approach [while trying to 
deal with wot they perceived as information overload] that essentially 
reduced the list 2 elitist, 1 sided monothreading. again, i'd like to 
stress here that this my only my personal recollection. the lifespan of 
such forums + how ppl perceivedeal with the waxing + waning of them is, 
overall, fascinating.
 
  chunks,
  @netwurker [mez]
 
 
  On Mon, Jul 12, 2010 at 5:23 PM, Helen Sloan he...@scansite.org wrote:
 
  Hi
 
  Netwurker - It would be great to find out more about your opinions.
 
  Alan – your practice is not miserable
 
  And I remember runme.org a little.

  My posts were just a little caution on causing potential for a 
community to implode when there are enough sectors and people out there 
who would be glad if that happened. Look at something like Republika and 
Big Society in UK. It uses much of the language that has been used by 
net artists and theorists over the last two decades and yet most likely 
has a very particular and negative approach to self organised 
communities.   In some ways it relates to Marc’s previous post on 
Digital Surplus. I’ve not got time to write about this now but was 
alluding to it last night rather badly... After my festival finishes 
I’ll try to articulate better next week in a post if it is still relevant.
 
  All best
  Helen
 
 
 
  On 12/7/10 00:51, mez breeze netwur...@gmail.com wrote:
 
  hi helen,
 
  i'm not dismissing your comments at all, i'm simply 
responding directly to simon. in terms of your opinion that my actions 
accelerated syndicate's decline, I respectfully disagree. if you have 
any qs or would like my direct opinion, pls don't hesitate to ask [here 
or back-channel].
 
  chunks,
  @netwurker
 
  In which case my own practices are probably miserable...
 
 
  - Alan
 
 
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  --
  Reality Engineer
  Synthetic Environment Strategist
  Game[r + ] Theorist.
  ::http://unhub.com/netwurker ::
 
 
 
 
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Re: [NetBehaviour] Total Karenism and Karenist Propaganda Methods.

2010-07-13 Thread mez breeze
*_Reality Mapping: Navigating the Social-Nodes_ *

Web 2.0 is based on a collusive tapestry of adjoining social nodes. Social
Networks such as MySpace, Facebook, Flickr, Orkut, Liveleak, YouTube,
Twitter and Pownce aren't prefaced on pre-set connotative connections
maintained through historicized emotional depth or satisfied by biological
drives. Friends aren't friends as we have come to know them: there is no
establishment of shared geophysical experiences, no cathartic or
chronologically defined friendship markers evident. What's important is
[inter]action and the quantity of it - the residual volume of contact and
the fact of shared connection minus a meatbody context. Identity is
constructed in these friendship pathways via the idea of notations; of
naming labels, of icon attribution, and of clustered info-snippets
streamlined through an interface designed for momentary persona snapshots.

*_Distributed Identity Compensation_ *

In digitized social networks there is no place for psychologically defined
notions of personality as a cohesive, definable whole. Identity manifests
through notational distributions found in multiple profiles across various
platforms. Ego-mediated variables are replaced with actuated identity
markers defined by the ability to establish links to others likewise devoid
of any traditional geophysical baggage. For these articulated identities
[now known as versionals] connection is the vital point of communication;
not the content, not the geophysical inflection, not the
biologically-saturated ties linked to survival, competition, and traditional
concrete community building. This method of clustered distribution provokes
a type of reality lag found in capitalistic and ideologically frameworked
nations; those devoted to maintaining established notions of individuals
definable by consumerism and Darwinian drives, monetary wealth,
institution-adherence, and paranoid-inducing security.

*_Versional Space-Walking_*

Mobile technologies such as phones and other wireless tech-detritus have
likewise altered the nature of individualised space with unwitting listeners
in proximity switching to socially-mediated communication channels. Private
data is is now dispersed publically, infiltrating individualised mono-access
to private spheres and rewriting them as open-ended versional noise. There
is no definitive narrative stream or beginning middleend but clusters of
incomplete identity snippets.

*_Social Infowork: Versionals Don't Do Hollywood_*

Contemporary entertainment models are significantly threatened by a
versional/distributed identity ethos. The proscribed linearities of passive,
individuated entertainment experiences [ie television, cinema and
literature] are being currently eroded via clustered peer2peer,
gamer-defined, remixed, mashedup copyright left content. Information and
work boundaries are collapsing. Pop-cultural lexicons are moving towards a
type of modulated system based on versional directed traffic. Hollywood's
kneejerk reaction is epitomized in their rush to remake outmoded movie
sequels and for tv networks to rehash content dependent on narrative
rite-of-passage tropes. The viewer investment in following an unfolding plot
and/or seeking a concrete meaning [ie art/entertainment viewed as a purveyor
of ritualised morality lessons] has morphed via social networking into a
focus on connective experientiality.

