Re: yet another peso

2010-11-17 Thread Larry Colen

On Nov 16, 2010, at 10:54 PM, Sasha Sobol wrote:

 http://www.flickr.com/photos/sobol/5163561062/lightbox
 
 Nevada Museum of Art (very cool building, mostly awful modern art inside).
 
 I would love hear your fruitful critique and angry comments :)

I like it.  It's an interesting composition, and good use of tones.  My hunch 
is that I'd like it better if the building in the background weren't centered.
 

--
Larry Colen l...@red4est.com sent from i4est





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Re: Photos of trips with Walter

2010-11-17 Thread Boris Liberman
Thanks Ted and Walter. You sure had one heck of a vacation full of 
wonderful photo opportunities that you captured with style.


Evocative and fascinating imagery, especially the Picher series. Made me 
think about Chernobyl although the circumstances are different between 
these two towns...


Boris

On 11/15/2010 12:24 AM, Walter Gilbert wrote:

I started to post the photos I took to Flickr, but quickly grew annoyed
at the fact that it was taking forever to get them all uploaded (and
that I've exceeded my 200-photo limit!!!). So, I went ahead and put
together a couple of blog posts with some of the images I took on our
treks out into the NW Arkansas and NE Oklahoma hinterlands.

After looking at Ted's shots, I must say I'm submitting these humbly,
and only because it would be unseemly not to do so. It seems Ted was
wise enough to take time to create good photography, whereas I took a
rather scatter-shot approach -- taking pictures of everything that
moved, and didn't move. If I learned anything from our trips, it's the
old maxim, Slow and steady wins the race. RAW vs. jpeg. Bracketed vs.
single exposure. Tripod vs. handheld.

My hat is off to you, Mr. Beilby. You gave me quite a tutorial, whether
you intended to or not. :-)

http://waltgilbert.posterous.com/picher-oklahoma-americas-newest-ghost-town

http://waltgilbert.posterous.com/scenes-from-northwest-arkansas

Comments and critiques are, of course, welcome.

-- Walt


http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/ http://polipix.posterous.com/

On 11/14/2010 12:48 PM, Theodore Beilby wrote:

I know some of you hate Flickr but I decided to use it because of
putting around
fifty shots online. I divided them into different locations and put
them into a
collection:

http://www.flickr.com/photos/ted_beilby/collections/72157625264533489/

Comments are welcomed,

We went to:

Boxley Valley Nature Area, Steel Creek Campground, Lost Valley
Campground, and
War Eagle Mill on Wednesday.

On Friday, we drove to Pitcher, Oklahoma. I hope you enjoy.

Ted







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GESO: Santiago lights

2010-11-17 Thread Tim Bray
Being three photographs of Santiago de Chile from on top of a hotel:
http://www.tbray.org/ongoing/When/201x/2010/11/16/Santiago-Lights
Santiago is oddly graceful.

 -T

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Re: For the truly cheep.

2010-11-17 Thread Carlos R
Thanks Peter. I have downloaded it just in case. My main computer runs 
Windows XP, but I have a backup computer with Win 2000 and that DLL 
might be useful.


Carlos

El 16/11/2010 22:13, P. J. Alling escribió:

I thought I'd share this for anyone who really doesn't like being forced
to upgrade. As some may know, I'm still using Win2K on my primary
computer. This means I can't use Adobe Lightroom, as a raw converter,
though I really don't like it's taking over every aspect of photo
management. Now this hasn't bothered me too much as the new Pentax
Camera Utility 4 has a much improved user interface, (even though I find
it's batch capabilities inferior to RawShooter), but hell it's free.
Well, not free exactly. You pay for the license when you buy the camera
it's sort of Free).

Well the latest upgrade which supposedly included some processing
enhancements no longer ran under Win2K. Though it no longer needs an
original CD to install, (Pentax giveth, Pentax taketh away).

The actual error when attempting to run the application was Cannot find
'UxTheme.dll' with a system path that included /winnt/system32.

UXTheme.dll is a WinXp and later OS file that is redraws controls,
(doesn't MS ever get tired of screwing up their OS). Well I couldn't let
that stand. I mean really The damned software installs it should run!

I was able to find a cross compiled version of that DLL originally
written for Wine, (a linex Windows emulator), which seems to allow the
latest version of PCU4 to run on Win2K. I haven't noticed any major
improvement in performance, but some of the dialogs now display better.
I'll either be complaining bitterly and reverting to the previous
version of the PCU4 or not mention it again and just happily use the
improved version. I guess this should stand me in good stead as the
latest version of PCU4 supports the K-5 if I have no further problems.

The upshot of this is if anyone would like fix, I'll be happy to put a
text file with instructions and copies of the necessary files in a
dropbox folder.




Se certifico que el correo entrante no contiene virus.
Comprobada por AVG - www.avg.es
Version: 9.0.869 / Base de datos de virus: 271.1.1/3259 - Fecha de la version: 
11/15/10 20:34:00



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Re: It's my Pentax lucky streak again

2010-11-17 Thread paul stenquist

On Nov 16, 2010, at 10:59 PM, Rob Studdert wrote:

 On 17 November 2010 14:45, Rick Womer rwomer1...@yahoo.com wrote:
 
 Remind me not to have you buy any cameras for me.
 
 Paul should buy them for him?

I have had good luck with my six Pentax DSLR cameras. I did have to return a 
lens however -- my first DA* 16-50 had a misaligned focus field.
Paul
 
 -- 
 Rob Studdert (Digital  Image Studio)
 Tel: +61-418-166-870 UTC +10 Hours
 Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio
 
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Pentax photo gallery

2010-11-17 Thread Nick David Wright
Yay! ///Finally/// another photo got approved for the PPG!!
http://www.pentaxphotogallery.com/nickwright

That is some tough stuff!

On another note, has anyone else noticed the PPG does not like Safari?
It just refuses to work for me in that browser.

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Re: Rochester Report

2010-11-17 Thread Mark Roberts
mike wilson wrote:

Mark Roberts wrote:

Interesting stuff.

 The area I'm interested in, making large negatives from digital for
 platinum printing, wasn't covered specifically but they referred me to
 good sources for more information 

Care to share?

The book they recommend is Making Digital Negatives for Contact
Printing by Dan Burkholder. I'm going to get a copy.

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Re: Pentax photo gallery

2010-11-17 Thread eckinator
No but maybe this explains all my safari photos being rejected ]=)

2010/11/17 Nick David Wright pedalsandpr...@gmail.com:
 Yay! ///Finally/// another photo got approved for the PPG!!
 http://www.pentaxphotogallery.com/nickwright

 That is some tough stuff!

 On another note, has anyone else noticed the PPG does not like Safari?
 It just refuses to work for me in that browser.

 --
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 http://www.nickdavidwright.net/

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Re: Pentax photo gallery

2010-11-17 Thread Brian Walters
On Wed, 17 Nov 2010 06:14 -0600, Nick David Wright
pedalsandpr...@gmail.com wrote:
 Yay! ///Finally/// another photo got approved for the PPG!!
 http://www.pentaxphotogallery.com/nickwright
 
 That is some tough stuff!


Persistence pays off!  


 On another note, has anyone else noticed the PPG does not like Safari?
 It just refuses to work for me in that browser.


I haven't tried Safari but I had lots of trouble uploading images with
Firefox until about 3 months ago.  I'd often get a message that the file
was too large, yet the same file would load OK in IE.  For whatever
reason, this problem seems to have been resolved.



Cheers

Brian

Brian Walters
Western Sydney Australia
-- 


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PESO - Blue and Red

2010-11-17 Thread frank theriault
And urban still life:

http://knarfdummyblog.blogspot.com/2010/11/blue-animal-red-baron.html

Hope you enjoy.  Comments always welcome.

cheers,
frank

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: peso - perfect pizza

2010-11-17 Thread frank theriault
On Mon, Nov 15, 2010 at 7:17 PM, paul stenquist pnstenqu...@comcast.net wrote:

 I agree. Cheese is several steps removed from the animal. And cows, goats and 
 water buffalo are more than willing to give up their milk. And what about 
 cheese made from human breast milk? Can vegans consume that? If not, can a 
 vegan child breast feed? So many questions, so few answers. But I know that 
 while I could probably give up meat if someone held a gun to my head, I would 
 never sacrifice cheese. Pull the trigger, and put me out of my misery.

++

I really didn't mean to get into this discussion, but I'll answer a
few of your points:

I can't speak for all vegans, but for me it's an issue of consent and
exploitation.  We don't ask cows, goats, etc. if they're okay with us
taking their milk, and if they're answering, we can't tell.  We just
take it. whether they like it or not.

Willing to give up their milk?  What makes you say that?  We keep
them in a permanent state of artificial pregnancy so they never dry
up.  That can't be much fun.

Human mothers who breast feed consent to the procedure.  If they
don't, they buy formula.

cheers,
frank



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Re: peso - perfect pizza

2010-11-17 Thread Steven Desjardins
An observation:

My daughter is in the Peace Corps in Benin.  She gets to see a more
traditional version of husbandry than the first world assembly
bovine assembly line.  Most of the milk there is from goats.  The
goats are protected and given safe space in which to feed.  There sit
on Tracie's porch and on occasion she found one sleeping in here bed.
 It would be no big deal to run away and they don't.  Given the lack
of speech, this is the best you can do for consent.  Of course, the
locals cheerfully kill these animals for dinner when needed.  This is
not a moral issue for them, just the food chain.  Over here in North
America, the whole process is so industrialized that it's hard for
most of us to see this as any part of nature.



On Wed, Nov 17, 2010 at 7:38 AM, frank theriault
knarftheria...@gmail.com wrote:
 On Mon, Nov 15, 2010 at 7:17 PM, paul stenquist pnstenqu...@comcast.net 
 wrote:

 I agree. Cheese is several steps removed from the animal. And cows, goats 
 and water buffalo are more than willing to give up their milk. And what 
 about cheese made from human breast milk? Can vegans consume that? If not, 
 can a vegan child breast feed? So many questions, so few answers. But I know 
 that while I could probably give up meat if someone held a gun to my head, I 
 would never sacrifice cheese. Pull the trigger, and put me out of my misery.

 ++

 I really didn't mean to get into this discussion, but I'll answer a
 few of your points:

 I can't speak for all vegans, but for me it's an issue of consent and
 exploitation.  We don't ask cows, goats, etc. if they're okay with us
 taking their milk, and if they're answering, we can't tell.  We just
 take it. whether they like it or not.

 Willing to give up their milk?  What makes you say that?  We keep
 them in a permanent state of artificial pregnancy so they never dry
 up.  That can't be much fun.

 Human mothers who breast feed consent to the procedure.  If they
 don't, they buy formula.

 cheers,
 frank



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Steve Desjardins

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Re: Attn Ted Beilby (Boris Liberman)

2010-11-17 Thread Theodore Beilby
Reply sent off list

Ted

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Re: Pentax photo gallery

2010-11-17 Thread Walter Gilbert

   Congratulations, Nick!  I loved that pic when you posted it!

-- Walt

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/

On 11/17/2010 6:14 AM, Nick David Wright wrote:

Yay! ///Finally/// another photo got approved for the PPG!!
http://www.pentaxphotogallery.com/nickwright

That is some tough stuff!

On another note, has anyone else noticed the PPG does not like Safari?
It just refuses to work for me in that browser.




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PESO: Yellowbook

2010-11-17 Thread Jack Davis
Received a call from a Sacramento based 'phonebook publisher. They had found my 
website (I gather) and wanted to know if I'd be willing to allow them to use 
one of my photos for the cover of the local 2011-2012 Yellowbook. Liberal photo 
credit offered which would appear on the back of the cover.
As I'm sure is the case virtually everywhere, at least in this country, the 
book is delivered free to all listed city/town households and businesses.
My website will appear as a part of my photo credit, so I agreed.

Jack

Cover:

http://photolightimages.com/aspupload/detail.asp?ID=549

Photo: (LX, 24mm Takumar)  

http://photolightimages.com/aspupload/detail.asp?ID=550




  

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Re: PESO: Godfrey's Contraption

2010-11-17 Thread Walter Gilbert
  Thanks, Steve.  The Goddernator would have made a good title.  Wish 
I'd thought of it.


-- Walt

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/

On 11/16/2010 10:41 PM, Steven Desjardins wrote:

The Goddernator.  Neat shot.

On Tue, Nov 16, 2010 at 11:20 PM, Walter Gilbertldott...@gmail.com  wrote:

  Hi all,

As Ted and I were finishing up our time at War Eagle Mill, we came across
this rather large hunk of iron that must have been a part taken from the
workings of the mill.  I thought it was intriguing, but lacked the
intestinal fortitude (literally and figuratively) to try and sneak out of
there with it, and wasn't sure how to go about photographing it.  I
consulted with Ted, who was quick to point out, Godfrey would know what to
do with it.  I agreed.

