Free Exposure Blending course

2015-02-13 Thread Darren Addy
Passing this along for any who might be interested. It is not just a
100 page eBook, but also contains 8 videos and 7 image files.

Cover shot:
http://christopherodonnellphotography.com/wp-content/uploads/2013/06/exposure-blending-cover.jpg

http://christopherodonnellphotography.com/exposure-blending/

Why you might want to use it:
http://christopherodonnellphotography.com/wp-content/uploads/2013/06/before-after-exposure-blending.jpg

I suppose, like any tool, this one can be wielded with skill or butchery.

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Re: Free Exposure Blending course

2015-02-13 Thread P.J. Alling
The techniques might be useful the means to which he puts them are 
problematic.  The before and after shot in the last one are a bit 
extreme.  I guess subtlety isn't his middle name.


On 2/13/2015 8:08 AM, Darren Addy wrote:

Passing this along for any who might be interested. It is not just a
100 page eBook, but also contains 8 videos and 7 image files.

Cover shot:
http://christopherodonnellphotography.com/wp-content/uploads/2013/06/exposure-blending-cover.jpg

http://christopherodonnellphotography.com/exposure-blending/

Why you might want to use it:
http://christopherodonnellphotography.com/wp-content/uploads/2013/06/before-after-exposure-blending.jpg

I suppose, like any tool, this one can be wielded with skill or butchery.




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immortality through not dying.
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Re: Need your opinion - Square in Dresden from seafood perspective

2015-02-13 Thread Bruce Walker
On Thu, Feb 12, 2015 at 10:15 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

 On 2/12/2015 21:52, Bruce Walker wrote:

 Ann, if we take the telephoto example, you will get pronounced
 compression that your eyes would not have given the scene.

 I'm not sure that is true - it is something I used to think but then
 somewhere someone showed something taken with a 50 mm lens and cropped
 down to what the 135 tele had captured and the crop and the tele photo
 looked the same...

You could well be right about the compression, Ann. But we certainly
can't see what the tele is showing us with the unaided eye. That's why
we use binoculars. :)


 If I stand on a chair above two people, the taller of who I place
 behind the shorter one, using a wide angle lens I can make them both
 look about the same size. I used this trick during a recent shoot.
 It's an optical distortion that my eye did not make but the
 lens/camera did.And their heads appear much bigger than their feet
 too.

 You didn't see it looking through the viewfinder?

Through the viewfinder, and so through the distorting glass, yes. With
my eyes, no.


 *** Not extreme distortions, but unnatural nonetheless. Our eyes have a
 35mm equivalent focal length of around 50mm so any lens wider or
 longer than that is going to distort scenes compared to what your eyes
 see.***

 Which is why a 50mm lens has always been my preferred one.:-)  but that is
 the 50 mm lens with a fixed periferal vision - one's own eyes may
 have more or less.

 I think it is a complicated optical matter... but at the bottom of it is
 that I don't like seeing something beautiful made ugly, that's all

Well that I cannot and will not argue with. That is personal
preference and personal interpretation of course.

My own personal interpretation of Igor's shot is more positive as I
like the shot playing with my expectations. I don't expect buildings
and tram lines to be bending like putty, so it surprises me and makes
me look more closely. Would I put it up on my wall? Unsure; I might,
to see other's reactions.

My argument was really with the notion that what the photographer has
done should not be done, or why bother?


Okay, as one final example of distortion -- one that I know you like
-- here's a shot with a single distortion applied, not optical.

http://www.robertstech.com/pages/gfm_w09.htm



 ann



 On Thu, Feb 12, 2015 at 9:39 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

 Bruce - in all your examples, you are capturing something your eye can
 see or did see without recording it with a camera...

 Not the same at all as using a fisheye -
 which produces an image the human eye can't see - until
 after the camera has captured it..

 So perhaps not the best comparison to fisheye lens photos.

 I find the fish-eye distortion unpleasant - I don't mind distortion in
 art in general, if the result is pleasing to look it.

 Using a wide angle lens too close to someone you are photographing, or
 looking at yourself in a funhouse mirror also produces an unpleasing
 distortion... but I never thought making faces was amusing either..
 but that's a digression.

 ann





 On 2/12/2015 20:51, Bruce Walker wrote:


 Well, what's the point to shooting through raindropped glass?
 WTPT standing on a chair and shooting down on a small group?
 WTPT shooting a closeup of a marching band from a great distance with
 a telephoto?
 WTPT shooting a scene's reflection in a puddle?
 WTPT trying anything different?


 On Thu, Feb 12, 2015 at 8:33 PM, Jack Davis jdavi...@comcast.net
 wrote:


 Have never grasp the point to such
 mechanically produced distortion.
 Jack





 Sent from my iPhone

 On Feb 12, 2015, at 4:17 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

 I don't see any point to that kind of shot.. It's a beautiful
 building,
 don't like seeing it distorted.

 ann

 On 2/12/2015 01:57, Igor PDML-StR wrote:


 Hi All!

 Time-to-time I am experimenting with the Korean 8mm fisheye lens.
 I've posted a few shots produced with that lens that I liked.
 But sometimes I am not sure if the photo works or not.
 Here is one of such shots:
 http://42graphy.org/misc/Dresden_IR00794.jpg

 I would like to hear your honest opinion, if this shot works for you
 or
 not.
 (Other comments and suggestions are also welcome.)

 Thank you,

 Igor



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An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread P.J. Alling

It's a link to the Pentax Fora, sorry about that.


http://www.pentaxforums.com/forums/16-pentax-news-rumors/288490-unveiling-full-frame-prototype.html

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Re: 5 Palms Sunset

2015-02-13 Thread Ken Waller

Very nice colors, exposure and subject.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Daniel J. Matyola danmaty...@gmail.com

Subject: PESO: 5 Palms Sunset



Taken from our dinner table this evening:
http://photo.net/photodb/photo?photo_id=17965887size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Ken Waller
Interestingly, the mockup has Pentax on the front and back - so there Cotty, 
its a Pentax BG


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: P.J. Alling webstertwenty...@gmail.com

Subject: An artists rendition of what a finished FF Pentax may look like.



It's a link to the Pentax Fora, sorry about that.


http://www.pentaxforums.com/forums/16-pentax-news-rumors/288490-unveiling-full-frame-prototype.html

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immortality through not dying.

-- Woody Allen



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Re: Need your opinion - Square in Dresden from seafood perspective

2015-02-13 Thread Igor PDML-StR



Wow, such a heated debate!
As a scientist, I like pationed civilized discussions!
As a scientist, I also feel obligated to clarify the possible confusions 
that occured in the process.


A. Perspective and compression.
First, I would provide a sort of rabbinistic response:
Bruce's point is correct. Ann is also correct.

Let me followup on Bruce's point:
Only about 50 (or, IIRC, more exactly 40-some) mm lens on a FF sensor 
provides the perspective comparable to that seen by humans. That's why for 
several decades, 50mm lens was a standard on many film cameras. On 
APS-C, that role has shifted to about 35mm. As it is obvious from the
different focal lengths for different sensors, it is not the focal length 
per se, but the angle at which the object is seen through a particular 
lens. More on this is below.


The change of the perspective is much more pronounced if we go the 
wide-angle lenses. Try shooting portraits with a 24 or even 28 mm lens, 
and you'll see that they look weird: the distance between the eyes on the 
face, compared to other facial features looks weird, almost an alien-like. 
That's why there is a notion of a portrait lens. The potraits lenses are 
typically a bit longer than the normal lens (roughly 70-115mm on the 
FF, and 50-85 on APS-C), as that produces the compression that is slight, 
which makes it noticeable but not unnatural. This compression makes the 
portraits a bit flattering.


B. Now, one has to distinguish two different settings:
1. Shooting with two lenses (say, 50mm and 135mm) from different 
distances, while preserving the coverage (filling) of the frame with the 
object (face).


2. Shooting with the same two lenses from the SAME distance to the object.

First is more typical and practical, and that's what people refer to when 
they are talking about compression. The second one, is what Ann has 
mentioned. And, of course, there is no difference in the perspective there 
(but obviously, if you make a crop, you might not get sufficient 
quality/resolution).


The discussion in A above, refers to the case #1.
A frequently referenced photo demonstrating the effect in the first case 
is here:

http://stepheneastwood.com/tutorials/lensdistortion/
http://stepheneastwood.com/tutorials/lensdistortion/IMAGES/tile1.jpg
And here is the tutorial discussing it:
http://stepheneastwood.com/tutorials/Tutorials_Lens_Perspective.htm

C. Additional clarifying comments:
The periferal vision has nothing to do with the distortion:
It is the angle at which we see a non-flat object that matters, not how 
widely we can see.


And to avoid a confusion, yet another important clarification is due here: 
This compression effect would not be seen if you were to look not at a 3D 
object (such as a face) but at a flat image on whose surface is 
perpendicular to the line of vision. I.e. if you are shooting somebody's
portrait through different rectilinear lenses, you will not see any 
difference, as long as it is at 90 degrees to the line of viewing.
The corollary of this is that it doesn't matter from which distance you 
look at a portait, the proportions are always the same. But looking
at a face (or shooting a photo) from two inches away give you a weird 
view.



D. Now, on non-scientific aspect:
Experimental or conservative approach is a personal preference, and I 
appreciate and respect both. And that's why I asked people here, expecting 
a spectrum of opinions.
And when even people, who generally don't like fish-eye photos, like the 
particular photo, that speaks stronger about that image.


Here is an example where Ann kinda like[d] ... one:
http://pdml.net/pipermail/pdml_pdml.net/2014-May/378059.html

Bruce, and I share your sentiment about why bother and experimenting 
beyond the comfort zone of usual. That's exactly what drives me in 
these experiments.


Again, many thanks to all people who contributed their opinions about the 
image!


Igor



 Bruce Walker Fri, 13 Feb 2015 06:23:02 -0800 wrote:

On Thu, Feb 12, 2015 at 10:15 PM, Ann Sanfedele ann...@nyc.rr.com wrote:


On 2/12/2015 21:52, Bruce Walker wrote:


Ann, if we take the telephoto example, you will get pronounced
compression that your eyes would not have given the scene.