*_Doubling the Virtual: Decay of Real Reality_ *

Notions of a legitimate reality as defined by a grounded geophysical state
are altering. Base biological data is being mined and mapped as a potential
infostream to harvest and alter [ think: the potential FLOSS utilization of
the mapping of the human genome]. Google Earth/Maps/Streetview software
exposes geography as an infowork entertainment stream.Versional operation in
social networks and avatar use in virtual worlds such as Second Life and
MMOGs also contribute to this shift. One such example is a double-virtual
layered reality presented in aspects of the MMOG World of Warcraft in the
Caverns of Time instance Old Hillsbrad. When entering the instance, each
character involved is transported to a parallel reality version of an area
of the game they have previously [and probably extensively] encountered. The
primary game reality is replaced by a secondary reality, complete with
altered gameworld parameters such as substantial differences in topography.
The avatars themselves shapeshift in order to reflect the relevant aspect of
game lore with each toon displaying now as a human. In these
manifestations, ego-stitched/physical reality and identity concepts are
bifurcated through multiple projections - there is no real reality concept
emphasized.

*_Credibility Busting: Citizen Media
http://www.furtherfield.org/displayreview.php?review_id=281 For The Win_*

Institutionalised information facets that are currently viewed as factual
are not immune to the versional effect. Canonized distributions embodying
previously 

Re: [NetBehaviour] Total Karenism and Karenist Propaganda Methods.

2010-07-13 Thread don trust
beach.boys::karen©


 Original Message 
Subject: [NetBehaviour] Total Karenism and Karenist Propaganda Methods.
From: karen blissett karen.bliss...@googlemail.com
Date: Tue, July 13, 2010 8:48 am
To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org

Total Karenism and Karenist Propaganda Methods.

Karenists utilize all of the technical means at their disposal - the
press, radio, TV, movies, posters, graffiti, stickers, mail-art,
networking, music, Internet, video, DVD, computers, painting,
sculpture, poetry, novels, collage, montage, etc. There is no Karenism
as long as one makes use, in sporadic fashion and at random, of a
manifesto here, a poster or a radio program there, organizes a few
apartment festivals and network meetings, writes a few slogans on the
walls; that is not enough. Each usable medium has its own particular
way of limited use. A video does not play on the same motives, does
not produce the same feelings, does not provoke the same reactions as
a poster. The very fact that the effectiveness of each medium is
limited to one particular area clearly shows the necessity of
complementing it with other media. A word spoken on the radio is not
the same, does not produce the same effect, does not have the same
impact as the identical word spoken in private conversation at an
apartment festival or in a public speech before a large crowd at a
stadium. To draw the individual into net of Karenism, each technique
must be utilized in its own specific way, directed toward producing
the effect it can best produce, and fuse with all the other media,
each of them reaching the individual in a specific fashion and making
her react anew to the same theme - in the same direction, but
differently.

We are here in this world in the presence of an self organizing
reality that already controls the formation of the entire universe. We
merely are creating a mythic version of it to facilitate our ability
to communicate to each other about it and help to shape our _expression_
of it. Through the myth it creates, Karenism imposes a complete range
of intuitive knowledge. Intuitive knowledge - being ambiguous – is
susceptible to multi-sided interpretation.

This myth – due to the primal nature to which it refers - becomes so
powerful that it invades every area of communication, leaving no
faculty or motivation unaffected. It stimulates in the individual a
feeling of all inclusiveness. Karenism has such motivational force
that it engages the whole of the individual, ensuring collective noise
in unison but schizophrenic.
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Re: [NetBehaviour] invite to eat at furtherfield by Helen Varley Jamieson

2010-07-13 Thread helen varley jamieson
well you are of course all most welcome to the pot luck dinner, but 
actually the invitation that should have gone to the list is to our 
work-in-progress presentation that's happening on thursday 22nd july at 
7pm here at furtherfield ...

i'll send that one now to the list,  if you're coming to either one, 
please rsvp so that we can be prepared (we may need to bring in extra 
plates ... )

h : )

On 13/07/10 4:00 PM, marc garrett wrote:
 Hi everyone,

 This from Helen Varley Jamieson, who is on a short residency at
 furtherfield's space...

 marc

 --

 hi friends,

 paula  i are in london, working very hard on our new project
 (http://www.make-shift.net) in residency at Furtherfield
 (http://furtherfield.org).

 we'd like to invite you all to a pot-luck dinner this coming saturday,
 17th july. partners/friends welcome. from 6pm until late (or until
 public transport starts turning everyone into pumpkins).

 apparently not everyone may know what pot-luck means - it means that
 everyone brings something for a shared meal,  we take pot-luck on the
 menu (i.e. we could end up eating 5 desserts  hardly any main, but
 that's ok! : )