Still, I didn't want to leave without taking a shot at it just to see what I
could come up with in post processing.  Well, this is how it turned out:

http://flic.kr/p/8U1ZKa

K-x, DAL 18-55 (at 35mm), f/7.1, ISO 200, 1/250, Aperture priority

At the risk of incurring his wrath, I decided to name it after the guy who
inspired it.

Comments, critiques, suggestions, and all major credit cards accepted.

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/



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Re: Another interesting write up about 645D

2010-11-17 Thread Miserere
On 17 November 2010 02:16, Larry Colen l...@red4est.com wrote:

 However, the last time I checked, my name wasn't Ned, and nobody at Pentax 
 has asked me how to sell their gear.

Larry, I don't think Ned has too much say in what lenses get made and
which don't. You should try being Ko Torigoe instead  :-)

I do agree on your sales strategy...except I would discount the K-5
more than $100. If they could manage to slash the price $115 over last
weekend, surely they can come down by $200 after Thanksgiving.


   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment

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Re: GESO: Santiago lights

2010-11-17 Thread Miserere
On 17 November 2010 03:55, Tim Bray tb...@textuality.com wrote:
 Being three photographs of Santiago de Chile from on top of a hotel:
 http://www.tbray.org/ongoing/When/201x/2010/11/16/Santiago-Lights
 Santiago is oddly graceful.

  -T

Santiago (de Chile), a city I'd love to visit...

Thanks for letting me know where NOT to stay, Tim  :-)

Did you take any photographs at ground level? I'd be more interested in those.


   —M.

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Re: yet another peso

2010-11-17 Thread Bob Sullivan
Sasha,
Remindes me of those 'mostly awful modern art inside.'
The blank canvas doesn't really do anything for me.
Regards,  Bob S.

On Wed, Nov 17, 2010 at 12:54 AM, Sasha Sobol sa...@asobol.com wrote:
 http://www.flickr.com/photos/sobol/5163561062/lightbox

 Nevada Museum of Art (very cool building, mostly awful modern art inside).

 I would love hear your fruitful critique and angry comments :)

 --Sasha

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Re: PESO - Blue and Red

2010-11-17 Thread Bob Sullivan
Frank,
Not gritty enough for you.
Regards,  Bob S.

On Wed, Nov 17, 2010 at 6:32 AM, frank theriault
knarftheria...@gmail.com wrote:
 And urban still life:

 http://knarfdummyblog.blogspot.com/2010/11/blue-animal-red-baron.html

 Hope you enjoy.  Comments always welcome.

 cheers,
 frank

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 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: PESO - Blue and Red

2010-11-17 Thread P. J. Alling

There's some kind of essential sadness you've captured in that simple shot.

On 11/17/2010 7:32 AM, frank theriault wrote:

And urban still life:

http://knarfdummyblog.blogspot.com/2010/11/blue-animal-red-baron.html

Hope you enjoy.  Comments always welcome.

cheers,
frank




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bankruptcy.
 -Woody Allen


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Re: PESO - Blue and Red

2010-11-17 Thread Walter Gilbert

  It's the emptiness of the beer.  :-(

-- Walt

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/

On 11/17/2010 8:52 AM, P. J. Alling wrote:
There's some kind of essential sadness you've captured in that simple 
shot.


On 11/17/2010 7:32 AM, frank theriault wrote:

And urban still life:

http://knarfdummyblog.blogspot.com/2010/11/blue-animal-red-baron.html

Hope you enjoy.  Comments always welcome.

cheers,
frank







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Re: PESO -- East River (Fall 2010)

2010-11-17 Thread P. J. Alling

That's fine with me.

On 11/17/2010 1:14 AM, Boris Liberman wrote:

I hate you, ok?

Boris

On 11/16/2010 7:58 PM, P. J. Alling wrote:

http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20eastriver2010.html

Equipment: Pentax K20D w/smc Pentax FA 20-35mm f4.0

As usual comments are welcome but may be totally ignored.







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 -Woody Allen


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Re: PESO: Yellowbook

2010-11-17 Thread Boris Liberman

They spoiled the beautiful picture...

On 11/17/2010 3:50 PM, Jack Davis wrote:

Received a call from a Sacramento based 'phonebook publisher. They had found my 
website (I gather) and wanted to know if I'd be willing to allow them to use 
one of my photos for the cover of the local 2011-2012 Yellowbook. Liberal photo 
credit offered which would appear on the back of the cover.
As I'm sure is the case virtually everywhere, at least in this country, the 
book is delivered free to all listed city/town households and businesses.
My website will appear as a part of my photo credit, so I agreed.

Jack

Cover:

http://photolightimages.com/aspupload/detail.asp?ID=549

Photo: (LX, 24mm Takumar)

http://photolightimages.com/aspupload/detail.asp?ID=550









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Re: PESO - Blue and Red

2010-11-17 Thread David J Brooks
Needs more snow.

Dave

On Wed, Nov 17, 2010 at 7:32 AM, frank theriault
knarftheria...@gmail.com wrote:
 And urban still life:

 http://knarfdummyblog.blogspot.com/2010/11/blue-animal-red-baron.html

 Hope you enjoy.  Comments always welcome.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: PESO today's mushroom picture

2010-11-17 Thread David J Brooks
On Tue, Nov 16, 2010 at 8:39 PM, Larry Colen l...@red4est.com wrote:
 I keep asking myself how many mushroom pictures do I need?

1 more than you already have.

 I was working in the yard this afternoon and got distracted by playing with 
 my camera again.

 http://www.flickr.com/photos/ellarsee/5183450266/in/set-72157625405200292/

Very good. I love the composition here.

Dave

 --
 Larry Colen l...@red4est.com sent from i4est





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Re: peso - perfect pizza

2010-11-17 Thread P. J. Alling

No predator asks permission of the prey,

On 11/17/2010 7:38 AM, frank theriault wrote:

On Mon, Nov 15, 2010 at 7:17 PM, paul stenquistpnstenqu...@comcast.net  wrote:


I agree. Cheese is several steps removed from the animal. And cows, goats and 
water buffalo are more than willing to give up their milk. And what about 
cheese made from human breast milk? Can vegans consume that? If not, can a 
vegan child breast feed? So many questions, so few answers. But I know that 
while I could probably give up meat if someone held a gun to my head, I would 
never sacrifice cheese. Pull the trigger, and put me out of my misery.

++

I really didn't mean to get into this discussion, but I'll answer a
few of your points:

I can't speak for all vegans, but for me it's an issue of consent and
exploitation.  We don't ask cows, goats, etc. if they're okay with us
taking their milk, and if they're answering, we can't tell.  We just
take it. whether they like it or not.

Willing to give up their milk?  What makes you say that?  We keep
them in a permanent state of artificial pregnancy so they never dry
up.  That can't be much fun.

Human mothers who breast feed consent to the procedure.  If they
don't, they buy formula.

cheers,
frank






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Re: PESO: Yellowbook

2010-11-17 Thread Jack Davis
I know! It's a study in tacky! I expected this, so it doesn't either surprise 
or bother me.
IOW, I'm a free advertising whore.

Thanks, Boris!

Jack

--- On Wed, 11/17/10, Boris Liberman bori...@gmail.com wrote:

 From: Boris Liberman bori...@gmail.com
 Subject: Re: PESO: Yellowbook
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 7:03 AM
 They spoiled the beautiful
 picture...
 
 On 11/17/2010 3:50 PM, Jack Davis wrote:
  Received a call from a Sacramento based 'phonebook
 publisher. They had found my website (I gather) and wanted
 to know if I'd be willing to allow them to use one of my
 photos for the cover of the local 2011-2012 Yellowbook.
 Liberal photo credit offered which would appear on the back
 of the cover.
  As I'm sure is the case virtually everywhere, at least
 in this country, the book is delivered free to all listed
 city/town households and businesses.
  My website will appear as a part of my photo credit,
 so I agreed.
 
  Jack
 
  Cover:
 
  http://photolightimages.com/aspupload/detail.asp?ID=549
 
  Photo: (LX, 24mm Takumar)
 
  http://photolightimages.com/aspupload/detail.asp?ID=550
 
 
 
 
 
 
 
 
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PESO: clouds in the french Alps

2010-11-17 Thread Madame RD

hi everyone

i'm back from three months caring for my 91 old aunty who lost her 
husband in august after he spent a whole  month in hospital ... never 
again!  I never thought caring for an old person would be so trying .  
she was as happy to see me off as I was to go home at last . it took 
some time to make sure she  could cope by herself with various helpers .


We were  staying  in Laffrey near Grenoble in the French Alps . the 
weather wasn't too good so I had lots of cloudy skies to shoot !

http://www.flickr.com/photos/la_meduse/5184744458/

and another view  near Grenoble in the afternoon . I think it's  
Belledonne mountains  in the distance but i'm not that sure ..

http://www.flickr.com/photos/la_meduse/5184144637/

all comments welcome
dominique




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OT I;m such a friggin idiot

2010-11-17 Thread David J Brooks
I decided to make 6 family calendars featuring 4 pictures from the
three family weddings that occured in 2010.
I spent  almost two hours loading, aligning, moving and adding family
dates, and proofing..

The 6 calendars, with tax were about $120.00 CAN. I received them last
night, and the first thing i noticed was i made a 1 day boo boo on two
of the three anniversaries.

My daughter suggested  to redo them, but then i have $120 worth of
junk of i do. Liz said don't worry, they probably won't notice anyway.

I really don't want to spend another $120.

Comments.

Dave



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The Sam Abell thread (1)

2010-11-17 Thread CheekyGeek
I'd like to try something, and if it goes well perhaps it will provide
a new sort of PDML thread for members to start periodically.
Conversations will, no doubt, evolve like wheel spokes off of a
central topic (hub), but I'd like this threads hub to be National
Geographic photographer Sam Abell. I think there may be multiple
pieces of my commentary (below) that you may have different reactions
to. I look forward to the discussions that will hopefully ensue.

My son-in-law, Ryan McGinnis ( http://www.bigstormpicture.com 
http://www.bigstormpicture.com/blog ) and I drove to Hastings College
in Hastings, Nebraska a couple of weeks ago to see a presentation by
Mr. Sam Abell (sponsored by Canon). Now this is not going to be a
worshipful thread (by any means) at least not from me. Maybe I'm a
harsh critic, or maybe I just had my expectations set too high, but I
did not see as many photographs in his presentation that I said to
myself, WoW. I wish I had taken THAT. That surprised me. Perhaps it
was simply his choice of images for this presentation, because when I
look at this page (
http://compassrosebooks.blogspot.com/2010/03/sam-abell-national-geographic-stylist.html
) I see a lot of images that I wish I had taken. Only three images on
that particular page were included in his 2 hour presentation.

What Mr. Abell's presentation and work DID do, however, is stimulate
some thinking on my part (which is always good, in my book). As a
National Geographic photographer, Mr. Abell has been sent to some of
the really interesting places on earth to photograph really
interesting subjects that most of us will never get the chance to
photograph. It seems to me that there is a spectrum of subjects:
Nominally very uninteresting to nominally very interesting. And there
is also a spectrum of photographic images: Nominally uninteresting to
nominally very interesting. The two spectrums are independent of each
other, or perhaps interdependent - depending upon the skill (or luck)
of the photographer. Obviously, this is highly subjective. But when I
look at a photograph I sometimes ask myself: Is this a great image of
what could otherwise be an uninteresting subject, or is this an
average image of a very interesting subject?

One example, I might suggest, is one of the three Sam Abell images
that graced the COVER of National Geographic magazine:
http://photography.nationalgeographic.com/staticfiles/NGS/Shared/StaticFiles/Photography/Images/POD/a/aboriginal-teenager-504198-sw.jpg
( http://on.natgeo.com/903wXD )
Is the greatness of this image due to the photographer or the
unusual subject? Put another way, if we put ME in that water, would
this be a compelling image?

On the other hand, consider this image:
http://3.bp.blogspot.com/_FNndI0BvPNA/S7AXaamrd8I/BLA/HNtibpofTPA/s400/Abell7.jpg
( http://bit.ly/cU3pDu )
At his presentation, he included a farther away image. There are a lot
of different groups in this branding scene that the photographer had
to choose from. He made conscious decisions (which group to focus on,
how close to get, framing, etc.) and then he had to have the timing to
capture the image when elements converged at an interesting fraction
of a second. This is an incredible image and one he says for which
other photographers wish to trade him prints (the ultimate
compliment). Yes, it is interesting subject matter, but it could be
treated in a pedestrian way, which this image is not. While still
subjective, I might argue that this is an EMPIRICALLY great photograph
- in other words: If you are in the minority that don't think so, you
are a moron.
:)

Sam also has some quotes that are worth of discussion, or at least
consideration. One that I particularly like is:
It matters little how much equipment we use; it matters much that we
be masters of all we do use.