I'm not sure that is true - it is something I used to think but then
somewhere someone showed something taken with a 50 mm lens and cropped
down to what the 135 tele had captured and the crop and the tele photo
looked the same...



You could well be right about the compression, Ann. But we certainly
can't see what the tele is showing us with the unaided eye. That's why
we use binoculars. :)



If I stand on a chair above two people, the taller of who I place
behind the shorter one, using a wide angle lens I can make them both
look about the same size. I used this trick during a recent shoot.
It's an optical distortion that my eye did not make but the
lens/camera did.And their heads appear much bigger than their feet
too.


You didn't see it looking through 

OT Digital Dark Age and Digital Vellum

2015-02-13 Thread Christine Aguila
Hi Team:

Just thought this might be of interest given a recent thread about 
compatibility of DNG files on old software versions.

To my mind, more importantly, it makes the case for paper :-)))—print your 
photos—and an even better idea is to make photo books—which with Lightroom are 
really fun and relatively easy to make.

I’ve recently purchased some archival clam shell photo boxes for loose photos, 
and they’ve been working out well.

http://www.bbc.com/news/science-environment-31450389


The solution suggested by internet guru, Vint Cerf, seems interesting enough, 
but printing either a single photo or photo books, should still remain a viable 
option for showcasing and preserving all your lovely photos—IMHO :-)!!!

Cheers, Christine
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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Godfrey DiGiorgi
Still looks like a big, blocky thing. 

G

 It's a link to the Pentax Fora, sorry about that.
 
 
 http://www.pentaxforums.com/forums/16-pentax-news-rumors/288490-unveiling-full-frame-prototype.html

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70 years ago Dresden bombing -- and a photo of Dresden Cathedral

2015-02-13 Thread Igor PDML-StR


I just read on BBC the article about the bombing of Dresden exactly 70
years ago:
http://www.bbc.com/news/world-europe-31448992

Remembering those events is important to deter repeat of such events.
(Unfortunately, as the recent history shows, it is impossible to avoid 
those due to the loss of collective memory with the new generations.)



Last May, I visited Dresden. One of the strange feelings in the old town 
comes from seeing old-looking building with mixed dark and bright stones.
The reason for that is that many (most?) buildings in the old town have 
been restored from ruins, using the old, surviving stones. The newer 
stones have not been subjected to the weather for as long, so they are 
lighter in color.


Actually, the building that appears on the photo taken with the fisheye 
lens, which was debated in another thready, is Dresden Cathedral

that was also badly destroyed in that bombing.
http://42graphy.org/misc/Dresden_IR00794.jpg
http://en.wikipedia.org/wiki/Dresden_Cathedral

For those who prefer a photo from a rectilinear lens, here it is:
http://42graphy.org/misc/Dresden_IR01023.jpg
And slightly corrected for the perspective (to straighten out the 
tower):

http://42graphy.org/misc/Dresden_IR01023-2.jpg

And here is day-time photo (with unfortunate vignetting in the corners
due to the shade accidentally unlocking and rotating):
http://42graphy.org/misc/Dresden_IR00790.jpg

For those who enjoy visiting place with Google Earth or Google Maps,
the coordinates of the cathedral are 51.053535,13.737464


Cheers,


Igor


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Re: Digital Camera Watch report from CP+ Yokohama

2015-02-13 Thread Steve Cottrell
On 12/2/15, Paul Stenquist, discombobulated, unleashed:

But let's start wringing our hands.

I did that when the MZ-D was cancelled ;-)

-- 


Cheers,
  Cotty


___/\__Broadcast, Corporate,
||  (O)  |Web Video Production
--www.seeingeye.tv
_



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Re: Free Exposure Blending course

2015-02-13 Thread Larry Colen

What is the difference between Exposure Blending and HDR?

Darren Addy wrote:

Passing this along for any who might be interested. It is not just a
100 page eBook, but also contains 8 videos and 7 image files.

Cover shot:
http://christopherodonnellphotography.com/wp-content/uploads/2013/06/exposure-blending-cover.jpg

http://christopherodonnellphotography.com/exposure-blending/

Why you might want to use it:
http://christopherodonnellphotography.com/wp-content/uploads/2013/06/before-after-exposure-blending.jpg

I suppose, like any tool, this one can be wielded with skill or butchery.



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Re: Digital Camera Watch report from CP+ Yokohama

2015-02-13 Thread Steve Cottrell
On 12/2/15, Mark Roberts, discombobulated, unleashed:

It's pretty routine now. Even for smaller companies. I'd be surprised
if Pentax made prototype models any other way.

Bright pink Play Doh next.

-- 


Cheers,
  Cotty


___/\__Broadcast, Corporate,
||  (O)  |Web Video Production
--www.seeingeye.tv
_



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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread P.J. Alling
It would be pretty blocky, it's got a FF prism, an articulating screen, 
and a full frame mirror box, and probably a very powerful, for a camera 
body at least autofocus motor, all of which take up space.  It's still 
probably smaller than a Canon EOS with none of those things.


On 2/13/2015 12:22 PM, Godfrey DiGiorgi wrote:

Still looks like a big, blocky thing.

G


It's a link to the Pentax Fora, sorry about that.


http://www.pentaxforums.com/forums/16-pentax-news-rumors/288490-unveiling-full-frame-prototype.html



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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Bob W-PDML
I seem to remember Pentax showing a mockup or prototype before, which never 
actually hit the streets. I could show a mockup of a time machine, doesn't mean 
I'll ever be able to travel forward to 2525 to watch Cotty eat his hat when the 
camera is available in whatever passes for shops then. That's why I want him to 
eat it now, on credit so to speak.

B



 On 13 Feb 2015, at 17:02, Ken Waller kwal...@peoplepc.com wrote:
 
 Interestingly, the mockup has Pentax on the front and back - so there Cotty, 
 its a Pentax BG
 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller
 
 - Original Message - From: P.J. Alling webstertwenty...@gmail.com
 Subject: An artists rendition of what a finished FF Pentax may look like.
 
 
 It's a link to the Pentax Fora, sorry about that.
 
 
 http://www.pentaxforums.com/forums/16-pentax-news-rumors/288490-unveiling-full-frame-prototype.html
 
 -- 
 I don't want to achieve immortality through my work; I want to achieve 
 immortality through not dying.
 -- Woody Allen
 
 
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Re: Need your opinion - Square in Dresden from seafood perspective

2015-02-13 Thread Ann Sanfedele


On 2/13/2015 09:20, Bruce Walker wrote:

On Thu, Feb 12, 2015 at 10:15 PM, Ann Sanfedele ann...@nyc.rr.com wrote:


On 2/12/2015 21:52, Bruce Walker wrote:


Ann, if we take the telephoto example, you will get pronounced
compression that your eyes would not have given the scene.


I'm not sure that is true - it is something I used to think but then
somewhere someone showed something taken with a 50 mm lens and cropped
down to what the 135 tele had captured and the crop and the tele photo
looked the same...


You could well be right about the compression, Ann. But we certainly
can't see what the tele is showing us with the unaided eye. That's why
we use binoculars. :)



...

No argument at all with you there , Bruce.. we got way off the original
topic...

ann

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Re: OT Digital Dark Age and Digital Vellum

2015-02-13 Thread P.J. Alling
Recent motherboards don't even have floppy controllers built onto them 
and no one makes a PCI anything floppy controller add in board, so 5 1/4 
floppys are dead unless you happen to have an older machine, (I have one 
for running my film scanner), you can still buy 3 1/2 inch USB floppy 
drives, but they're not 100 percent compatible with anything.  In fact I 
think it would be easier to find something to read the paper tape than 
an 8 floppy.


On 2/13/2015 2:25 PM, Bruce Walker wrote:

I saw a bit of a convo between two Facebook connections with this with
one disbelieving that this could be a problem. Someone, somewhere can
read your old file formats, he stated confidently.

I'm tempted to show him some 1 paper tape and ask him if he knows
anyone who can still read that.

But even relatively modern formats are effectively dead these days.
How many of us could read an 8 inch MDS-80 floppy? A 5.25 CP/M or
MS-DOS floppy? Even finding a PC or Mac with a 3.5 1.44M floppy on it
is non-trivial lately. In a pinch I can read 3.5 floppies, but I'd
have to spend a couple of hours jury-rigging something together: an
old PC from the basement, running FreeBSD and networked.

My late 2014 iMac came with no CD/DVD reader/burner in it. I had to
buy a USB one.

The digital vellum idea is kinda like VMware, so I get it and it makes
sense. But printing photos works for me too since I like to see them
on my walls anyway.


On Fri, Feb 13, 2015 at 12:32 PM, Christine Aguila
christ...@caguila.com wrote:

Hi Team:

Just thought this might be of interest given a recent thread about 
compatibility of DNG files on old software versions.

To my mind, more importantly, it makes the case for paper :-)))—print your 
photos—and an even better idea is to make photo books—which with Lightroom are 
really fun and relatively easy to make.

I’ve recently purchased some archival clam shell photo boxes for loose photos, 
and they’ve been working out well.

http://www.bbc.com/news/science-environment-31450389


The solution suggested by internet guru, Vint Cerf, seems interesting enough, 
but printing either a single photo or photo books, should still remain a viable 
option for showcasing and preserving all your lovely photos—IMHO :-)!!!

Cheers, Christine
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Re: OT Digital Dark Age and Digital Vellum

2015-02-13 Thread Bruce Walker
I saw a bit of a convo between two Facebook connections with this with
one disbelieving that this could be a problem. Someone, somewhere can
read your old file formats, he stated confidently.

I'm tempted to show him some 1 paper tape and ask him if he knows
anyone who can still read that.

But even relatively modern formats are effectively dead these days.
How many of us could read an 8 inch MDS-80 floppy? A 5.25 CP/M or
MS-DOS floppy? Even finding a PC or Mac with a 3.5 1.44M floppy on it
is non-trivial lately. In a pinch I can read 3.5 floppies, but I'd
have to spend a couple of hours jury-rigging something together: an
old PC from the basement, running FreeBSD and networked.

My late 2014 iMac came with no CD/DVD reader/burner in it. I had to
buy a USB one.

The digital vellum idea is kinda like VMware, so I get it and it makes
sense. But printing photos works for me too since I like to see them
on my walls anyway.


