Re: refusal to even attempt to focus

2017-12-18 Thread Anthony Farr
The electrical contacts between lenses and bodies are usually kept
clean by the mounting and dismounting process. Each time you turn a
lens towards the lock position, or away from it, it wipes clean the
contacts by a very small amount. So, a seldomly mounted or changed
lens only gets cleaned seldomly and can become 'iffy' in its
connection. Sometimes I've had to hold in the lock button and work the
mount to eliminate an intermittent electrical disconnection of a lens,
which I've experienced in different mounts and their various
sub-versions: Nikon, Pentax K, FourThirds and Micro FourThirds.
They've all experienced this issue from time to time.
Some people claim you should switch off a camera whenever you change
lenses. I think that's being overly cautious, however if you're going
to 'work the mount' like I suggested it'd be a good idea. Perhaps it's
also a precaution to take with this lens in case it's getting
premature and interrupted boot-ups during mounting to a powered
camera.
regards, Anthony


On 19 December 2017 at 07:10, Larry Colen  wrote:
>
>
> Anthony Farr wrote:
>>
>> First you need to isolate the fault to either the lens or the camera
>> body. You have other camera bodies so start by determining if the
>> Bigma behaves or misbehaves on those.
>> regards, Anthony
>
>
> I've had similar problems with the lens on other bodies. I don't tend to use
> other lenses for birding.  Cleaning contacts seems to be a good suggestion.
> This was just the time it happened and I actually thought to mention it.
> Since it's sporadic, that makes diagnosis a bit more challenging.
>
>
>
>>
>>
>> On 18 December 2017 at 17:49, Larry Colen  wrote:
>>>
>>> This afternoon I was photographing a heron at the Waldport seawall with
>>> my
>>> K-1 and sigma 50-500 during low tide.  It had flown from one spot to
>>> another, I was walking back to the new spot, photographing as I went, and
>>> at
>>> one point the camera went completely out of focus, then wouldn't even
>>> attempt to focus. I eventually got it back on track, got some more shots,
>>> then the bird spooked, flew off (past me) I tried for some flight photos
>>> but
>>> the lens again went completely out of focus, then refused to do anything
>>> to
>>> get back into focus. With the bigma I couldn't (easily) manually focus
>>> and I
>>> completely lost my opportunity for those BiF photos.
>>>
>>> Does anyone know what causes the focus mechanism to freeze up like that,
>>> or
>>> any way to convince it to try to refocus?
>>>
>>> --
>>> Larry Colen  l...@red4est.com (postbox on min4est) http://red4est.com/lrc
>>>
>>>
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>>
>
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Re: Peso-Bathing Wigeon

2017-12-18 Thread Daniel J. Matyola
Yes, Jack, "for the birds" was a lame jest.

I have enjoyed your "fowl" series of images.


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

On Mon, Dec 18, 2017 at 11:40 PM, Jack Davis  wrote:

> Yes, Alan I decided that must be it due ti his positive
> image comments. All is fine!!
>
> J
>
> - Original Message -
> From: "Alan C" 
> To: "Pentax-Discuss Mail List" 
> Sent: Monday, December 18, 2017 7:49:11 PM
> Subject: Re: Peso-Bathing Wigeon
>
> Jack, he's pulling you leg & means exactly the opposite. Note the
> exclamation mark. He then compliments your excellent shot.
>
> Alan C
>
> -Original Message-
> From: Jack Davis
> Sent: 19 December, 2017 5:32 AM
> To: Pentax-Discuss Mail List
> Subject: Re: Peso-Bathing Wigeon
>
> Never mind, Dan, I gather it was
> due to the continuous subject
> matter of "birds." :-)
>
> J
>
>
> Sent from my iPhone
>
> > On Dec 18, 2017, at 4:46 PM, Daniel J. Matyola 
> > wrote:
> >
> > These shots are for the birds, Jack!
> >
> > I like the clarity and detail of the very interesting head of this fowl
> > critter, and the action you caught in the wing and splashing water.
> >
> >
> > Dan Matyola
> > http://www.pentaxphotogallery.com/danieljmatyola
> >
> >> On Mon, Dec 18, 2017 at 6:30 PM, Jack Davis 
> wrote:
> >>
> >>
> >>
> >> This PM at Colusa Refuge.
> >> May possibly be a female Wigeon.(?)
> >>
> >> Usual armament.
> >>
> >> C&C?
> >> Thanks!
> >>
> >> https://www.photo.net/photo/18445092
> >>
> >> J
> >>
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Re: Peso-Bathing Wigeon

2017-12-18 Thread Jack Davis
Yes, Alan I decided that must be it due ti his positive 
image comments. All is fine!!

