[NSP] Re: Tune of the Month, July, Roxborough Castle

2011-06-30 Thread Francis Wood

On 30 Jun 2011, at 08:15, John Dally wrote:

   Here are a couple of youtube items that already fit the bill for July.
 
   [1]http://www.youtube.com/watch?v=iHBO8CGAIeQfeature=related
 
   [2]http://www.youtube.com/watch?v=VKC0ZoVqfzUNR=1
 
   What's your take on the tune?

Hi John,

Two very contrasting renditions.

[1]  It's a lot easier to play Roxborough Castle in dotted rhythm, as is done 
here. I prefer it played absolutely straight, which is really very challenging. 
A commonly played tune which is rarely played well.  I quite like this 
rendition here . . . seems to have been videoed during a casual session by a 
bystander.

[2] Awful, awful, awful! This version has the tune played in a manner way 
beyond the performers ability or understanding of the tune, and apparently on a 
poorly set-up instrument.

Francis




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[NSP] Re: Tune of the Month, July, Roxborough Castle

2011-06-30 Thread Christopher.Birch
Might be quite good if he played it at half the speed. 

And got his chanter remotely in tune.

Otherwise agree with 
Francis.


Me too.



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[NSP] Re: the man with the tin ear

2011-06-30 Thread Francis Wood

On 30 Jun 2011, at 09:22, smallpi...@machineconcepts.co.uk wrote:

 I agree with francis.  Another mangalisation this time using the Uillean 
 pipes as the weapon of choice.

 http://www.youtube.com/user/disinpass#p/a/u/0/dkK4_tcPaG8

And, guessing from the size of those arms, he's using the UP bag as a workout 
device!

francis




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[NSP] Re: the man with the tin ear

2011-06-30 Thread Tim Rolls
.and would probably sound better if he didn't insist on using a corner of the 
Gents for recording his videos

Tim
On 30 Jun 2011, at 09:33, Francis Wood wrote:

 
 On 30 Jun 2011, at 09:22, smallpi...@machineconcepts.co.uk wrote:
 
 I agree with francis.  Another mangalisation this time using the Uillean 
 pipes as the weapon of choice.
 
 http://www.youtube.com/user/disinpass#p/a/u/0/dkK4_tcPaG8
 
 And, guessing from the size of those arms, he's using the UP bag as a workout 
 device!
 
 francis
 
 
 
 
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[NSP] Re: Tune of the Month, July, Roxborough Castle

2011-06-30 Thread Richard York

Yes to both, and the acoustic doesn't help at all.
And a curious choice of drone, which on my headset seemed to be the 
subdominant.


 I admire anyone, though, who can honestly say they've never played too 
fast when confronted with a recording device, and mangled good 
intentions, when nervous adrenalin cripples technique though.

Or am I being too kind to him - is he just a man of tin ears indeed?
Richard.

On 30/06/2011 09:22, christopher.bi...@ec.europa.eu wrote:

Might be quite good if he played it at half the speed.

And got his chanter remotely in tune.


Otherwise agree with
Francis.


Me too.



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[NSP] Re: Tune of the Month, July, Roxborough Castle

2011-06-30 Thread Christopher.Birch
And a curious choice of drone, which on my headset seemed to be the 
subdominant.

Yes

  I admire anyone, though, who can honestly say they've never 
played too 
fast when confronted with a recording device, and mangled good 
intentions, when nervous adrenalin cripples technique though.
Or am I being too kind to him - is he just a man of tin ears indeed?
Richard.


Could have done another take?
C



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[NSP] Re: Tune of the Month, July, Roxborough Castle

2011-06-30 Thread Richard York


True 'nuff!   :)

On 30/06/2011 10:20, christopher.bi...@ec.europa.eu wrote:

... 
Could have done another take?
C

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[NSP] Re: Tune of the Month, July, Roxborough Castle

2011-06-30 Thread Anthony Robb

   -- On Thu, 30/6/11, Francis Wood oatenp...@googlemail.com wrote:

It's a lot easier to play Roxborough Castle in dotted rhythm, as is
   done here. I prefer it played absolutely straight, which is really very
   challenging. A commonly played tune which is rarely played well.  I
   quite like this rendition here . . . seems to have been videoed during
   a casual session by a bystander.
   Hello Francis
   I think that might be an oversimpification. Stewart Hardy with his
   years of top notch tuition experience would say that all things
   (especially speed) being equal dotted rhythms are harder. What we have
   here is a reduction of speed from the typical rant speed of 96 bpm to a
   hornpipe at 76 bpm. As you say it is OK but even at that speed he loses
   his rhythm when it comes to the top As which should be dotted quavers
   but come out as quick flicks.
   My first realisation that rants were almost as dotted as hornpipes but
   25% faster came at Archie Bertram's when they all played Roxburgh and
   Hesleyside with almost hornpipe lilt but at a speed which left me
   floundering. It wasn't the normal straight reel speed of 106 bpm which
   isn't easy but for me certainly a bit easier that the rant rhythm at 96
   bpm.
   I wondering if other players on the list find the rant speed  rhythm a
   challenge?
   As for other comments I think you are spot on.
   Warmest  best
   Anthony

   --


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[NSP] Re: Tune of the Month, July, Roxborough Castle

2011-06-30 Thread Francis Wood
Hello Anthony,

I don't think we disagree. At Stuart Hardy's musical altitude, I'm sure you're 
right.