On Fri, Feb 13, 2015 at 12:32 PM, Christine Aguila
christ...@caguila.com wrote:
 Hi Team:

 Just thought this might be of interest given a recent thread about 
 compatibility of DNG files on old software versions.

 To my mind, more importantly, it makes the case for paper :-)))—print your 
 photos—and an even better idea is to make photo books—which with Lightroom 
 are really fun and relatively easy to make.

 I’ve recently purchased some archival clam shell photo boxes for loose 
 photos, and they’ve been working out well.

 http://www.bbc.com/news/science-environment-31450389


 The solution suggested by internet guru, Vint Cerf, seems interesting enough, 
 but printing either a single photo or photo books, should still remain a 
 viable option for showcasing and preserving all your lovely photos—IMHO :-)!!!

 Cheers, Christine
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Re: Free Exposure Blending course

2015-02-13 Thread Bruce Walker
The results of this and HDR can be similar but the techniques are very
different.

Exposure Blending is more subject-directed than HDR, which is a global
effect. With EB you end up creating masks over specific features in
the image to select different exposures. I've done something similar
to it with multiple layers and manually painted layer masks, but EB is
different from that even as you use Luminosity masks to do the object
isolation. The technique is complex enough to require Photoshop
actions to make it less tedious.

I think the results with either manually masked areas or using
luminosity masks is more natural looking than HDR, but that depends
on how close you push the HDR sliders toward 11. If you can use some
restraint, HDR isn't so awful.


On Fri, Feb 13, 2015 at 1:08 PM, Larry Colen l...@red4est.com wrote:
 What is the difference between Exposure Blending and HDR?

 Darren Addy wrote:

 Passing this along for any who might be interested. It is not just a
 100 page eBook, but also contains 8 videos and 7 image files.

 Cover shot:

 http://christopherodonnellphotography.com/wp-content/uploads/2013/06/exposure-blending-cover.jpg

 http://christopherodonnellphotography.com/exposure-blending/

 Why you might want to use it:

 http://christopherodonnellphotography.com/wp-content/uploads/2013/06/before-after-exposure-blending.jpg

 I suppose, like any tool, this one can be wielded with skill or butchery.


 --
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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Steve Cottrell
On 13/2/15, Bob W-PDML, discombobulated, unleashed:

That's why I want him to eat it now, on credit so to speak.

Everything's got to be now with you city folk.

-- 


Cheers,
  Cotty


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||  (O)  |Web Video Production
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OT: Carry out the Party's policies as exactly in all aspects as the Chonji Lubricating Oil Factory did!

2015-02-13 Thread Bob W-PDML
Once again the People's Factory for the Production of Great Socialist 
Exclamation Marks has exceeded its quota, to the everlasting glory of Our 
Heroic Leader!

http://m.bbc.co.uk/news/blogs-magazine-monitor-31446387

B!





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Re: Need your opinion - Square in Dresden from seafood perspective

2015-02-13 Thread Ann Sanfedele
Thanks for posting the details, Igor - I can't always remember the 
science, and sometimes I can't grasp it all, but I definitely am in

the why I love science school.  And well aware of the portrait
lens effect - my second favorite lens.

The only reason I ever see for using a wide angle is if what you
want to show, remember, won't fit, so to speak, in the 50mm view.
If you are shooting a distant landscape with a 35mm lens there is
no noticeable distortion at all - given your angle is correct,
um, straight on - right?

As to the photo I kinda liked - it was nicely symetrical and
exagerated the rounded forms.. it enhanced the forms that are
so pleasing there and also if you had never been there it gave us 
information...the camera couldn't see it all without the lens you used..


I reserve the right to contradictory behaviour. :-)

ann


On 2/13/2015 11:50, Igor PDML-StR wrote:



Wow, such a heated debate!
As a scientist, I like pationed civilized discussions!
As a scientist, I also feel obligated to clarify the possible confusions
that occured in the process.

A. Perspective and compression.
First, I would provide a sort of rabbinistic response:
Bruce's point is correct. Ann is also correct.

Let me followup on Bruce's point:
Only about 50 (or, IIRC, more exactly 40-some) mm lens on a FF sensor
provides the perspective comparable to that seen by humans. That's why
for several decades, 50mm lens was a standard on many film cameras. On
APS-C, that role has shifted to about 35mm. As it is obvious from the
different focal lengths for different sensors, it is not the focal
length per se, but the angle at which the object is seen through a
particular lens. More on this is below.

The change of the perspective is much more pronounced if we go the
wide-angle lenses. Try shooting portraits with a 24 or even 28 mm lens,
and you'll see that they look weird: the distance between the eyes on
the face, compared to other facial features looks weird, almost an
alien-like. That's why there is a notion of a portrait lens. The
potraits lenses are typically a bit longer than the normal lens
(roughly 70-115mm on the FF, and 50-85 on APS-C), as that produces the
compression that is slight, which makes it noticeable but not unnatural.
This compression makes the portraits a bit flattering.

B. Now, one has to distinguish two different settings:
1. Shooting with two lenses (say, 50mm and 135mm) from different
distances, while preserving the coverage (filling) of the frame with the
object (face).

2. Shooting with the same two lenses from the SAME distance to the object.

First is more typical and practical, and that's what people refer to
when they are talking about compression. The second one, is what Ann has
mentioned. And, of course, there is no difference in the perspective
there (but obviously, if you make a crop, you might not get sufficient
quality/resolution).

The discussion in A above, refers to the case #1.
A frequently referenced photo demonstrating the effect in the first case
is here:
http://stepheneastwood.com/tutorials/lensdistortion/
http://stepheneastwood.com/tutorials/lensdistortion/IMAGES/tile1.jpg
And here is the tutorial discussing it:
http://stepheneastwood.com/tutorials/Tutorials_Lens_Perspective.htm

C. Additional clarifying comments:
The periferal vision has nothing to do with the distortion:
It is the angle at which we see a non-flat object that matters, not how
widely we can see.

And to avoid a confusion, yet another important clarification is due
here: This compression effect would not be seen if you were to look not
at a 3D object (such as a face) but at a flat image on whose surface is
perpendicular to the line of vision. I.e. if you are shooting somebody's
portrait through different rectilinear lenses, you will not see any
difference, as long as it is at 90 degrees to the line of viewing.
The corollary of this is that it doesn't matter from which distance you
look at a portait, the proportions are always the same. But looking
at a face (or shooting a photo) from two inches away give you a weird view.


D. Now, on non-scientific aspect:
Experimental or conservative approach is a personal preference, and I
appreciate and respect both. And that's why I asked people here,
expecting a spectrum of opinions.
And when even people, who generally don't like fish-eye photos, like the
particular photo, that speaks stronger about that image.

Here is an example where Ann kinda like[d] ... one:
http://pdml.net/pipermail/pdml_pdml.net/2014-May/378059.html

Bruce, and I share your sentiment about why bother and experimenting
beyond the comfort zone of usual. That's exactly what drives me in
these experiments.

Again, many thanks to all people who contributed their opinions about
the image!

Igor



  Bruce Walker Fri, 13 Feb 2015 06:23:02 -0800 wrote:

On Thu, Feb 12, 2015 at 10:15 PM, Ann Sanfedele ann...@nyc.rr.com wrote:


On 2/12/2015 21:52, Bruce Walker wrote:


Ann, if we take the telephoto example, you 

Re: OT Digital Dark Age and Digital Vellum

2015-02-13 Thread Godfrey DiGiorgi
The compatibility of DNG across generations of processing software is akin to 
negative management. Making prints is at the other end of the workflow, these 
are your finished, rendered works. 

I started a two prints a week project this year. That is, I am printing two 
of my finished photos per week through the year. I'm a little behind, both for 
logistical reasons of being under the weather with a medical procedure and 
because I finally have the storage box, bags, and print sizing for this project 
nailed down. :-) I'll catch up this weekend... 

I'd love to see others pursuing this program. 

Godfrey


 On Feb 13, 2015, at 9:32 AM, Christine Aguila christ...@caguila.com wrote:
 
 Just thought this might be of interest given a recent thread about 
 compatibility of DNG files on old software versions.
 
 To my mind, more importantly, it makes the case for paper :-)))—print your 
 photos—and an even better idea is to make photo books—which with Lightroom 
 are really fun and relatively easy to make.
 
 I’ve recently purchased some archival clam shell photo boxes for loose 
 photos, and they’ve been working out well.
 
 http://www.bbc.com/news/science-environment-31450389
 
 
 The solution suggested by internet guru, Vint Cerf, seems interesting enough, 
 but printing either a single photo or photo books, should still remain a 
 viable option for showcasing and preserving all your lovely photos—IMHO :-)!!!

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Re: OT Digital Dark Age and Digital Vellum

2015-02-13 Thread Bruce Walker
I expect you'll see one as you're turing around, Bob.

On Fri, Feb 13, 2015 at 3:05 PM, Bob W-PDML p...@web-options.com wrote:
 Somebody ought to invent a Universal Machine!



 On 13 Feb 2015, at 19:47, P.J. Alling webstertwenty...@gmail.com wrote:

 Recent motherboards don't even have floppy controllers built onto them and 
 no one makes a PCI anything floppy controller add in board, so 5 1/4 floppys 
 are dead unless you happen to have an older machine, (I have one for running 
 my film scanner), you can still buy 3 1/2 inch USB floppy drives, but 
 they're not 100 percent compatible with anything.  In fact I think it would 
 be easier to find something to read the paper tape than an 8 floppy.

 On 2/13/2015 2:25 PM, Bruce Walker wrote:
 I saw a bit of a convo between two Facebook connections with this with
 one disbelieving that this could be a problem. Someone, somewhere can
 read your old file formats, he stated confidently.

 I'm tempted to show him some 1 paper tape and ask him if he knows
 anyone who can still read that.

 But even relatively modern formats are effectively dead these days.
 How many of us could read an 8 inch MDS-80 floppy? A 5.25 CP/M or
 MS-DOS floppy? Even finding a PC or Mac with a 3.5 1.44M floppy on it
 is non-trivial lately. In a pinch I can read 3.5 floppies, but I'd
 have to spend a couple of hours jury-rigging something together: an
 old PC from the basement, running FreeBSD and networked.

 My late 2014 iMac came with no CD/DVD reader/burner in it. I had to
 buy a USB one.

