Re: [NetBehaviour] A Behavior of Catalogs

2015-03-09 Thread helen varley jamieson
yes, really great! thanks :)

On 9/03/15 12:05 54AM, isabel brison wrote:
 Thanks, it was great fun doing them :-)

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Re: [NetBehaviour] A Behavior of Catalogs

2015-03-08 Thread Mab MacMoragh
isabel such a pleasure to see this dialog illustrated by you

On Sun, Mar 8, 2015 at 12:51 AM, isabel brison ijayes...@gmail.com wrote:



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Re: [NetBehaviour] A Behavior of Catalogs

2015-03-08 Thread Randall Packer
@BishopZ, your groupings are masterful, thank you! And @Isabel too for the
pictorialization. 

The idea of a catalogue of social taxonomy of net behavior was not
intended to categorize the participants, rather, it was an effort to
identify (seriously  playfully) the various types of behaviors we (and
everyone else) exhibit in our networked practices,  online social
engagement, and the socio-political perspectives we formulate from our net
experiences. Our conversation over the first week was a richly layered
collection of net behaviorisms: an opportunity for reflecting on these
tendencies to better talk about them, analyze them, critique them, and
understand them. None of us exhibit only one type of net behavior, whether
it be cynicism, or poeticism, anger, or play: in our everyday lives we are
all multi-textured individuals.

In the world of database technology, the word category is synonymous with
taxonomy, which is simply a tool for grouping concepts hierarchically. The
hierarchical approach to sorting out concepts  ideas is fundamental to
how we learn, analyze, and extract meaning  symbolic value. So
categorization is a powerful means for conceptual reasoning: in this case
I excavated our own utterances to assemble a list of tendencies in order
to initiate a larger, constructive dialogue concerning the main topic of
this discussion: netbehavior.

So please excuse if any you thought you were being pigeon holed or unduly
categorized, rather, it was my intent to use our discussion as a
laboratory for critique, a sampling of comments from highly accomplished
individuals of the networked practice to serve as a case study for our
discussion concerning the impact of the net on the way we work, play,
think and engage with one another.

I look forward to the continuing conversation and of course your artistic
renderings.  

Randall

On 3/7/15, 1:43 PM, BishopZ xchic...@gmail.com wrote:

so here is a first pass

as the lines  melodies of our utterances

Bz



The Tigers

The Cultural Smog Of The InternetŠ The Internet of Things - the
magnitude/form, flooded with a profound short-term breed of
technologies. In the youth- in my regions of interaction- we are not
prepared.  There is a paralyzing weight over our personal liberty.
Privacy lost to attacks and corrosion. Antagonistic commentary acting
as an inspiring force. Corporate power is entirely obsolete.
Government will inevitably consolidate. The new aesthetic might make
it more obvious, but pessimism is unbearably fragile, whatever online
dialogues might appear to be.


The Snakes

Do you honestly believe we're just sending information back and forth?
The guys with the money, with all the hacking/corrosion/cyberwarfare,
are not particularly for social change. Jumping on the perspective of
the platform providers, in the social media realm, the digital
bandwagon holds all the good cards. Don't hope for too much. It's
worth being a prosumer for all sorts of reasons. The purpose of
regulations will make the lines (of communication), of user's actions
and interactions, for actor and audience, already open, and along them
the slightest bit of lucrative data. The difference seems pointless.


The Dragons

(I) find the idea. The future can make their own contexts beyond some
degree of privilege. Future artists are not public. Creating important
and relevant work, being/contributing the possibility of a nation
objectionable, feeling like a citizen, knowing the given structures,
we shove down their metaphorical gullets and come up to extract and
preserve what we all think we need to do, on the net, on Social media
platforms, as a Netartizen/Netartisan.


The Phoenixes

If there is some rise of infopower, who will be physical when big data
stacks wipes all the technology, when the land is scorched, when
social media typifies our time? And perhaps more to the point, let's
hope the gap from our Arab Spring will be left with a feeling that in
the pulse of the future digital/online years that libraries survive.
What are we ISIS, we Baynesian algorithms, we NetArtizens
doing/writing/about? What are we, as it?


The Spiders

I have long hunted the good word. We want dynamically-shared,
distributed co-authoring in a way that (is) an opportunity to create
something that is for audiences that are participating - a political
strategy for those of us who like political strategies - a privatized
(network) space for the public. Acting out of ignorance, the modern
day database alters/influences the work. We can be citizens of
capital's enclosures for a while, exploited to give it its value,
pressing a button, inserting our own creativity into content
management system and social media. I don't just mean interactivity
under the banner of art. Let's make a truly new net. One that has the
potential to- in a really creative way, offer new ways to fully
integrate the artistic process into a network, or something like that,
a net where we can initiate and participate in equal measure.