That's a level I can only admire but never approach. On a more basic level, 
playing the tune with a dotted rhythm will get you through in a far less 
exposed manner than playing straight, which would seem to be an ability to 
acquire before refining the playing to a more regionally idiomatic expertise.

I was fairly OK with the present example because it was reasonably musical and 
enjoyable . . . and goodness knows, anyway, how long he'd been playing at that 
booth and under what circumstances. I was harsher on the second YouTube example 
which was a staged affair as well as being a musical assault. 

 I wondering if other players on the list find the rant speed  rhythm a
   challenge?

Well, yes, it is. Good examples are always welcome!

All the best,

Francis






On 30 Jun 2011, at 11:50, Anthony Robb wrote:

 
   -- On Thu, 30/6/11, Francis Wood oatenp...@googlemail.com wrote:
 
It's a lot easier to play Roxborough Castle in dotted rhythm, as is
   done here. I prefer it played absolutely straight, which is really very
   challenging. A commonly played tune which is rarely played well.  I
   quite like this rendition here . . . seems to have been videoed during
   a casual session by a bystander.
   Hello Francis
   I think that might be an oversimpification. Stewart Hardy with his
   years of top notch tuition experience would say that all things
   (especially speed) being equal dotted rhythms are harder. What we have
   here is a reduction of speed from the typical rant speed of 96 bpm to a
   hornpipe at 76 bpm. As you say it is OK but even at that speed he loses
   his rhythm when it comes to the top As which should be dotted quavers
   but come out as quick flicks.
   My first realisation that rants were almost as dotted as hornpipes but
   25% faster came at Archie Bertram's when they all played Roxburgh and
   Hesleyside with almost hornpipe lilt but at a speed which left me
   floundering. It wasn't the normal straight reel speed of 106 bpm which
   isn't easy but for me certainly a bit easier that the rant rhythm at 96
   bpm.
   I wondering if other players on the list find the rant speed  rhythm a
   challenge?
   As for other comments I think you are spot on.
   Warmest  best
   Anthony
 
   --
 
 
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[NSP] Re: Tune of the Month, July, Roxborough Castle

2011-06-30 Thread cwhill

I'll tell you what worries me.
Don't they listen/watch what they are posting for the public?
If they don't, why not?
If they do, why don't they notice that things are wrong?
This guy can obviously play the thing - including the regulators which 
are tricky at the best of times.
I'm guessing it's the X factor syndrome. (The total inability to hear 
how rubbish YOU are but able to hear exactly how bad everyone else is).
I can understand someone learning an instrument in isolation and so not 
knowing how it should sound but there's plenty of stuff available to 
compare with these days.
Why don't people hear oh, mine doesn't sound like that - especially on 
a recording.
More importantly, why don't they just admit I'm not good enough to go 
public.

Mind you,it's nice to know that there are others as bad as you around :)

Colin Hill


On 30/06/2011 10:25, Richard York wrote:



True 'nuff! :)

On 30/06/2011 10:20, christopher.bi...@ec.europa.eu wrote:

... 
Could have done another take?
C

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[NSP] Re: tin ear man

2011-06-30 Thread John Dally
   True enough, John.

   I hope as many pipers as possible will be encouraged to share their
   performances without fear of getting the Simon Cowal treatment.



   On Thu, Jun 30, 2011 at 9:58 AM, Gibbons, John
   [1]j.gibb...@imperial.ac.uk wrote:

 One out of 2 isn't bad - led to a discussion on the right speed and
 rhythm for a rant.
 The only major quibble with the Carlisle one was the slurred snaps
 where everyone else would prefer the high notes staccato.
 Being polite about the other one is harder, though telling him to
 tune the drones and play slower is constructive at least - but as
 for praise,
 ' Whereof one cannot speak, thereof one must be silent. '
 Thumper said much the same...
 John
 
 From: [2]lute-...@cs.dartmouth.edu [[3]lute-...@cs.dartmouth.edu] on
 behalf of John Dally [[4]dir...@gmail.com]
 Sent: 30 June 2011 17:23
 To: NSP group
 Subject: [NSP] Re: tin ear man
   Even though I think all the comments on the youtube videos that I
   volunteered to go over the top in the first wave are all correct
 and
   useful, I had hoped the spirit of the thing would be more
 encouraging.
   I'm looking forward to hearing and seeing videos from all those
 who
   have chimed in so far.
   On Thu, Jun 30, 2011 at 5:42 AM,
 [1][5]smallpi...@machineconcepts.co.uk
   wrote:
 on another posting to youtube he is playing the gaita(sp) and
 sounds
 better(ish)
 To get on or off this list see list information at
 [2][6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   --
 References
   1. mailto:[7]smallpi...@machineconcepts.co.uk
   2. [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:j.gibb...@imperial.ac.uk
   2. mailto:lute-...@cs.dartmouth.edu
   3. mailto:lute-...@cs.dartmouth.edu
   4. mailto:dir...@gmail.com
   5. mailto:smallpi...@machineconcepts.co.uk
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   7. mailto:smallpi...@machineconcepts.co.uk
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[no subject]