J

- Original Message -
From: "Alan C" 
To: "Pentax-Discuss Mail List" 
Sent: Monday, December 18, 2017 7:49:11 PM
Subject: Re: Peso-Bathing Wigeon

Jack, he's pulling you leg & means exactly the opposite. Note the 
exclamation mark. He then compliments your excellent shot.

Alan C

-Original Message- 
From: Jack Davis
Sent: 19 December, 2017 5:32 AM
To: Pentax-Discuss Mail List
Subject: Re: Peso-Bathing Wigeon

Never mind, Dan, I gather it was
due to the continuous subject
matter of "birds." :-)

J


Sent from my iPhone

> On Dec 18, 2017, at 4:46 PM, Daniel J. Matyola  
> wrote:
>
> These shots are for the birds, Jack!
>
> I like the clarity and detail of the very interesting head of this fowl
> critter, and the action you caught in the wing and splashing water.
>
>
> Dan Matyola
> http://www.pentaxphotogallery.com/danieljmatyola
>
>> On Mon, Dec 18, 2017 at 6:30 PM, Jack Davis  wrote:
>>
>>
>>
>> This PM at Colusa Refuge.
>> May possibly be a female Wigeon.(?)
>>
>> Usual armament.
>>
>> C&C?
>> Thanks!
>>
>> https://www.photo.net/photo/18445092
>>
>> J
>>
>> --
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Re: Peso-Bathing Wigeon

2017-12-18 Thread Alan C
Jack, he's pulling you leg & means exactly the opposite. Note the 
exclamation mark. He then compliments your excellent shot.


Alan C

-Original Message- 
From: Jack Davis

Sent: 19 December, 2017 5:32 AM
To: Pentax-Discuss Mail List
Subject: Re: Peso-Bathing Wigeon

Never mind, Dan, I gather it was
due to the continuous subject
matter of "birds." :-)

J


Sent from my iPhone

On Dec 18, 2017, at 4:46 PM, Daniel J. Matyola  
wrote:


These shots are for the birds, Jack!

I like the clarity and detail of the very interesting head of this fowl
critter, and the action you caught in the wing and splashing water.


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Mon, Dec 18, 2017 at 6:30 PM, Jack Davis  wrote:



This PM at Colusa Refuge.
May possibly be a female Wigeon.(?)

Usual armament.

C&C?
Thanks!

https://www.photo.net/photo/18445092

J

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Re: Peso-Bathing Wigeon

2017-12-18 Thread Jack Davis
Never mind, Dan, I gather it was
due to the continuous subject
matter of "birds." :-)

J


Sent from my iPhone

> On Dec 18, 2017, at 4:46 PM, Daniel J. Matyola  wrote:
> 
> These shots are for the birds, Jack!
> 
> I like the clarity and detail of the very interesting head of this fowl
> critter, and the action you caught in the wing and splashing water.
> 
> 
> Dan Matyola
> http://www.pentaxphotogallery.com/danieljmatyola
> 
>> On Mon, Dec 18, 2017 at 6:30 PM, Jack Davis  wrote:
>> 
>> 
>> 
>> This PM at Colusa Refuge.
>> May possibly be a female Wigeon.(?)
>> 
>> Usual armament.
>> 
>> C&C?
>> Thanks!
>> 
>> https://www.photo.net/photo/18445092
>> 
>> J
>> 
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Re: Peso-Bathing Wigeon

2017-12-18 Thread Jack Davis
Dan, please clarify what you mean by,"for the birds."
J
Sent from my iPhone

> On Dec 18, 2017, at 4:46 PM, Daniel J. Matyola  wrote:
> 
> These shots are for the birds, Jack!
> 
> I like the clarity and detail of the very interesting head of this fowl
> critter, and the action you caught in the wing and splashing water.
> 
> 
> Dan Matyola
> http://www.pentaxphotogallery.com/danieljmatyola
> 
>> On Mon, Dec 18, 2017 at 6:30 PM, Jack Davis  wrote:
>> 
>> 
>> 
>> This PM at Colusa Refuge.
>> May possibly be a female Wigeon.(?)
>> 
>> Usual armament.
>> 
>> C&C?
>> Thanks!
>> 
>> https://www.photo.net/photo/18445092
>> 
>> J
>> 
>> --
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Re: OT: Do you think this is a SCAM?

