Newly added Pentax gear @ KEH

2013-04-13 Thread Bipin Gupta
Hey Zos  Steve,why don't you use the Buy Now Pay Later scheme so
popular in America.
Don't sigh - just do it. Be happy, don't worry, as the music goes.
Regards.
Bipin - from that far away enchanting land.

PS: I transact strictly cash.

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Re: PESO: Some spring flowers

2013-04-13 Thread David Mann
On Apr 13, 2013, at 10:47 AM, Zos Xavius zosxav...@gmail.com wrote:

 Spring is exploding here with all the rain. I would kill for even a
 50mm macro right about now.
 
 Shot with my 28mm 3.5, hence the somewhat busy bokeh.
 
 https://www.facebook.com/photo.php?fbid=435543859867367set=a.288331681255253.71444.108166875938402type=1theater

Magnolias.  Lovely.  We have a magnolia tree but it's quite small and 
overshadowed by surrounding trees so we don't get many flowers.  This season we 
had about 20 flowers which is by far the most it's ever had.  It's getting 
taller now so it may be getting a bit more light.

Cheers,
Dave


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Re: Anyone got a trackball they'd part with cheap?

2013-04-13 Thread David Mann
I was thinking iStock ;)

Cheers,
Dave

On Apr 13, 2013, at 11:37 AM, Rob Studdert distudio.p...@gmail.com wrote:

 http://www.freecycle.org/ ?
 
 On 12 April 2013 07:09, Mark Roberts postmas...@robertstech.com wrote:
 I need to shoot a photo of a trackball and the one I used to own has
 gone missing (probably lost during one of our moved in the past few
 years). Anyone have an unused one they'd like to dispose of cheap?
 
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 www.robertstech.com
 
 
 
 
 
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Re: PESO Bored at work last night

2013-04-13 Thread David Mann
On Apr 13, 2013, at 12:31 PM, Rob Studdert distudio.p...@gmail.com wrote:

 (I assume it's a possum, the ones around here are just gray. If so,  he's
 got very pretty coloring.)
 
 Close but no cigar, http://en.wikipedia.org/wiki/Grey-headed_flying_fox

Ah that's good.  If it were a possum I'd say you'd shot it in the wrong way.

Cheers,
Dave


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Re: PESO - Wicked Pickett

2013-04-13 Thread David Mann
On Apr 13, 2013, at 11:53 AM, Paul Stenquist pnstenqu...@comcast.net wrote:

 Here's a 100% crop of the errant supercharger. It's beyond the DOF, so I 
 sharpened the crap out of it. You can see the stout gilmer drive belt hanging 
 from the front pulley. Something blue is leaving the building at upper left. 
 Don't know what that is. Could be part of the aluminum paneling that supports 
 the body. 
 
 http://photo.net/photodb/photo?photo_id=17151753size=lg

That looks expensive but I doubt you'd get into drag racing if you needed the 
money.

Cheers,
Dave


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Re: OT: Oh Yeah. I just found the camera of my dreams.

2013-04-13 Thread mike wilson

On 13/04/2013 04:29, Bill wrote:

...it's all
metal on the outside, but inside it feels like all butter construction.




I didn't buy it today but I did tell him that cleaning my nose prints
off the screen wasn't necessary.


Two in one post. Congratulations.

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Re: PESO Bored at work last night

2013-04-13 Thread Paul Stenquist
Good critter capture. Not as ugly as the possums I see around here.
Paul
On Apr 12, 2013, at 8:25 PM, eactiv...@aol.com wrote:

 LOL.
 
 Poor possum.
 
 (I assume it's a possum, the ones around here are just gray. If so,  he's 
 got very pretty coloring.)
 
 Marnie aka Doe ;-)   Boy, photographers get sneaky sometimes.  
 
 In a message dated 4/12/2013 5:18:03 P.M. Pacific Daylight Time,  
 distudio.p...@gmail.com writes:
 Distracted by a racket outside in the huge  fig tree I concocted a
 MacGyver like  plan:
 
 https://dl.dropboxusercontent.com/u/9304908/temp/IMGQ11212.jpg
 
 :)
 
 
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PESO 2013 - Ballaugh Beach - GDG

2013-04-13 Thread Godfrey DiGiorgi
Yes, it was pretty chilly, but lovely...

http://www.flickr.com/photos/gdgphoto/8644993704/lightbox
Incognito - Ballaugh Beach 2013

Enjoy!


Godfrey
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Re: PESO - Wicked Pickett

2013-04-13 Thread Alan C
Amazing stuff  you couldn't see what you had until the film was developed. 
Drag racing is always such a colourful spectacle.


Alan C

--
From: Paul Stenquist pnstenqu...@comcast.net
Sent: Saturday, April 13, 2013 1:53 AM
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO - Wicked Pickett

That was the nickname of drag racer Bob Pickett. I shot him coming off 
true staring line at Englishtown in the summer of 1980.


http://photo.net/photodb/photo?photo_id=17151757size=lg

When I scanned this today, I noticed that the car in the other lane had 
just suffered a starting-line intake manifold explosion, and the 
supercharger was coming off the front of the hood. I would guess he drove 
over it, and probably suffered a fire as the car must have dropped an 
intake valve or backfired into the manifold.


Here's a 100% crop of the errant supercharger. It's beyond the DOF, so I 
sharpened the crap out of it. You can see the stout gilmer drive belt 
hanging from the front pulley. Something blue is leaving the building at 
upper left. Don't know what that is. Could be part of the aluminum 
paneling that supports the body.



http://photo.net/photodb/photo?photo_id=17151753size=lg

Paul
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Re: PESO 2013 - soon gone - GDG

2013-04-13 Thread Alan C
Very sad, Godfrey. The building has a lot of character, especially the roof 
lines. You would think some creative architect could come up with a novel 
way of preserving the basic structure.


Alan C

--
From: Godfrey DiGiorgi godfreydigio...@me.com
Sent: Friday, April 12, 2013 10:33 PM
To: SeePhoto Talk seeph...@micapeak.com; BAPhotoShooters 
baphotoshoot...@yahoogroups.com; PDML PDML@pdml.net; PAW 
Picture-A-Week project p...@micapeak.com

Subject: PESO 2013 - soon gone - GDG


This old building soon to be razed for a new development.

http://www.flickr.com/photos/gdgphoto/8641854465/lightbox
Soon Gone #1 - Douglas 2013

http://www.flickr.com/photos/gdgphoto/8642955740/lightbox
Soon Gone #2 - Douglas 2013

Enjoy!

Godfrey
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Re: PESO: Music in the Dark

2013-04-13 Thread Daniel J. Matyola
excellent image, under extremely difficult lighting conditions!
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Fri, Apr 12, 2013 at 1:28 PM, Charles Robinson charl...@visi.com wrote:
 The K5 at ISO 6400 continues to please me.

 It's like I can shoot in utter darkness and still get usable results!

 Notice how the skyline outside is only a little dimmer than the lighting 
 inside the club.

 http://charles.robinsontwins.org/photos/2013/Munson_Wilson_Koza/content/K5__7312_large.html

 Even when I push it and have to get some noise/grain in the image, I don't 
 find the noise to be distracting.  It's like the old-school film grain.  
 Perfectly acceptable (to me).

  -Charles

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Re: Newly added Pentax gear @ KEH

2013-04-13 Thread Steve Sharpe

At 11:38 AM +0530 4/13/13, Bipin Gupta wrote:

Hey Zos  Steve,why don't you use the Buy Now Pay Later scheme so
popular in America.


I don't think that offer is available outside the USA.


Don't sigh - just do it. Be happy, don't worry, as the music goes.
Regards.
Bipin - from that far away enchanting land.

PS: I transact strictly cash.


I try to do that as well. Plus, I have spent a fair bit of $$ on gear 
lately anyway, albeit on a...errr...competing brand. In addition, 
there are other - non-photography related - toys I would like to save 
for...plus a fairly hefty (for me) tax bill due at the end of the 
month...



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•

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Re: PESO: Music in the Dark

2013-04-13 Thread Alan C
You have really captured the moment, Charles. The colours do a lot for me 
too. This is one image which wouldn't work in B/W.


Alan C

--
From: Charles Robinson charl...@visi.com
Sent: Friday, April 12, 2013 7:28 PM
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO: Music in the Dark


The K5 at ISO 6400 continues to please me.

It's like I can shoot in utter darkness and still get usable results!

Notice how the skyline outside is only a little dimmer than the lighting 
inside the club.


http://charles.robinsontwins.org/photos/2013/Munson_Wilson_Koza/content/K5__7312_large.html

Even when I push it and have to get some noise/grain in the image, I don't 
find the noise to be distracting.  It's like the old-school film grain. 
Perfectly acceptable (to me).


-Charles

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Minneapolis, MN
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http://www.facebook.com/charles.robinson


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Re: OT but veering back towards photography (or not)

2013-04-13 Thread Aahz Maruch
On Thu, Apr 11, 2013, Rob Studdert wrote:

 Looks like a waste of some nice gear
 
 http://www.wired.com/rawfile/2013/04/johnny-tergo-drive-by-portraits/#slideid-19263

He's lucky he hasn't been sued.  I know a number of people with various
kinds of eye problems that would get triggered by this setup.
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Re: PESO: Music in the Dark

2013-04-13 Thread David J Brooks
Excellent shot. I to just finished a shoot at iso 6400 and was quite pleased

Dave

On Fri, Apr 12, 2013 at 1:28 PM, Charles Robinson charl...@visi.com wrote:
 The K5 at ISO 6400 continues to please me.

 It's like I can shoot in utter darkness and still get usable results!

 Notice how the skyline outside is only a little dimmer than the lighting 
 inside the club.

 http://charles.robinsontwins.org/photos/2013/Munson_Wilson_Koza/content/K5__7312_large.html

 Even when I push it and have to get some noise/grain in the image, I don't 
 find the noise to be distracting.  It's like the old-school film grain.  
 Perfectly acceptable (to me).

  -Charles

 --
 Charles Robinson - charl...@visi.com
 Minneapolis, MN
 http://charles.robinsontwins.org
 http://www.facebook.com/charles.robinson


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Re: PESO: Music in the Dark

2013-04-13 Thread Bob Sullivan
Agreed, and the colors make the whole shoot more dynamic.
Very nice, I wouldn't have expected that.
Regards,  Bob S.

On Sat, Apr 13, 2013 at 7:47 AM, Daniel J. Matyola danmaty...@gmail.com wrote:
 excellent image, under extremely difficult lighting conditions!
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola


 On Fri, Apr 12, 2013 at 1:28 PM, Charles Robinson charl...@visi.com wrote:
 The K5 at ISO 6400 continues to please me.

 It's like I can shoot in utter darkness and still get usable results!

 Notice how the skyline outside is only a little dimmer than the lighting 
 inside the club.

 http://charles.robinsontwins.org/photos/2013/Munson_Wilson_Koza/content/K5__7312_large.html

 Even when I push it and have to get some noise/grain in the image, I don't 
 find the noise to be distracting.  It's like the old-school film grain.  
 Perfectly acceptable (to me).

  -Charles

 --
 Charles Robinson - charl...@visi.com
 Minneapolis, MN
 http://charles.robinsontwins.org
 http://www.facebook.com/charles.robinson


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Re: PESO - Wicked Pickett

2013-04-13 Thread David J Brooks
Nixce work

Dave

On Fri, Apr 12, 2013 at 7:53 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 That was the nickname of drag racer Bob Pickett. I shot him coming off true 
 staring line at Englishtown in the summer of 1980.

 http://photo.net/photodb/photo?photo_id=17151757size=lg

 When I scanned this today, I noticed that the car in the other lane had just 
 suffered a starting-line intake manifold explosion, and the supercharger was 
 coming off the front of the hood. I would guess he drove over it, and 
 probably suffered a fire as the car must have dropped an intake valve or 
 backfired into the manifold.