Re: [NetBehaviour] A Behavior of Catalogs

2015-03-08 Thread isabel brison
Thanks, it was great fun doing them :-)

-- 
http://isabelbrison.com

http://tellthemachines.com
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[NetBehaviour] A Behavior of Catalogs

2015-03-07 Thread BishopZ
so here is a first pass

as the lines  melodies of our utterances

Bz



The Tigers

The Cultural Smog Of The Internet… The Internet of Things - the
magnitude/form, flooded with a profound short-term breed of
technologies. In the youth- in my regions of interaction- we are not
prepared.  There is a paralyzing weight over our personal liberty.
Privacy lost to attacks and corrosion. Antagonistic commentary acting
as an inspiring force. Corporate power is entirely obsolete.
Government will inevitably consolidate. The new aesthetic might make
it more obvious, but pessimism is unbearably fragile, whatever online
dialogues might appear to be.


The Snakes

Do you honestly believe we're just sending information back and forth?
The guys with the money, with all the hacking/corrosion/cyberwarfare,
are not particularly for social change. Jumping on the perspective of
the platform providers, in the social media realm, the digital
bandwagon holds all the good cards. Don't hope for too much. It's
worth being a prosumer for all sorts of reasons. The purpose of
regulations will make the lines (of communication), of user's actions
and interactions, for actor and audience, already open, and along them
the slightest bit of lucrative data. The difference seems pointless.


The Dragons

(I) find the idea. The future can make their own contexts beyond some
degree of privilege. Future artists are not public. Creating important
and relevant work, being/contributing the possibility of a nation
objectionable, feeling like a citizen, knowing the given structures,
we shove down their metaphorical gullets and come up to extract and
preserve what we all think we need to do, on the net, on Social media
platforms, as a Netartizen/Netartisan.


The Phoenixes

If there is some rise of infopower, who will be physical when big data
stacks wipes all the technology, when the land is scorched, when
social media typifies our time? And perhaps more to the point, let's
hope the gap from our Arab Spring will be left with a feeling that in
the pulse of the future digital/online years that libraries survive.
What are we ISIS, we Baynesian algorithms, we NetArtizens
doing/writing/about? What are we, as it?


The Spiders

I have long hunted the good word. We want dynamically-shared,
distributed co-authoring in a way that (is) an opportunity to create
something that is for audiences that are participating - a political
strategy for those of us who like political strategies - a privatized
(network) space for the public. Acting out of ignorance, the modern
day database alters/influences the work. We can be citizens of
capital's enclosures for a while, exploited to give it its value,
pressing a button, inserting our own creativity into content
management system and social media. I don't just mean interactivity
under the banner of art. Let's make a truly new net. One that has the
potential to- in a really creative way, offer new ways to fully
integrate the artistic process into a network, or something like that,
a net where we can initiate and participate in equal measure.


The Cranes

@Bill  would be nice to have  #tip2 There is no one We @Mez 
N.Et.A[l]rtizen MANIC responses @Ruth  NetArtizen
#[s]tip[ewe.lation]  al[ways]media[ate]platform[at]s. @Alan 
cultural heritage  3: S[m]o[dalities+fun]c[t]i[ons_] =
67141066147020145071157060440063556066145063040 @Dark  404
FILE NOT FOUND I am still alive


The Star Fishes

I had a dream one time about the world we live in- of teams of
artists- from netbehaviour- from anywhere else. Let’s conceptualize an
approach to delivering theatrical social media. We may invent or even
dream of local mythologies of networked systems in troubled areas. We
find out more can be expressed in local vernacular. We find a platform
for paratrooping re-interpretations of torment explained by the
local's face.
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Re: [NetBehaviour] A Behavior of Catalogs

2015-03-07 Thread Alan Sondheim



of course people are already working in troubled areas
my feeling is that we're swamped; ISIS wll pay no attention to us.
and as I mentioned before, recent research (AAAS Science I think a couple 
of weeks ago) indicated that climate change and the current drought in 
Syria (and elsewhere) has spurred ISIS and a number of other groups; 
people are starving. so we're working within something global, deadly, and 
violent. the only thing I do is, when I'm doing a presentation, I bring 
all of this in. and for those who are interested, there are the archives 
Sandy Baldwin and I did during our moderating empyre a few years ago, on 
death, pain, and suffering (forget the exact title) in the real and 
virtual, and more recently, that stint Johannes and I did in November on 
ISIS, Absolute Terror, Performance. I see this moderations as political 
interventions; so many people chimed in who are working in online and 
offline networks already, hardly alarmist (are you alarmist if you've been 
tortured?), there's lots of information there.


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