2017-12-18 Thread Eric Weir

> On Dec 18, 2017, at 7:51 PM, John  wrote:
> 
> UPDATE: These guys got pretty frantic trying to get back in touch with me. I 
> let them accumulate about a dozen "missed calls" before picking up again. I 
> told them I was having problems with my cell phone and suggested they call me 
> back on my "land line”.

I’ve got a compact dryer on Craig’s List. Within a half-hour of posting I 
received a text asking if it was still available and how much I wanted for it. 
I said it was and the price was the price I’d asked—$100. Then the guy said he 
didn’t live in the area, had arranged for a mover to pick up the dryer, and 
would send me a certified check with extra money for *me* to pay the mover and 
my trouble. When the check arrived I was to deposit it, wait for it to clear, 
and then send a check to the “mover,” who will then come to pick up the dryer.

I received a check for $1250.45—for a $100 dryer!. I tore it up and threw it in 
the trash. The guy texted to see if I had received and deposited the check. I 
said I had received it but had accidentally put it through my shredder and 
asked him to send another one. I haven’t heard back from him. If he sends 
another check and gets in touch with me again, I’m gonna tell him that since 
he’s willing to pay 12 times what I asked for the dryer I’d like *him* to pay 
the “mover."

There must be people who fall for these scams but it’s to understand how they 
could. 

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

"You keep on learning and learning, and pretty soon
you learn something no one has learned before." 

- Richard Feynman


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Re: OT: Do you think this is a SCAM?

2017-12-18 Thread Godfrey DiGiorgi
Given the latest Federal Budget, the FBI is grateful for your donation. 

G

> On Dec 18, 2017, at 4:51 PM, John  wrote:
> ...
> They even called me back once again to verify they had copied the number for 
> my land line correctly. Gave them the FBI's number again and made sure I 
> enunciated clearly. 8D

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OT: Do you think this is a SCAM?

2017-12-18 Thread John

Second try - first time hit one of Earthlink's modems that's on the PDML 
blacklist.

I got a call today to tell me I won $2.8 million in the Publisher's Clearing House Sweepstakes 
(which I haven't even received junk mail from for years & years, much less entered). I only 
need to pay $950 for "registration & insurance" in order to collect my prize.

Only problem is that when I told him I'd have to go to the bank to see if I have the $950 for 
"registration & insurance" in my account the call mysteriously "dropped".

He called back once, but didn't get further than "I'm sorry, the call ..." before it 
"dropped" again.

Do you think this might be a SCAM?

That's a rhetorical question BTW. If he thinks I'm going to give him money or 
banking information, he's stupider than he obviously thinks I am.

But it was entertaining for a few minutes.

UPDATE: These guys got pretty frantic trying to get back in touch with me. I let them accumulate 
about a dozen "missed calls" before picking up again. I told them I was having problems 
with my cell phone and suggested they call me back on my "land line".

Gave them the telephone number for the Charlotte, NC FBI office.

They even called me back once again to verify they had copied the number for my 
land line correctly. Gave them the FBI's number again and made sure I 
enunciated clearly. 8D

--
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Religion - Answers we must never question.

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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Featherstone
On 19 December 2017 at 00:16, Eric Weir  wrote:
> Pretty good guesses, Eric. They’re instructive. And I agree I’m not being 
> fair, though I didn’t know that before the earlier comments on this thread. 
> Just one demurrer: not all the Fuji shots were outdoors in the sun.

OK fair enough. I was assuming too much from that one photo.


-- 
Eric

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Re: Peso-Bathing Wigeon

2017-12-18 Thread Daniel J. Matyola
These shots are for the birds, Jack!

I like the clarity and detail of the very interesting head of this fowl
critter, and the action you caught in the wing and splashing water.


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

On Mon, Dec 18, 2017 at 6:30 PM, Jack Davis  wrote:

>
>
> This PM at Colusa Refuge.
> May possibly be a female Wigeon.(?)
>
> Usual armament.
>
> C&C?
> Thanks!
>
> https://www.photo.net/photo/18445092
>
> J
>
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Re: Peso-Bathing Wigeon

2017-12-18 Thread Jack Davis
Thanks, Eric! Nice of you.