 Here's a 100% crop of the errant supercharger. It's beyond the DOF, so I 
 sharpened the crap out of it. You can see the stout gilmer drive belt hanging 
 from the front pulley. Something blue is leaving the building at upper left. 
 Don't know what that is. Could be part of the aluminum paneling that supports 
 the body.


 http://photo.net/photodb/photo?photo_id=17151753size=lg

 Paul
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Multiple Brands or Switching - a Trend?

2013-04-13 Thread George Sinos
I think I subscribed to PDML in 2000 or 2001.  It seems like the last
couple of years, and especially the last few months the topic of other
brands supplementing Pentax gear or just plain switching to other
brands has significantly increased.

Thom Hogan started a series called How to Choose a Camera (Intro with
Homework) on www.bythom.com  He starts with this:

...at this point in the digital era, almost all cameras are highly
competent. At the DSLR level, image quality even with the entry models
surpasses what most people could have gotten from film SLRs (assuming
you understand the camera, what it can actually do, and how to make it
perform optimally). As I've written for a number of years now about
all DSLRs: if you can't get a good-looking image at the largest size a
desktop inkjet printer can create (13x19), it isn't the camera that's
the problem. Assuming your DSLR is not broken, it will be your
decisions and your handling of the camera that are the gatekeepers on
image quality these days.

I don't disagree with him.

If this is the case why so much talk of switching and other brands?
Is it really all due to the lack of a full frame body?  Is the
increased talk of other brands really a trend or my imagination?

GS


George Sinos

www.GeorgesPhotos.net
www.GeorgeSinos.com

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Re: Newly added Pentax gear @ KEH

2013-04-13 Thread John Sessoms

From: Larry Colen

I am stupidly tempted by the bargain condition DA35 macro.

I don't care about appearance, just functionality  How big of a risk would I be 
taking?

Would it be worth the extra $80 to get the EX+ copy?


KEH appear to apply their ratings very conservatively. I've bought BGN 
items from KEH before and didn't regret it.


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RE: PESO - Wicked Pickett

2013-04-13 Thread John Sessoms

From: Paul Stenquist

That was the nickname of drag racer Bob Pickett. I shot him coming
off true staring line at Englishtown in the summer of 1980.

http://photo.net/photodb/photo?photo_id=17151757size=lg

When I scanned this today, I noticed that the car in the other lane
had just suffered a starting-line intake manifold explosion, and the
supercharger was coming off the front of the hood. I would guess he
drove over it, and probably suffered a fire as the car must have
dropped an intake valve or backfired into the manifold.

Here's a 100% crop of the errant supercharger. It's beyond the DOF,
so I sharpened the crap out of it. You can see the stout gilmer drive
belt hanging from the front pulley. Something blue is leaving the
building at upper left. Don't know what that is. Could be part of the
aluminum paneling that supports the body.


http://photo.net/photodb/photo?photo_id=17151753size=lg

Paul


Looks like the guy in the blue shorts, white shirt  straw cowboy hat is 
holding a blue rag at his hip.


From the casual demeanor of the crew (?) and other people standing 
around, I think it's well past the stage where parts would still be 
flying off that car.


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RE: PESO Bored at work last night

2013-04-13 Thread John Sessoms

From: Rob Studdert

Distracted by a racket outside in the huge fig tree I concocted a
MacGyver like plan:

https://dl.dropboxusercontent.com/u/9304908/temp/IMGQ11212.jpg

:)


Tree kangaroo?

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Re: PESO - Wicked Pickett

2013-04-13 Thread Paul Stenquist

On Apr 13, 2013, at 10:14 AM, John Sessoms jsessoms...@nc.rr.com wrote:

 From: Paul Stenquist
 That was the nickname of drag racer Bob Pickett. I shot him coming
 off true staring line at Englishtown in the summer of 1980.
 
 http://photo.net/photodb/photo?photo_id=17151757size=lg
 
 When I scanned this today, I noticed that the car in the other lane
 had just suffered a starting-line intake manifold explosion, and the
 supercharger was coming off the front of the hood. I would guess he
 drove over it, and probably suffered a fire as the car must have
 dropped an intake valve or backfired into the manifold.
 
 Here's a 100% crop of the errant supercharger. It's beyond the DOF,
 so I sharpened the crap out of it. You can see the stout gilmer drive
 belt hanging from the front pulley. Something blue is leaving the
 building at upper left. Don't know what that is. Could be part of the
 aluminum paneling that supports the body.
 
 
 http://photo.net/photodb/photo?photo_id=17151753size=lg
 
 Paul
 
 Looks like the guy in the blue shorts, white shirt  straw cowboy hat is 
 holding a blue rag at his hip.
 
 From the casual demeanor of the crew (?) and other people standing around, I 
 think it's well past the stage where parts would still be flying off that car.
 
The crew and starting line personnel are  used to parts flying off. Plus 
they've only had a split second to react.  This is obviously at the hit of the 
throttle. The blower has just landed on the hood and the belt is dangling from 
it. Some vapor can be seen coming from the intake manifold as well. Usually 
when the supercharger comes  off, fire follows.
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PESO - April Dawn

2013-04-13 Thread knarftheria...@gmail.com
Several days ago I left the house early to walk up to meet my ride to work. I 
decided to take my camera and walk down to the lake. It was nice to see the sun 
coming up over the lake:

 http://knarfdummyblog.blogspot.ca/2013/04/april-dawn.html?m=1

I don't think we've seen the sun since (two days of freezing rain and today its 
cold and rainy.

But enough whining. Hope you enjoy this pleasant (if unspectacular) sunrise. 
Comments always welcome.

Cheers,
frank

For me, the camera is a sketch book, an instrument of intuition and 
spontaneity. -- Henri Cartier-Bresson
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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Steve Sharpe

At 8:38 AM -0500 4/13/13, George Sinos wrote:

I think I subscribed to PDML in 2000 or 2001.  It seems like the last
couple of years, and especially the last few months the topic of other
brands supplementing Pentax gear or just plain switching to other
brands has significantly increased.

Thom Hogan started a series called How to Choose a Camera (Intro with
Homework) on www.bythom.com  He starts with this:

...at this point in the digital era, almost all cameras are highly
competent. At the DSLR level, image quality even with the entry models
surpasses what most people could have gotten from film SLRs (assuming
you understand the camera, what it can actually do, and how to make it
perform optimally). As I've written for a number of years now about
all DSLRs: if you can't get a good-looking image at the largest size a
desktop inkjet printer can create (13x19), it isn't the camera that's
the problem. Assuming your DSLR is not broken, it will be your
decisions and your handling of the camera that are the gatekeepers on
image quality these days.

I don't disagree with him.

If this is the case why so much talk of switching and other brands?
Is it really all due to the lack of a full frame body?  Is the
increased talk of other brands really a trend or my imagination?


I have two reasons for buying Nikon gear: 1) I was curious to see 
what all the hoopla was about, and 2) My K20D is absolutely godawful 
for astrophotography.


A full-frame body is in the back of my mind as well, but now that it 
appears that Pentax is developing one, I'm willing to wait.


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•

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Re: PESO Bored at work last night

2013-04-13 Thread John Sessoms

From: Rob Studdert

On 13 April 2013 10:25,  eactiv...@aol.com wrote:

LOL.

Poor possum.

 (I assume it's a possum, the ones around here are just gray. If so,  he's
got very pretty coloring.)


Close but no cigar, http://en.wikipedia.org/wiki/Grey-headed_flying_fox

Cheers,


Yeah, some kind of fruit bat was going to be my other guess.

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Re: PESO 2013 - Ballaugh Beach - GDG

2013-04-13 Thread Bob W
That looks like a nice beach, but between the two of you you seem to have 
frightened everyone away. Next time wear your best budgie-smugglers...

B


On 13 Apr 2013, at 12:44, Godfrey DiGiorgi godfreydigio...@me.com wrote:

 Yes, it was pretty chilly, but lovely...
 
 http://www.flickr.com/photos/gdgphoto/8644993704/lightbox
 Incognito - Ballaugh Beach 2013
 
 Enjoy!
 
 
 Godfrey
 -- 
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Re: PESO - April Dawn

2013-04-13 Thread Bruce Walker
Beautifully composed, Frank. There's a tension between tranquil and
brooding. Well walked. :-)

On Sat, Apr 13, 2013 at 10:21 AM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 Several days ago I left the house early to walk up to meet my ride to work. I 
 decided to take my camera and walk down to the lake. It was nice to see the 
 sun coming up over the lake:

  http://knarfdummyblog.blogspot.ca/2013/04/april-dawn.html?m=1

 I don't think we've seen the sun since (two days of freezing rain and today 
 its cold and rainy.

 But enough whining. Hope you enjoy this pleasant (if unspectacular) sunrise. 
 Comments always welcome.

 Cheers,
 frank

 For me, the camera is a sketch book, an instrument of intuition and 
 spontaneity. -- Henri Cartier-Bresson
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RE: PESO - Wicked Pickett

2013-04-13 Thread knarftheria...@gmail.com
Great shot, Paul!

I love the wrinkled sidewall of the rear slick; indicative of the massive 
torque being applied to the wheel. I had no idea until recently that the 
changes in the diameter of those tires actually acts as a sort of de facto 
gearing as they contract in size during that initial acceleration due to the 
wrinkling then expand as centrifugal forces fling the slick tread away from 
the wheel. That actually changes the effective gear ratio.

I also like that left front wheel in the air.

Dragsters amaze me. At first blush it all seems so simple but the physics 
involved is mind boggling. 

You illustrated all that beautifully in that moment. The quintessential drag 
racing photo!

cheers,
frank 





--- Original Message ---

From: Paul Stenquist pnstenqu...@comcast.net
Sent: April 12, 2013 4/12/13
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO - Wicked Pickett

That was the nickname of drag racer Bob Pickett. I shot him coming off true 
staring line at Englishtown in the summer of 1980. 

http://photo.net/photodb/photo?photo_id=17151757size=lg

When I scanned this today, I noticed that the car in the other lane had just 
suffered a starting-line intake manifold explosion, and the supercharger was 
coming off the front of the hood. I would guess he drove over it, and probably 
suffered a fire as the car must have dropped an intake valve or backfired into 
the manifold. 

Here's a 100% crop of the errant supercharger. It's beyond the DOF, so I 
sharpened the crap out of it. You can see the stout gilmer drive belt hanging 
from the front pulley. Something blue is leaving the building at upper left. 
Don't know what that is. Could be part of the aluminum paneling that supports 
the body. 


http://photo.net/photodb/photo?photo_id=17151753size=lg

Paul
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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Bob W
On 13 Apr 2013, at 14:38, George Sinos gsi...@gmail.com wrote:

  printer can create (13x19), it isn't the camera that's
 the problem. Assuming your DSLR is not broken, it will be your
 decisions and your handling of the camera that are the gatekeepers on
 image quality these days.
 
 I don't disagree with him.
 
 If this is the case why so much talk of switching and other brands?
 Is it really all due to the lack of a full frame body?  Is the
 increased talk of other brands really a trend or my imagination?
 
 
I moved away from P back in about 2000 when all my gear was stolen. I had 
new-for-old insurance, but at the time Pentax did not have a coherent range of 
gear that interested me. If I had to buy from scratch now, they do seem to have 
improved a bit, but they still do not seem to me to have a well thought-out 
consistent range. Back in the old days they'd bring out a new line, say the A 
or M series, with bodies, lenses and accessories that satisfied entry-level up 
to advanced or professional standard. It all appears rather haphazard and 
piecemeal to me now, as if they're half-heartedly chasing the game rather than 
setting their own direction.