 The digital vellum idea is kinda like VMware, so I get it and it makes
 sense. But printing photos works for me too since I like to see them
 on my walls anyway.


 On Fri, Feb 13, 2015 at 12:32 PM, Christine Aguila
 christ...@caguila.com wrote:
 Hi Team:

 Just thought this might be of interest given a recent thread about 
 compatibility of DNG files on old software versions.

 To my mind, more importantly, it makes the case for paper :-)))—print your 
 photos—and an even better idea is to make photo books—which with Lightroom 
 are really fun and relatively easy to make.

 I’ve recently purchased some archival clam shell photo boxes for loose 
 photos, and they’ve been working out well.

 http://www.bbc.com/news/science-environment-31450389


 The solution suggested by internet guru, Vint Cerf, seems interesting 
 enough, but printing either a single photo or photo books, should still 
 remain a viable option for showcasing and preserving all your lovely 
 photos—IMHO :-)!!!

 Cheers, Christine
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Re: PESO: Border Crossing

2015-02-13 Thread David Mann
On Feb 13, 2015, at 5:35 pm, Brian Walters apathy...@lyons-ryan.org wrote:

 http://gallery.multi.net.nz/photo/865/#peso
 
 
 That's great!  Very photogenic - I hope they never 'pretty it up'.
 
 Also not wishing to be picky (har!) but just correcting your comment in the 
 'Tree' post.  Both the 'Finke River' and 'Iron Man' PESOs are definitely 
 scenes in the Northern Territory, assuming they were the pics you were 
 referring to.

Damn, you're right.  Must have been Friday-itis.  I've re-corrected them now...

Cheers,
Dave


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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Godfrey DiGiorgi
The problem that stopped the Contax and MZ-D in their tracks was that Phillips 
was unable to manufacture the sensor to spec, on time, and in sufficient volume 
at the agreed upon price. The camera manufacturers dropped the project rather 
than renegotiate the deal because the performance was so dismal and the price 
would have been so high; it was a cut your losses and run situation. Sad, 
both cameras had a lot of promise. 

I ran into the Contax at a 2002 Photo Expo Tokyo while I was there, actually 
handled and made an exposure or two with the prototype. It was large but nicely 
balanced and not as heavy as it looked, beautifully finished even in prototype 
form. 

Kyocera decided to close up camera operations after that as it had been too 
expensive a loss and wasn't their main line of business. Pentax soldiered forth 
in a different direction with a smaller Sony sensor and a less ambitious body 
as the starting point, the *ist D. 

Godfrey

 On Feb 13, 2015, at 11:53 AM, P.J. Alling webstertwenty...@gmail.com wrote:
 
 The previous FF Pentax the so called MZ-D was actually out for testing, not a 
 mockup, but hand assembled working prototypes, (there were supposedly 6 of 
 them almost released to the wild).  I expect that Pentax dropped plans for 
 it's production because, it was only 6mp and would have cost an arm a leg and 
 an eye, and that Canon, and Kodak both were on the verge of releasing 10 and 
 14mp FF cameras respectively that only cost an arm and a leg.  There were 
 also rumors that the Philips sensor it was built around was a dog, and it 
 probably was, Contax rele3ased a similar camera using the same sensor, and it 
 killed the brand, at least the Yashica incarnation of Contax.

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Re: PESO: Finke River

2015-02-13 Thread Attila Boros
Strange looking river, maybe it has water only a few months per year?

On Thu, Feb 12, 2015 at 4:46 AM, David Mann dmann...@gmail.com wrote:
 Australians have a pretty loose definition of river :)

 http://gallery.multi.net.nz/photo/863/#peso

 Cheers,
 Dave


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Re: OT: Carry out the Party's policies as exactly in all aspects as the Chonji Lubricating Oil Factory did!

2015-02-13 Thread John

On 2/13/2015 3:04 PM, Bob W-PDML wrote:

Once again the People's Factory for the Production of Great Socialist 
Exclamation Marks has exceeded its quota, to the everlasting glory of Our 
Heroic Leader!

http://m.bbc.co.uk/news/blogs-magazine-monitor-31446387

B!



I well know the mushroom slogan.

I must be a mushroom because they keep me in total darkness and feed me 
nothing but horse-shit!


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Religion - Answers we must never question.

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Re: Full Frame Confused

2015-02-13 Thread Mark Roberts
Miserere wrote:

I'm with you, Cotty; I found it fugly as hell.

Did they fire the K-3/5/7 designers?

Odd. I really like the look of the new camera.
 
-- 
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www.robertstech.com





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Re: Full Frame Confused

2015-02-13 Thread Darren Addy
I'm with Mark. If anything is fugly it is the hump on the K-3 that
is basically just for a headphone jack. But it isn't anything to get
in a kerfuffle over. Form follows function. The only design problem I
ever had with Pentax was their weird prism housing on the K-30 with
looks like some Neanderthal brow. Frankly, even the K-01 was better
looking than that. Still, if it has good image quality and ergonomics,
the looks are less than important.

“What we see depends mainly on what we look for.”
― John Lubbock

On Fri, Feb 13, 2015 at 4:42 PM, Mark Roberts
postmas...@robertstech.com wrote:
 Miserere wrote:

I'm with you, Cotty; I found it fugly as hell.

Did they fire the K-3/5/7 designers?

 Odd. I really like the look of the new camera.

 --
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 www.robertstech.com





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Re: OT Digital Dark Age and Digital Vellum

2015-02-13 Thread John

I think you're confusing the media with the message (DATA).

IF the DATA on those old disks was important you should/would have
backed it up onto newer media  translated it into new formats.

My old Quattro Pro spreadsheets are long gone, but before I left them
behind, I moved the information they contained into and Excel
spreadsheet and from there into Open Office Calc. The same is true for
documents originally created in Professional Write (pfs:Write) whose
texts were moved to MS Word and ultimately (as of this instant) into
Open Office Writer.

Those digital photos I have that aren't in JPEG or TIFF are in PEF and
DNG. And I'm currently going back and running PEF files through the DNG
converter, although for now I'm keeping those old PEF files as backups.


On 2/13/2015 2:25 PM, Bruce Walker wrote:

I saw a bit of a convo between two Facebook connections with this with
one disbelieving that this could be a problem. Someone, somewhere can
read your old file formats, he stated confidently.

I'm tempted to show him some 1 paper tape and ask him if he knows
anyone who can still read that.

But even relatively modern formats are effectively dead these days.
How many of us could read an 8 inch MDS-80 floppy? A 5.25 CP/M or
MS-DOS floppy? Even finding a PC or Mac with a 3.5 1.44M floppy on it
is non-trivial lately. In a pinch I can read 3.5 floppies, but I'd
have to spend a couple of hours jury-rigging something together: an
old PC from the basement, running FreeBSD and networked.

My late 2014 iMac came with no CD/DVD reader/burner in it. I had to
buy a USB one.

The digital vellum idea is kinda like VMware, so I get it and it makes
sense. But printing photos works for me too since I like to see them
on my walls anyway.


On Fri, Feb 13, 2015 at 12:32 PM, Christine Aguila
christ...@caguila.com wrote:

Hi Team:

Just thought this might be of interest given a recent thread about 
compatibility of DNG files on old software versions.

To my mind, more importantly, it makes the case for paper :-)))—print your 
photos—and an even better idea is to make photo books—which with Lightroom are 
really fun and relatively easy to make.

I’ve recently purchased some archival clam shell photo boxes for loose photos, 
and they’ve been working out well.

http://www.bbc.com/news/science-environment-31450389


The solution suggested by internet guru, Vint Cerf, seems interesting enough, 
but printing either a single photo or photo books, should still remain a viable 
option for showcasing and preserving all your lovely photos—IMHO :-)!!!

Cheers, Christine


PS: Very little of the data from those 20+ old spreadsheets  documents
is relevant today. But, I was still able to read the files  use the
DATA up until the very moment I deleted it.

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Religion - Answers we must never question.

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Re: PESO: 5 Palms Sunset

2015-02-13 Thread Daniel J. Matyola
Thanks.

Here's one from further away:
http://photo.net/photodb/photo?photo_id=17966335
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Fri, Feb 13, 2015 at 6:11 PM, Daniel J. Matyola danmaty...@gmail.com wrote:
 Thanks.

 Here's one from further away:
 http://photo.net/photodb/photo?photo_id=17966335


 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

 On Fri, Feb 13, 2015 at 5:04 PM, John sesso...@earthlink.net wrote:

 On 2/13/2015 2:52 AM, Daniel J. Matyola wrote:

 Taken from our dinner table this evening:
 http://photo.net/photodb/photo?photo_id=17965887size=lg
 Comments are invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola


 Beautiful cloud formations, but no palms?

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 Religion - Answers we must never question.


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Re: 70 years ago Dresden bombing -- and a photo of Dresden Cathedral

2015-02-13 Thread P.J. Alling
The world learned quite a bit from the bombing, make sure you're 
unassailable before you start grabbing off other peoples land, or 
provoke a larger power, Russia has nukes, so no one want's to stop 
Russia when it nibbles off chunks of it's smaller neighbors, North Korea 
has Nukes so when they commit acts of war against South Korea, the world 
let's it slide. See they learned something, just not what you would have 
hoped they would learn.


On 2/13/2015 4:46 PM, Paul wrote:
And yet the world learns nothing from history...the powerful and power 
hungry continue to flex their muscles as long as they have young men 
and women to send out to do their dying for them.


You see a mix old stone and new in many buildings in Munich as 
well...and it is a strange feeling.


-p

On 2/13/2015 11:32 AM, Igor PDML-StR wrote:


I just read on BBC the article about the bombing of Dresden exactly 70
years ago:
http://www.bbc.com/news/world-europe-31448992

Remembering those events is important to deter repeat of such events.
(Unfortunately, as the recent history shows, it is impossible to avoid
those due to the loss of collective memory with the new generations.)


Last May, I visited Dresden. One of the strange feelings in the old town
comes from seeing old-looking building with mixed dark and bright 
stones.

The reason for that is that many (most?) buildings in the old town have
been restored from ruins, using the old, surviving stones. The newer
stones have not been subjected to the weather for as long, so they are
lighter in color.