J

Sent from my iPhone

> On Dec 18, 2017, at 4:24 PM, Eric Weir  wrote:
> 
> 
>> On Dec 18, 2017, at 6:30 PM, Jack Davis  wrote:
>> 
>> This PM at Colusa Refuge.
>> May possibly be a female Wigeon.(?)
>> 
>> Usual armament.
>> 
>> C&C?
>> Thanks!
>> 
>> https://www.photo.net/photo/18445092
> 
> Nice, Jack. Lotsa nice shots on that page. Looks like you’ve got a great 
> location for wildfowl photography.
> 
> --
> Eric Weir
> Decatur, GA  USA
> eew...@bellsouth.net
> 
> “Man has been a murderer forever.”
> 
> - Peter Matthiessen.
> 
> 
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Re: Peso-Bathing Wigeon

2017-12-18 Thread Eric Weir

> On Dec 18, 2017, at 6:30 PM, Jack Davis  wrote:
> 
> This PM at Colusa Refuge.
> May possibly be a female Wigeon.(?)
> 
> Usual armament.
> 
> C&C?
> Thanks!
> 
> https://www.photo.net/photo/18445092

Nice, Jack. Lotsa nice shots on that page. Looks like you’ve got a great 
location for wildfowl photography.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

“Man has been a murderer forever.”

- Peter Matthiessen.


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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Weir


> On Dec 18, 2017, at 6:35 PM, Larry Colen  wrote:
> 
> Eric Weir wrote:
>>> On Dec 17, 2017, at 2:08 PM, Larry Colen  wrote:
>>> 
>>> Note that the greater the dynamic range a camera has, the less apparent 
>>> contrast there will be in the unedited file.
>> 
>> You’re gonna have to explain that, Larry. To my naive, uninformed, ignorant 
>> mind it strikes me as counterintuitive. More than a little. But just my 
>> naive, uninformed, ignorant mind.
> 
> By the way, a significant portion of my upper division classes in college 
> were on digital signal processing. A lot of my professional life has been in 
> computer controls, where we digitize real world data and work with that. As 
> such, there are a lot of things that I don't even have to think about like 
> converting number of bits to an equivalent analog range, so if I mention 
> something as if it is obvious, and it's not, don't hesitate to ask.
> 
> In short
> The K-5 dynamic range at base ISO is basically 14 stops (each bit or stop is 
> a power of two), that means that it has a range of 1 to 2^14, or about 16,000 
> between the least amount that it can register and the brightest that it can 
> register (for each color channel).
> 
> If you have a camera with only 10 stops of dynamic then that is only a ratio 
> of 1,024.
> 
> JPEGs (for example) have 8 bits (coincidentally a bit and a stop each 
> represent a doubling, or power of two), which is a ratio of 1-256. What that 
> means is if you map the range of the sensor onto the JPEG, then it takes 16 
> times as much change in brightness (contrast) with a 14 bit sensor to make 
> the same change in 8 bits as it does with a 10 bit sensor.
> 
> If you do an HDR in lightroom with two images shot 6-8 stops apart of a scene 
> with a lot of dynamic range, and you process it without the auto exposure the 
> resultant image will look very flat and low contrast.
> 
> It's something that kind of takes some playing around and experimentation to 
> get a good feel for.
> 
> As to the raw conversion engine, it doesn't really matter what is running 
> under lightroom, the fact that you do your processing in lightroom is what I 
> was asking about.
> 
> One nice thing about lightroom is that it doesn't make any changes to the raw 
> file. It stores a set of steps (a recipe, if you will) for the raw conversion 
> engine, to apply to the raw file to get your final product.  When you make a 
> virtual copy, it just starts off with all of the settings at whatever point 
> you make the virtual copy and you can adjust them at that point.
> 
> You could go to one of you photos that you've already processed in lightroom. 
> Press 'D' to get into the develop module, go to the history on the left, 
> click on "import photo", and that will have all of the settings zeroed out. 
> Then hit (command or control)-single quote to make your virtual copy, and 
> that virtual copy is starting out fresh.

Thanks, Larry. I’m gonna have to study this. I’ll get back to you—with 
appreciations or further questions.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

"Imagining the other is a powerful antidote to fanaticism and hatred." 