At around that time I was also working as a contractor and had quite a high 
disposable income, so I could indulge myself in gear like Leica that I had 
always wanted.

So in short, people's circumstances and desires change, the brand doesn't 
necessarily fulfil those new desires, so people move on. The factors you 
mention are not the only ones that determine people's choices. 

B


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Re: PESO : Happy Pup

2013-04-13 Thread Aahz Maruch
On Thu, Apr 11, 2013, kwal...@peoplepc.com wrote:
 
 Young Seal on an ice flow near Sawyer Glacier in the Inside Passage
 of Alaska.
 
 http://photo.net/photodb/photo?photo_id=17147013
 
 Comments/critiques appreciated.

Nice composition!  Looks like the focus is just behind the pup (the pup's
slightly blurred, ice is sharp), barely noticeable at medium resolution,
definitely noticeable at large.
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RE: PESO : Happy Pup

2013-04-13 Thread knarftheria...@gmail.com
Classic!

cheers,
frank

--- Original Message ---

From: kwal...@peoplepc.com
Sent: April 11, 2013 4/11/13
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO : Happy Pup

More images from my Alaska trip last year.

Young Seal on an ice flow near Sawyer Glacier in the Inside Passage of 
Alaska.

http://photo.net/photodb/photo?photo_id=17147013

Comments/critiques appreciated.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller 


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Re: PESO - April Dawn

2013-04-13 Thread Eactivist
Great sky. Don't know why, I mean I can see why  you put in very little 
water and compositionally it's a good idea to have more  sky, so don't know 
why, but in this case I'd like just a little more water.  Photo feels too top 
heavy or something. Sorry so vague. And, that's probably  just me, too.

Marnie aka Doe :-)

In a message dated 4/13/2013  7:22:21 A.M. Pacific Daylight Time, 
knarftheria...@gmail.com writes:
Several  days ago I left the house early to walk up to meet my ride to 
work. I decided to  take my camera and walk down to the lake. It was nice to 
see 
the sun coming up  over the  lake:

http://knarfdummyblog.blogspot.ca/2013/04/april-dawn.html?m=1

I  don't think we've seen the sun since (two days of freezing rain and 
today its  cold and rainy.

But enough whining. Hope you enjoy this pleasant (if  unspectacular) 
sunrise. Comments always welcome.

Cheers,
frank  


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Re: PESO: Danger -- Go Back

2013-04-13 Thread Aahz Maruch
On Thu, Apr 11, 2013, Daniel J. Matyola wrote:

 Another serious warning sign, from Hosmer Grove, on the Summit side of
 Haleakala National Park:
 
 http://photo.net/photodb/photo?photo_id=17143037size=lg

THOU SHALT NOT PASS
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PS: that's a MIS-quote

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Eactivist
There have always been defections on this list.  Yes, they do seem to have 
increased, but for a long time Pentax was not  producing new cameras fast 
enough, then they were not producing very many new  zooms. That finally 
changed, although it took a while, and things have improved  and now they have 
some very good cameras with good high ISO qualities and a FF  coming out too.

But maybe you are starting from the wrong assumptions.  Just because this 
is the PDML (Pentax DML) does not mean all PDMLers have brand  loyalty. Some 
have a lot, some have some, and some have a minimal amount. I  think that 
would be the same everywhere, no matter what photography/camera forum  one was 
in. Especially now that we are in the age of digital, and a lot of DSLRs  
are more similar than SLRs once were. 

HTH, Marnie aka Doe :-)

In  a message dated 4/13/2013 6:39:06 A.M. Pacific Daylight Time, 
gsi...@gmail.com  writes:
I think I subscribed to PDML in 2000 or 2001.  It seems like the  last
couple of years, and especially the last few months the topic of  other
brands supplementing Pentax gear or just plain switching to  other
brands has significantly increased.

Thom Hogan started a series  called How to Choose a Camera (Intro with
Homework) on  www.bythom.com  He starts with this:

...at this point in  the digital era, almost all cameras are highly
competent. At the DSLR level,  image quality even with the entry models
surpasses what most people could  have gotten from film SLRs (assuming
you understand the camera, what it can  actually do, and how to make it
perform optimally). As I've written for a  number of years now about
all DSLRs: if you can't get a good-looking image at  the largest size a
desktop inkjet printer can create (13x19), it isn't the  camera that's
the problem. Assuming your DSLR is not broken, it will be  your
decisions and your handling of the camera that are the gatekeepers  on
image quality these days.

I don't disagree with him.

If  this is the case why so much talk of switching and other brands?
Is it really  all due to the lack of a full frame body?  Is the
increased talk of  other brands really a trend or my imagination?

GS


George  Sinos

www.GeorgesPhotos.net
www.GeorgeSinos.com

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Tom C
For me, yes it was the lack of a FF body, combined with the vast gulf
between the D800's and the Pentax line last year. I've been yearning
for a FF body at least since the Canon 5D, if not from the day I
unboxed the *ist D. That, combined with the general recognition that
Pentax has been historically slow to market for the past 20 years at
least, made me pull the trigger. As some point one gets tired of
waiting, and I reached that point last autumn. Prices on FF fell to
the point where upgrading was expensive yet not out of reach.

I agree with what Thom Hogan says also. However I don't think most
people that switch brands think the new camera will *make* them a
better photographer anymore than upgrading within a brand. The reason
for switching or having multiple brands is varied. Foremost though for
me is, the potential of what I might accomplish with new camera 'X',
Y', or 'Z'. Having switched to Nikon I find the lens selection to be
amazing. While some are pricey their performance is stellar, and there
are a number of excellent performers that are not all that expensive..

I fall into both of your categories, as I also purchased a NEX-7 and a
number of lenses. Easily DSLR quality and the camera bag with 3 lenses
is 1/3 the size and weight of what a normal DSLR kit would weigh.
Great for travel when I don't desire the extra bulk and weight.
(RX-100 when I really want to go light).

It's not that much different from film days is it? For me, at least,
there was always the pent up desire to upgrade. After 7 years I went
from an MX to a PZ-1p. Big difference there, with AF, matrix-metering,
motor-drive topping the list. Then there was the desire to go larger
with medium format.

I don't do my own printing and usually desire larger than 13 x 19, so
a higher MP body helps in that regard as well.

I think he's mixing apples and oranges on the printing thing. I simply
don't have the time or desire to fiddle-fuddle with the workflow
necessary to achieve proper results when printing. Sometimes I wish I
did, but I find it easier to send a file to a printer.

I don't know about it being a trend. I think prices have dropped to
where it becomes within the realm of affordability for more people,
especially if there current brand is not giving them what they need.

Tom C.




 From: George Sinos gsi...@gmail.com

 I think I subscribed to PDML in 2000 or 2001.  It seems like the last
 couple of years, and especially the last few months the topic of other
 brands supplementing Pentax gear or just plain switching to other
 brands has significantly increased.

 Thom Hogan started a series called How to Choose a Camera (Intro with
 Homework) on www.bythom.com  He starts with this:

 ...at this point in the digital era, almost all cameras are highly
 competent. At the DSLR level, image quality even with the entry models
 surpasses what most people could have gotten from film SLRs (assuming
 you understand the camera, what it can actually do, and how to make it
 perform optimally). As I've written for a number of years now about
 all DSLRs: if you can't get a good-looking image at the largest size a
 desktop inkjet printer can create (13x19), it isn't the camera that's
 the problem. Assuming your DSLR is not broken, it will be your
 decisions and your handling of the camera that are the gatekeepers on
 image quality these days.

 I don't disagree with him.

 If this is the case why so much talk of switching and other brands?
 Is it really all due to the lack of a full frame body?  Is the
 increased talk of other brands really a trend or my imagination?

 GS


 George Sinos

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Eactivist
Especially now that we are in the age of  digital, and a lot of DSLRs  
are more similar than SLRs once were.  

I realized after I wrote that, that I sort of agree with what you  quoted 
from Hogan. Which got me thinking a little deeper.

The  touchy-feely part of a Pentax camera:   where the buttons are, easy of 
 manual use (finger placement and movement), green button -- that a lot 
have  liked on this list, a lot of the reason for Pentax loyalty, was probably 
a lot  more important in a film camera. 

Now there is a lot of digital feedback  rather than just manual feedback, 
so the touchy-feely part may have become much  less important for some. Hmmm, 
how to put this? Before, SLR camera use was more  physical/viscerial, and 
now, with DSLRs, camera use is really more  mental/cyber-spaced. AND DSLRs do 
very similar things and have very similar  features now. SLRs differed 
more. For instance, all have menus on the LCD, etc.,  etc. etc.

I started in PDML in about 2000-2001 too, and switched between  Pentax and 
Canon film and digital cameras, and that has been my experience, that  SLRs 
differed more. And that the touchy-feely part doesn't matter very much to  
me now.

Anyway, those are my broad, sweeping generalizations, if clear.  

HTH, Marnie aka Doe :-)

In  a message dated 4/13/2013  6:39:06 A.M. Pacific Daylight Time, 
gsi...@gmail.com  writes:
I  think I subscribed to PDML in 2000 or 2001.  It seems like the   last
couple of years, and especially the last few months the topic of   other
brands supplementing Pentax gear or just plain switching to   other
brands has significantly increased.

Thom Hogan started a  series  called How to Choose a Camera (Intro with
Homework) on   www.bythom.com  He starts with this:

...at this point  in  the digital era, almost all cameras are highly
competent. At the  DSLR level,  image quality even with the entry models
surpasses what  most people could  have gotten from film SLRs (assuming
you understand  the camera, what it can  actually do, and how to make it
perform  optimally). As I've written for a  number of years now about
all DSLRs:  if you can't get a good-looking image at  the largest size a
desktop  inkjet printer can create (13x19), it isn't the  camera that's
the  problem. Assuming your DSLR is not broken, it will be  your
decisions  and your handling of the camera that are the gatekeepers  on
image  quality these days.

I don't disagree with him.

If  this is  the case why so much talk of switching and other brands?
Is it really   all due to the lack of a full frame body?  Is the
increased talk  of  other brands really a trend or my  imagination?

GS


George   Sinos

www.GeorgesPhotos.net
www.GeorgeSinos.com

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Aahz Maruch
On Sat, Apr 13, 2013, eactiv...@aol.com wrote:

 The touchy-feely part of a Pentax camera: where the buttons are, easy 
 of manual use (finger placement and movement), green button -- that a 
 lot have liked on this list, a lot of the reason for Pentax loyalty,  
 was probably a lot more important in a film camera.   

 Now there is a lot of digital feedback rather than just manual
 feedback, so the touchy-feely part may have become much less important
 for some. Hmmm, how to put this? Before, SLR camera use was more
 physical/viscerial, and now, with DSLRs, camera use is really more
 mental/cyber-spaced. AND DSLRs do very similar things and have very
 similar features now. SLRs differed more. For instance, all have menus
 on the LCD, etc., etc. etc.

My experience differs.  You probably missed my ranting about disliking
the feel of the K-30 (compared with K-x/K-5).  I got rid of a Panasonic
G-3 in large part because I disliked the feel.  I love my Nikon P7100
because of its feel.  In some ways, because of the plasticity of
software, I would argue that feel becomes even more important (my dislike
of the G-3 was based more on its UI than physical feel, in contrast with
K-30, where I hated the grip).
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Re: PESO - Wicked Pickett

2013-04-13 Thread Paul Stenquist
Thank Frank. It is amazing and a hoot to photograph.  In 1975 when I was crew 
chief on a Corvette funny car, I had a tough time getting enough downforce on 
the rear spoiler due to it being too close to the back of the roof. That let 
the tires grow excessively. Once when the car left rubber tracks all the way 
front he starting line to the finish line, I could see that the 17-inch wide 
tires had only 3 inches of contact at the finish line. Consequently, we set a 
number of track mph records with the car -- 237 mph was its best. But the 
handling was atrocious, and it eventually crashed. A huge airfoil type spoiler 
like those used today would have made it work.