 Furtherfield's address is:
 Unit A2
 Arena Business Centre
 71 Ashfield Rd
 London N4 1NY

   there is a location map here: http://tinyurl.com/34h62yy
 (altho the arrow is hard to see  actually not completely accurate!!)

 the closest tube station is manor house (picadilly line)  it's about a
 10-15 minute walk from the station. (along greenlanes, right into
 hermitage road, left into ashfield rd  it's the former industrial
 estate at the end of ashfield road - unit A2 is the first building you
 come to).

 hope to see you on saturday!

 paula  helen : )



-- 


helen varley jamieson: creative catalyst
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.avatarbodycollision.org
http://www.upstage.org.nz

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[NetBehaviour] make-shift - Thursday 22nd July 7pm, HTTP:// Gallery, London

2010-07-13 Thread helen varley jamieson
make-shift - Thursday 22nd July 7pm
HTTP Gallery, Green Lanes, London
http://www.http.uk.net/docs/gettingto.shtml

You are invited to attend and actively contribute to a work in process 
sharing  of make-shift - a networked performance about connectivity and 
consequences.

Helen Varley Jamieson (NZ/Europe) and Paula Crutchlow (UK) are artists 
from different  performance backgrounds whose new collaboration, 
make-shift, explores meaningful ways of engaging in discussion across 
physical and digital networks. make-shift will be a salon-style event, 
taking place simultaneously in two domestic spaces (with one artist 
present in each space) and also online - more information about the 
project is at http://www.make-shift.net.

The process of making make-shift  has begun with a two-week residency at 
Furtherfield.org, London, and in this presentation the artists would 
like to share some of their research and try out some ideas. You will be 
asked questions and invited to contribute your expertise, experience and 
opinions to this process. The artists are working in the spaces between 
disciplines and genres and are deliberately inviting people from a range 
fields to get a range of input. Your contribution to this will be very 
much valued.

You must RSVP (to brok...@make-shift.net) as the proximal audience is 
limited (there will also be the opportunity to participate online if you 
are not in London or can't get to the event). Everyone who is attending 
is asked to collect their plastic rubbish over a 24 hour period and 
bring it to the presentation (please wash anything that had food in it!)

We also need two volunteers to prepare specific tasks before the event - 
please email brok...@make-shift.net if you would like to volunteer.
-- 


helen varley jamieson: creative catalyst
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.avatarbodycollision.org
http://www.upstage.org.nz

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[NetBehaviour] meanderings of landscape

2010-07-13 Thread Alan Sondheim


meanderings of landscape

landscape displacement remapped
bringing natural beauty from the foothills of the rockies
into the sterile landscape of second life

looped recordings made at roxborough state park, colorado
attached to objects and others in second life
attached to avatar alan dojoji
  @who wanders around the abstract and denuded installation
  @where hir footprints ./echo and resound in many ways

one might consider this an antiquated form of conceptualism:
map 1 - map 2 or some such (as if the world were map
(were only map (iff and only if the world were map)))
but think, now, of the natural beauty of a world murmuring
- the transporting of that murmuring into the unnatural
- within the unnatural -- these are random typologies
(necessarily so) - s.t.

in landmap.mp4 SEE the wandering of Alan Dojoji
HEAR the effluent of the murmuring world *

and in landmaps 2-7 .mp3, HEAR the effluent * -
a NEW aural landscape is created for you by Hir Wandering
and many NEW subtlely different aural landscapes
radio landscapes  you can imagine them
mapped back into the foothills of the rockies
gracefully traced, if you so desire, by Alan Dojoji in the hills
  or against the cliffs or overhanging moss and trees -

http://espdisk.com/alansondheim/landmap2.mp3
http://espdisk.com/alansondheim/landmap3.mp3
http://espdisk.com/alansondheim/landmap4.mp3
http://espdisk.com/alansondheim/landmap5.mp3
http://espdisk.com/alansondheim/landmap6.mp3
http://espdisk.com/alansondheim/landmap7.mp3

http://alansondheim.org/landmap.mp4

* bayou, billabong, branch, confluent, confluent stream, streamlet,
dejecta, dendritic drainage pattern, discharge, tributary, streaming,
exudate, wandering, flooding, meandering, walking, chirping, exudation,
feeder, fork, outbound, outflowing, outgoing, outpouring, outward-bound

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[NetBehaviour] tuli (fwd w/permission - sorry for the carets )

2010-07-13 Thread Alan Sondheim

-- Forwarded message --
Date: Tue, 13 Jul 2010 15:48:18
From: steve dalachinsky skypl...@juno.com
To: sondh...@panix.com
Subject: Fw: Re: tuli


 steve dalachinsky wrote:
 WHAT THE HELL WAS THAT?
 