Actually, the building that appears on the photo taken with the fisheye
lens, which was debated in another thready, is Dresden Cathedral
that was also badly destroyed in that bombing.
http://42graphy.org/misc/Dresden_IR00794.jpg
http://en.wikipedia.org/wiki/Dresden_Cathedral

For those who prefer a photo from a rectilinear lens, here it is:
http://42graphy.org/misc/Dresden_IR01023.jpg
And slightly corrected for the perspective (to straighten out the 
tower):

http://42graphy.org/misc/Dresden_IR01023-2.jpg

And here is day-time photo (with unfortunate vignetting in the corners
due to the shade accidentally unlocking and rotating):
http://42graphy.org/misc/Dresden_IR00790.jpg

For those who enjoy visiting place with Google Earth or Google Maps,
the coordinates of the cathedral are 51.053535,13.737464


Cheers,


Igor







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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Bruce Walker
But if you use a 3D printer to create your time machine mockup, and
then photoshop the shots you'll convince way more people and ignite
some great firestorms on the Time Machine User forums.

On Fri, Feb 13, 2015 at 1:59 PM, Bob W-PDML p...@web-options.com wrote:
 I seem to remember Pentax showing a mockup or prototype before, which never 
 actually hit the streets. I could show a mockup of a time machine, doesn't 
 mean I'll ever be able to travel forward to 2525 to watch Cotty eat his hat 
 when the camera is available in whatever passes for shops then. That's why I 
 want him to eat it now, on credit so to speak.

 B



 On 13 Feb 2015, at 17:02, Ken Waller kwal...@peoplepc.com wrote:

 Interestingly, the mockup has Pentax on the front and back - so there Cotty, 
 its a Pentax BG

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: P.J. Alling webstertwenty...@gmail.com
 Subject: An artists rendition of what a finished FF Pentax may look like.


 It's a link to the Pentax Fora, sorry about that.


 http://www.pentaxforums.com/forums/16-pentax-news-rumors/288490-unveiling-full-frame-prototype.html

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Re: OT Digital Dark Age and Digital Vellum

2015-02-13 Thread Bob W-PDML
Somebody ought to invent a Universal Machine!



 On 13 Feb 2015, at 19:47, P.J. Alling webstertwenty...@gmail.com wrote:
 
 Recent motherboards don't even have floppy controllers built onto them and no 
 one makes a PCI anything floppy controller add in board, so 5 1/4 floppys are 
 dead unless you happen to have an older machine, (I have one for running my 
 film scanner), you can still buy 3 1/2 inch USB floppy drives, but they're 
 not 100 percent compatible with anything.  In fact I think it would be easier 
 to find something to read the paper tape than an 8 floppy.
 
 On 2/13/2015 2:25 PM, Bruce Walker wrote:
 I saw a bit of a convo between two Facebook connections with this with
 one disbelieving that this could be a problem. Someone, somewhere can
 read your old file formats, he stated confidently.
 
 I'm tempted to show him some 1 paper tape and ask him if he knows
 anyone who can still read that.
 
 But even relatively modern formats are effectively dead these days.
 How many of us could read an 8 inch MDS-80 floppy? A 5.25 CP/M or
 MS-DOS floppy? Even finding a PC or Mac with a 3.5 1.44M floppy on it
 is non-trivial lately. In a pinch I can read 3.5 floppies, but I'd
 have to spend a couple of hours jury-rigging something together: an
 old PC from the basement, running FreeBSD and networked.
 
 My late 2014 iMac came with no CD/DVD reader/burner in it. I had to
 buy a USB one.
 
 The digital vellum idea is kinda like VMware, so I get it and it makes
 sense. But printing photos works for me too since I like to see them
 on my walls anyway.
 
 
 On Fri, Feb 13, 2015 at 12:32 PM, Christine Aguila
 christ...@caguila.com wrote:
 Hi Team:
 
 Just thought this might be of interest given a recent thread about 
 compatibility of DNG files on old software versions.
 
 To my mind, more importantly, it makes the case for paper :-)))—print your 
 photos—and an even better idea is to make photo books—which with Lightroom 
 are really fun and relatively easy to make.
 
 I’ve recently purchased some archival clam shell photo boxes for loose 
 photos, and they’ve been working out well.
 
 http://www.bbc.com/news/science-environment-31450389
 
 
 The solution suggested by internet guru, Vint Cerf, seems interesting 
 enough, but printing either a single photo or photo books, should still 
 remain a viable option for showcasing and preserving all your lovely 
 photos—IMHO :-)!!!
 
 Cheers, Christine
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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread P.J. Alling
The previous FF Pentax the so called MZ-D was actually out for testing, 
not a mockup, but hand assembled working prototypes, (there were 
supposedly 6 of them almost released to the wild).  I expect that Pentax 
dropped plans for it's production because, it was only 6mp and would 
have cost an arm a leg and an eye, and that Canon, and Kodak both were 
on the verge of releasing 10 and 14mp FF cameras respectively that only 
cost an arm and a leg.  There were also rumors that the Philips sensor 
it was built around was a dog, and it probably was, Contax rele3ased a 
similar camera using the same sensor, and it killed the brand, at least 
the Yashica incarnation of Contax.


On 2/13/2015 1:59 PM, Bob W-PDML wrote:

I seem to remember Pentax showing a mockup or prototype before, which never 
actually hit the streets. I could show a mockup of a time machine, doesn't mean 
I'll ever be able to travel forward to 2525 to watch Cotty eat his hat when the 
camera is available in whatever passes for shops then. That's why I want him to 
eat it now, on credit so to speak.

B




On 13 Feb 2015, at 17:02, Ken Waller kwal...@peoplepc.com wrote:

Interestingly, the mockup has Pentax on the front and back - so there Cotty, its a 
Pentax BG

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: P.J. Alling webstertwenty...@gmail.com
Subject: An artists rendition of what a finished FF Pentax may look like.



It's a link to the Pentax Fora, sorry about that.


http://www.pentaxforums.com/forums/16-pentax-news-rumors/288490-unveiling-full-frame-prototype.html

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Re: Need your opinion - Square in Dresden from seafood perspective

2015-02-13 Thread Bruce Walker
On Fri, Feb 13, 2015 at 2:59 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

 No argument at all with you there , Bruce.. we got way off the original
 topic...

Good heavens, Ann, this is the PDML. Tangential threading is
encouraged if not mandatory.

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Re: K-3 video instruction manual...

2015-02-13 Thread Darren Addy
Interesting how nobody replied to this, which I wrote on Jan. 20th,
regarding Benjamin Kanarek's sudden reappearance on dpreview Pentax
Forum and PentaxForums.com.

Makes me wonder if he might not be evaluating an early edition of the
Pentax FF (Ricoh trying to win one of their most influential
professionals back into the fold). Naturally, with an NDA, he would
not be free to speak about that but it might be in his (and Ricoh's)
best interests if he became involved in the Pentax community again.
/speculation?

Less than three weeks later Pentax confirms development of the full frame.

I suspect that features are nailed down more than one might think and
that the artist's rendition in the other thread is a working
prototype (albeit with a 3d printed body) that is already in the hands
of some pros who have signed NDAs like Kanarek.

On Tue, Jan 20, 2015 at 12:40 PM, Darren Addy pixelsmi...@gmail.com wrote:
 ... just about! This goes way beyond your usual review and (if you
 aren't the kind to want to read the manual that came with your K-3)
 this guy highlights a lot of the K-3s capabilities (many of which you
 may not have realized even existed). 37 minutes, but definitely worth
 watching if you own a K-3 or if you want a very lucid description of
 its capabilities to push you over the edge.

 https://www.youtube.com/watch?v=88R8jfhfPe0

 Interestingly, the link to this video was shared on the Pentax SLR
 forum on dpreview.com by Benjamin Kanarek. You may remember him as the
 former Pentax shooter who very publicly left Pentax for a Nikon D800
 for his professional work.
 His YouTube channel: https://www.youtube.com/user/benjaminkanarek/videos

 At the time he said that he would still use Pentax for travel and
 leisure purposes. I find it interesting that he posted the K-3 video
 because it is his first Pentax post there for a very long time. And I
 wondered what precipitated that.

 Makes me wonder if he might not be evaluating an early edition of the
 Pentax FF (Ricoh trying to win one of their most influential
 professionals back into the fold). Naturally, with an NDA, he would
 not be free to speak about that but it might be in his (and Ricoh's)
 best interests if he became involved in the Pentax community again.
 /speculation

 --
 Life is too short to put up with bad bokeh.



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Re: OT: Carry out the Party's policies as exactly in all aspects as the Chonji Lubricating Oil Factory did!

2015-02-13 Thread Bill

On 13/02/2015 4:02 PM, Steve Cottrell wrote:

On 13/2/15, Bob W-PDML, discombobulated, unleashed:


Once again the People's Factory for the Production of Great Socialist
Exclamation Marks has exceeded its quota, to the everlasting glory of
Our Heroic Leader!

http://m.bbc.co.uk/news/blogs-magazine-monitor-31446387


Let us raise a strong wind of studying the great Kimilsungism-Kimjongilism!

I just raised a strong wind.

I vote for a special Synchronicity, where we all fart in their general 
direction at the same time.


bill

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Re: K-3 video instruction manual...

2015-02-13 Thread P.J. Alling
Benjamin's not so big a name that Ricoh should care if he's back or not, 
I bet most of us wouldn't even know who he is if he hadn't been a paid 
promoter of Pentax, then again there's the K-01, and the out house 
designer responsible, so maybe they do care, but who else does really?


On 2/13/2015 5:47 PM, Darren Addy wrote:

Interesting how nobody replied to this, which I wrote on Jan. 20th,
regarding Benjamin Kanarek's sudden reappearance on dpreview Pentax
Forum and PentaxForums.com.

Makes me wonder if he might not be evaluating an early edition of the
Pentax FF (Ricoh trying to win one of their most influential
professionals back into the fold). Naturally, with an NDA, he would
not be free to speak about that but it might be in his (and Ricoh's)
best interests if he became involved in the Pentax community again.
/speculation?

Less than three weeks later Pentax confirms development of the full frame.

I suspect that features are nailed down more than one might think and
that the artist's rendition in the other thread is a working
prototype (albeit with a 3d printed body) that is already in the hands
of some pros who have signed NDAs like Kanarek.