On Apr 13, 2013, at 10:55 AM, knarftheria...@gmail.com 
knarftheria...@gmail.com wrote:

 Great shot, Paul!
 
 I love the wrinkled sidewall of the rear slick; indicative of the massive 
 torque being applied to the wheel. I had no idea until recently that the 
 changes in the diameter of those tires actually acts as a sort of de facto 
 gearing as they contract in size during that initial acceleration due to 
 the wrinkling then expand as centrifugal forces fling the slick tread away 
 from the wheel. That actually changes the effective gear ratio.
 
 I also like that left front wheel in the air.
 
 Dragsters amaze me. At first blush it all seems so simple but the physics 
 involved is mind boggling. 
 
 You illustrated all that beautifully in that moment. The quintessential drag 
 racing photo!
 
 cheers,
 frank 
 
 
 
 
 
 --- Original Message ---
 
 From: Paul Stenquist pnstenqu...@comcast.net
 Sent: April 12, 2013 4/12/13
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: PESO - Wicked Pickett
 
 That was the nickname of drag racer Bob Pickett. I shot him coming off true 
 staring line at Englishtown in the summer of 1980. 
 
 http://photo.net/photodb/photo?photo_id=17151757size=lg
 
 When I scanned this today, I noticed that the car in the other lane had just 
 suffered a starting-line intake manifold explosion, and the supercharger was 
 coming off the front of the hood. I would guess he drove over it, and 
 probably suffered a fire as the car must have dropped an intake valve or 
 backfired into the manifold. 
 
 Here's a 100% crop of the errant supercharger. It's beyond the DOF, so I 
 sharpened the crap out of it. You can see the stout gilmer drive belt hanging 
 from the front pulley. Something blue is leaving the building at upper left. 
 Don't know what that is. Could be part of the aluminum paneling that supports 
 the body. 
 
 
 http://photo.net/photodb/photo?photo_id=17151753size=lg
 
 Paul
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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Eactivist
Okay. Would you disagree with my statement that  SLRs differed more than 
DSLRs now seem to do?

Marnie aka Doe :-)  (I  missed your rant because, generally, I don't read 
what seem to be  Pentax-gear-oriented threads anymore. The only ones I read 
are when new gear is  announced, just out of curiosity.)

In a message dated 4/13/2013 9:31:08  A.M. Pacific Daylight Time, 
a...@pobox.com writes:
My experience  differs.  You probably missed my ranting about disliking
the feel of the  K-30 (compared with K-x/K-5).  I got rid of a Panasonic
G-3 in large  part because I disliked the feel.  I love my Nikon P7100
because of its  feel.  In some ways, because of the plasticity of
software, I would  argue that feel becomes even more important (my dislike
of the G-3 was based  more on its UI than physical feel, in contrast with
K-30, where I hated the  grip).  


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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Larry Colen

On Apr 13, 2013, at 6:38 AM, George Sinos wrote:
 
 If this is the case why so much talk of switching and other brands?
 Is it really all due to the lack of a full frame body?  Is the
 increased talk of other brands really a trend or my imagination?



There are several things going on here.  First. the PDML might be more 
accurately
called the Photography Discussion Mailing List, though sometimes lately it 
could 
be Politics, and it's frequently the Pun Digression mailing list.  I think that 
most of the 
active people on this list are into Photography, and most of us happen to use 
Pentax.

Even when people change brands they probably stay for a couple of reasons.
First of all, we tend to make friends on this list.  There have been times that 
it has accounted for a significant part of my social interactions, because other
things have kept me too busy to hang out with my friends in meatspace.
Another thing about the PDML, is that on those occasions where we actually stay
on topic the discussions tend to be of much higher caliber than on any other 
photo
list that I've seen.  They typical scenario on other lists tend to be for 
people who 
have been doing photography for two years to be giving advice to people who have
had a camera for two months.

Just look at the work of just about any other discussion group, and compare that
with the PDML annual.  Hell, for that matter, compare the photos in the PDML 
annual
with *any* collection of photos, particularly of disparate artists, and it will 
hold it's own.

Camera technology, too, has changed.  Any DSLR will give you good results, 
particularly 
with a decent lens, in good light.  I doubt that most people could even tell 
the difference 
between an 8x12 shot in decent light with a Q and with a D800.  The differences 
show up
in difficult light and challenging situations.

Do you need to shoot discretely in low light?  With image stabilization on 
glass faster
than f/2.8, it's quiet shutter, and remarkable sensor, you would be hard 
pressed to 
beat the K5-II, or even the K-5.  If you are willing to give up image 
stabilization, the D700 
and the 5d-III might have a slight edge, but they are significantly louder, and 
a full kit 
will cost you two to three times as much.

However, there are other things other brands to better.  But, times have 
changed, 
you no longer shoot photos in batches of 24 or 36 shots, where you are 
committed 
to a particular roll of film. So people don't generally have bodies loaded with 
different
films, that they need to share all of their lenses between.  You can make very 
good 
arguments for having body/lens combinations for different tasks.  If I were a 
pro, 
or not saddled with house repairs and debt from several years of unemployment,
I could easily justify different systems for different tasks.  If I were to 
need a small
EVIL camera for a certain type of photography, it could make all sorts of sense
to buy a body and a couple of lenses specifically for that.

Come to think of it, when I look at my film cameras I've got several Minoltas, 
and 
a range of glass. Likewise several Nikons and lenses.  Since getting the Pentax 
DSLR, several of the lenses I bought came with film bodies. I also have an 
Argus, 
a Rollei, a small tub of various other rangefinders and polaroids that have 
shown 
up over the decades.  

I'm a photographer.  Pentax just happens to be able to cover most of my needs
for the least money.

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Re: Newly added Pentax gear @ KEH

2013-04-13 Thread Larry Colen

On Apr 13, 2013, at 8:10 AM, knarftheria...@gmail.com wrote:

 You can get the same effect by simply turning off autofocus on your body.

Frank, 

I've got katzeye screens in Pentax bodies.  When I want something slightly out 
of focus, I turn autofocus on.

 
 Cheers,
 frank
 
 --- Original Message ---
 
 From: Larry Colen l...@red4est.com
 Sent: April 12, 2013 4/12/13
 
 
 I hear that using a manual focus lens is one of Knarf's secret techniques
 for getting those special Theriaultian effects.
 
 
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Re: OT: Oh Yeah. I just found the camera of my dreams.

2013-04-13 Thread Collin Brendemuehl
Me, too.
http://www.ebay.com/itm/140919128830?ssPageName=STRK:MEWAX:IT_trksid=p3984.
m1438.l2649


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PESO Ten meter Mary

2013-04-13 Thread Larry Colen
Our lady of peace, across the street from my office:
http://www.flickr.com/photos/ellarsee/8645289393/

Full set at:
http://www.flickriver.com/photos/ellarsee/sets/72157633238210340/

I expect that I'll make a few more attempts at photographing her as she is so 
conveniently located.  I used the metz for fill at the end of the set. 
I'll probably want to get some shots with more interesting sunset 
skies and maybe a touch of fill light, possibly even radio triggered.

--
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K-5 Black White

2013-04-13 Thread larry
Help. 


Somehow, I've set my K-5 to take black  white pictures.

How did I do it?

How do I get back to shooting in color?

Larry in Dallas

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Re: K-5 Black White

2013-04-13 Thread Larry Colen

On Apr 13, 2013, at 12:02 PM, larry wrote:

Uh oh, there's another Larry on the list.  There goes my easy search for
replies to my posts.  :-)

 Help. 
 Somehow, I've set my K-5 to take black  white pictures.
 
 How did I do it?

I assume that you are shooting in JPEG. As it's pretty much impossible to get 
BW in Raw.

 
 How do I get back to shooting in color?

Menu 2 in the camera menu seems to have a few processing menu items that are 
only 
accessible in JPEG.  I suspect that one of those has been set to something 
wonky.

This is yet another reason why you don't want to shoot in JPEG.  

It's a lot easier to convert raw files in color to black and white, than it is 
to convert 
black and white jpegs to color.

 
 Larry in Dallas
 
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Re: K-5 Black White

2013-04-13 Thread Dario Bonazza
Arrow right  and then arrow right or left for setting the proper picture 
finishing.

Dario

-Messaggio originale- 
From: larry

Sent: Saturday, April 13, 2013 9:02 PM
To: Pentax-Discuss Mail List
Subject: K-5 Black  White

Help.

Somehow, I've set my K-5 to take black  white pictures.

How did I do it?

How do I get back to shooting in color?

Larry in Dallas

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Nessun virus nel messaggio.
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Versione: 2013.0.3272 / Database dei virus: 3162/6242 -  Data di rilascio: 
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Re: PESO Ten meter Mary

2013-04-13 Thread Daniel J. Matyola
very well done.  I love the halo effect.

Dan
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Apr 13, 2013 at 2:50 PM, Larry Colen l...@red4est.com wrote:
 Our lady of peace, across the street from my office:
 http://www.flickr.com/photos/ellarsee/8645289393/

 Full set at:
 http://www.flickriver.com/photos/ellarsee/sets/72157633238210340/

 I expect that I'll make a few more attempts at photographing her as she is so
 conveniently located.  I used the metz for fill at the end of the set.
 I'll probably want to get some shots with more interesting sunset
 skies and maybe a touch of fill light, possibly even radio triggered.

 --
 Larry Colen l...@red4est.com sent from i4est


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Re: PESO - April Dawn

2013-04-13 Thread Daniel J. Matyola
Ominous and quite compelling.

Dan
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Apr 13, 2013 at 10:21 AM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 Several days ago I left the house early to walk up to meet my ride to work. I 
 decided to take my camera and walk down to the lake. It was nice to see the 
 sun coming up over the lake:

  http://knarfdummyblog.blogspot.ca/2013/04/april-dawn.html?m=1

 I don't think we've seen the sun since (two days of freezing rain and today 
 its cold and rainy.

 But enough whining. Hope you enjoy this pleasant (if unspectacular) sunrise. 
 Comments always welcome.

 Cheers,
 frank

 For me, the camera is a sketch book, an instrument of intuition and 
 spontaneity. -- Henri Cartier-Bresson
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Re: K-5 Black White

2013-04-13 Thread Dario Bonazza
Or (if arrow keys are set to change focus point) turn AF selector on the 
back down to AUTO, then Arrow right for entering picture finishing and then 
arrow right or left for setting the proper picture finishing.

(then don't forget to restore the AF selector to your usual position)
Dario

-Messaggio originale- 
From: Dario Bonazza

Sent: Saturday, April 13, 2013 10:08 PM
To: Pentax-Discuss Mail List
Subject: Re: K-5 Black  White

Arrow right  and then arrow right or left for setting the proper picture
finishing.
Dario

-Messaggio originale- 
From: larry

Sent: Saturday, April 13, 2013 9:02 PM
To: Pentax-Discuss Mail List
Subject: K-5 Black  White

Help.

Somehow, I've set my K-5 to take black  white pictures.

How did I do it?

How do I get back to shooting in color?

Larry in Dallas

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Versione: 2013.0.3272 / Database dei virus: 3162/6242 -  Data di rilascio:
13/04/2013


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Re: PESO: Silversword

2013-04-13 Thread Daniel J. Matyola
Thanks, Marnie.  The backdrop is not b ark, but lava rock.