Thoughts?

Darren Addy
Kearney, Nebraska

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Re: PESO today's mushroom picture

2010-11-17 Thread Jack Davis
Good one, Larry! I think the larger grouping on the left would, also, make a 
nice shot on its own.

Jack

--- On Wed, 11/17/10, David J Brooks pentko...@gmail.com wrote:

 From: David J Brooks pentko...@gmail.com
 Subject: Re: PESO today's mushroom picture
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 7:09 AM
 On Tue, Nov 16, 2010 at 8:39 PM,
 Larry Colen l...@red4est.com
 wrote:
  I keep asking myself how many mushroom pictures do I
 need?
 
 1 more than you already have.
 
  I was working in the yard this afternoon and got
 distracted by playing with my camera again.
 
  http://www.flickr.com/photos/ellarsee/5183450266/in/set-72157625405200292/
 
 Very good. I love the composition here.
 
 Dave
 
  --
  Larry Colen l...@red4est.com
 sent from i4est
 
 
 
 
 
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Re: OT I;m such a friggin idiot

2010-11-17 Thread Boris Liberman
The support room in the company I worked previously had a big sign with 
*Shift happens* printed really large on it.


Seriously - without disrespect, I have to suggest you redo the calendar...

Boris

On 11/17/2010 5:14 PM, David J Brooks wrote:

I decided to make 6 family calendars featuring 4 pictures from the
three family weddings that occured in 2010.
I spent  almost two hours loading, aligning, moving and adding family
dates, and proofing..

The 6 calendars, with tax were about $120.00 CAN. I received them last
night, and the first thing i noticed was i made a 1 day boo boo on two
of the three anniversaries.

My daughter suggested  to redo them, but then i have $120 worth of
junk of i do. Liz said don't worry, they probably won't notice anyway.

I really don't want to spend another $120.

Comments.

Dave






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Re: OT I;m such a friggin idiot

2010-11-17 Thread Jack Davis
Yeah, I agree. You'll sting from the extra $120 for the rest of your natural 
life and never again make a mistake. It's your punishment. :(
It's, also, something I would have easily done.

Jack

--- On Wed, 11/17/10, Boris Liberman bori...@gmail.com wrote:

 From: Boris Liberman bori...@gmail.com
 Subject: Re: OT I;m such a friggin idiot
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 7:18 AM
 The support room in the company I
 worked previously had a big sign with 
 *Shift happens* printed really large on it.
 
 Seriously - without disrespect, I have to suggest you redo
 the calendar...
 
 Boris
 
 On 11/17/2010 5:14 PM, David J Brooks wrote:
  I decided to make 6 family calendars featuring 4
 pictures from the
  three family weddings that occured in 2010.
  I spent  almost two hours loading, aligning,
 moving and adding family
  dates, and proofing..
 
  The 6 calendars, with tax were about $120.00 CAN. I
 received them last
  night, and the first thing i noticed was i made a 1
 day boo boo on two
  of the three anniversaries.
 
  My daughter suggested  to redo them, but then i
 have $120 worth of
  junk of i do. Liz said don't worry, they probably
 won't notice anyway.
 
  I really don't want to spend another $120.
 
  Comments.
 
  Dave
 
 
 
 
 
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Re: PESO: clouds in the french Alps

2010-11-17 Thread Jack Davis
Both with strong moods very well rendered. 
You're a good niece/nephew(?) for stepping up when you saw the need.

Jack

--- On Wed, 11/17/10, Madame RD romd...@orange.fr wrote:

 From: Madame RD romd...@orange.fr
 Subject: PESO: clouds in the french Alps
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 7:13 AM
 hi everyone
 
 i'm back from three months caring for my 91 old aunty who
 lost her husband in august after he spent a whole 
 month in hospital ... never again!  I never thought
 caring for an old person would be so trying .  she was
 as happy to see me off as I was to go home at last . it took
 some time to make sure she  could cope by herself with
 various helpers .
 
 We were  staying  in Laffrey near Grenoble in the
 French Alps . the weather wasn't too good so I had lots of
 cloudy skies to shoot !
 http://www.flickr.com/photos/la_meduse/5184744458/
 
 and another view  near Grenoble in the afternoon . I
 think it's  Belledonne mountains  in the distance
 but i'm not that sure ..
 http://www.flickr.com/photos/la_meduse/5184144637/
 
 all comments welcome
 dominique
 
 
 
 
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Re: OT I;m such a friggin idiot

2010-11-17 Thread Stan Halpin
I agree - redo it. It will make them twice as valuable as gifts and you won't 
forever regret having given a flawed gift.
But, DO have someone else PFOOF the text before resubmitting!   ;-)

stan

On Nov 17, 2010, at 10:14 AM, David J Brooks wrote:

 I decided to make 6 family calendars featuring 4 pictures from the
 three family weddings that occured in 2010.
 I spent  almost two hours loading, aligning, moving and adding family
 dates, and proofing..
 
 The 6 calendars, with tax were about $120.00 CAN. I received them last
 night, and the first thing i noticed was i made a 1 day boo boo on two
 of the three anniversaries.
 
 My daughter suggested  to redo them, but then i have $120 worth of
 junk of i do. Liz said don't worry, they probably won't notice anyway.
 
 I really don't want to spend another $120.
 
 Comments.
 
 Dave
 
 
 
 -- 
 Documenting Life in Rural Ontario.
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada
 
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Re: PESO: clouds in the french Alps

2010-11-17 Thread Madame RD

Le 17/11/10 16:28, Jack Davis a écrit :

You're a good niece/nephew(?) for stepping up when you saw the need.
 niece ... she's my mother's  sister and they were very close   so I 
couldn't let her down .  she was lucky i was only three months from 
retirement and not much needed at work ...


dominique



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Re: OT I;m such a friggin idiot

2010-11-17 Thread Boris Liberman

Stan is wright... He's definitely not wleft /wink wink nod nod/.



On 11/17/2010 5:53 PM, Stan Halpin wrote:

I agree - redo it. It will make them twice as valuable as gifts and you won't 
forever regret having given a flawed gift.
But, DO have someone else *PFOOF* the text before resubmitting!   ;-)

stan

On Nov 17, 2010, at 10:14 AM, David J Brooks wrote:


I decided to make 6 family calendars featuring 4 pictures from the
three family weddings that occured in 2010.
I spent  almost two hours loading, aligning, moving and adding family
dates, and proofing..

The 6 calendars, with tax were about $120.00 CAN. I received them last
night, and the first thing i noticed was i made a 1 day boo boo on two
of the three anniversaries.

My daughter suggested  to redo them, but then i have $120 worth of
junk of i do. Liz said don't worry, they probably won't notice anyway.

I really don't want to spend another $120.

Comments.

Dave



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Re: OT I;m such a friggin idiot

2010-11-17 Thread P. J. Alling

There's a reason why publishers print a Proof copy first...

On 11/17/2010 10:14 AM, David J Brooks wrote:

I decided to make 6 family calendars featuring 4 pictures from the
three family weddings that occured in 2010.
I spent  almost two hours loading, aligning, moving and adding family
dates, and proofing..

The 6 calendars, with tax were about $120.00 CAN. I received them last
night, and the first thing i noticed was i made a 1 day boo boo on two
of the three anniversaries.

My daughter suggested  to redo them, but then i have $120 worth of
junk of i do. Liz said don't worry, they probably won't notice anyway.

I really don't want to spend another $120.

Comments.

Dave






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bankruptcy.
 -Woody Allen


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Re: yet another peso

2010-11-17 Thread CheekyGeek
On Wed, Nov 17, 2010 at 8:49 AM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Remindes me of those 'mostly awful modern art inside.'
 The blank canvas doesn't really do anything for me.
 Regards,  Bob S.

Bob S. took my comment.
As far as fruitful commentary is concerned, before clicking the link I
was hoping to go bananas.
On the bright side, when I say I really like something you will know
I'm being sincere.
: )

Darren Addy
Kearney, Nebraska
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Re: OT I;m such a friggin idiot

2010-11-17 Thread Bob Sullivan
Dave,
Find some of that white correction tape that you type on and past over
your errors.
It's 2 wrong dates in 365.  Save the money and throw them a party!
Regards,  Bob S.

On Wed, Nov 17, 2010 at 9:14 AM, David J Brooks pentko...@gmail.com wrote:
 I decided to make 6 family calendars featuring 4 pictures from the
 three family weddings that occured in 2010.
 I spent  almost two hours loading, aligning, moving and adding family
 dates, and proofing..

 The 6 calendars, with tax were about $120.00 CAN. I received them last
 night, and the first thing i noticed was i made a 1 day boo boo on two
 of the three anniversaries.

 My daughter suggested  to redo them, but then i have $120 worth of
 junk of i do. Liz said don't worry, they probably won't notice anyway.

 I really don't want to spend another $120.

 Comments.

 Dave



 --
 Documenting Life in Rural Ontario.
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada

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Re: PESO: Yellowbook

2010-11-17 Thread CheekyGeek
And the photo credit appears WHERE?

Darren Addy
Kearney, Nebraska
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Re: OT I;m such a friggin idiot

2010-11-17 Thread Walter Gilbert
   Just give the ones with the boo-boos to the husbands.  That way, 
they'll have an excuse in case they forget.  What do I know?  I got the 
screwed up calendar!


-- Walt

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/

On 11/17/2010 9:53 AM, Stan Halpin wrote:

I agree - redo it. It will make them twice as valuable as gifts and you won't 
forever regret having given a flawed gift.
But, DO have someone else PFOOF the text before resubmitting!   ;-)

stan

On Nov 17, 2010, at 10:14 AM, David J Brooks wrote:


I decided to make 6 family calendars featuring 4 pictures from the
three family weddings that occured in 2010.
I spent  almost two hours loading, aligning, moving and adding family
dates, and proofing..

The 6 calendars, with tax were about $120.00 CAN. I received them last
night, and the first thing i noticed was i made a 1 day boo boo on two
of the three anniversaries.

My daughter suggested  to redo them, but then i have $120 worth of
junk of i do. Liz said don't worry, they probably won't notice anyway.

I really don't want to spend another $120.

Comments.

Dave



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www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
York Region, Ontario, Canada

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Re: OT I;m such a friggin idiot

2010-11-17 Thread Mark Roberts
Walter Gilbert wrote:

Just give the ones with the boo-boos to the husbands.  That way, 
they'll have an excuse in case they forget.  What do I know?  I got the 
screwed up calendar!

Genius!

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Re: The Sam Abell thread (1)

2010-11-17 Thread Bob Sullivan
Darren,
Will comment more when I have time to look at your links.
I think you and Miserere have some common opinions here.
Look at this piece he has put up on 'What makes a good photograph.'

http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/

I think we don't go to enough exoctic locations to have great photos.  :-)
Regards,  Bob S.

On Wed, Nov 17, 2010 at 9:16 AM, CheekyGeek cheekyg...@gmail.com wrote:
 I'd like to try something, and if it goes well perhaps it will provide
 a new sort of PDML thread for members to start periodically.
 Conversations will, no doubt, evolve like wheel spokes off of a
 central topic (hub), but I'd like this threads hub to be National
 Geographic photographer Sam Abell. I think there may be multiple
 pieces of my commentary (below) that you may have different reactions
 to. I look forward to the discussions that will hopefully ensue.

 My son-in-law, Ryan McGinnis ( http://www.bigstormpicture.com 
 http://www.bigstormpicture.com/blog ) and I drove to Hastings College
 in Hastings, Nebraska a couple of weeks ago to see a presentation by
 Mr. Sam Abell (sponsored by Canon). Now this is not going to be a
 worshipful thread (by any means) at least not from me. Maybe I'm a
 harsh critic, or maybe I just had my expectations set too high, but I
 did not see as many photographs in his presentation that I said to
 myself, WoW. I wish I had taken THAT. That surprised me. Perhaps it
 was simply his choice of images for this presentation, because when I
 look at this page (
 http://compassrosebooks.blogspot.com/2010/03/sam-abell-national-geographic-stylist.html
 ) I see a lot of images that I wish I had taken. Only three images on
 that particular page were included in his 2 hour presentation.