On Tue, Jan 20, 2015 at 12:40 PM, Darren Addy pixelsmi...@gmail.com wrote:

... just about! This goes way beyond your usual review and (if you
aren't the kind to want to read the manual that came with your K-3)
this guy highlights a lot of the K-3s capabilities (many of which you
may not have realized even existed). 37 minutes, but definitely worth
watching if you own a K-3 or if you want a very lucid description of
its capabilities to push you over the edge.

https://www.youtube.com/watch?v=88R8jfhfPe0

Interestingly, the link to this video was shared on the Pentax SLR
forum on dpreview.com by Benjamin Kanarek. You may remember him as the
former Pentax shooter who very publicly left Pentax for a Nikon D800
for his professional work.
His YouTube channel: https://www.youtube.com/user/benjaminkanarek/videos

At the time he said that he would still use Pentax for travel and
leisure purposes. I find it interesting that he posted the K-3 video
because it is his first Pentax post there for a very long time. And I
wondered what precipitated that.

Makes me wonder if he might not be evaluating an early edition of the
Pentax FF (Ricoh trying to win one of their most influential
professionals back into the fold). Naturally, with an NDA, he would
not be free to speak about that but it might be in his (and Ricoh's)
best interests if he became involved in the Pentax community again.
/speculation

--
Life is too short to put up with bad bokeh.






--
I don't want to achieve immortality through my work; I want to achieve 
immortality through not dying.
-- Woody Allen


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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread J C OConnell
Hey Cotty could use a 3D printer to make the hat and use chocaolate as 
the material!

jco
On 2/13/2015 2:10 PM, Bruce Walker wrote:

But if you use a 3D printer to create your time machine mockup, and
then photoshop the shots you'll convince way more people and ignite
some great firestorms on the Time Machine User forums.

On Fri, Feb 13, 2015 at 1:59 PM, Bob W-PDML p...@web-options.com wrote:

I seem to remember Pentax showing a mockup or prototype before, which never 
actually hit the streets. I could show a mockup of a time machine, doesn't mean 
I'll ever be able to travel forward to 2525 to watch Cotty eat his hat when the 
camera is available in whatever passes for shops then. That's why I want him to 
eat it now, on credit so to speak.

B




On 13 Feb 2015, at 17:02, Ken Waller kwal...@peoplepc.com wrote:

Interestingly, the mockup has Pentax on the front and back - so there Cotty, its a 
Pentax BG

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: P.J. Alling webstertwenty...@gmail.com
Subject: An artists rendition of what a finished FF Pentax may look like.



It's a link to the Pentax Fora, sorry about that.


http://www.pentaxforums.com/forums/16-pentax-news-rumors/288490-unveiling-full-frame-prototype.html

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immortality through not dying.
-- Woody Allen


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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread P.J. Alling
You probably saw a production model not a prototype, since it actually 
made it to production.


Here's the Luminous Landscape review, clearly stating it's a released 
product, though the review was posted after the camera was already 
withdrawn from the market.


http://luminous-landscape.com/contax-n-digital-review/

of course LL is down for maintenance right now, so you'll have to read 
it later.




On 2/13/2015 3:34 PM, Godfrey DiGiorgi wrote:

The problem that stopped the Contax and MZ-D in their tracks was that Phillips was unable 
to manufacture the sensor to spec, on time, and in sufficient volume at the agreed upon 
price. The camera manufacturers dropped the project rather than renegotiate the deal 
because the performance was so dismal and the price would have been so high; it was a 
cut your losses and run situation. Sad, both cameras had a lot of promise.

I ran into the Contax at a 2002 Photo Expo Tokyo while I was there, actually 
handled and made an exposure or two with the prototype. It was large but nicely 
balanced and not as heavy as it looked, beautifully finished even in prototype 
form.

Kyocera decided to close up camera operations after that as it had been too 
expensive a loss and wasn't their main line of business. Pentax soldiered forth 
in a different direction with a smaller Sony sensor and a less ambitious body 
as the starting point, the *ist D.

Godfrey


On Feb 13, 2015, at 11:53 AM, P.J. Alling webstertwenty...@gmail.com wrote:

The previous FF Pentax the so called MZ-D was actually out for testing, not a 
mockup, but hand assembled working prototypes, (there were supposedly 6 of them 
almost released to the wild).  I expect that Pentax dropped plans for it's 
production because, it was only 6mp and would have cost an arm a leg and an 
eye, and that Canon, and Kodak both were on the verge of releasing 10 and 14mp 
FF cameras respectively that only cost an arm and a leg.  There were also 
rumors that the Philips sensor it was built around was a dog, and it probably 
was, Contax rele3ased a similar camera using the same sensor, and it killed the 
brand, at least the Yashica incarnation of Contax.



--
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immortality through not dying.
-- Woody Allen


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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Bruce Walker
On Fri, Feb 13, 2015 at 3:34 PM, Godfrey DiGiorgi godd...@me.com wrote:

 Kyocera decided to close up camera operations after that as it had been too 
 expensive a loss and wasn't their main line of business. Pentax soldiered 
 forth in a different direction with a smaller Sony sensor and a less 
 ambitious body as the starting point, the *ist D.

And if they'd followed Kyocera's lead, they could have avoided over a
decade of grumbling, moaning, bitching and whingeing from the likes of
us. So who was the smarter firm?

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Re: Free Exposure Blending course

2015-02-13 Thread Darren Addy
I agree that most of the guy's examples are from the Thomas Kinkade
School, but that's why I said what I said about wielding the tool.

But don't blame the hammer for the monstrosity created with it. And I
also agree that HDR is in that same boat. Sadly, the label has been
mostly ruined by what the proponents have done with it.

On Fri, Feb 13, 2015 at 3:41 PM, John Coyle jco...@iinet.net.au wrote:
 Yet more over-processed, eye-watering pap!

 John in Brisbane



 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Larry Colen
 Sent: Saturday, 14 February 2015 4:09 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Free Exposure Blending course

 What is the difference between Exposure Blending and HDR?

 Darren Addy wrote:
 Passing this along for any who might be interested. It is not just a
 100 page eBook, but also contains 8 videos and 7 image files.

 Cover shot:
 http://christopherodonnellphotography.com/wp-content/uploads/2013/06/exposure-blending-cover.jpg

 http://christopherodonnellphotography.com/exposure-blending/

 Why you might want to use it:

 http://christopherodonnellphotography.com/wp-content/uploads/2013/06/before-after-exposure-blending.
 jpg

 I suppose, like any tool, this one can be wielded with skill or butchery.


 --
 Larry Colen  l...@red4est.com (postbox on min4est)

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Re: OT Digital Dark Age and Digital Vellum

2015-02-13 Thread John

I'm fairly confident that file formats like JPEG  TIFF will be readable
in the future, for at least as long as archival prints can be expected
to last. The media they're saved on might change, but the files will
last as long as someone remembers to transfer them to newer forms of
media when they come along.


On 2/13/2015 12:32 PM, Christine Aguila wrote:

Hi Team:

Just thought this might be of interest given a recent thread about
compatibility of DNG files on old software versions.

To my mind, more importantly, it makes the case for paper :-)))—print
your photos—and an even better idea is to make photo books—which with
Lightroom are really fun and relatively easy to make.

I’ve recently purchased some archival clam shell photo boxes for
loose photos, and they’ve been working out well.

http://www.bbc.com/news/science-environment-31450389


The solution suggested by internet guru, Vint Cerf, seems interesting
enough, but printing either a single photo or photo books, should
still remain a viable option for showcasing and preserving all your
lovely photos—IMHO :-)!!!

Cheers, Christine



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Religion - Answers we must never question.

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Re: PESO - Fishy Nanotech

2015-02-13 Thread Attila Boros
I much prefer this vantage point, like it a lot better than the
previous version.

On Thu, Feb 12, 2015 at 3:35 AM, Rick Womer rickpic...@gmail.com wrote:
 The nanotechnology building, through the 10-17 fisheye:

 http://photo.net/photodb/photo?photo_id=17964476size=lg

 Comments?

 Rick



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Re: PESO: 5 Palms Sunset

2015-02-13 Thread John

On 2/13/2015 2:52 AM, Daniel J. Matyola wrote:

Taken from our dinner table this evening:
http://photo.net/photodb/photo?photo_id=17965887size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



Beautiful cloud formations, but no palms?

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Re: Full Frame Confused

2015-02-13 Thread Darren Addy
What in the world is ugly about it?  That prism housing remind me of a
Stealth Fighter:
http://www.richard-seaman.com/Wallpaper/Aircraft/Attack/F117BankingHardLeft10oClock.jpg

It is only slightly taller, and I think the design has elements that
are reminiscent of the 67ii.
http://2.bp.blogspot.com/-kzfuedKIvUE/UeAdYidR0II/AWg/X12hlC4eEto/s1600/SDIM1197_2.jpg

In any event, either some of you refuse to be happy with anything or
you are going to be like those people who absolutely HATE that new
song the first time they hear it, but it ends up sticking in your head
and becoming one of your All Time Favorites, in time.

:)

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Re: PESO: Urban Whale

2015-02-13 Thread John

Take the M4 from London.

On 2/12/2015 6:27 PM, P.J. Alling wrote:

Well obviously one goes in the trunk and one goes in the glove compartment.

On 2/12/2015 1:12 PM, John wrote:

How do you get two whales in a Volkswagon?

On 2/12/2015 4:19 AM, Alan C wrote:

It's smiling at you!

Alan C

-Original Message- From: Daniel J. Matyola
Sent: Thursday, February 12, 2015 1:55 AM
To: Pentax-Discuss Mail List
Subject: PESO: Urban Whale

http://photo.net/photodb/photo?photo_id=17965113size=md
Comments are invited

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola








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RE: Free Exposure Blending course

2015-02-13 Thread John Coyle
Yet more over-processed, eye-watering pap!

John in Brisbane



-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Larry Colen
Sent: Saturday, 14 February 2015 4:09 AM
To: Pentax-Discuss Mail List
Subject: Re: Free Exposure Blending course

What is the difference between Exposure Blending and HDR?