Dan
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Fri, Apr 12, 2013 at 7:48 PM,  eactiv...@aol.com wrote:
 Nice shot, the dark bark as a background really  helps.

 Marnie aka Doe :-)

 In a message dated 4/11/2013 8:20:08  P.M. Pacific Daylight Time,
 danmaty...@gmail.com  writes:
 http://photo.net/photodb/photo?photo_id=16999027size=lg

 Comments  Invited.
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola


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Re: PESO 2013 - soon gone - GDG

2013-04-13 Thread Daniel J. Matyola
Very interesting roof lines, with complex geometry.  Quite a chimney as well.

Thanks for sharing.

Dan
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Fri, Apr 12, 2013 at 4:33 PM, Godfrey DiGiorgi
godfreydigio...@me.com wrote:
 This old building soon to be razed for a new development.

 http://www.flickr.com/photos/gdgphoto/8641854465/lightbox
 Soon Gone #1 - Douglas 2013

 http://www.flickr.com/photos/gdgphoto/8642955740/lightbox
 Soon Gone #2 - Douglas 2013

 Enjoy!

 Godfrey
 --
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Re: PESO: Some spring flowers

2013-04-13 Thread Daniel J. Matyola
quite nice. The vertical orientation works well with the two larger blooms.

Dan
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Fri, Apr 12, 2013 at 6:47 PM, Zos Xavius zosxav...@gmail.com wrote:
 Spring is exploding here with all the rain. I would kill for even a
 50mm macro right about now.

 Shot with my 28mm 3.5, hence the somewhat busy bokeh.

 https://www.facebook.com/photo.php?fbid=435543859867367set=a.288331681255253.71444.108166875938402type=1theater

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Re: PESO 2013 - Ballaugh Beach - GDG

2013-04-13 Thread Daniel J. Matyola
nice image, and the vintage framing works well with this shot.

Dan
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Apr 13, 2013 at 7:44 AM, Godfrey DiGiorgi
godfreydigio...@me.com wrote:
 Yes, it was pretty chilly, but lovely...

 http://www.flickr.com/photos/gdgphoto/8644993704/lightbox
 Incognito - Ballaugh Beach 2013

 Enjoy!


 Godfrey
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Re: PESO Bored at work last night

2013-04-13 Thread Daniel J. Matyola
Interesting and intriguing image.

Dan
Dan Matyola
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On Fri, Apr 12, 2013 at 8:17 PM, Rob Studdert distudio.p...@gmail.com wrote:
 Distracted by a racket outside in the huge fig tree I concocted a
 MacGyver like plan:

 https://dl.dropboxusercontent.com/u/9304908/temp/IMGQ11212.jpg

 :)

 --
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 Tel: +61-418-166-870 UTC +10 Hours
 Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: K-5 Black White

2013-04-13 Thread larry

You were RIGHT!

Thanks. I knew that There had to be a simple solution to what I had screwed 
up, and thought that this list would be the fastest way to a solution. And, 
thanks to Dario, it was.


Larry in Dallas

-Original Message- 
From: Dario Bonazza

Sent: Saturday, April 13, 2013 3:08 PM
To: Pentax-Discuss Mail List
Subject: Re: K-5 Black  White

Arrow right  and then arrow right or left for setting the proper picture
finishing.
Dario

-Messaggio originale- 
From: larry

Sent: Saturday, April 13, 2013 9:02 PM
To: Pentax-Discuss Mail List
Subject: K-5 Black  White

Help.

Somehow, I've set my K-5 to take black  white pictures.

How did I do it?

How do I get back to shooting in color?

Larry in Dallas

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Re: K-5 Black White

2013-04-13 Thread larry

Larry,

I've been on this list for what seems to be decades. I just don't post 
frequently.


When my assignment is to provide quick PJ shots, I don’t really have the 
time to play with RAW and then convert to the required JPEG. It's more like 
get it right in the camera and ship it without adjustments. Some editors 
actually consider converting from RAW to JPEG the same as modifications.


Larry in Dallas
-Original Message- 
From: Larry Colen

Sent: Saturday, April 13, 2013 2:16 PM
To: Pentax-Discuss Mail List
Subject: Re: K-5 Black  White


On Apr 13, 2013, at 12:02 PM, larry wrote:

Uh oh, there's another Larry on the list.  There goes my easy search for
replies to my posts.  :-)


Help.
Somehow, I've set my K-5 to take black  white pictures.

How did I do it?


I assume that you are shooting in JPEG. As it's pretty much impossible to 
get BW in Raw.




How do I get back to shooting in color?


Menu 2 in the camera menu seems to have a few processing menu items that are 
only
accessible in JPEG.  I suspect that one of those has been set to something 
wonky.


This is yet another reason why you don't want to shoot in JPEG.

It's a lot easier to convert raw files in color to black and white, than it 
is to convert

black and white jpegs to color.



Larry in Dallas

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Re: PAW170 - Ice

2013-04-13 Thread DagT
Thanks, Aahz, Dan and Frank!

Dag Thrane
http://www.thrane.name



9. apr. 2013 kl. 02:51 skrev knarftheria...@gmail.com:

 Great!
 
 cheers,
 frank
 
 --- Original Message ---
 
 From: DagT li...@thrane.name
 Sent: April 7, 2013 4/7/13
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: PAW170 - Ice
 
 http://www.thrane.name/Pictures/PAW/files/page7-1000-full.html
 Pentax K-5, DA*16-50mm@43mm  f/3.5, 1/80s, ISO100
 
 DagT
 http://www.thrane.name/
 
 
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Re: PESO - Wicked Pickett

2013-04-13 Thread kwaller
That looks expensive but I doubt you'd get into drag racing if you needed 
the money.


As the saying goes...

'How do you make one million dollars in racing?  Start out with two!

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: David Mann dmann...@gmail.com

Subject: Re: PESO - Wicked Pickett


On Apr 13, 2013, at 11:53 AM, Paul Stenquist pnstenqu...@comcast.net 
wrote:


Here's a 100% crop of the errant supercharger. It's beyond the DOF, so I 
sharpened the crap out of it. You can see the stout gilmer drive belt 
hanging from the front pulley. Something blue is leaving the building at 
upper left. Don't know what that is. Could be part of the aluminum 
paneling that supports the body.


http://photo.net/photodb/photo?photo_id=17151753size=lg


That looks expensive but I doubt you'd get into drag racing if you needed 
the money.


Cheers,
Dave



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Re: K-5 Black White

2013-04-13 Thread Larry Colen

On Apr 13, 2013, at 1:56 PM, larry wrote:

 Larry,
 
 I've been on this list for what seems to be decades. I just don't post 
 frequently.

Ah, OK.

 
 When my assignment is to provide quick PJ shots, I don’t really have the time 
 to play with RAW and then convert to the required JPEG. It's more like get it 
 right in the camera and ship it without adjustments. Some editors actually 
 consider converting from RAW to JPEG the same as modifications.

Interesting.  I suppose that in the film era they insisted on polaroids because 
converting from 
negatives to print would be the same as modifications.  :-)

But, if it's something that works for you, then that is what works for you.

 
 Larry in Dallas
 -Original Message- From: Larry Colen
 Sent: Saturday, April 13, 2013 2:16 PM
 To: Pentax-Discuss Mail List
 Subject: Re: K-5 Black  White
 
 
 On Apr 13, 2013, at 12:02 PM, larry wrote:
 
 Uh oh, there's another Larry on the list.  There goes my easy search for
 replies to my posts.  :-)
 
 Help.
 Somehow, I've set my K-5 to take black  white pictures.
 
 How did I do it?
 
 I assume that you are shooting in JPEG. As it's pretty much impossible to get 
 BW in Raw.
 
 
 How do I get back to shooting in color?
 
 Menu 2 in the camera menu seems to have a few processing menu items that are 
 only
 accessible in JPEG.  I suspect that one of those has been set to something 
 wonky.
 
 This is yet another reason why you don't want to shoot in JPEG.
 
 It's a lot easier to convert raw files in color to black and white, than it 
 is to convert
 black and white jpegs to color.
 
 
 Larry in Dallas
 
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Re: PESO Ten meter Mary

2013-04-13 Thread Larry Colen

On Apr 13, 2013, at 1:10 PM, Daniel J. Matyola wrote:

 very well done.  I love the halo effect.

Thanks Dan.  

Somehow pictures of Mary always seem incomplete without a halo.


 
 Dan
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
 
 On Sat, Apr 13, 2013 at 2:50 PM, Larry Colen l...@red4est.com wrote:
 Our lady of peace, across the street from my office:
 http://www.flickr.com/photos/ellarsee/8645289393/
 
 Full set at:
 http://www.flickriver.com/photos/ellarsee/sets/72157633238210340/
 
 I expect that I'll make a few more attempts at photographing her as she is so
 conveniently located.  I used the metz for fill at the end of the set.
 I'll probably want to get some shots with more interesting sunset
 skies and maybe a touch of fill light, possibly even radio triggered.
 

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread kwaller
I  think that would be the same everywhere, no matter what 
photography/camera forum  one was

in.


I think Marnie has hit on something here. New camera models are coming out 
in rapid order with the evolving technology and marketing's need to present 
the customer with something new. Just like we've seen in the auto industry. 
Cars use to come out every 4 to 6 years with new models, now if the car 
design is 3 years old, its old.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: eactiv...@aol.com

Subject: Re: Multiple Brands or Switching - a Trend?



There have always been defections on this list.  Yes, they do seem to have
increased, but for a long time Pentax was not  producing new cameras fast
enough, then they were not producing very many new  zooms. That finally
changed, although it took a while, and things have improved  and now they 
have
some very good cameras with good high ISO qualities and a FF  coming out 
too.


But maybe you are starting from the wrong assumptions.  Just because this
is the PDML (Pentax DML) does not mean all PDMLers have brand  loyalty. 
Some

have a lot, some have some, and some have a minimal amount. I  think that
would be the same everywhere, no matter what photography/camera forum  one 
was

in. Especially now that we are in the age of digital, and a lot of DSLRs
are more similar than SLRs once were.

HTH, Marnie aka Doe :-)

In  a message dated 4/13/2013 6:39:06 A.M. Pacific Daylight Time,
gsi...@gmail.com  writes:
I think I subscribed to PDML in 2000 or 2001.  It seems like the  last
couple of years, and especially the last few months the topic of  other
brands supplementing Pentax gear or just plain switching to  other
brands has significantly increased.

Thom Hogan started a series  called How to Choose a Camera (Intro with
Homework) on  www.bythom.com  He starts with this:

...at this point in  the digital era, almost all cameras are highly
competent. At the DSLR level,  image quality even with the entry models
surpasses what most people could  have gotten from film SLRs (assuming
you understand the camera, what it can  actually do, and how to make it
perform optimally). As I've written for a  number of years now about
all DSLRs: if you can't get a good-looking image at  the largest size a
desktop inkjet printer can create (13x19), it isn't the  camera that's
the problem. Assuming your DSLR is not broken, it will be  your
decisions and your handling of the camera that are the gatekeepers  on
image quality these days.

I don't disagree with him.

If  this is the case why so much talk of switching and other brands?
Is it really  all due to the lack of a full frame body?  Is the
increased talk of  other brands really a trend or my imagination?

GS


George  Sinos

www.GeorgesPhotos.net
www.GeorgeSinos.com



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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread David Parsons
Because the grass is always greener on the other side of the fence.

I know a guy that went from Pentax, to Canon, to Nikon, to Sony, to
Canon.  In the space of a year.  His pictures didn't change much
between systems, but he seemed to enjoy the process of changing gear.

On Sat, Apr 13, 2013 at 9:38 AM, George Sinos gsi...@gmail.com wrote:
 If this is the case why so much talk of switching and other brands?
 Is it really all due to the lack of a full frame body?  Is the
 increased talk of other brands really a trend or my imagination?