 What Mr. Abell's presentation and work DID do, however, is stimulate
 some thinking on my part (which is always good, in my book). As a
 National Geographic photographer, Mr. Abell has been sent to some of
 the really interesting places on earth to photograph really
 interesting subjects that most of us will never get the chance to
 photograph. It seems to me that there is a spectrum of subjects:
 Nominally very uninteresting to nominally very interesting. And there
 is also a spectrum of photographic images: Nominally uninteresting to
 nominally very interesting. The two spectrums are independent of each
 other, or perhaps interdependent - depending upon the skill (or luck)
 of the photographer. Obviously, this is highly subjective. But when I
 look at a photograph I sometimes ask myself: Is this a great image of
 what could otherwise be an uninteresting subject, or is this an
 average image of a very interesting subject?

 One example, I might suggest, is one of the three Sam Abell images
 that graced the COVER of National Geographic magazine:
 http://photography.nationalgeographic.com/staticfiles/NGS/Shared/StaticFiles/Photography/Images/POD/a/aboriginal-teenager-504198-sw.jpg
 ( http://on.natgeo.com/903wXD )
 Is the greatness of this image due to the photographer or the
 unusual subject? Put another way, if we put ME in that water, would
 this be a compelling image?

 On the other hand, consider this image:
 http://3.bp.blogspot.com/_FNndI0BvPNA/S7AXaamrd8I/BLA/HNtibpofTPA/s400/Abell7.jpg
 ( http://bit.ly/cU3pDu )
 At his presentation, he included a farther away image. There are a lot
 of different groups in this branding scene that the photographer had
 to choose from. He made conscious decisions (which group to focus on,
 how close to get, framing, etc.) and then he had to have the timing to
 capture the image when elements converged at an interesting fraction
 of a second. This is an incredible image and one he says for which
 other photographers wish to trade him prints (the ultimate
 compliment). Yes, it is interesting subject matter, but it could be
 treated in a pedestrian way, which this image is not. While still
 subjective, I might argue that this is an EMPIRICALLY great photograph
 - in other words: If you are in the minority that don't think so, you
 are a moron.
 :)

 Sam also has some quotes that are worth of discussion, or at least
 consideration. One that I particularly like is:
 It matters little how much equipment we use; it matters much that we
 be masters of all we do use.

 Thoughts?

 Darren Addy
 Kearney, Nebraska

 --
 Nothing is sure, except Death and Pentaxes.

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Five bucks

2010-11-17 Thread Mark Roberts
I've got my latest Blurb book project converted into EPUB format for
e-book readers. It's been an interesting experience. Anyway, the
electronic book form is now available on my web site for five dollars
U.S. (through Pay Pal).
http://www.robertstech.com/ebooks.htm

Interestingly, my gross profit on the print book (at $30.00) is less
than $4.00. Gross profit on the e-book at $5.00 is... $5.00.

BTW: This e-book format is compatible with a variety of desktop and
smartphone reader software and all dedicated e-book readers *except*
the Amazon Kindle. Seems Amazon is the only one (including even Apple)
who refuses to support the open standard. But since the Kindle isn't
yet available with a color screen, I decided this isn't a major target
for a book of mostly color photography. ;-)

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Re: OT I;m such a friggin idiot

2010-11-17 Thread Bob Sullivan
Better yet for the husbands if your error put the date 1 day early...

On Wed, Nov 17, 2010 at 10:08 AM, Mark Roberts m...@robertstech.com wrote:
 Walter Gilbert wrote:

    Just give the ones with the boo-boos to the husbands.  That way,
they'll have an excuse in case they forget.  What do I know?  I got the
screwed up calendar!

 Genius!

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Re: The Sam Abell thread (1)

2010-11-17 Thread CheekyGeek
On Wed, Nov 17, 2010 at 10:10 AM, Bob Sullivan rf.sulli...@gmail.com wrote:
 I think we don't go to enough exoctic locations to have great photos.  :-)
 Regards,  Bob S.

I realize that you are joking here, but I would posit that, for a good
photographer, location or subject matter is never an adequate excuse
for achieving a great image. Put another way, it is one's eye that
determines how interesting or exotic ones photographic territory (or
subject) is.

Thanks for the link!

Darren Addy
Kearney, Nebraska


-- 
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Re: OT I;m such a friggin idiot

2010-11-17 Thread Walter Gilbert

  That's textbook win-win, right there.

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/

On 11/17/2010 10:14 AM, Bob Sullivan wrote:

Better yet for the husbands if your error put the date 1 day early...

On Wed, Nov 17, 2010 at 10:08 AM, Mark Robertsm...@robertstech.com  wrote:

Walter Gilbert wrote:


Just give the ones with the boo-boos to the husbands.  That way,
they'll have an excuse in case they forget.  What do I know?  I got the
screwed up calendar!

Genius!

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Re: Five bucks

2010-11-17 Thread Miserere
On 17 November 2010 11:14, Mark Roberts m...@robertstech.com wrote:
 I've got my latest Blurb book project converted into EPUB format for
 e-book readers. It's been an interesting experience. Anyway, the
 electronic book form is now available on my web site for five dollars
 U.S. (through Pay Pal).
 http://www.robertstech.com/ebooks.htm

 Interestingly, my gross profit on the print book (at $30.00) is less
 than $4.00. Gross profit on the e-book at $5.00 is... $5.00.

 BTW: This e-book format is compatible with a variety of desktop and
 smartphone reader software and all dedicated e-book readers *except*
 the Amazon Kindle. Seems Amazon is the only one (including even Apple)
 who refuses to support the open standard. But since the Kindle isn't
 yet available with a color screen, I decided this isn't a major target
 for a book of mostly color photography. ;-)
What about those of us who would be reading it on our computers, what
program do we need to read it? And why isn't PDF the standard?


   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment

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Re: Five bucks

2010-11-17 Thread Mark Roberts
Miserere wrote:

On 17 November 2010 11:14, Mark Roberts m...@robertstech.com wrote:
 I've got my latest Blurb book project converted into EPUB format for
 e-book readers. It's been an interesting experience. Anyway, the
 electronic book form is now available on my web site for five dollars
 U.S. (through Pay Pal).
 http://www.robertstech.com/ebooks.htm

 Interestingly, my gross profit on the print book (at $30.00) is less
 than $4.00. Gross profit on the e-book at $5.00 is... $5.00.

 BTW: This e-book format is compatible with a variety of desktop and
 smartphone reader software and all dedicated e-book readers *except*
 the Amazon Kindle. Seems Amazon is the only one (including even Apple)
 who refuses to support the open standard. But since the Kindle isn't
 yet available with a color screen, I decided this isn't a major target
 for a book of mostly color photography. ;-)

What about those of us who would be reading it on our computers, what
program do we need to read it? And why isn't PDF the standard?

To read on screen you need one of these (all are free):
Adobe Digital Editions (for desktop and laptop computers)
Lexcycle Stanza (for desktop and laptop computers)
EPUB Reader (plug-in for the Firefox web browser)

PDF is the standard for print, but should *never* be used for
on-screen reading because, as a print format, it's designed to do page
layout, which doesn't work well when you can't control the size of the
user's page (reading device).

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Re: OT I;m such a friggin idiot

2010-11-17 Thread Steven Desjardins
I'd use this current set.  Just issue an Errata sheet with each
calendar.  Do a color one with a funny picture.  It will be memorable.

On Wed, Nov 17, 2010 at 11:23 AM, Walter Gilbert ldott...@gmail.com wrote:
  That's textbook win-win, right there.

 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/

 On 11/17/2010 10:14 AM, Bob Sullivan wrote:

 Better yet for the husbands if your error put the date 1 day early...

 On Wed, Nov 17, 2010 at 10:08 AM, Mark Robertsm...@robertstech.com
  wrote:

 Walter Gilbert wrote:

    Just give the ones with the boo-boos to the husbands.  That way,
 they'll have an excuse in case they forget.  What do I know?  I got the
 screwed up calendar!

 Genius!

 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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-- 
Steve Desjardins

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Re: PESO: Godfrey's Contraption

2010-11-17 Thread Steven Desjardins
Better title:  The Goddernator Stalks it's Prey

On Wed, Nov 17, 2010 at 9:18 AM, Walter Gilbert ldott...@gmail.com wrote:
  Thanks, Steve.  The Goddernator would have made a good title.  Wish I'd
 thought of it.

 -- Walt

 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/

 On 11/16/2010 10:41 PM, Steven Desjardins wrote:

 The Goddernator.  Neat shot.

 On Tue, Nov 16, 2010 at 11:20 PM, Walter Gilbertldott...@gmail.com
  wrote:

  Hi all,

 As Ted and I were finishing up our time at War Eagle Mill, we came across
 this rather large hunk of iron that must have been a part taken from the
 workings of the mill.  I thought it was intriguing, but lacked the
 intestinal fortitude (literally and figuratively) to try and sneak out of
 there with it, and wasn't sure how to go about photographing it.  I
 consulted with Ted, who was quick to point out, Godfrey would know what
 to
 do with it.  I agreed.

 Still, I didn't want to leave without taking a shot at it just to see
 what I
 could come up with in post processing.  Well, this is how it turned out:

 http://flic.kr/p/8U1ZKa

 K-x, DAL 18-55 (at 35mm), f/7.1, ISO 200, 1/250, Aperture priority

 At the risk of incurring his wrath, I decided to name it after the guy
 who
 inspired it.

 Comments, critiques, suggestions, and all major credit cards accepted.

 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/



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Re: PESO: Yellowbook

2010-11-17 Thread Jack Davis
This is what they term a preliminary mock copy for my info. As I mentioned, 
Darren, my bio will appear inside the front cover. They offered me as much 
space as I wanted, but I only asked for my name and website address.
When asked, they told that the book will be delivered sometime either in Dec or 
early Jan. 

Jack

--- On Wed, 11/17/10, CheekyGeek cheekyg...@gmail.com wrote:

 From: CheekyGeek cheekyg...@gmail.com
 Subject: Re: PESO: Yellowbook
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 8:04 AM
 And the photo credit appears WHERE?
 
 Darren Addy
 Kearney, Nebraska
 -- 
 Nothing is sure, except Death and Pentaxes.
 
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Re: The Sam Abell thread (1)

2010-11-17 Thread Walter Gilbert

  Hey!  I took a Great Photograph this summer!

http://www.flickr.com/photos/walt_gilbert/5184984568/

Man, that was easy.

-- Walt

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/ http://polipix.posterous.com/

On 11/17/2010 10:10 AM, Bob Sullivan wrote:

Darren,
Will comment more when I have time to look at your links.
I think you and Miserere have some common opinions here.
Look at this piece he has put up on 'What makes a good photograph.'

http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/

I think we don't go to enough exoctic locations to have great photos.  :-)
Regards,  Bob S.

On Wed, Nov 17, 2010 at 9:16 AM, CheekyGeekcheekyg...@gmail.com  wrote:

I'd like to try something, and if it goes well perhaps it will provide
a new sort of PDML thread for members to start periodically.
Conversations will, no doubt, evolve like wheel spokes off of a
central topic (hub), but I'd like this threads hub to be National
Geographic photographer Sam Abell. I think there may be multiple
pieces of my commentary (below) that you may have different reactions
to. I look forward to the discussions that will hopefully ensue.

My son-in-law, Ryan McGinnis ( http://www.bigstormpicture.com;
http://www.bigstormpicture.com/blog ) and I drove to Hastings College
in Hastings, Nebraska a couple of weeks ago to see a presentation by
Mr. Sam Abell (sponsored by Canon). Now this is not going to be a
worshipful thread (by any means) at least not from me. Maybe I'm a
harsh critic, or maybe I just had my expectations set too high, but I
did not see as many photographs in his presentation that I said to
myself, WoW. I wish I had taken THAT. That surprised me. Perhaps it
was simply his choice of images for this presentation, because when I
look at this page (
http://compassrosebooks.blogspot.com/2010/03/sam-abell-national-geographic-stylist.html
) I see a lot of images that I wish I had taken. Only three images on
that particular page were included in his 2 hour presentation.

What Mr. Abell's presentation and work DID do, however, is stimulate
some thinking on my part (which is always good, in my book). As a
National Geographic photographer, Mr. Abell has been sent to some of
the really interesting places on earth to photograph really
interesting subjects that most of us will never get the chance to
photograph. It seems to me that there is a spectrum of subjects:
Nominally very uninteresting to nominally very interesting. And there
is also a spectrum of photographic images: Nominally uninteresting to
nominally very interesting. The two spectrums are independent of each
other, or perhaps interdependent - depending upon the skill (or luck)
of the photographer. Obviously, this is highly subjective. But when I
look at a photograph I sometimes ask myself: Is this a great image of
what could otherwise be an uninteresting subject, or is this an
average image of a very interesting subject?