Darren Addy wrote:
 Passing this along for any who might be interested. It is not just a
 100 page eBook, but also contains 8 videos and 7 image files.

 Cover shot:
 http://christopherodonnellphotography.com/wp-content/uploads/2013/06/exposure-blending-cover.jpg

 http://christopherodonnellphotography.com/exposure-blending/

 Why you might want to use it:

http://christopherodonnellphotography.com/wp-content/uploads/2013/06/before-after-exposure-blending.
jpg

 I suppose, like any tool, this one can be wielded with skill or butchery.


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Re: Full Frame Confused

2015-02-13 Thread Miserere
I'm with you, Cotty; I found it fugly as hell.

Did they fire the K-3/5/7 designers?

Cheers,


   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment



On 12 February 2015 at 10:23, Steve Cottrell co...@seeingeye.tv wrote:
 I think that my hat's going to give me indigestion. What a ghastly object!

 http://www.dpreview.com/articles/8579230519/cp-2015-up-close-and-
 personal-with-ricoh-full-frame-mockup

 And is it Ricoh or Pentax??

 --


 Cheers,
   Cotty


 ___/\__Broadcast, Corporate,
 ||  (O)  |Web Video Production
 --www.seeingeye.tv
 _



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Re: 70 years ago Dresden bombing -- and a photo of Dresden Cathedral

2015-02-13 Thread Paul
And yet the world learns nothing from history...the powerful and power 
hungry continue to flex their muscles as long as they have young men and 
women to send out to do their dying for them.


You see a mix old stone and new in many buildings in Munich as 
well...and it is a strange feeling.


-p

On 2/13/2015 11:32 AM, Igor PDML-StR wrote:


I just read on BBC the article about the bombing of Dresden exactly 70
years ago:
http://www.bbc.com/news/world-europe-31448992

Remembering those events is important to deter repeat of such events.
(Unfortunately, as the recent history shows, it is impossible to avoid
those due to the loss of collective memory with the new generations.)


Last May, I visited Dresden. One of the strange feelings in the old town
comes from seeing old-looking building with mixed dark and bright stones.
The reason for that is that many (most?) buildings in the old town have
been restored from ruins, using the old, surviving stones. The newer
stones have not been subjected to the weather for as long, so they are
lighter in color.

Actually, the building that appears on the photo taken with the fisheye
lens, which was debated in another thready, is Dresden Cathedral
that was also badly destroyed in that bombing.
http://42graphy.org/misc/Dresden_IR00794.jpg
http://en.wikipedia.org/wiki/Dresden_Cathedral

For those who prefer a photo from a rectilinear lens, here it is:
http://42graphy.org/misc/Dresden_IR01023.jpg
And slightly corrected for the perspective (to straighten out the tower):
http://42graphy.org/misc/Dresden_IR01023-2.jpg

And here is day-time photo (with unfortunate vignetting in the corners
due to the shade accidentally unlocking and rotating):
http://42graphy.org/misc/Dresden_IR00790.jpg

For those who enjoy visiting place with Google Earth or Google Maps,
the coordinates of the cathedral are 51.053535,13.737464


Cheers,


Igor




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Re: OT: Carry out the Party's policies as exactly in all aspects as the Chonji Lubricating Oil Factory did!

2015-02-13 Thread Steve Cottrell
On 13/2/15, Bob W-PDML, discombobulated, unleashed:

Once again the People's Factory for the Production of Great Socialist
Exclamation Marks has exceeded its quota, to the everlasting glory of
Our Heroic Leader!

http://m.bbc.co.uk/news/blogs-magazine-monitor-31446387

Let us raise a strong wind of studying the great Kimilsungism-Kimjongilism!

I just raised a strong wind.

-- 


Cheers,
  Cotty


___/\__Broadcast, Corporate,
||  (O)  |Web Video Production
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Re: OT Digital Dark Age and Digital Vellum

2015-02-13 Thread Jostein Øksne
I think you should differentiate between media obsolence and file format 
obsolence. 
Jostein 

Den 13. februar 2015 20:34:02 CET, skrev P.J. Alling 
webstertwenty...@gmail.com:
Recent motherboards don't even have floppy controllers built onto them 
and no one makes a PCI anything floppy controller add in board, so 5
1/4 
floppys are dead unless you happen to have an older machine, (I have
one 
for running my film scanner), you can still buy 3 1/2 inch USB floppy 
drives, but they're not 100 percent compatible with anything.  In fact
I 
think it would be easier to find something to read the paper tape than 
an 8 floppy.

On 2/13/2015 2:25 PM, Bruce Walker wrote:
 I saw a bit of a convo between two Facebook connections with this
with
 one disbelieving that this could be a problem. Someone, somewhere
can
 read your old file formats, he stated confidently.

 I'm tempted to show him some 1 paper tape and ask him if he knows
 anyone who can still read that.

 But even relatively modern formats are effectively dead these days.
 How many of us could read an 8 inch MDS-80 floppy? A 5.25 CP/M or
 MS-DOS floppy? Even finding a PC or Mac with a 3.5 1.44M floppy on
it
 is non-trivial lately. In a pinch I can read 3.5 floppies, but I'd
 have to spend a couple of hours jury-rigging something together: an
 old PC from the basement, running FreeBSD and networked.

 My late 2014 iMac came with no CD/DVD reader/burner in it. I had to
 buy a USB one.

 The digital vellum idea is kinda like VMware, so I get it and it
makes
 sense. But printing photos works for me too since I like to see them
 on my walls anyway.


 On Fri, Feb 13, 2015 at 12:32 PM, Christine Aguila
 christ...@caguila.com wrote:
 Hi Team:

 Just thought this might be of interest given a recent thread about
compatibility of DNG files on old software versions.

 To my mind, more importantly, it makes the case for paper
:-)))—print your photos—and an even better idea is to make photo
books—which with Lightroom are really fun and relatively easy to make.

 I’ve recently purchased some archival clam shell photo boxes for
loose photos, and they’ve been working out well.

 http://www.bbc.com/news/science-environment-31450389


 The solution suggested by internet guru, Vint Cerf, seems
interesting enough, but printing either a single photo or photo books,
should still remain a viable option for showcasing and preserving all
your lovely photos—IMHO :-)!!!

 Cheers, Christine
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Re: Full Frame Confused

2015-02-13 Thread Larry Colen



Miserere wrote:

I'm with you, Cotty; I found it fugly as hell.

Did they fire the K-3/5/7 designers?


They are in dire straits in this situation between losing customers and 
potential customers over lack of an upgrade path to a Full! Frame! 
Sensor! and Osborneing themselves because too many people will forgo 
buying a K-3, or whatever top end APS camera while waiting for the FF body.


I know that in many industries companies go to great lengths to hide the 
appearance and features of their new models. I wouldn't be surprised if 
this mockup was the 1.0 dummy, or they had one of their design interns 
take bits and pieces, where they could from other body designs, paste 
them all together and make something that could plausibly be a FF DSLR 
just so that they'd have something physical to show at CP+.


I would not be at all surprised if the only similarity between this and 
the final product is the K-mount, and possibly the word Pentax on the 
front, though I wouldn't bet too heavily on the font.


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Re: PESO: Finke River

2015-02-13 Thread Brian Walters

Quoting Attila Boros attila.p...@gmail.com:


Strange looking river, maybe it has water only a few months per year?



Not even that often - could be years between flood events,  All of the  
river systems in Central Australia are ephemeral and most of the time  
they are reduced to a few permanent waterholes.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



On Thu, Feb 12, 2015 at 4:46 AM, David Mann dmann...@gmail.com wrote:

Australians have a pretty loose definition of river :)

http://gallery.multi.net.nz/photo/863/#peso

Cheers,
Dave





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Re: Need your opinion - Square in Dresden from seafood perspective

2015-02-13 Thread Ann Sanfedele

OMG - what was I thinking!! :-)

a

On 2/13/2015 15:32, Bruce Walker wrote:

On Fri, Feb 13, 2015 at 2:59 PM, Ann Sanfedele ann...@nyc.rr.com wrote:


No argument at all with you there , Bruce.. we got way off the original
topic...


Good heavens, Ann, this is the PDML. Tangential threading is
encouraged if not mandatory.



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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Godfrey DiGiorgi
Possibly, the counter signs were all in Japanese and the representatives at the 
counter were no fluent English speakers. Given the date, it could have been an 
early production unit or very late prototype/test unit. I was not allowed to 
capture any images to my card, though: they had the card slot blocked. 

Godfrey


 On Feb 13, 2015, at 2:56 PM, P.J. Alling webstertwenty...@gmail.com wrote:
 
 You probably saw a production model not a prototype, since it actually made 
 it to production.
 
 Here's the Luminous Landscape review, clearly stating it's a released 
 product, though the review was posted after the camera was already withdrawn 
 from the market.
 
 http://luminous-landscape.com/contax-n-digital-review/
 
 of course LL is down for maintenance right now, so you'll have to read it 
 later.
 
 
 
 On 2/13/2015 3:34 PM, Godfrey DiGiorgi wrote:
 The problem that stopped the Contax and MZ-D in their tracks was that 
 Phillips was unable to manufacture the sensor to spec, on time, and in 
 sufficient volume at the agreed upon price. The camera manufacturers dropped 
 the project rather than renegotiate the deal because the performance was so 
 dismal and the price would have been so high; it was a cut your losses and 
 run situation. Sad, both cameras had a lot of promise.
 
 I ran into the Contax at a 2002 Photo Expo Tokyo while I was there, actually 
 handled and made an exposure or two with the prototype. It was large but 
 nicely balanced and not as heavy as it looked, beautifully finished even in 
 prototype form.
 
 Kyocera decided to close up camera operations after that as it had been too 
 expensive a loss and wasn't their main line of business. Pentax soldiered 
 forth in a different direction with a smaller Sony sensor and a less 
 ambitious body as the starting point, the *ist D.
 
 Godfrey
 
 On Feb 13, 2015, at 11:53 AM, P.J. Alling webstertwenty...@gmail.com 
 wrote:
 
 The previous FF Pentax the so called MZ-D was actually out for testing, not 
 a mockup, but hand assembled working prototypes, (there were supposedly 6 
 of them almost released to the wild).  I expect that Pentax dropped plans 
 for it's production because, it was only 6mp and would have cost an arm a 
 leg and an eye, and that Canon, and Kodak both were on the verge of 
 releasing 10 and 14mp FF cameras respectively that only cost an arm and a 
 leg.  There were also rumors that the Philips sensor it was built around 
 was a dog, and it probably was, Contax rele3ased a similar camera using the 
 same sensor, and it killed the brand, at least the Yashica incarnation of 
 Contax.
 