 GS


 George Sinos
 
 www.GeorgesPhotos.net
 www.GeorgeSinos.com

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Re: PESO - April Dawn

2013-04-13 Thread kwaller

Nicest Canadian Sunrise I've seen this year  ;+)

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: knarftheria...@gmail.com

Subject: PESO - April Dawn


Several days ago I left the house early to walk up to meet my ride to 
work. I decided to take my camera and walk down to the lake. It was nice 
to see the sun coming up over the lake:


http://knarfdummyblog.blogspot.ca/2013/04/april-dawn.html?m=1

I don't think we've seen the sun since (two days of freezing rain and 
today its cold and rainy.


But enough whining. Hope you enjoy this pleasant (if unspectacular) 
sunrise. Comments always welcome.


Cheers,
frank

For me, the camera is a sketch book, an instrument of intuition and 
spontaneity. -- Henri Cartier-Bresson



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Re: PESO : Happy Pup

2013-04-13 Thread kwaller

Thanks Aahz. Yeah it is soft and might not print up well.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Aahz Maruch a...@pobox.com

Subject: Re: PESO : Happy Pup



On Thu, Apr 11, 2013, kwal...@peoplepc.com wrote:


Young Seal on an ice flow near Sawyer Glacier in the Inside Passage
of Alaska.

http://photo.net/photodb/photo?photo_id=17147013

Comments/critiques appreciated.


Nice composition!  Looks like the focus is just behind the pup (the pup's
slightly blurred, ice is sharp), barely noticeable at medium resolution,
definitely noticeable at large.
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OT GESO - Olympus 17mm 1.8

2013-04-13 Thread Derby Chang


I was instantly fond of this lens

http://members.iinet.net.au/~derbyc/13/04/17/index.html

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Steve Cottrell
Can only chip in here with some random thoughts from my own personal
perspective.

I used Pentax film camera gear extensively from 1978 onwards. My first
MX in 1980 was my proudest moment in gear - and it extended to my
photography as I explored new lenses and techniques. I can truly say
that that era for me was my most photographically exciting. A real buzz,
and the gear helped a lot. Fast lenses and fast music, plenty going on
and as I started into my TV career, the photography was able to boom with me.

Much later, and another MX in the bag, and then various MEs and ME-
Supers coming and going, and finally an LX! Manual focus all the way
baby - it wasn't until after the turn of the century that I owned an
autofocus body.

But at some point I bought a ridiculously big Apple Quicktake digital camera

http://news.cnet.com/i/bto/20090727/Quicktake_OVR.jpg

and arsed about with it. Crude, like a child's toy, with awful results -
but the fact that one didn't have to buy film - it was amazing.

At this point, the only DSLRs available were Sony and Canon/Kodak
hybrids at eye-watering prices. Some snappers I knew had them. Purely
professional and nowhere near the realms of the hobbyist photog like me.

And then, in 2000, Canon brought out the game-changer, the D30.

http://www.dpreview.com/products/canon/slrs/canon_eosd30

This was truly amazing - a camera that looked, felt and handled like a
film SLR - except you didn't have to spend a fortune on filling it with
celluloid. Instead, you coughed up the fortune in the purchase price. I
wanted one. Desperately. But I thought I would wait and see what
happened with Pentax.

And sure enough - this camera was mooted by Pentax:

http://en.wikipedia.org/wiki/Pentax_MZ-D

http://www.bdimitrov.de/kmp/bodies/prototypes/MZ-D.html

Perfect! The MZ-D was exactly what I wanted. I had lenses that would fit
it. (Sure, later it transpired it would have been a dog, but I would
have had one in an instant, no questions asked). I was prepared to wait.

And wait I did.

I waited quite some time. The MZ-D was coming - and coming. And - 

Then a couple of years after the D30, Canon brought out the D60:

http://www.dpreview.com/products/canon/slrs/canon_eosd60

I waited a bit longer. I was beginning to doubt Pentax's ability to
actually play the digital game. I had never doubted Pentax before. It
was strange - I had grown up with the brand. It was uncomfortable. Sure
they had point-n-shoots out, and even things that looked a bit like
DSLRs (EI-2000!) but honestly - what the hell were those? Surely you
bring out your best hardware first. The MZ-D! The flagship! The ones
that the pros would buy, we'd all see them being used, then when the MX-
D came out, would all buy them because we could afford them. That's the
way it's supposed to go, right?

It didn't seem to be going that way.

I am sometimes given over to whimsy and so in 2003 I forked out over
2000 GBP for a D60 and kit lens. The following two weeks saw me with a
grin that refused to leave my mouth. It was exhilarating.

But, I hear you cry, why didn't you go for an *ist D - they came out in
2003?? In truth, the name and target audience of the camera didn't
include my idea of what I wanted. I wanted the MZ-D - a professional
camera targeted at accomplished photogs  - not that I would ever include
myself in that group - but that's what I aspired to. My choice. It
seemed to me that Pentax had deviated from The Plan! Don't ask me what
The Plan is, I can't really describe it. I only know it when I see it,
and the *ist D was not it. I reasoned that even if Pentax did bring out
the MZ-D or similar, that would be some time away - and Canon had an
upgrade path already out there - the 1D series (out in 2001). I could
keep on waiting, or I could go now. I thought - hmmm we'll go play with
Canon for a while and see what happens with Pentax - might come back,
who knows.

The D60 introduced me to 'proper' digital photography, and for that I am
grateful. It was very 'plastic' and made strange creaking and groaning
noises. But it handled well and got me into the game. I sold some K
mount lenses and the LX to fund some Canon glass. I kept my old MXs and
my best Pentax glass. Just in case.

In the ensuing years, I sold the D60 and got a 1D mark II and had a few
Canon professional lenses (24-70/2.8L and the 70-200/2.8L IS and 2 or 3
others, plus flash - even a Quantum Turbo battery - fun!)

It was great fun and I was well into it for a few years, but then I
kinda fell out of love with photography. I was all tooled up but I
lacked Clarity of Purpose.

So, on another whim, I got an Epson R-D1 and 3 Voigtlander lenses - to
see if this would make my Purpose and Clearer

http://www.luminous-landscape.com/reviews/cameras/epson-rd1.shtml

and lo! Suddenly I realised that I didn't need bags of gear to make the
pics I liked making - so sold all the Canon gear and kept the Epson.
Fantastic camera! It had a winding lever to cock the shutter! Brilliant!

But my 

Re: K-5 Black White

2013-04-13 Thread Steve Cottrell
On 13/4/13, larry, discombobulated, unleashed:

How do I get back to shooting in color?

You know you don't want to.

ENJOY IT.

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Cheers,
  Cotty


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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Bill

On 13/04/2013 7:38 AM, George Sinos wrote:

I think I subscribed to PDML in 2000 or 2001.  It seems like the last
couple of years, and especially the last few months the topic of other
brands supplementing Pentax gear or just plain switching to other
brands has significantly increased.
I'm pretty uncertain about changing brands unless the brand you are 
changing to just plain does what you want it to be good for better, or 
at least better enough.


I want a camera with a fast standard lens, it's something I have long 
complained about with Pentax digital. I don't want to carry around a 
massive camera, so for me the full frame DSLR offerings aren't so good.
I'm also somewhat of a lens junkie, and I look for certain qualities in 
an image such as soft bokeh, but also high apparent sharpness and what I 
can only describe as smoothness and a sense of depth. None of these are 
really quantifiable things. It's like porn, you can't identify it, but 
you know it when you see it.

It's the lens qualities that brought me to Pentax in the first place.

So, I want a camera with a fast standard lens, I want something that is 
fairly compact, and I want certain lens qualities that I have to see to 
know.
I feel quite fortunate that the Fuji X-Pro1 and the 35/1.4 standard lens 
fits that description.




Thom Hogan started a series called How to Choose a Camera (Intro with
Homework) on www.bythom.com  He starts with this:

...at this point in the digital era, almost all cameras are highly
competent. At the DSLR level, image quality even with the entry models
surpasses what most people could have gotten from film SLRs (assuming
you understand the camera, what it can actually do, and how to make it
perform optimally). As I've written for a number of years now about
all DSLRs: if you can't get a good-looking image at the largest size a
desktop inkjet printer can create (13x19), it isn't the camera that's
the problem. Assuming your DSLR is not broken, it will be your
decisions and your handling of the camera that are the gatekeepers on
image quality these days.

I don't disagree with him.
Sure, technically any camera will do the job, but this discounts 
ergonomics or a particular camera's bias towards being somewhat better 
at certain things that the photographer places more importance on.
Of course, people will switch brands simply because one brand leapfrogs 
another one slightly. Often though, these people only take pictures of 
charts.


bill


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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Steve Cottrell
On 13/4/13, Bill, discombobulated, unleashed:

None of these are 
really quantifiable things. It's like porn, you can't identify it, but 
you know it when you see it.

I hear you brother.

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Re: OT GESO - Olympus 17mm 1.8

2013-04-13 Thread Steve Cottrell
On 14/4/13, Derby Chang, discombobulated, unleashed:


I was instantly fond of this lens

http://members.iinet.net.au/~derbyc/13/04/17/index.html

Impressive!

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Re: PESO - April Dawn

2013-04-13 Thread knarftheria...@gmail.com
Actually, looking east across Lake Ontario means it was an American sunrise.

;-)

Cheers,
frank

--- Original Message ---

From: kwal...@peoplepc.com
Sent: April 13, 2013 4/13/13
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - April Dawn

Nicest Canadian Sunrise I've seen this year  ;+)

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: knarftheria...@gmail.com
Subject: PESO - April Dawn


 Several days ago I left the house early to walk up to meet my ride to 
 work. I decided to take my camera and walk down to the lake. It was nice 
 to see the sun coming up over the lake:

 http://knarfdummyblog.blogspot.ca/2013/04/april-dawn.html?m=1

 I don't think we've seen the sun since (two days of freezing rain and 
 today its cold and rainy.

 But enough whining. Hope you enjoy this pleasant (if unspectacular) 
 sunrise. Comments always welcome.

 Cheers,
 frank

 For me, the camera is a sketch book, an instrument of intuition and 
 spontaneity. -- Henri Cartier-Bresson


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Re: PESO Ten meter Mary

2013-04-13 Thread Steve Cottrell
On 13/4/13, Larry Colen, discombobulated, unleashed:

Our lady of peace, across the street from my office:
http://www.flickr.com/photos/ellarsee/8645289393/

Interesting - made me look twice!
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Re: PESO - April Dawn

2013-04-13 Thread knarftheria...@gmail.com
You're entitled, Marnie. I have a few shots with more water but to my eye big 
sky worked here.

Thanks for your thoughts, though!

Thanks as well to Dan, Bruce, Ken and everyone else who looked.

cheers,
frank

--- Original Message ---

From: eactiv...@aol.com
Sent: April 13, 2013 4/13/13
To: pdml@pdml.net
Subject: Re: PESO - April Dawn

Great sky. Don't know why, I mean I can see why  you put in very little 
water and compositionally it's a good idea to have more  sky, so don't know 
why, but in this case I'd like just a little more water.  Photo feels too top 
heavy or something. Sorry so vague. And, that's probably  just me, too.

Marnie aka Doe :-)

In a message dated 4/13/2013  7:22:21 A.M. Pacific Daylight Time, 
knarftheria...@gmail.com writes:
Several  days ago I left the house early to walk up to meet my ride to 
work. I decided to  take my camera and walk down to the lake. It was nice to 
see 
the sun coming up  over the  lake:

http://knarfdummyblog.blogspot.ca/2013/04/april-dawn.html?m=1

I  don't think we've seen the sun since (two days of freezing rain and 
today its  cold and rainy.