One example, I might suggest, is one of the three Sam Abell images
that graced the COVER of National Geographic magazine:
http://photography.nationalgeographic.com/staticfiles/NGS/Shared/StaticFiles/Photography/Images/POD/a/aboriginal-teenager-504198-sw.jpg
( http://on.natgeo.com/903wXD )
Is the greatness of this image due to the photographer or the
unusual subject? Put another way, if we put ME in that water, would
this be a compelling image?

On the other hand, consider this image:
http://3.bp.blogspot.com/_FNndI0BvPNA/S7AXaamrd8I/BLA/HNtibpofTPA/s400/Abell7.jpg
( http://bit.ly/cU3pDu )
At his presentation, he included a farther away image. There are a lot
of different groups in this branding scene that the photographer had
to choose from. He made conscious decisions (which group to focus on,
how close to get, framing, etc.) and then he had to have the timing to
capture the image when elements converged at an interesting fraction
of a second. This is an incredible image and one he says for which
other photographers wish to trade him prints (the ultimate
compliment). Yes, it is interesting subject matter, but it could be
treated in a pedestrian way, which this image is not. While still
subjective, I might argue that this is an EMPIRICALLY great photograph
- in other words: If you are in the minority that don't think so, you
are a moron.
:)

Sam also has some quotes that are worth of discussion, or at least
consideration. One that I particularly like is:
It matters little how much equipment we use; it matters much that we
be masters of all we do use.

Thoughts?

Darren Addy
Kearney, Nebraska

--
Nothing is sure, except Death and Pentaxes.

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Re: The Sam Abell thread (1)

2010-11-17 Thread Steven Desjardins
Hey.  I've been looking for that trike  . . .

On Wed, Nov 17, 2010 at 11:40 AM, Walter Gilbert ldott...@gmail.com wrote:
  Hey!  I took a Great Photograph this summer!

 http://www.flickr.com/photos/walt_gilbert/5184984568/

 Man, that was easy.

 -- Walt

 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/ http://polipix.posterous.com/

 On 11/17/2010 10:10 AM, Bob Sullivan wrote:

 Darren,
 Will comment more when I have time to look at your links.
 I think you and Miserere have some common opinions here.
 Look at this piece he has put up on 'What makes a good photograph.'

 http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/

 I think we don't go to enough exoctic locations to have great photos.  :-)
 Regards,  Bob S.

 On Wed, Nov 17, 2010 at 9:16 AM, CheekyGeekcheekyg...@gmail.com  wrote:

 I'd like to try something, and if it goes well perhaps it will provide
 a new sort of PDML thread for members to start periodically.
 Conversations will, no doubt, evolve like wheel spokes off of a
 central topic (hub), but I'd like this threads hub to be National
 Geographic photographer Sam Abell. I think there may be multiple
 pieces of my commentary (below) that you may have different reactions
 to. I look forward to the discussions that will hopefully ensue.

 My son-in-law, Ryan McGinnis ( http://www.bigstormpicture.com;
 http://www.bigstormpicture.com/blog ) and I drove to Hastings College
 in Hastings, Nebraska a couple of weeks ago to see a presentation by
 Mr. Sam Abell (sponsored by Canon). Now this is not going to be a
 worshipful thread (by any means) at least not from me. Maybe I'm a
 harsh critic, or maybe I just had my expectations set too high, but I
 did not see as many photographs in his presentation that I said to
 myself, WoW. I wish I had taken THAT. That surprised me. Perhaps it
 was simply his choice of images for this presentation, because when I
 look at this page (

 http://compassrosebooks.blogspot.com/2010/03/sam-abell-national-geographic-stylist.html
 ) I see a lot of images that I wish I had taken. Only three images on
 that particular page were included in his 2 hour presentation.

 What Mr. Abell's presentation and work DID do, however, is stimulate
 some thinking on my part (which is always good, in my book). As a
 National Geographic photographer, Mr. Abell has been sent to some of
 the really interesting places on earth to photograph really
 interesting subjects that most of us will never get the chance to
 photograph. It seems to me that there is a spectrum of subjects:
 Nominally very uninteresting to nominally very interesting. And there
 is also a spectrum of photographic images: Nominally uninteresting to
 nominally very interesting. The two spectrums are independent of each
 other, or perhaps interdependent - depending upon the skill (or luck)
 of the photographer. Obviously, this is highly subjective. But when I
 look at a photograph I sometimes ask myself: Is this a great image of
 what could otherwise be an uninteresting subject, or is this an
 average image of a very interesting subject?

 One example, I might suggest, is one of the three Sam Abell images
 that graced the COVER of National Geographic magazine:

 http://photography.nationalgeographic.com/staticfiles/NGS/Shared/StaticFiles/Photography/Images/POD/a/aboriginal-teenager-504198-sw.jpg
 ( http://on.natgeo.com/903wXD )
 Is the greatness of this image due to the photographer or the
 unusual subject? Put another way, if we put ME in that water, would
 this be a compelling image?

 On the other hand, consider this image:

 http://3.bp.blogspot.com/_FNndI0BvPNA/S7AXaamrd8I/BLA/HNtibpofTPA/s400/Abell7.jpg
 ( http://bit.ly/cU3pDu )
 At his presentation, he included a farther away image. There are a lot
 of different groups in this branding scene that the photographer had
 to choose from. He made conscious decisions (which group to focus on,
 how close to get, framing, etc.) and then he had to have the timing to
 capture the image when elements converged at an interesting fraction
 of a second. This is an incredible image and one he says for which
 other photographers wish to trade him prints (the ultimate
 compliment). Yes, it is interesting subject matter, but it could be
 treated in a pedestrian way, which this image is not. While still
 subjective, I might argue that this is an EMPIRICALLY great photograph
 - in other words: If you are in the minority that don't think so, you
 are a moron.
 :)

 Sam also has some quotes that are worth of discussion, or at least
 consideration. One that I particularly like is:
 It matters little how much equipment we use; it matters much that we
 be masters of all we do use.

 Thoughts?

 Darren Addy
 Kearney, Nebraska

 --
 Nothing is sure, except Death and Pentaxes.

 --
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link 

Re: The Sam Abell thread (1)

2010-11-17 Thread Walter Gilbert

  You and my great niece.

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/ http://polipix.posterous.com/

On 11/17/2010 10:40 AM, Steven Desjardins wrote:

Hey.  I've been looking for that trike  . . .

On Wed, Nov 17, 2010 at 11:40 AM, Walter Gilbertldott...@gmail.com  wrote:

  Hey!  I took a Great Photograph this summer!

http://www.flickr.com/photos/walt_gilbert/5184984568/

Man, that was easy.

-- Walt

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/http://polipix.posterous.com/

On 11/17/2010 10:10 AM, Bob Sullivan wrote:

Darren,
Will comment more when I have time to look at your links.
I think you and Miserere have some common opinions here.
Look at this piece he has put up on 'What makes a good photograph.'

http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/

I think we don't go to enough exoctic locations to have great photos.  :-)
Regards,  Bob S.

On Wed, Nov 17, 2010 at 9:16 AM, CheekyGeekcheekyg...@gmail.comwrote:

I'd like to try something, and if it goes well perhaps it will provide
a new sort of PDML thread for members to start periodically.
Conversations will, no doubt, evolve like wheel spokes off of a
central topic (hub), but I'd like this threads hub to be National
Geographic photographer Sam Abell. I think there may be multiple
pieces of my commentary (below) that you may have different reactions
to. I look forward to the discussions that will hopefully ensue.

My son-in-law, Ryan McGinnis ( http://www.bigstormpicture.com;
http://www.bigstormpicture.com/blog ) and I drove to Hastings College
in Hastings, Nebraska a couple of weeks ago to see a presentation by
Mr. Sam Abell (sponsored by Canon). Now this is not going to be a
worshipful thread (by any means) at least not from me. Maybe I'm a
harsh critic, or maybe I just had my expectations set too high, but I
did not see as many photographs in his presentation that I said to
myself, WoW. I wish I had taken THAT. That surprised me. Perhaps it
was simply his choice of images for this presentation, because when I
look at this page (

http://compassrosebooks.blogspot.com/2010/03/sam-abell-national-geographic-stylist.html
) I see a lot of images that I wish I had taken. Only three images on
that particular page were included in his 2 hour presentation.

What Mr. Abell's presentation and work DID do, however, is stimulate
some thinking on my part (which is always good, in my book). As a
National Geographic photographer, Mr. Abell has been sent to some of
the really interesting places on earth to photograph really
interesting subjects that most of us will never get the chance to
photograph. It seems to me that there is a spectrum of subjects:
Nominally very uninteresting to nominally very interesting. And there
is also a spectrum of photographic images: Nominally uninteresting to
nominally very interesting. The two spectrums are independent of each
other, or perhaps interdependent - depending upon the skill (or luck)
of the photographer. Obviously, this is highly subjective. But when I
look at a photograph I sometimes ask myself: Is this a great image of
what could otherwise be an uninteresting subject, or is this an
average image of a very interesting subject?

One example, I might suggest, is one of the three Sam Abell images
that graced the COVER of National Geographic magazine:

http://photography.nationalgeographic.com/staticfiles/NGS/Shared/StaticFiles/Photography/Images/POD/a/aboriginal-teenager-504198-sw.jpg
( http://on.natgeo.com/903wXD )
Is the greatness of this image due to the photographer or the
unusual subject? Put another way, if we put ME in that water, would
this be a compelling image?

On the other hand, consider this image:

http://3.bp.blogspot.com/_FNndI0BvPNA/S7AXaamrd8I/BLA/HNtibpofTPA/s400/Abell7.jpg
( http://bit.ly/cU3pDu )
At his presentation, he included a farther away image. There are a lot
of different groups in this branding scene that the photographer had
to choose from. He made conscious decisions (which group to focus on,
how close to get, framing, etc.) and then he had to have the timing to
capture the image when elements converged at an interesting fraction
of a second. This is an incredible image and one he says for which
other photographers wish to trade him prints (the ultimate
compliment). Yes, it is interesting subject matter, but it could be
treated in a pedestrian way, which this image is not. While still
subjective, I might argue that this is an EMPIRICALLY great photograph
- in other words: If you are in the minority that don't think so, you
are a moron.
:)

Sam also has some quotes that are worth of discussion, or at least
consideration. One that I particularly like is:
It matters little how much equipment we use; it matters much that we
be masters of all we do use.

Thoughts?

Darren Addy
Kearney, Nebraska

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Re: The Sam Abell thread (1)

2010-11-17 Thread CheekyGeek
If I'm not mistaken, a lot of what Miserere was saying in that article
was with tongue firmly planted in cheek.
Or maybe I just need new batteries in my sarcastometer/ironicalgraph.

Darren Addy
Kearney, NE

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Re: The Sam Abell thread (1)

2010-11-17 Thread Steven Desjardins
I have previously mentioned the movie Sky Captain and the World of
Tomorrow.  One subplot is that out plucky reporter has a camera with
one shot left.  As the story gets stranger and stranger, she has to
decide at what point to use the shot.  My favorite line goes something
like All the animals of the world being loaded two by two into a
giant rocket and you're going to wait for something better?


On Wed, Nov 17, 2010 at 11:40 AM, Steven Desjardins drd1...@gmail.com wrote:
 Hey.  I've been looking for that trike  . . .

 On Wed, Nov 17, 2010 at 11:40 AM, Walter Gilbert ldott...@gmail.com wrote:
  Hey!  I took a Great Photograph this summer!

 http://www.flickr.com/photos/walt_gilbert/5184984568/

 Man, that was easy.

 -- Walt

 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/ http://polipix.posterous.com/

 On 11/17/2010 10:10 AM, Bob Sullivan wrote:

 Darren,
 Will comment more when I have time to look at your links.
 I think you and Miserere have some common opinions here.
 Look at this piece he has put up on 'What makes a good photograph.'

 http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/

 I think we don't go to enough exoctic locations to have great photos.  :-)
 Regards,  Bob S.

 On Wed, Nov 17, 2010 at 9:16 AM, CheekyGeekcheekyg...@gmail.com  wrote:

 I'd like to try something, and if it goes well perhaps it will provide
 a new sort of PDML thread for members to start periodically.
 Conversations will, no doubt, evolve like wheel spokes off of a
 central topic (hub), but I'd like this threads hub to be National
 Geographic photographer Sam Abell. I think there may be multiple
 pieces of my commentary (below) that you may have different reactions
 to. I look forward to the discussions that will hopefully ensue.