 Tuli Kupferberg, Poet, Songwriter, Anarchist, Jew - Dies at 86

   Born Norman or in Hebrew, Naphtali on Sept 28, 1923 (one day and
 22
 years before me), poet, singer-songwriter, revolutionary,
 publisher,
 street vendor, historian, mentor, sage, wise man and wise guy,
 forward-thinking artist, activist, intellectual,pacifist, teacher,
 dreamer with a desire to contribute his ideas for the construction
 of a
 better world, boho and dear friend Tuli Kupferberg,who, though
 never
 really considering himself  Beat was anthologized as early as 1959
 in
 Fred Mcdarrah's The Beat Scene, died on Monday at N.Y. Downtown
 Hospital
 in Manhattan at the age of 86 after a prolonged battle with Life
 and all
 its joys and griefs and after suffering two dibilitating strokes.
 In the
 1964  at age 40 he went on to become, in own his words, ?the
 world?s
 oldest rock star? after co-founding the Fugs with poet Ed
 Sanders, and
 then-member Ken Weaver. They were in my opinion the first
 poetry/folk-rock band and a definite precursor of punk, bawdy and
 politically outspoken. Their first lp was produced by the equally
 legendary Harry Smith on Broadside and later re-issued on ESP
 along with
 their other lps. His first solo record, No Deposit, No Return was
 also
 issued by ESP. At the height of their career during the
 psychedelic era
 the group was signed by the then co-owned Frank Sinatra label
 Reprise who
 also signed Hendrix among others. When very he young worked as a
 medical
 librarian.
 

  Tuli lived 2 blocks from my apt. We first officially met while
 both of
 us were hawking our wares on the street though I had known him
 through
 the music having first seen the Fugs play way back in the '60s in
 various
 venues such as a loft space on Great Jones street, the Provincetown
 Theatre, The Astor Place Theater, and once even at a free concert
 in
 Thompkins Square Park, where, standing behind me to my amazement
 was none
 other than Charles Mingus. When Tuli and I first conversed some
 time in
 the mid-70's he was hawking these pamphlets which were I think,
 like
 $1.29 for one and 99 cents for two, the catch being the more you
 bought
 the cheaper the became. Though I could be wrong , memory being
 what it is
 
 Hey Tuli help me out here. He was fluent in yiddish. Had a
 passion for
 
 Yiddish theater which he shared with fellow poet and street vendor
 Harry
 Nudel and though he loved being a Yid was an avid supporter of
 Palestine.
 Tuli always told me he hated poetry and the scene in general.  He
 was
 never hierarchical and didn't choose his friends on their status
 in the
 art world but on his ability to share with them his knowledge,
 sharp wit
 and love. There were the many times we sat together in the park
 sharing a
 pint of Haagen Daz or a Good Humor bar. He loved ice cream.
 Particularly
 chocolate.
 
 
 Tuli's great songs included Morning, Morning, Kill For Peace and
 Nothing.
 On their last cd he wrote the poignantly beautiful  Where is My
 Wandering Jew Tonight never forgetting his roots. Another song in
 that
 vein and of mocking protest was Backward Jewish Soldiers  a
 para-song
 based on Onward Christrian Soldiers.  Tuli became something of
 celebrity when he was mentioned in  Allen Ginsberg?s ?Howl? as
 being the
 one who ?jumped off the Brooklyn Bridge then walking away
 unknown and
 forgotten.? It was actually the Manhattan Bidge but the Brooklyn
 Bridge
 seemed more romantic. Actually he didn't walk away but was to
 Gouveneur
 Hospital with a minor spinal fracture.
 
 He was published in and published such zines as Birth and Yeah and
 was
 the first to publish the African - American Beat poet Ted Joans as
 well
 as over 50 of his own books.
 He loved to take standard tunes which were called para-songs and
 write
 his own lyrics to them doing this more and more in his later years
 and
 while bedridden wrote a series of short pieces he called
 perverbs
 punning on well-known aphorisms and posting them on YouTube. He
 had a
 long running cable show called Revolting News which in its latter
 stages
 was filmed and edited by his long time partner Thelma Blitz.
 
 Tuli has spent the past 20 or so years selling his cartoons on the
 street
 ( me spending many of them with him or directly across the street
 selling
 lps and books) and inspiring many of us to not give up despite the
 adversities of government, war and . He embraced his Beatnik
 lifestyle as a friend once told me I should. He never shrank from
 his
 commitment to protest injustice. Never gave into the MAN. Never
 took
 the straight and narrow path.  Always fought corporate interests
 and a
 greedy, demonic capitalistic value system.
 
 
 
 Long time drummer for the Fugs Coby Batty told me this story on
 the phone
 the day