But enough whining. Hope you enjoy this pleasant (if  unspectacular) 
sunrise. Comments always welcome.

Cheers,
frank  


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RE: PESO: Some spring flowers

2013-04-13 Thread knarftheria...@gmail.com
Lovely!

cheers,
frank

--- Original Message ---

From: Zos Xavius zosxav...@gmail.com
Sent: April 12, 2013 4/12/13
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO: Some spring flowers

Spring is exploding here with all the rain. I would kill for even a
50mm macro right about now.

Shot with my 28mm 3.5, hence the somewhat busy bokeh.

https://www.facebook.com/photo.php?fbid=435543859867367set=a.288331681255253.71444.108166875938402type=1theater

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RE: PESO: End of the Rainbow

2013-04-13 Thread knarftheria...@gmail.com
Something compelling about this one, Dan.

cheers,
frank

--- Original Message ---

From: Daniel J. Matyola danmaty...@gmail.com
Sent: April 12, 2013 4/12/13
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO: End of the Rainbow

http://photo.net/photodb/photo?photo_id=16998923

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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RE: PESO: Music in the Dark

2013-04-13 Thread knarftheria...@gmail.com
Beyond the technical aspect, this is a really nice moment: the bass player 
being totally into the music, the guitarist and drummer watching him. 

Terrific!

Cheers,
frank



--- Original Message ---

From: Charles Robinson charl...@visi.com
Sent: April 12, 2013 4/12/13
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO: Music in the Dark

The K5 at ISO 6400 continues to please me.

It's like I can shoot in utter darkness and still get usable results!

Notice how the skyline outside is only a little dimmer than the lighting inside 
the club.

http://charles.robinsontwins.org/photos/2013/Munson_Wilson_Koza/content/K5__7312_large.html

Even when I push it and have to get some noise/grain in the image, I don't find 
the noise to be distracting.  It's like the old-school film grain.  Perfectly 
acceptable (to me).

 -Charles

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RE: PESO 2013 - Ballaugh Beach - GDG

2013-04-13 Thread knarftheria...@gmail.com
Love it!

cheers,
frank

--- Original Message ---

From: Godfrey DiGiorgi godfreydigio...@me.com
Sent: April 13, 2013 4/13/13
To: SeePhoto Talk seeph...@micapeak.com, PAW Picture-A-Week project 
p...@micapeak.com, BAPhotoShooters baphotoshoot...@yahoogroups.com, PDML 
PDML@pdml.net
Subject: PESO 2013 - Ballaugh Beach - GDG

Yes, it was pretty chilly, but lovely...

http://www.flickr.com/photos/gdgphoto/8644993704/lightbox
Incognito - Ballaugh Beach 2013

Enjoy!


Godfrey
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RE: PESO Ten meter Mary

2013-04-13 Thread knarftheria...@gmail.com
Love that halo!

cheers,
frank

--- Original Message ---

From: Larry Colen l...@red4est.com
Sent: April 13, 2013 4/13/13
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO Ten meter Mary

Our lady of peace, across the street from my office:
http://www.flickr.com/photos/ellarsee/8645289393/

Full set at:
http://www.flickriver.com/photos/ellarsee/sets/72157633238210340/

I expect that I'll make a few more attempts at photographing her as she is so 
conveniently located.  I used the metz for fill at the end of the set. 
I'll probably want to get some shots with more interesting sunset 
skies and maybe a touch of fill light, possibly even radio triggered.

--
Larry Colen l...@red4est.com sent from i4est


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RE: OT GESO - Olympus 17mm 1.8

2013-04-13 Thread knarftheria...@gmail.com
Love 'em all, especially that last one!

You could be shooting with a plastic lensed disposable camera and you'd very 
shooting all winners, Derby. But that is an impressive looking lens...

Cheers,
frank

--- Original Message ---

From: Derby Chang der...@iinet.net.au
Sent: April 13, 2013 4/13/13
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: OT GESO - Olympus 17mm 1.8


I was instantly fond of this lens

http://members.iinet.net.au/~derbyc/13/04/17/index.html

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PESO - A message from my son

2013-04-13 Thread Paul Stenquist
A 1977 photo with the Mamiya C2 TLR and 80mm lens.

I think he was trying to tell me something:

http://photo.net/photodb/photo?photo_id=17151253size=lg

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Bill

On 13/04/2013 5:25 PM, Steve Cottrell wrote:

On 13/4/13, Bill, discombobulated, unleashed:


None of these are
really quantifiable things. It's like porn, you can't identify it, but
you know it when you see it.

I hear you brother.


Why have we never gotten together for a beer?

bill

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Tom C
 From: Bill anotherdrunken...@gmail.com

 I want a camera with a fast standard lens, it's something I have long
 complained about with Pentax digital. I don't want to carry around a
 massive camera, so for me the full frame DSLR offerings aren't so good.
 I'm also somewhat of a lens junkie, and I look for certain qualities in
 an image such as soft bokeh, but also high apparent sharpness and what I
 can only describe as smoothness and a sense of depth. None of these are
 really quantifiable things. It's like porn, you can't identify it, but
 you know it when you see it.
 It's the lens qualities that brought me to Pentax in the first place.

 So, I want a camera with a fast standard lens, I want something that is
 fairly compact, and I want certain lens qualities that I have to see to
 know.
 I feel quite fortunate that the Fuji X-Pro1 and the 35/1.4 standard lens
 fits that description.


I've been intrigued by Fuji as well. I was on the verge of getting my
son an X10 and held off because of the numerous issues. Most recently
I was interested in the X-E1 for him. Many things to like including
the JPEG engine, It just didn't seem that it was a finished product
though (none are totally), and when dpreview reported that it had AF
issues in low light and would lock up, requiring cycling the camera
power, that sort of put me off.

I ended up getting him the NEX-6 (which he still hasn't received for
our anniversary gift-giving). It's not a perfect camera either, but I
felt more confident, having both a NEX-5 and NEX-7 myself. I also
thought the NEX-6 had a better feature set and better ergonomics than
the XE-1.

I hope you love the X-Pro1 and would like to hear what you think and
see images after purchase. I'd love to see Fuji succeed and continue
their retro mirrorless line. Competition is good.

Tom C.

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Re: PESO Ten meter Mary

2013-04-13 Thread Larry Colen

On Apr 13, 2013, at 4:51 PM, knarftheria...@gmail.com wrote:

 Love that halo!

Thanks Frank, also Cotty and everyone else that had a look.


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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Tom C
I should add, following the line of thought, that any/every camera is
capable in the hands of one who knows how to best use it.

The NEX line was a better choice for my son because he most likely
will use it in a PS mode, but it has capabilities beyond, and I
already have a number of lenses and adapters. He's going to school for
graphic arts, and is into drawing mainly, but is being forced into the
world of technology even there... which he didn't expect. :)

On Sat, Apr 13, 2013 at 7:23 PM, Tom C caka...@gmail.com wrote:
 From: Bill anotherdrunken...@gmail.com

 I want a camera with a fast standard lens, it's something I have long
 complained about with Pentax digital. I don't want to carry around a
 massive camera, so for me the full frame DSLR offerings aren't so good.
 I'm also somewhat of a lens junkie, and I look for certain qualities in
 an image such as soft bokeh, but also high apparent sharpness and what I
 can only describe as smoothness and a sense of depth. None of these are
 really quantifiable things. It's like porn, you can't identify it, but
 you know it when you see it.
 It's the lens qualities that brought me to Pentax in the first place.

 So, I want a camera with a fast standard lens, I want something that is
 fairly compact, and I want certain lens qualities that I have to see to
 know.
 I feel quite fortunate that the Fuji X-Pro1 and the 35/1.4 standard lens
 fits that description.


 I've been intrigued by Fuji as well. I was on the verge of getting my
 son an X10 and held off because of the numerous issues. Most recently
 I was interested in the X-E1 for him. Many things to like including
 the JPEG engine, It just didn't seem that it was a finished product
 though (none are totally), and when dpreview reported that it had AF
 issues in low light and would lock up, requiring cycling the camera
 power, that sort of put me off.

 I ended up getting him the NEX-6 (which he still hasn't received for
 our anniversary gift-giving). It's not a perfect camera either, but I
 felt more confident, having both a NEX-5 and NEX-7 myself. I also
 thought the NEX-6 had a better feature set and better ergonomics than
 the XE-1.

 I hope you love the X-Pro1 and would like to hear what you think and
 see images after purchase. I'd love to see Fuji succeed and continue
 their retro mirrorless line. Competition is good.

 Tom C.

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Re: OT: Oh Yeah. I just found the camera of my dreams.

2013-04-13 Thread Tim Bray
I considered both and ended up with the X-E1 rather than X-Pro1.  That
35mm is oh my goodness. The E1 is lighter and has the same sensor, and
saves you substantial bucks because its EVF is all E, which works
great for me.  Lots of samples at
https://www.tbray.org/ongoing/What/Arts/Photos/

On Fri, Apr 12, 2013 at 7:29 PM, Bill anotherdrunken...@gmail.com wrote:
 I have written about my affliction before. I am sure this will end badly for
 my wallet.
 I have been thinking about things other than Pentax for a while. I had, from
 a specification POV, more or less settled on a Fuji X-Pro1.
 My pusher has them on sale at the moment. Today I called the Don, and yes,
 he said, he had one there.
 I'm doomed, think I.
 Anyway, I went over to my enabler's for a coffee and donuts, and discussed
 the situation as it sits with me.
 Please note, this is a guy who is in a wheelchair, and I expect the next
 time he leaves the confines of 4 walls and his deck he will be on a gurney.
 Anyway, Brian showed me his brand new Panasonic Gh3.
 I'm thinking that my wallet is going to feel rather taken advantage of for
 some reason.
 After coffee, I went to see the Don. He had a boxed X-Pro1 and 35/1.4 lens
 sitting on his desk. This guy is an incredibly good salesman. He engaged me
 in small talk until I was nearly peeing my pants to open the boxes.

 First impressions.
 Fuji does great packaging.
 The 35/1.4 is about the same size as the Pentax 35/2.8 macro. It is VERY
 nicely built. Similar construction to the LTD lenses in that it's all metal
 on the outside, but inside it feels like all butter construction. Definitely
 head and shoulders above the LTD lenses on feel, about the same on looks.
 The body is pretty utilitarian looking, actually, and it seems big for what
 it is.
 It does feel good in the hand, and it seemed easy enough to use.

 The images are sweet. Even wide open, the 35/1.4 is exceptionally sharp, and
 the bokeh is quite nice in my very cursory look. Between 5.6 and 8, it is
 scary sharp.

 I didn't buy it today but I did tell him that cleaning my nose prints off
 the screen wasn't necessary. I'll be back for it.

 bill

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Re: PESO 2013 - soon gone - GDG

2013-04-13 Thread Tim Bray
That’s lovely and sad. -T

On Fri, Apr 12, 2013 at 1:33 PM, Godfrey DiGiorgi
godfreydigio...@me.com wrote:
 This old building soon to be razed for a new development.

 http://www.flickr.com/photos/gdgphoto/8641854465/lightbox
 Soon Gone #1 - Douglas 2013

 http://www.flickr.com/photos/gdgphoto/8642955740/lightbox
 Soon Gone #2 - Douglas 2013

 Enjoy!

 Godfrey
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Re: PESO - April Dawn

2013-04-13 Thread Tim Bray
Wow, that’s a nice one.  I might be tempted to brighten up the black
trees and so on at the lower left.  -T

On Sat, Apr 13, 2013 at 7:21 AM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 Several days ago I left the house early to walk up to meet my ride to work. I 
 decided to take my camera and walk down to the lake. It was nice to see the 
 sun coming up over the lake:

  http://knarfdummyblog.blogspot.ca/2013/04/april-dawn.html?m=1

 I don't think we've seen the sun since (two days of freezing rain and today 
 its cold and rainy.