- Amos Oz


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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Weir

> On Dec 18, 2017, at 4:42 PM, Jan van Wijk  wrote:
> 
> On Mon, 18 Dec 2017 12:21:15 -0500 Eric Weir wrote:
>> 
>> A question: Since the RAW file is not changed by edits, is it possible to 
>> keep an edit while doing a second one of the same RAW file?  
> 
> Yes, just create a 'Virtual Copy' of the image (you can make several if you 
> wish)
> and work on the copy. Each copy has its own set of 'adjustments made to it'
> but share the same (unchanged) RAW data.
> 
> You can also use this to create different aspect ratios or crops for example 
> ...
> 
> The function you are looking for is on the context-menu for a thumbnail or on 
> the
> image when opened in the Library or Develop module and is called 'Create 
> Virtual Copy'
> (You get the context menu with a right mouse button click, or Ctrl+Click on 
> macOS)

Thanks Jan.

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“...we are a form of invitation to others and to otherness..."

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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Weir

> On Dec 18, 2017, at 2:39 PM, Eric Featherstone  
> wrote:
> 
> I'm not an expert but when I looked at "One that was not" my first
> thought was camera shake. I would have thought that a focal length of
> 87mm @ 1/125 second would have been ok but it looks shaky to me.
> 
> Oddly the "One that was improved by editing" has no camera shake even
> at a fl of 225mm @ 1/125 s, which is where I would expect shake to
> start to come into play. So clearly you can hold it steady.
> 
> And then when I saw the Fuji shot my first thought was "Hey, come on,
> you're not being fair at all" :-)
> The Pentax shots were indoors in dull dim light, the Fuji outside in
> bright sunlight; of course the Fuji shot will pop more.
> That's in addition to what people have said about pro lens vs
> consumer, and short lens vs long etc.
> 
> But that's just my guesses.

Pretty good guesses, Eric. They’re instructive. And I agree I’m not being fair, 
though I didn’t know that before the earlier comments on this thread. Just one 
demurrer: not all the Fuji shots were outdoors in the sun. 

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sent from the sky against being dead." 

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Re: PESO - Haleakala Observatories, Maui

2017-12-18 Thread mike wilson
Not enough Spice.  Or maybe too much.

> On 18 December 2017 at 20:12 Jostein  wrote:
> 
> 
> Might have got the white balance wrong. ;-)
> Jostein
> 
> Den 18.12.2017 04:06, skrev Rick Womer:
> > Depends on the ambient light, of course.
> > 
> > On Sun, Dec 17, 2017 at 22:03 Alan C  wrote:
> > 
> >> !!!, but shouldn't it be red?
> >>
> >> Alan C
> >>
> >> -Original Message-
> >> From: Rick Womer
> >> Sent: 18 December, 2017 12:37 AM
> >> To: Pentax-Discuss Mail List
> >> Subject: Re: PESO - Haleakala Observatories, Maui
> >>
> >> Clever, Jostein!
> >>
> >> The place does have an extraterrestrial feeling to it.
> >>
> >> Rick
> >>
> >>> On Dec 17, 2017, at 8:14 AM, Jostein  wrote:
> >>>
> >>> Nice pic.
> >>> Out of Curiosity (pun intended) I think it would look like this:
> >>> http://www.alunfoto.no/temp/curiosity-Womer.jpg
> >>>
> >>> Yours mashed with this:
> >>> http://www.360pano.eu/pano/0776/0776.jpg
> >>>
> >>> :-)
> >>> Jostein
> >>>
> >>> Den 17.12.2017 03:33, skrev Rick Womer:
>  About 300 vertical feet below the summit is this complex of about eight
>  observatories:
>  https://d6d2h4gfvy8t8.cloudfront.net/1805-orig.jpg
>  (K-5, DA 10-17)
>  I wonder if it would look much different on Mars…
>  Comments appreciated!
>  Rick

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Re: Second thoughts about Pentax

2017-12-18 Thread Larry Colen



Eric Weir wrote:

On Dec 17, 2017, at 2:08 PM, Larry Colen  wrote:

Note that the greater the dynamic range a camera has, the less apparent 
contrast there will be in the unedited file.


You’re gonna have to explain that, Larry. To my naive, uninformed, ignorant 
mind it strikes me as counterintuitive. More than a little. But just my naive, 
uninformed, ignorant mind.


By the way, a significant portion of my upper division classes in 
college were on digital signal processing. A lot of my professional life 
has been in computer controls, where we digitize real world data and 
work with that. As such, there are a lot of things that I don't even 
have to think about like converting number of bits to an equivalent 
analog range, so if I mention something as if it is obvious, and it's 
not, don't hesitate to ask.