 
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Re: OT: Carry out the Party's policies as exactly in all aspects as the Chonji Lubricating Oil Factory did!

2015-02-13 Thread P.J. Alling

Hum, they must gain something in translation...

On 2/13/2015 3:04 PM, Bob W-PDML wrote:

Once again the People's Factory for the Production of Great Socialist 
Exclamation Marks has exceeded its quota, to the everlasting glory of Our 
Heroic Leader!

http://m.bbc.co.uk/news/blogs-magazine-monitor-31446387

B!








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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Larry Colen



Bob W-PDML wrote:

I seem to remember Pentax showing a mockup or prototype before, which never 
actually hit the streets. I could show a mockup of a time machine, doesn't mean 
I'll ever be able to travel forward to 2525 to watch Cotty eat his hat when the 
camera is available in whatever passes for shops then. That's why I want him to 
eat it now, on credit so to speak.


I've got a working time machine. I crawl into it every night, close my 
eyes and when I open them again I've been transported about eight hours 
into the future.


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Re: PESO - good use for a film body

2015-02-13 Thread Brian Walters

Quoting Ken Waller kwal...@peoplepc.com:


Caught this awhile back @ a camera store in Traverse City, Michigan.

A Nikon film body being put to use as a doorstop.

http://photo.net/photodb/photo?photo_id=17963887




Sacrilege!  Couldn't they have just used a brick (and I'm not talking Argus).


--
Cheers

Brian

++
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Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: Full Frame Confused

2015-02-13 Thread P.J. Alling
I was always more taken by the original 6x7 looks, the 67II looks too 
blccky, on the other hand I'd much rather own a 67II for the 
functionality.


On 2/13/2015 5:16 PM, Darren Addy wrote:

What in the world is ugly about it?  That prism housing remind me of a
Stealth Fighter:
http://www.richard-seaman.com/Wallpaper/Aircraft/Attack/F117BankingHardLeft10oClock.jpg

It is only slightly taller, and I think the design has elements that
are reminiscent of the 67ii.
http://2.bp.blogspot.com/-kzfuedKIvUE/UeAdYidR0II/AWg/X12hlC4eEto/s1600/SDIM1197_2.jpg

In any event, either some of you refuse to be happy with anything or
you are going to be like those people who absolutely HATE that new
song the first time they hear it, but it ends up sticking in your head
and becoming one of your All Time Favorites, in time.

:)




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Re: Full Frame Confused

2015-02-13 Thread Paul Stenquist
I don't care what it looks like if it fits my hand and is hefty enough to 
balance substantial glass. I doubt that I'll be an early adapter, but I suspect 
some of my clients will like those huge files, so I'll be on board at some 
point. And I can't resist new toys.

Paul via phone

 On Feb 13, 2015, at 5:42 PM, Mark Roberts postmas...@robertstech.com wrote:
 
 Miserere wrote:
 
 I'm with you, Cotty; I found it fugly as hell.
 
 Did they fire the K-3/5/7 designers?
 
 Odd. I really like the look of the new camera.
 
 -- 
 Mark Roberts - Photography  Multimedia
 www.robertstech.com
 
 
 
 
 
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Re: PESO - good use for a film body

2015-02-13 Thread Larry Colen



Brian Walters wrote:

Quoting Ken Waller kwal...@peoplepc.com:


Caught this awhile back @ a camera store in Traverse City, Michigan.

A Nikon film body being put to use as a doorstop.

http://photo.net/photodb/photo?photo_id=17963887




Sacrilege! Couldn't they have just used a brick (and I'm not talking
Argus).


A brick probably wouldn't be as sturdy.






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Re: PESO: 5 Palms Sunset

2015-02-13 Thread Jack Davis
Completely unique range of sky colors. Can that green be healthy to breath? ;)
Where was your dinner table?

Jack

- Original Message -
From: Daniel J. Matyola danmaty...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Thursday, February 12, 2015 11:52:20 PM
Subject: PESO: 5 Palms Sunset

Taken from our dinner table this evening:
http://photo.net/photodb/photo?photo_id=17965887size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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PESO: A Bit Of Shade

2015-02-13 Thread David Mann
You can see why some of the farms in Australia are the size of small nations...

http://gallery.multi.net.nz/photo/867/#peso

Cheers,
Dave


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Re: PESO - Fishy Nanotech

2015-02-13 Thread Rick Womer
Thanks Attila, Dan, and Bruce!

Rick

On Feb 13, 2015, at 4:40 PM, Attila Boros wrote:

 I much prefer this vantage point, like it a lot better than the
 previous version.
 
 On Thu, Feb 12, 2015 at 3:35 AM, Rick Womer rickpic...@gmail.com wrote:
 The nanotechnology building, through the 10-17 fisheye:
 
 http://photo.net/photodb/photo?photo_id=17964476size=lg
 
 Comments?
 
 Rick
 
 
 
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http://photo.net/photos/RickW



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Re: An artists rendition of what a finished FF Pentax may look like.

2015-02-13 Thread Mark Roberts
Larry Colen wrote:

Bob W-PDML wrote:
 I seem to remember Pentax showing a mockup or prototype before, which never 
 actually hit the streets. I could show a mockup of a time machine, doesn't 
 mean I'll ever be able to travel forward to 2525 to watch Cotty eat his hat 
 when the camera is available in whatever passes for shops then. That's why I 
 want him to eat it now, on credit so to speak.

I've got a working time machine. I crawl into it every night, close my 
eyes and when I open them again I've been transported about eight hours 
into the future.

As anyone who's read the Hitchhiker's Guide to the Galaxy knows, the
time machine, by definition, was invented at *all* points in history.
 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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PESO -- Cold and Bleak

2015-02-13 Thread P.J. Alling
The temperature was around 15° F when I took this photo today.  So cold 
that a number of images I tried to capture were less than successful due 
to my intense desire to return to the warmth of the car.  I tried a 
number of different renderings but the original color seems to convey 
the feeling of winter.


https://dl.dropboxusercontent.com/u/1604247/PESO/PESO%20---%20%20coldandbleak.html

Equipment: Pentax K-5II w/smc Pentax A 24mm f2.8.

As usual comments are welcome but may be totally ignored.

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Re: PESO: A Bit Of Shade

2015-02-13 Thread P.J. Alling

Looks like West Texas, but more fertile.

On 2/13/2015 10:49 PM, David Mann wrote:

You can see why some of the farms in Australia are the size of small nations...

http://gallery.multi.net.nz/photo/867/#peso

Cheers,
Dave





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Re: PESO: 5 Palms Sunset

2015-02-13 Thread Ann Sanfedele

That's amazing and gorgeous...

(I'm guessing the place you are is called 5 palms.)

Want a weather channel guy to tell us the name of that kind of
cloud formation.

ann

On 2/13/2015 17:04, John wrote:

On 2/13/2015 2:52 AM, Daniel J. Matyola wrote:

Taken from our dinner table this evening:
http://photo.net/photodb/photo?photo_id=17965887size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



Beautiful cloud formations, but no palms?



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Gracie's Art

2015-02-13 Thread Paul Stenquist
Grace has been working in Adobe Fireworks. She’s taught herself to dreate 
graphics with it, even using layers. She made this wolf graphis. The background 
was snatched from the web, and she started the wolf drawing with a series of 
circles that were meant to be a framework on which to draw an animal. But she’s 
doing pretty darn well for someone without any training.

http://photo.net/photodb/photo?photo_id=17966519size=lg
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Re: Need your opinion - Square in Dresden from seafood perspective

2015-02-13 Thread Rick Womer
Bruce,

From the person who recently posted Fishy Nanotech:

I like it.  I like the way the swirl of tram tracks and paving stones draw the 
eye to the building, and I like what the fisheye does to show the context of 
the subject.'

I also think it could benefit from more post-processing, to bring out the 
building more, and get more color and detail in the sky. I might trim a few 
rows of paving stones off the foreground, too.

Compositionally, I think I would might aimed the camera higher, to include more 
sky and fewer paving stones, and to decrease the distortion of the church 
towers.

But generally, I like it.

Cheers,

Rick (whose wife asks herself =why= she got him a fisheye lens...)


http://photo.net/photos/RickW



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PESO - Nanotech Study

2015-02-13 Thread Rick Womer
Or, nano-student in the tera-building.

http://photo.net/photodb/photo?photo_id=17964475size=lg

(K-5, DA 16-45)

Comments appreciated!

Rick





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Re: Gracie's Art

2015-02-13 Thread Jack Davis
My! That's great! Not really clear on
The process, but I'm still impressed.
Tell her so, Paul. 

Jack

Sent from my iPhone

 On Feb 13, 2015, at 6:20 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 
 Grace has been working in Adobe Fireworks. She’s taught herself to dreate 
 graphics with it, even using layers. She made this wolf graphis. The 
 background was snatched from the web, and she started the wolf drawing with a 
 series of circles that were meant to be a framework on which to draw an 
 animal. But she’s doing pretty darn well for someone without any training.
 
 http://photo.net/photodb/photo?photo_id=17966519size=lg
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Re: Gracie's Art

2015-02-13 Thread Daniel J. Matyola
The kid has talent!

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Fri, Feb 13, 2015 at 9:20 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 Grace has been working in Adobe Fireworks. She’s taught herself to dreate 
 graphics with it, even using layers. She made this wolf graphis. The 
 background was snatched from the web, and she started the wolf drawing with a 
 series of circles that were meant to be a framework on which to draw an 
 animal. But she’s doing pretty darn well for someone without any training.

 http://photo.net/photodb/photo?photo_id=17966519size=lg
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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PESO: A Delegation From Canberra

2015-02-13 Thread David Mann
Again, lacking slightly in quality (photographed through double-glazing from a 
moving train and cropped quite heavily), but I just couldn't resist the title.

http://gallery.multi.net.nz/photo/866/#peso

Cheers,
Dave


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