 My son-in-law, Ryan McGinnis ( http://www.bigstormpicture.com;
 http://www.bigstormpicture.com/blog ) and I drove to Hastings College
 in Hastings, Nebraska a couple of weeks ago to see a presentation by
 Mr. Sam Abell (sponsored by Canon). Now this is not going to be a
 worshipful thread (by any means) at least not from me. Maybe I'm a
 harsh critic, or maybe I just had my expectations set too high, but I
 did not see as many photographs in his presentation that I said to
 myself, WoW. I wish I had taken THAT. That surprised me. Perhaps it
 was simply his choice of images for this presentation, because when I
 look at this page (

 http://compassrosebooks.blogspot.com/2010/03/sam-abell-national-geographic-stylist.html
 ) I see a lot of images that I wish I had taken. Only three images on
 that particular page were included in his 2 hour presentation.

 What Mr. Abell's presentation and work DID do, however, is stimulate
 some thinking on my part (which is always good, in my book). As a
 National Geographic photographer, Mr. Abell has been sent to some of
 the really interesting places on earth to photograph really
 interesting subjects that most of us will never get the chance to
 photograph. It seems to me that there is a spectrum of subjects:
 Nominally very uninteresting to nominally very interesting. And there
 is also a spectrum of photographic images: Nominally uninteresting to
 nominally very interesting. The two spectrums are independent of each
 other, or perhaps interdependent - depending upon the skill (or luck)
 of the photographer. Obviously, this is highly subjective. But when I
 look at a photograph I sometimes ask myself: Is this a great image of
 what could otherwise be an uninteresting subject, or is this an
 average image of a very interesting subject?

 One example, I might suggest, is one of the three Sam Abell images
 that graced the COVER of National Geographic magazine:

 http://photography.nationalgeographic.com/staticfiles/NGS/Shared/StaticFiles/Photography/Images/POD/a/aboriginal-teenager-504198-sw.jpg
 ( http://on.natgeo.com/903wXD )
 Is the greatness of this image due to the photographer or the
 unusual subject? Put another way, if we put ME in that water, would
 this be a compelling image?

 On the other hand, consider this image:

 http://3.bp.blogspot.com/_FNndI0BvPNA/S7AXaamrd8I/BLA/HNtibpofTPA/s400/Abell7.jpg
 ( http://bit.ly/cU3pDu )
 At his presentation, he included a farther away image. There are a lot
 of different groups in this branding scene that the photographer had
 to choose from. He made conscious decisions (which group to focus on,
 how close to get, framing, etc.) and then he had to have the timing to
 capture the image when elements converged at an interesting fraction
 of a second. This is an incredible image and one he says for which
 other photographers wish to trade him prints (the ultimate
 compliment). Yes, it is interesting subject matter, but it could be
 treated in a pedestrian way, which this image is not. While still
 subjective, I might argue that this is an EMPIRICALLY great photograph
 - in other words: If you are in the minority that don't think so, you
 are a 

PESO: more clouds from the french alps and an unusual diner .....

2010-11-17 Thread Madame RD

the colours were incredible ...  I'd never seen anything like this .
I wondered about cropping the bottom of the picture but decided against 
it .. I felt it emphasized the sheer size of the cloud 


http://www.flickr.com/photos/la_meduse/5184368445/#/photos/la_meduse/5184368445/lightbox/

had a go at  the garden too
http://www.flickr.com/photos/la_meduse/5184320307/#/photos/la_meduse/5184320307/lightbox/


dominique



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Re: The Sam Abell thread (1)

2010-11-17 Thread Scott Loveless
On Wed, Nov 17, 2010 at 11:40 AM, Walter Gilbert ldott...@gmail.com wrote:
  Hey!  I took a Great Photograph this summer!

 http://www.flickr.com/photos/walt_gilbert/5184984568/

 Man, that was easy.

Wow, Kenny!  That's a great photograph!

-- 
Scott Loveless
http://www.twosixteen.com/fivetoedsloth/
    __o
  _'\,_
 (*)/  (*)

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Re: The Sam Abell thread (1)

2010-11-17 Thread Steven Desjardins
I think he simply points out there are different reasons why a picture
is considered great.  More to the point, some expect of the shot
(location, subject, technique, composition, etc) has to be great, not
necessarily all of them.



On Wed, Nov 17, 2010 at 11:43 AM, CheekyGeek cheekyg...@gmail.com wrote:
 If I'm not mistaken, a lot of what Miserere was saying in that article
 was with tongue firmly planted in cheek.
 Or maybe I just need new batteries in my sarcastometer/ironicalgraph.

 Darren Addy
 Kearney, NE

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Re: The Sam Abell thread (1)

2010-11-17 Thread Walter Gilbert
  I picked up on that.  Could be I need batteries for my 
Sarcastoblaster and Ironichron.


-- Walt

http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/

On 11/17/2010 10:43 AM, CheekyGeek wrote:

If I'm not mistaken, a lot of what Miserere was saying in that article
was with tongue firmly planted in cheek.
Or maybe I just need new batteries in my sarcastometer/ironicalgraph.

Darren Addy
Kearney, NE




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Re: The Sam Abell thread (1)

2010-11-17 Thread Collin Brendemuehl
Message: 7
Date: Wed, 17 Nov 2010 11:44:50 -0500
From: Steven Desjardins drd1...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: The Sam Abell thread (1)
Message-ID:
aanlktikp0_knsoqyt=1069agc6ca4uhg-rgm=taru...@mail.gmail.com
Content-Type: text/plain; charset=ISO-8859-1

I have previously mentioned the movie Sky Captain and the World of
Tomorrow. One subplot is that out plucky reporter has a camera with
one shot left. As the story gets stranger and stranger, she has to
decide at what point to use the shot. My favorite line goes something
like All the animals of the world being loaded two by two into a
giant rocket and you're going to wait for something better?

I love that movie.  Right alongside Galaxy Quest for a fun time.

Sincerely, 

Collin Brendemuehl 
http://kerygmainstitute.org 

He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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Re: The Sam Abell thread (1)

2010-11-17 Thread Steven Desjardins
We need a better sarcasm emoticon.

On Wed, Nov 17, 2010 at 11:49 AM, Walter Gilbert ldott...@gmail.com wrote:
  I picked up on that.  Could be I need batteries for my Sarcastoblaster and
 Ironichron.

 -- Walt

 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/

 On 11/17/2010 10:43 AM, CheekyGeek wrote:

 If I'm not mistaken, a lot of what Miserere was saying in that article
 was with tongue firmly planted in cheek.
 Or maybe I just need new batteries in my sarcastometer/ironicalgraph.

 Darren Addy
 Kearney, NE



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 follow the directions.




-- 
Steve Desjardins

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Re: PESO: more clouds from the french alps and an unusual diner .....

2010-11-17 Thread Steven Desjardins
I really like the caterpillar shot.

On Wed, Nov 17, 2010 at 11:44 AM, Madame RD romd...@orange.fr wrote:
 the colours were incredible ...  I'd never seen anything like this .
 I wondered about cropping the bottom of the picture but decided against it
 .. I felt it emphasized the sheer size of the cloud 

 http://www.flickr.com/photos/la_meduse/5184368445/#/photos/la_meduse/5184368445/lightbox/

 had a go at  the garden too
 http://www.flickr.com/photos/la_meduse/5184320307/#/photos/la_meduse/5184320307/lightbox/


 dominique



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Re: PESO: Yellowbook

2010-11-17 Thread CheekyGeek
Well congrats on them choosing your photograph. It is indeed worthy of
appreciation by the wide audience it will receive. But as for the
value of the photo credit and website address nowhere in the proximity
of said photograph, I'd have to say it is near nil. If you have Google
Analytics on your web site and have a measureable change in hits once
the phone book comes out - due to that alone, I'd be incredibly
surprised. Of course, only ONE important person needs to see it to
make it worthwhile. Especially given its location, I think I would
have tried to give the interested finder of the bio a bit more to chew
on than name and web site address. Put another way, if all I was
asking for was name and website address, I would have asked for it to
be on the cover or in the photograph itself. For free usage of such a
good image, I don't think that would have been too much to ask (or
receive) at all.

Darren Addy
Kearney, Nebraska




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Re: The Sam Abell thread (1)

2010-11-17 Thread Walter Gilbert
  I know.  Just goes to show you, anyone can take great photos ... even 
with a Pentax.


http://www.pentaxphotogallery.com/waltergilbert
http://waltgilbert.posterous.com/

On 11/17/2010 10:47 AM, Scott Loveless wrote:

On Wed, Nov 17, 2010 at 11:40 AM, Walter Gilbertldott...@gmail.com  wrote:

  Hey!  I took a Great Photograph this summer!

http://www.flickr.com/photos/walt_gilbert/5184984568/

Man, that was easy.

Wow, Kenny!  That's a great photograph!




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Re: I think I may have a problem....

2010-11-17 Thread CheekyGeek
I must say, I find some of the value judgments made in this thread to
be oddly entertaining and encouraging.
I'm also going to use them as motivation.
: )

Darren Addy
Kearney, Nebraska

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Re: PESO today's mushroom picture

2010-11-17 Thread Larry Colen

On Nov 17, 2010, at 7:17 AM, Jack Davis wrote:

 Good one, Larry! I think the larger grouping on the left would, also, make a 
 nice shot on its own.

Thanks.

That's easy enough to arrange, as a matter of fact, that's what I started out 
with:
http://www.flickr.com/photos/ellarsee/5185029702/
or more from above
http://www.flickr.com/photos/ellarsee/5185030086/
 
 Jack
 
 --- On Wed, 11/17/10, David J Brooks pentko...@gmail.com wrote:
 
 From: David J Brooks pentko...@gmail.com
 Subject: Re: PESO today's mushroom picture
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 7:09 AM
 On Tue, Nov 16, 2010 at 8:39 PM,
 Larry Colen l...@red4est.com
 wrote:
 I keep asking myself how many mushroom pictures do I
 need?
 
 1 more than you already have.
 
 I was working in the yard this afternoon and got
 distracted by playing with my camera again.
 
 http://www.flickr.com/photos/ellarsee/5183450266/in/set-72157625405200292/
 
 Very good. I love the composition here.
 
 Dave
 
 --
 Larry Colen l...@red4est.com
 sent from i4est
 
 
 
 
 
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 York Region, Ontario, Canada
 
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Re: PESO: Yellowbook

2010-11-17 Thread Larry Colen

On Nov 17, 2010, at 7:12 AM, Jack Davis wrote:

 I know! It's a study in tacky! I expected this, so it doesn't either 
 surprise or bother me.
 IOW, I'm a free advertising whore.

I wondered what kind of whore you were.  But, if you're free, you're a slut, 
not a whore, you've got to make money to call yourself a pro.


--
Larry Colen l...@red4est.com sent from i4est





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Re: The Sam Abell thread (1)

2010-11-17 Thread DagT
Den 17. nov. 2010 kl. 17.10 skrev Bob Sullivan:

 Darren,
 Will comment more when I have time to look at your links.
 I think you and Miserere have some common opinions here.
 Look at this piece he has put up on 'What makes a good photograph.'
 
 http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/
 
 I think we don't go to enough exoctic locations to have great photos.  :-)
 Regards,  Bob S.

But on the other hand it is easier to get photos accepted in competitions or in 
the Pentax Gallery if you photograph exotic locations .-)

DagT

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Re: PESO: Yellowbook

2010-11-17 Thread CheekyGeek
On Wed, Nov 17, 2010 at 11:03 AM, Larry Colen l...@red4est.com wrote:
 I wondered what kind of whore you were.  But, if you're free, you're a slut, 
 not a whore, you've got to make money to call yourself a pro.



I know dialog and that is particularly harsh.
 - When Harry Met Sally.

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Ken Rockwell LOVES the Pentax DFA 100mm f/2.8 macro!!!

2010-11-17 Thread Miserere
Well, in a roundabout way...

http://kenrockwell.com/tokina/100mm-f28.htm

[dons flame suit for mentioning the unmentionable name]


   —M.

    \/\/o/\/\ -- http://WorldOfMiserere.com

    http://EnticingTheLight.com
    A Quest for Photographic Enlightenment

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Re: The Sam Abell thread (1)

2010-11-17 Thread John Francis
On Wed, Nov 17, 2010 at 04:48:12PM +, Collin Brendemuehl wrote:
 From: Steven Desjardins drd1...@gmail.com
 
 I have previously mentioned the movie Sky Captain and the World of
 Tomorrow.
 
 I love that movie.  Right alongside Galaxy Quest for a fun time.

Sky Captain didn't do anything for me.  Galaxy Quest, however,
sits on the shelf alongside Flash Gordon, The Last Starfighter
and Ice Pirates (and Barbarella, and Mars Attacks ...)