In short
The K-5 dynamic range at base ISO is basically 14 stops (each bit or 
stop is a power of two), that means that it has a range of 1 to 2^14, or 
about 16,000 between the least amount that it can register and the 
brightest that it can register (for each color channel).


If you have a camera with only 10 stops of dynamic then that is only a 
ratio of 1,024.


JPEGs (for example) have 8 bits (coincidentally a bit and a stop each 
represent a doubling, or power of two), which is a ratio of 1-256. What 
that means is if you map the range of the sensor onto the JPEG, then it 
takes 16 times as much change in brightness (contrast) with a 14 bit 
sensor to make the same change in 8 bits as it does with a 10 bit sensor.


If you do an HDR in lightroom with two images shot 6-8 stops apart of a 
scene with a lot of dynamic range, and you process it without the auto 
exposure the resultant image will look very flat and low contrast.


It's something that kind of takes some playing around and 
experimentation to get a good feel for.


As to the raw conversion engine, it doesn't really matter what is 
running under lightroom, the fact that you do your processing in 
lightroom is what I was asking about.


One nice thing about lightroom is that it doesn't make any changes to 
the raw file. It stores a set of steps (a recipe, if you will) for the 
raw conversion engine, to apply to the raw file to get your final 
product.  When you make a virtual copy, it just starts off with all of 
the settings at whatever point you make the virtual copy and you can 
adjust them at that point.


You could go to one of you photos that you've already processed in 
lightroom. Press 'D' to get into the develop module, go to the history 
on the left, click on "import photo", and that will have all of the 
settings zeroed out. Then hit (command or control)-single quote to make 
your virtual copy, and that virtual copy is starting out fresh.


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Peso-Bathing Wigeon

2017-12-18 Thread Jack Davis


This PM at Colusa Refuge.
May possibly be a female Wigeon.(?)

Usual armament.

C&C?
Thanks!

https://www.photo.net/photo/18445092

J

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Re: Second thoughts about Pentax

2017-12-18 Thread Jan van Wijk
Hi Eric,

On Mon, 18 Dec 2017 12:21:15 -0500 Eric Weir wrote:
>
>A question: Since the RAW file is not changed by edits, is it possible to keep 
>an edit while doing a second one of the same RAW file?  

Yes, just create a 'Virtual Copy' of the image (you can make several if you 
wish)
and work on the copy. Each copy has its own set of 'adjustments made to it'
but share the same (unchanged) RAW data.

You can also use this to create different aspect ratios or crops for example ...

The function you are looking for is on the context-menu for a thumbnail or on 
the
image when opened in the Library or Develop module and is called 'Create 
Virtual Copy'
(You get the context menu with a right mouse button click, or Ctrl+Click on 
macOS)

Regards, JvW



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Re: PESO+ squeezerlens experiments

2017-12-18 Thread Bruce Walker
Bingo! :)

On Mon, Dec 18, 2017 at 2:14 PM, John  wrote:
> I thought it was pretty obvious
>
> "no-one asked the woman" ... if she wanted to be put up on a pedestal.
>
>
> On 12/17/2017 20:56, Daniel J. Matyola wrote:
>>
>> The first image ("pedestals") just confuses me.
>>
>
>>
>> On Sun, Dec 17, 2017 at 7:34 PM, Bruce Walker 
>> wrote:
>>
>>> I finally bought a Squeezerlens tilt/shift gadget for my 645z because
>>> I had a hankering to dabble with pictorialism once again. After
>>> shooting a few random scenes and objects I booked a shoot with a
>>> visual artist slash model from Seattle who was just visiting the area.
>>> That went astoundingly well and here is the best shot so far ...
>>>
>>> "A comment regarding pedestals: no-one asked the woman"
>>>
>>> https://portfolio.brucemwalker.com/index/IjteXqCQu5c4
>>>
>>>
>
>
>
> --
> Science - Questions we may never find answers for.
> Religion - Answers we must never question.
>
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Re: PESO - Haleakala Observatories, Maui

2017-12-18 Thread Jostein

Might have got the white balance wrong. ;-)
Jostein

Den 18.12.2017 04:06, skrev Rick Womer:

Depends on the ambient light, of course.

On Sun, Dec 17, 2017 at 22:03 Alan C  wrote:


!!!, but shouldn't it be red?