 But enough whining. Hope you enjoy this pleasant (if unspectacular) sunrise. 
 Comments always welcome.

 Cheers,
 frank

 For me, the camera is a sketch book, an instrument of intuition and 
 spontaneity. -- Henri Cartier-Bresson
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Re: OT GESO - Olympus 17mm 1.8

2013-04-13 Thread Tim Bray
Is that Melbourne? -T

On Sat, Apr 13, 2013 at 4:11 PM, Derby Chang der...@iinet.net.au wrote:

 I was instantly fond of this lens

 http://members.iinet.net.au/~derbyc/13/04/17/index.html

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Tim Bray
I still really like my K-5 and if I were advising someone which SLR to
buy, I’d say the Pentaxes are hard to beat for price-performance, as
long as you don’t really need the FF, which I suspect not that many
really do.

Except for, I wouldn’t advise people to buy an SLR these days,
mirrorless cameras are where the innovation and excitement are, and
I’ve had nothing but pure pleasure from my Fuji X-E1.  Which I suspect
I also would have had from an OM-D or NEX.  -T

On Sat, Apr 13, 2013 at 6:38 AM, George Sinos gsi...@gmail.com wrote:
 I think I subscribed to PDML in 2000 or 2001.  It seems like the last
 couple of years, and especially the last few months the topic of other
 brands supplementing Pentax gear or just plain switching to other
 brands has significantly increased.

 Thom Hogan started a series called How to Choose a Camera (Intro with
 Homework) on www.bythom.com  He starts with this:

 ...at this point in the digital era, almost all cameras are highly
 competent. At the DSLR level, image quality even with the entry models
 surpasses what most people could have gotten from film SLRs (assuming
 you understand the camera, what it can actually do, and how to make it
 perform optimally). As I've written for a number of years now about
 all DSLRs: if you can't get a good-looking image at the largest size a
 desktop inkjet printer can create (13x19), it isn't the camera that's
 the problem. Assuming your DSLR is not broken, it will be your
 decisions and your handling of the camera that are the gatekeepers on
 image quality these days.

 I don't disagree with him.

 If this is the case why so much talk of switching and other brands?
 Is it really all due to the lack of a full frame body?  Is the
 increased talk of other brands really a trend or my imagination?

 GS


 George Sinos
 
 www.GeorgesPhotos.net
 www.GeorgeSinos.com

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Re: PESO - A message from my son

2013-04-13 Thread Jack Davis
Cute little guy. My obvious guess would be; hey Dad, we're out of pampers!
 
Jack ;-)


- Original Message -
From: Paul Stenquist pnstenqu...@comcast.net
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Saturday, April 13, 2013 5:18 PM
Subject: PESO - A message from my son

A 1977 photo with the Mamiya C2 TLR and 80mm lens.

I think he was trying to tell me something:

http://photo.net/photodb/photo?photo_id=17151253size=lg

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Re: PESO - A message from my son

2013-04-13 Thread Paul Stenquist
Thanks Jack. He's almost forty now, and not so little. But I was thinking that 
he was trying to tell me he was due for a change.

On Apr 13, 2013, at 11:03 PM, Jack Davis jdavi...@yahoo.com wrote:

 Cute little guy. My obvious guess would be; hey Dad, we're out of pampers!
  
 Jack ;-)
 
 
 - Original Message -
 From: Paul Stenquist pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Cc: 
 Sent: Saturday, April 13, 2013 5:18 PM
 Subject: PESO - A message from my son
 
 A 1977 photo with the Mamiya C2 TLR and 80mm lens.
 
 I think he was trying to tell me something:
 
 http://photo.net/photodb/photo?photo_id=17151253size=lg
 
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Re: An excuse to do some more informal lens comparisons

2013-04-13 Thread Mark C
Interesting results. I am surprised by the 50mm f2.8 macro - I never had 
that lens but figued ti would be really sharp.0. Is the Sigma you tested 
the f2.8 lens or another?


I once did a detailed test of 50mm primes including my A 50 f1.4, M50 
f1.7 and Rikenon XR 55 f1.2. The results were that I eventually sold the 
Rikenon (I held out till I needed the money though) and opted for an FA 
50 f 1.7 for auto focus.


Mark

On 4/12/2013 9:26 AM, Collin Brendemuehl wrote:

http://www.flickr.com/photos/55001392@N08/8643040116/in/set-7215763322447340
7/

Distance it iPhone is about 8 feet.
Not the detail of the side switch on top and the bottom connector.

#1 Sigma 70-300 DG APO zoom at 70mm.  With that much extra length I would
expect it to have more information.  Still, it is also at one end of the
range so images are often softer.  Yes, this is dead-center in the image.
But it's all there.

#2 Pentax DA 18-55 WR at 55mm.   Not as sharp as the Sigma, but not too bad.

#3 Pentax-F 50/1.7.  The best of the batch.  Almost wish I'd not promised it
to someone.  But that's ok.

#4 Pentax FA 50/1.4.  The worst of the batch.  I tried several shots to see
if the results would be consistent.  They were.  I'm disappointed.  It's not
bad; it's just not as good as I'd hoped.

#5 Pentax-A 50/2.8 Macro.Again, several shots to check to see if I'd
done something wrong.  As before, not as good as hoped for, though certainly
acceptable.

Ok -- resolution is not everything.  Having done a bunch of LF I have a
greater appreciation for image rendering than for resolving power.  But
since rendering options are not available concerns on miniature cameras,
resolution is the only question available.

I was pleasantly surprised by the Sigma.  It's a good zoom, though certainly
not a great one. Next I'll take it outside and check the corners at various
lengths.





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Re: OT: Oh Yeah. I just found the camera of my dreams.

2013-04-13 Thread Aahz Maruch
On Sat, Apr 13, 2013, Tim Bray wrote:

 I considered both and ended up with the X-E1 rather than X-Pro1.  That
 35mm is oh my goodness. The E1 is lighter and has the same sensor, and
 saves you substantial bucks because its EVF is all E, which works
 great for me.  Lots of samples at
 https://www.tbray.org/ongoing/What/Arts/Photos/

How do you deal with the lack of telephoto lenses?
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Re: OT: Oh Yeah. I just found the camera of my dreams.

2013-04-13 Thread Chris Mitchell
On 14 April 2013 05:30, Aahz Maruch a...@pobox.com wrote:
 On Sat, Apr 13, 2013, Tim Bray wrote:

 I considered both and ended up with the X-E1 rather than X-Pro1.  That
 35mm is oh my goodness. The E1 is lighter and has the same sensor, and
 saves you substantial bucks because its EVF is all E, which works
 great for me.  Lots of samples at
 https://www.tbray.org/ongoing/What/Arts/Photos/

 How do you deal with the lack of telephoto lenses?
 --
I use my Pentax ones.

Chris

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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Aahz Maruch
On Sat, Apr 13, 2013, Tom C wrote:

 I should add, following the line of thought, that any/every camera is
 capable in the hands of one who knows how to best use it.

That's half-true, at best.  My Nikon P7100 just isn't good for low-light
photography (although it's considerably better than my previous Canon
A710).  Similarly, no camera is good if you hate to use it (you can argue
that it's capable, I suppose, but that smells of wrong question).
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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Aahz Maruch
On Sat, Apr 13, 2013, eactiv...@aol.com wrote:

 Okay. Would you disagree with my statement that  SLRs differed more than 
 DSLRs now seem to do?

Probably.  ;-)  Especially if you include mirrorless in the DSLR
category.
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Re: Multiple Brands or Switching - a Trend?

2013-04-13 Thread Mark C
Pentax has gone through a lot of changes in the last decade. In the late 
90's Pentax offered a lens lineup that was easily on par with Canon and 
Nikon and offered a lot of specialty items. On the long end - 600mm f4, 
400mm f2.8, 300mm f2.8, 400mm f5.6 - and short end - 15mm, 20mm 
autofocus and the F 17-24 fisheye They also had an excellent range 
of macro lenses and enjoyed full third party support from Sigma, Tamron, 
and Tokina. But they missed the transition to auto focus bodies big time 
and were playing catchup  in camera bodies, particularly WRT AF and 
evaluative metering. Today the the lens lineup is much weaker, though it 
is improving. Pentax still lags on bodies though at this particular 
moment in digital camera design that is more in regards to sensor format 
and megapixels.


If and when I can't get Pentax gear to do what I want to do, I'll switch 
brands. I spent a bit of money on a replacement for my A*200mm macro 
lens a while back, but it was a calculate decision. I set my top 
purchase price at something less than the cost of a comparable Nikon or 
Canon body, their 200 or 180 macro, and flash and other essentials for a 
new system. For me, that analysis highlighted the costs that come with 
switching. Making a total transition from one system to another, if you 
are seriously invested in lenses, bodied and flashes, is very expensive. 
Selling your old gear and buying new is expensive. Trying to maintain 
two systems is even more expensive.


If one is lightly invested then it makes sense to move on. Or start a 
second system. For me, buying into the Q system is really just going 
iwth a second system since there is only limited overlap with the core 
Pentax gear that I already have (mostly wrt flashes.)


I am hoping that we see something out of Pentax - Ricoh that tells us 
that they are serious about the K-AF mount and it's corresponding glass. 
I really don't care if they lag the market regarding FF dslr, but let's 
face it - the day is not far off when FF  will be the consumer standard 
for DSLR. The most worrisome thing that I can interpret form Pentax 
Ricoh's  comments on FF DSLR's is that they may think that FF is a 
passing fad. That would be delusional thinking - something that the old 
Asahi Pentax might have indulged in but Ricoh is a much smarter and 
hardened company. After all, Ricoh was one of the first significant film 
camera manufacturer to get out of the film business and switch to 
digital only.


These days, I am just shooting as a hobbyist and all my needs are met 
with the glass I currently own and the bodies I currently have. While I 
want new toys and would love to have a full frame dslr, I don't need one 
and am happy with the images I get from the K5. I didn't give a damn 
about the poor AF and AE Metering of the PZ series of bodies back in the 
90's either. But I am reluctant to continue to invest in a system whose 
future is up in the air. I would certainly never buy something like the 
DA 560 unless I knew what body would be around to use with it in the 
future.


There is a lot of uncertainty regarding Pentax's future direction 
regarding bodies and glass. They seem to be aware of this and the lens 
roadmaps appear to an attempt to address that. A road map WRT bodies 
would be even more important.


Mark


On 4/13/2013 9:38 AM, George Sinos wrote:

I think I subscribed to PDML in 2000 or 2001.  It seems like the last
couple of years, and especially the last few months the topic of other
brands supplementing Pentax gear or just plain switching to other
brands has significantly increased.

Thom Hogan started a series called How to Choose a Camera (Intro with
Homework) on www.bythom.com  He starts with this:

...at this point in the digital era, almost all cameras are highly
competent. At the DSLR level, image quality even with the entry models
surpasses what most people could have gotten from film SLRs (assuming
you understand the camera, what it can actually do, and how to make it
perform optimally). As I've written for a number of years now about
all DSLRs: if you can't get a good-looking image at the largest size a
desktop inkjet printer can create (13x19), it isn't the camera that's
the problem. Assuming your DSLR is not broken, it will be your
decisions and your handling of the camera that are the gatekeepers on
image quality these days.

I don't disagree with him.

If this is the case why so much talk of switching and other brands?
Is it really all due to the lack of a full frame body?  Is the
increased talk of other brands really a trend or my imagination?

GS


George Sinos

www.GeorgesPhotos.net
www.GeorgeSinos.com




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