There are a whole lot of really good B movies out there.
There's a group I categorise as Arnie Movies (The Running Man,
True Lies, Conan [I  II], and Judge Dredd) - the last may
not have actually had The Governator in it, but it would have been
about the same movie with him playing the role.

Then there are The Princess Bride, Young Frankenstein, Blazing
Saddles, and even at least the first Pirates of the Caribbean


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Re: Ken Rockwell LOVES the Pentax DFA 100mm f/2.8 macro!!!

2010-11-17 Thread P. J. Alling

I only have one word for Kennyboy, and that's putz...

On 11/17/2010 12:15 PM, Miserere wrote:

Well, in a roundabout way...

http://kenrockwell.com/tokina/100mm-f28.htm

[dons flame suit for mentioning the unmentionable name]


—M.

 \/\/o/\/\ --  http://WorldOfMiserere.com

 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment




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Re: Ken Rockwell LOVES the Pentax DFA 100mm f/2.8 macro!!!

2010-11-17 Thread P. J. Alling
Damn he has all kinds of links to click on to give him money, I want one 
that takes it away.


On 11/17/2010 12:15 PM, Miserere wrote:

Well, in a roundabout way...

http://kenrockwell.com/tokina/100mm-f28.htm

[dons flame suit for mentioning the unmentionable name]


—M.

 \/\/o/\/\ --  http://WorldOfMiserere.com

 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment




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Re: PESO: Yellowbook

2010-11-17 Thread Jack Davis
Oh, I think when the users see that cover they'll feverishly examine every inch 
of that book looking for the cover photog. yeah right!!
If it were to be used to promote a product for financial gain or itself be 
sold, I'd have, of course, charged for furnishing the image which went to them 
as an email attachment. Guess I'm just too tired to be concerned. :-/
Thanks for commenting, Darren!

Jack

--- On Wed, 11/17/10, CheekyGeek cheekyg...@gmail.com wrote:

 From: CheekyGeek cheekyg...@gmail.com
 Subject: Re: PESO: Yellowbook
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 8:50 AM
 Well congrats on them choosing your
 photograph. It is indeed worthy of
 appreciation by the wide audience it will receive. But as
 for the
 value of the photo credit and website address nowhere in
 the proximity
 of said photograph, I'd have to say it is near nil. If you
 have Google
 Analytics on your web site and have a measureable change in
 hits once
 the phone book comes out - due to that alone, I'd be
 incredibly
 surprised. Of course, only ONE important person needs to
 see it to
 make it worthwhile. Especially given its location, I think
 I would
 have tried to give the interested finder of the bio a bit
 more to chew
 on than name and web site address. Put another way, if all
 I was
 asking for was name and website address, I would have asked
 for it to
 be on the cover or in the photograph itself. For free usage
 of such a
 good image, I don't think that would have been too much to
 ask (or
 receive) at all.
 
 Darren Addy
 Kearney, Nebraska
 
 
 
 
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Re: PESO: Yellowbook

2010-11-17 Thread Jack Davis
Oh, I'm planning on an extreme rush of business as a direct result of this 
book..sputter!! 
Maybe I'm an indirect whore. It's my condom philosophy.

Jack

--- On Wed, 11/17/10, Larry Colen l...@red4est.com wrote:

 From: Larry Colen l...@red4est.com
 Subject: Re: PESO: Yellowbook
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 9:03 AM
 
 On Nov 17, 2010, at 7:12 AM, Jack Davis wrote:
 
  I know! It's a study in tacky! I expected this, so
 it doesn't either surprise or bother me.
  IOW, I'm a free advertising whore.
 
 I wondered what kind of whore you were.  But, if
 you're free, you're a slut, not a whore, you've got to make
 money to call yourself a pro.
 
 
 --
 Larry Colen l...@red4est.com
 sent from i4est
 
 
 
 
 
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Re: PESO: Yellowbook

2010-11-17 Thread Jack Davis
I'll bet there are others who would say, I'll have what he's having. ;)

Jack

--- On Wed, 11/17/10, CheekyGeek cheekyg...@gmail.com wrote:

 From: CheekyGeek cheekyg...@gmail.com
 Subject: Re: PESO: Yellowbook
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 9:11 AM
 On Wed, Nov 17, 2010 at 11:03 AM,
 Larry Colen l...@red4est.com
 wrote:
  I wondered what kind of whore you were.  But, if
 you're free, you're a slut, not a whore, you've got to make
 money to call yourself a pro.
 
 
 
 I know dialog and that is particularly harsh.
                
              - When
 Harry Met Sally.
 
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Re: The Sam Abell thread (1)

2010-11-17 Thread steve harley

On 2010-11-17 08:16 , CheekyGeek wrote:

One example, I might suggest, is one of the three Sam Abell images
that graced the COVER of National Geographic magazine:
http://photography.nationalgeographic.com/staticfiles/NGS/Shared/StaticFiles/Photography/Images/POD/a/aboriginal-teenager-504198-sw.jpg
(http://on.natgeo.com/903wXD  )
Is the greatness of this image due to the photographer or the
unusual subject? Put another way, if we put ME in that water, would
this be a compelling image?


what i have to say before reading any other comments:

having worked in the magazine business, including art-directing and 
laying out many covers and working with great photography (e.g. James 
Balog, Sebastio Salgado), i think that is an excellent cover shot but 
not a photo i would hang on the wall; the form (with reflection) is 
interesting, and the gaze is penetrating (i can only hope it is better 
at a larger size), but mainly it grabs the looker with a quick glance 
and it has perfect backgrounds for titles; i also assume it is iconic 
for a larger topic included in the magazine issue


in short, while some are stunning artworks on their own, in most 
magazines the cover shot is essentially a functional design element


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Re: The Sam Abell thread (1)

2010-11-17 Thread Bob Sullivan
Right you are, but the link has lots of truth in it.
It made me rethink some of what I was doing looking for photo opportunities.
Regards, Bob S.

On Wed, Nov 17, 2010 at 10:43 AM, CheekyGeek cheekyg...@gmail.com wrote:
 If I'm not mistaken, a lot of what Miserere was saying in that article
 was with tongue firmly planted in cheek.
 Or maybe I just need new batteries in my sarcastometer/ironicalgraph.

 Darren Addy
 Kearney, NE

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Re: Ken Rockwell LOVES the Pentax DFA 100mm f/2.8 macro!!!

2010-11-17 Thread Larry Colen

On Nov 17, 2010, at 9:17 AM, P. J. Alling wrote:

 I only have one word for Kennyboy, and that's putz...

I invite you to produce a more successful photo website than his. At the very 
least, Kennyboy is a well known, and successful putz.

As much fun as he is to make fun of, he is occasionally on target. After my 
FZ50 was stolen, it was his piece on the D40 that eventually ended up with me 
getting my K100.  I was looking at the D40 and the competing Rebel when I heard 
the salesman discussing the K100 with another customer, and I realized that it 
had everything I liked about the D40 and none of the things I didn't like about 
the Rebel, plus it was cheaper and had in body image stabilization. Likewise, 
everything that he liked about his D40 applied to the K100.

Mind you, if I could have used my old AIS lenses on a D40 the way I can use K 
lenses on a K100, I'd probably be shooting Nikon today.

 
 On 11/17/2010 12:15 PM, Miserere wrote:
 Well, in a roundabout way...
 
 http://kenrockwell.com/tokina/100mm-f28.htm

Is the Tokina 100/2.8 macro the same as the Pentax?

He does, however, make a few Rockwellisms in this piece. He categorically 
states that 200mm is better than 100mm because you get more working distance, 
when I find that I'm often using my 50mm or 20mm rather than the 90mm either 
because I don't have the room to be as far away as the 90 requires, or because 
I specifically want the wide angle perspective.

 
 [dons flame suit for mentioning the unmentionable name]

I think that he's very good at giving simple, easy to understand, advice to 
people who  don't know anything about photography.  Note that I didn't say 
completely accurate advice.  A is better because of B is a lot easier to 
digest than A is better because of B, except in cases of C, when D is better, 
unless you're shooting with a flash in which case neither matters because the 
interocitor is polarized anyways.

Going way off topic, In the same scene that the interocitor is mentioned, they 
also mention one of these:
http://search.digikey.com/scripts/DkSearch/dksus.dll?Detailname=604-1018-ND

Welcome to the 21st century.

--
Larry Colen l...@red4est.com sent from i4est





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Re: OT I;m such a friggin idiot

2010-11-17 Thread Larry Colen

On Nov 17, 2010, at 8:32 AM, Steven Desjardins wrote:

 I'd use this current set.  Just issue an Errata sheet with each
 calendar.  Do a color one with a funny picture.  It will be memorable.

Take a red sharpie, circle the dates and use an arrow to mark where they go. 
Make some funny comment.

Then in half a dozen or so places in each calendar hand write in amusing 
events, or reminders:
Playdate with Mothra
Send Uncle Dave money
Buy more Ice Cream



 
 On Wed, Nov 17, 2010 at 11:23 AM, Walter Gilbert ldott...@gmail.com wrote:
  That's textbook win-win, right there.
 
 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/
 
 On 11/17/2010 10:14 AM, Bob Sullivan wrote:
 
 Better yet for the husbands if your error put the date 1 day early...
 
 On Wed, Nov 17, 2010 at 10:08 AM, Mark Robertsm...@robertstech.com
  wrote:
 
 Walter Gilbert wrote:
 
Just give the ones with the boo-boos to the husbands.  That way,
 they'll have an excuse in case they forget.  What do I know?  I got the
 screwed up calendar!
 
 Genius!
 
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Re: PESO: Godfrey's Contraption

2010-11-17 Thread Godfrey DiGiorgi
On Tue, Nov 16, 2010 at 9:02 PM, Miserere miser...@gmail.com wrote:
 On 16 November 2010 23:20, Walter Gilbert ldott...@gmail.com wrote:
  Hi all,

 As Ted and I were finishing up our time at War Eagle Mill, we came across
 this rather large hunk of iron that must have been a part taken from the
 workings of the mill.  I thought it was intriguing, but lacked the
 intestinal fortitude (literally and figuratively) to try and sneak out of
 there with it, and wasn't sure how to go about photographing it.  I
 consulted with Ted, who was quick to point out, Godfrey would know what to
 do with it.  I agreed.

 Still, I didn't want to leave without taking a shot at it just to see what I
 could come up with in post processing.  Well, this is how it turned out:

 http://flic.kr/p/8U1ZKa

 K-x, DAL 18-55 (at 35mm), f/7.1, ISO 200, 1/250, Aperture priority

 At the risk of incurring his wrath, I decided to name it after the guy who
 inspired it.

 Comments, critiques, suggestions, and all major credit cards accepted.

 This is a hilarious post, guys.

I agree. :-)

-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: Ken Rockwell LOVES the Pentax DFA 100mm f/2.8 macro!!!

2010-11-17 Thread P. J. Alling
Kennyboy is the John Stewart of photography.  He has said he does it for 
laughs.  Yet he sells himself as an expert.  His advice to noob's is 
often positively damaging, and he wants to be paid for it.  I, on the 
other hand,  hang out here I freely give advice and don;t expect to be 
paid for it, good or bad.  I think he's repulsive and his work runs to 
garish colors and bad composition, which you know probably would appeal 
to the least common denominator.He's at best a hack and at worst a 
charlatan.  .I don't care how successful his web site is.


On 11/17/2010 1:07 PM, Larry Colen wrote:

On Nov 17, 2010, at 9:17 AM, P. J. Alling wrote:


I only have one word for Kennyboy, and that's putz...

I invite you to produce a more successful photo website than his. At the very 
least, Kennyboy is a well known, and successful putz.

As much fun as he is to make fun of, he is occasionally on target. After my 
FZ50 was stolen, it was his piece on the D40 that eventually ended up with me 
getting my K100.  I was looking at the D40 and the competing Rebel when I heard 
the salesman discussing the K100 with another customer, and I realized that it 
had everything I liked about the D40 and none of the things I didn't like about 
the Rebel, plus it was cheaper and had in body image stabilization. Likewise, 
everything that he liked about his D40 applied to the K100.

Mind you, if I could have used my old AIS lenses on a D40 the way I can use K 
lenses on a K100, I'd probably be shooting Nikon today.


On 11/17/2010 12:15 PM, Miserere wrote:

Well, in a roundabout way...

http://kenrockwell.com/tokina/100mm-f28.htm

Is the Tokina 100/2.8 macro the same as the Pentax?

He does, however, make a few Rockwellisms in this piece. He categorically 
states that 200mm is better than 100mm because you get more working distance, 
when I find that I'm often using my 50mm or 20mm rather than the 90mm either 
because I don't have the room to be as far away as the 90 requires, or because 
I specifically want the wide angle perspective.