2011-06-30 Thread Anthony Robb

   --- On Thu, 30/6/11, Francis Wood oatenp...@googlemail.com wrote:

   Hello Anthony,
   I don't think we disagree. At Stuart Hardy's musical altitude, I'm sure
   you're right.
   That's a level I can only admire but never approach. On a more basic
   level, playing the tune with a dotted rhythm will get you through in a
   far less exposed manner than playing straight, which would seem to be
   an ability to acquire before refining the playing to a more regionally
   idiomatic expertise.

   Hello Francis
   I'm still not sure I can agree completely.
   I've taught lots now myself (more or less regularly since 1976 and
   mostly beginners/youngsters) - probably in the region of 3500
   pupil-hours and found that (hornpipes aside - which are slowish anyway)
   people get get away with jigs and reels played steady and straight but
   as soon as we try and dot/lilt them they fall away after a bar or
   two.This is especially true of (even) slowish jigs. I used to take the
   approach you outline; get them playing evenly and steadily and then put
   the regional (some would say the all important) accent in afterwards
   but getting people to feel a good lilt and use it consistently after
   having spent months mastering the straight version has proved very
   difficult indeed.
   In recent years I've tried to get the lilt in from the off so that even
   if fingers aren't responding the brain would be taking something in and
   it seems to work better. Of course the old guys would never hear the
   straight version in the first place and they have the steadiest pace
   and control I've ever heard.
   Scottish and Irish bands were popular in Northumberland but when the
   old guys swiped their tunes they used their own accent to play them.
   Sadly that distinctive accent is all too rare these days and it would
   be great to see more pipers from this area taking it on. The problem is
   how best to achieve it - which ever way we tackle it results are a long
   time coming.
   As aye
   Anthony

   --


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[NSP] Re:

2011-06-30 Thread Gibbons, John
Anthony, Francis and all,

I've just tried playing Hesleyside and Roxburgh Castle at rant speed, but with 
hornpipey dotting, and found it very educational, and potentially very musical 
too. There is a rightness about playing them that way which is very convincing. 
But they need more work Perhaps all those years of playing them square need 
undoing first. 

Something for the Calthorpe session on Wednesday, I think!

John

From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of 
Anthony Robb [anth...@robbpipes.com]
Sent: 30 June 2011 20:09
To: Dartmouth NPS
Subject:

   --- On Thu, 30/6/11, Francis Wood oatenp...@googlemail.com wrote:

   Hello Anthony,
   I don't think we disagree. At Stuart Hardy's musical altitude, I'm sure
   you're right.
   That's a level I can only admire but never approach. On a more basic
   level, playing the tune with a dotted rhythm will get you through in a
   far less exposed manner than playing straight, which would seem to be
   an ability to acquire before refining the playing to a more regionally
   idiomatic expertise.

   Hello Francis
   I'm still not sure I can agree completely.
   I've taught lots now myself (more or less regularly since 1976 and
   mostly beginners/youngsters) - probably in the region of 3500
   pupil-hours and found that (hornpipes aside - which are slowish anyway)
   people get get away with jigs and reels played steady and straight but
   as soon as we try and dot/lilt them they fall away after a bar or
   two.This is especially true of (even) slowish jigs. I used to take the
   approach you outline; get them playing evenly and steadily and then put
   the regional (some would say the all important) accent in afterwards
   but getting people to feel a good lilt and use it consistently after
   having spent months mastering the straight version has proved very
   difficult indeed.
   In recent years I've tried to get the lilt in from the off so that even
   if fingers aren't responding the brain would be taking something in and
   it seems to work better. Of course the old guys would never hear the
   straight version in the first place and they have the steadiest pace
   and control I've ever heard.
   Scottish and Irish bands were popular in Northumberland but when the
   old guys swiped their tunes they used their own accent to play them.
   Sadly that distinctive accent is all too rare these days and it would
   be great to see more pipers from this area taking it on. The problem is
   how best to achieve it - which ever way we tackle it results are a long
   time coming.
   As aye
   Anthony

   --


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[NSP] Re: tin ear man

2011-06-30 Thread cwhill
Fortunately I don't suffer from  X Factor syndrome so won't be posting 
anything myself. :)


Colin Hill



On 30/06/2011 17:23, John Dally wrote:


Even though I think all the comments on the youtube videos that I
volunteered to go over the top in the first wave are all correct and
useful, I had hoped the spirit of the thing would be more encouraging.
I'm looking forward to hearing and seeing videos from all those who
have chimed in so far.

On Thu, Jun 30, 2011 at 5:42 AM,[1]smallpi...@machineconcepts.co.uk
wrote:

  on another posting to youtube he is playing the gaita(sp) and sounds
  better(ish)
  To get on or off this list see list information at
  [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

--

References

1. mailto:smallpi...@machineconcepts.co.uk
2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




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