[dons flame suit for mentioning the unmentionable name]

I think that he's very good at giving simple, easy to understand, advice to people who  don't know anything 
about photography.  Note that I didn't say completely accurate advice.  A is better because 
of B is a lot easier to digest than A is better because of B, except in cases of C, when D is 
better, unless you're shooting with a flash in which case neither matters because the interocitor is 
polarized anyways.

Going way off topic, In the same scene that the interocitor is mentioned, they 
also mention one of these:
http://search.digikey.com/scripts/DkSearch/dksus.dll?Detailname=604-1018-ND

Welcome to the 21st century.

--
Larry Colen l...@red4est.com sent from i4est








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 -Woody Allen


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Re: PESO - Blue and Red

2010-11-17 Thread Godfrey DiGiorgi
Very funny!

On Wed, Nov 17, 2010 at 4:32 AM, frank theriault
knarftheria...@gmail.com wrote:
 And urban still life:

 http://knarfdummyblog.blogspot.com/2010/11/blue-animal-red-baron.html

 Hope you enjoy.  Comments always welcome.

 cheers,
 frank

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  godfreydigiorgi.posterous.com

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Re: OT I;m such a friggin idiot

2010-11-17 Thread eckinator
Definitely better than a redo - personal gifts are all about giving a
piece of yourself wrapped in thoughtful affection - give them your
booboo with an extra icing of love on top so to say... and excuse my
corny wording... rofl

2010/11/17 Larry Colen l...@red4est.com:

 On Nov 17, 2010, at 8:32 AM, Steven Desjardins wrote:

 I'd use this current set.  Just issue an Errata sheet with each
 calendar.  Do a color one with a funny picture.  It will be memorable.

 Take a red sharpie, circle the dates and use an arrow to mark where they go. 
 Make some funny comment.

 Then in half a dozen or so places in each calendar hand write in amusing 
 events, or reminders:
 Playdate with Mothra
 Send Uncle Dave money
 Buy more Ice Cream




 On Wed, Nov 17, 2010 at 11:23 AM, Walter Gilbert ldott...@gmail.com wrote:
  That's textbook win-win, right there.

 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/

 On 11/17/2010 10:14 AM, Bob Sullivan wrote:

 Better yet for the husbands if your error put the date 1 day early...

 On Wed, Nov 17, 2010 at 10:08 AM, Mark Robertsm...@robertstech.com
  wrote:

 Walter Gilbert wrote:

    Just give the ones with the boo-boos to the husbands.  That way,
 they'll have an excuse in case they forget.  What do I know?  I got the
 screwed up calendar!

 Genius!

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Re: Ken Rockwell LOVES the Pentax DFA 100mm f/2.8 macro!!!

2010-11-17 Thread eckinator
Hahahahaaa... did you know that the Nikon F6 is an APS-C digital?

Quote: This is an FX lens, and works especially well with on FX, 35mm
and DX Nikons like the D7000, D700, D3X, D300s and F6

2010/11/17 Miserere miser...@gmail.com:
 Well, in a roundabout way...

 http://kenrockwell.com/tokina/100mm-f28.htm

 [dons flame suit for mentioning the unmentionable name]


    —M.

     \/\/o/\/\ -- http://WorldOfMiserere.com

     http://EnticingTheLight.com
     A Quest for Photographic Enlightenment

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Re: PESO - Blue and Red

2010-11-17 Thread Mark Roberts
frank theriault wrote:

And urban still life:

http://knarfdummyblog.blogspot.com/2010/11/blue-animal-red-baron.html

Now you just need to find a red animal next to a Labatt's Blue
bottle...


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Re: OT I;m such a friggin idiot

2010-11-17 Thread Bob Sullivan
Good suggestions Larry!Regards,  Bob S.

On Wed, Nov 17, 2010 at 12:25 PM, Larry Colen l...@red4est.com wrote:

 On Nov 17, 2010, at 8:32 AM, Steven Desjardins wrote:

 I'd use this current set.  Just issue an Errata sheet with each
 calendar.  Do a color one with a funny picture.  It will be memorable.

 Take a red sharpie, circle the dates and use an arrow to mark where they go. 
 Make some funny comment.

 Then in half a dozen or so places in each calendar hand write in amusing 
 events, or reminders:
 Playdate with Mothra
 Send Uncle Dave money
 Buy more Ice Cream




 On Wed, Nov 17, 2010 at 11:23 AM, Walter Gilbert ldott...@gmail.com wrote:
  That's textbook win-win, right there.

 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/

 On 11/17/2010 10:14 AM, Bob Sullivan wrote:

 Better yet for the husbands if your error put the date 1 day early...

 On Wed, Nov 17, 2010 at 10:08 AM, Mark Robertsm...@robertstech.com
  wrote:

 Walter Gilbert wrote:

    Just give the ones with the boo-boos to the husbands.  That way,
 they'll have an excuse in case they forget.  What do I know?  I got the
 screwed up calendar!

 Genius!

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Re: OT I;m such a friggin idiot

2010-11-17 Thread David J Brooks
On Wed, Nov 17, 2010 at 1:25 PM, Larry Colen l...@red4est.com wrote:

 On Nov 17, 2010, at 8:32 AM, Steven Desjardins wrote:

 I'd use this current set.  Just issue an Errata sheet with each
 calendar.  Do a color one with a funny picture.  It will be memorable.

 Take a red sharpie, circle the dates and use an arrow to mark where they go. 
 Make some funny comment.

 Then in half a dozen or so places in each calendar hand write in amusing 
 events, or reminders:
 Playdate with Mothra
 Send Uncle Dave money
 Buy more Ice Cream

LOL, I may just give that one some thought.

What i did was write the names of the bride and groom on the Saturday
and Friday, of the 2010 dates. I could always say this was when the
actual time was.



I really don't want to spend another $120.

Dave




 On Wed, Nov 17, 2010 at 11:23 AM, Walter Gilbert ldott...@gmail.com wrote:
  That's textbook win-win, right there.

 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/

 On 11/17/2010 10:14 AM, Bob Sullivan wrote:

 Better yet for the husbands if your error put the date 1 day early...

 On Wed, Nov 17, 2010 at 10:08 AM, Mark Robertsm...@robertstech.com
  wrote:

 Walter Gilbert wrote:

    Just give the ones with the boo-boos to the husbands.  That way,
 they'll have an excuse in case they forget.  What do I know?  I got the
 screwed up calendar!

 Genius!

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 Steve Desjardins

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Documenting Life in Rural Ontario.
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
York Region, Ontario, Canada

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Re: Ken Rockwell LOVES the Pentax DFA 100mm f/2.8 macro!!!

2010-11-17 Thread David J Brooks
On Wed, Nov 17, 2010 at 12:15 PM, Miserere miser...@gmail.com wrote:
 Well, in a roundabout way...

 http://kenrockwell.com/tokina/100mm-f28.htm

 [dons flame suit for mentioning the unmentionable name]

If he likes it, I'll buy something else.:-)

I read his bit on lens sharpness. He must of got a good copy of the
Tamron 28075.

Mine was not

Dave


    —M.

     \/\/o/\/\ -- http://WorldOfMiserere.com

     http://EnticingTheLight.com
     A Quest for Photographic Enlightenment

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Re: Pentax photo gallery

2010-11-17 Thread Daniel J. Matyola
Congratulations!

BTW, if anyone knows the folks who run the PPG, please tell them to
update their sign-in page.  The language is a bit clumsy, especially
where it assumes the reader has never before seen anything as wondrous
and modern as an on-line photo gallery.  When was that written?

Dan
http://www.pentaxphotogallery.com/danieljmatyola


On Wed, Nov 17, 2010 at 7:14 AM, Nick David Wright
pedalsandpr...@gmail.com wrote:
 Yay! ///Finally/// another photo got approved for the PPG!!
 http://www.pentaxphotogallery.com/nickwright

 That is some tough stuff!

 On another note, has anyone else noticed the PPG does not like Safari?
 It just refuses to work for me in that browser.

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Re: PESO: Yellowbook

2010-11-17 Thread Daniel J. Matyola
Nice image!  I can see why they asked to use it.

Dan
http://www.pentaxphotogallery.com/danieljmatyola

On Wed, Nov 17, 2010 at 8:50 AM, Jack Davis jdavi...@yahoo.com wrote:
 Received a call from a Sacramento based 'phonebook publisher. They had found 
 my website (I gather) and wanted to know if I'd be willing to allow them to 
 use one of my photos for the cover of the local 2011-2012 Yellowbook. Liberal 
 photo credit offered which would appear on the back of the cover.
 As I'm sure is the case virtually everywhere, at least in this country, the 
 book is delivered free to all listed city/town households and businesses.
 My website will appear as a part of my photo credit, so I agreed.

 Jack

 Cover:

 http://photolightimages.com/aspupload/detail.asp?ID=549

 Photo: (LX, 24mm Takumar)

 http://photolightimages.com/aspupload/detail.asp?ID=550






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RE: The Sam Abell thread (1)

2010-11-17 Thread Bob W
 Darren,
 Will comment more when I have time to look at your links.
 I think you and Miserere have some common opinions here.
 Look at this piece he has put up on 'What makes a good photograph.'
 
 http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/
 
 I think we don't go to enough exoctic locations to have great photos.  :-)

I was once showing a group of friends some of my photos from Ethiopia and
one of the people commented well, anyone can take good photos in a place
like that. I was amazed at the comment, particularly given that the same
person has seen many photos of Ethiopia by other friends which are
completely shit, and plenty of mine taken locally which are pretty good. 

Everywhere is exotic to people who live on the other side of the world. I
remember coming home one day to find a group of Japanese tourists peering
into the window of my house, presumably taking an anthropological interest
in the exotic native household.

B


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Re: PESO: Yellowbook

2010-11-17 Thread steve harley

On 2010-11-17 09:50 , CheekyGeek wrote:

Put another way, if all I was
asking for was name and website address, I would have asked for it to
be on the cover or in the photograph itself. For free usage of such a
good image, I don't think that would have been too much to ask (or
receive) at all.


i'm a consultant on telephone directory production; i've seen such 
covers from all over the US; smaller directories like to find local 
color for their covers, but they _never_ put a credit on the cover


but it's still nice exposure

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Re: The Sam Abell thread (1)

2010-11-17 Thread CheekyGeek
On Wed, Nov 17, 2010 at 1:11 PM, Bob W p...@web-options.com wrote:
 one of the people commented well, anyone can take good photos in a place
 like that.

^^^ How to diagnose an abusive personality in one sentence
(or, at a minimum, Severe Social Retardation).

Reminds me of the line Wow your camera takes nice pictures! To which
the only reasonable response is Thanks! You mouth makes nice
compliments!

Darren Addy
Kearney, Nebraska
-- 
Nothing is sure, except Death and Pentaxes.

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RE: PESO today's mushroom picture

2010-11-17 Thread Chris Mitchell
Larry Colen wrote
 
 I keep asking myself how many mushroom pictures do I need?

Now you've achieved a shot without mangling the mushroom by dropping bits of
equipment on it, you could stop now...

...But if you can do any more as good as this, keep going!

Chris

 
 I was working in the yard this afternoon and got distracted by playing
 with my camera again.
 
 http://www.flickr.com/photos/ellarsee/5183450266/in/set-
 72157625405200292/




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Re: PESO: Yellowbook

2010-11-17 Thread Jack Davis
Thanks, Dan! After what they did to it I was reluctant to claim it..NOT! ;)

Jack

--- On Wed, 11/17/10, Daniel J. Matyola danmaty...@gmail.com wrote:

 From: Daniel J. Matyola danmaty...@gmail.com
 Subject: Re: PESO: Yellowbook
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 11:03 AM
 Nice image!  I can see why they
 asked to use it.
 
 Dan
 http://www.pentaxphotogallery.com/danieljmatyola
 
 On Wed, Nov 17, 2010 at 8:50 AM, Jack Davis jdavi...@yahoo.com
 wrote:
  Received a call from a Sacramento based 'phonebook
 publisher. They had found my website (I gather) and wanted
 to know if I'd be willing to allow them to use one of my
 photos for the cover of the local 2011-2012 Yellowbook.
 Liberal photo credit offered which would appear on the back
 of the cover.
  As I'm sure is the case virtually everywhere, at least
 in this country, the book is delivered free to all listed
 city/town households and businesses.
  My website will appear as a part of my photo credit,
 so I agreed.
 
  Jack
 
  Cover:
 
  http://photolightimages.com/aspupload/detail.asp?ID=549
 
  Photo: (LX, 24mm Takumar)
 
  http://photolightimages.com/aspupload/detail.asp?ID=550
 
 
 
 
 
 
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 directly above and follow the directions.
 
 
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