Alan C

-Original Message-
From: Rick Womer
Sent: 18 December, 2017 12:37 AM
To: Pentax-Discuss Mail List
Subject: Re: PESO - Haleakala Observatories, Maui

Clever, Jostein!

The place does have an extraterrestrial feeling to it.

Rick


On Dec 17, 2017, at 8:14 AM, Jostein  wrote:

Nice pic.
Out of Curiosity (pun intended) I think it would look like this:
http://www.alunfoto.no/temp/curiosity-Womer.jpg

Yours mashed with this:
http://www.360pano.eu/pano/0776/0776.jpg

:-)
Jostein

Den 17.12.2017 03:33, skrev Rick Womer:

About 300 vertical feet below the summit is this complex of about eight
observatories:
https://d6d2h4gfvy8t8.cloudfront.net/1805-orig.jpg
(K-5, DA 10-17)
I wonder if it would look much different on Mars…
Comments appreciated!
Rick



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Re: refusal to even attempt to focus

2017-12-18 Thread Larry Colen



Anthony Farr wrote:

First you need to isolate the fault to either the lens or the camera
body. You have other camera bodies so start by determining if the
Bigma behaves or misbehaves on those.
regards, Anthony


I've had similar problems with the lens on other bodies. I don't tend to 
use other lenses for birding.  Cleaning contacts seems to be a good 
suggestion.  This was just the time it happened and I actually thought 
to mention it.  Since it's sporadic, that makes diagnosis a bit more 
challenging.






On 18 December 2017 at 17:49, Larry Colen  wrote:

This afternoon I was photographing a heron at the Waldport seawall with my
K-1 and sigma 50-500 during low tide.  It had flown from one spot to
another, I was walking back to the new spot, photographing as I went, and at
one point the camera went completely out of focus, then wouldn't even
attempt to focus. I eventually got it back on track, got some more shots,
then the bird spooked, flew off (past me) I tried for some flight photos but
the lens again went completely out of focus, then refused to do anything to
get back into focus. With the bigma I couldn't (easily) manually focus and I
completely lost my opportunity for those BiF photos.

Does anyone know what causes the focus mechanism to freeze up like that, or
any way to convince it to try to refocus?

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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Featherstone
On 18 December 2017 at 18:49, Eric Weir  wrote:
>
> A few images from the graduation ceremony I spoke about.
>
> One with Pentax K-5/50-200/4-5.6 that was improved by editing:
> https://www.flickr.com/photos/eeweir/38427160774/in/album-72157661729844657/
>
> One that was not:
> https://www.flickr.com/photos/eeweir/38254902955/in/album-72157661729844657/
>
> One with Fuji X-M1/27/2.8. This one was edited too, but except for cropping I 
> could easily used it as shot.
> https://www.flickr.com/photos/eeweir/39105762872/in/album-72157661729844657/
>
> As has been pointed out, not a fair comparison. Nevertheless….

I'm not an expert but when I looked at "One that was not" my first
thought was camera shake. I would have thought that a focal length of
87mm @ 1/125 second would have been ok but it looks shaky to me.

Oddly the "One that was improved by editing" has no camera shake even
at a fl of 225mm @ 1/125 s, which is where I would expect shake to
start to come into play. So clearly you can hold it steady.

And then when I saw the Fuji shot my first thought was "Hey, come on,
you're not being fair at all" :-)
The Pentax shots were indoors in dull dim light, the Fuji outside in
bright sunlight; of course the Fuji shot will pop more.
That's in addition to what people have said about pro lens vs
consumer, and short lens vs long etc.

But that's just my guesses.

-- 
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Re: OT: One of the worldâ?Ts great headlines

2017-12-18 Thread Ken Waller

I'm really suprised more didn't go ape over it.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: "John" 

Subject: Re: OT: One of the worldâ?Ts great headlines



On 12/16/2017 13:00, l...@red4est.com wrote:



On December 16, 2017 7:06:10 AM PST, Bob W-PDML  
wrote:

https://www.theguardian.com/science/2017/dec/15/sex-between-snow-monkeys-and-sika-deer-may-be-new-behavioural-tradition


Hello deer, would you like to monkey around?



Didn't take this thread long to go to the dogs!

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Re: PESO+ squeezerlens experiments

2017-12-18 Thread John

I thought it was pretty obvious

"no-one asked the woman" ... if she wanted to be put up on a pedestal.


On 12/17/2017 20:56, Daniel J. Matyola wrote:

The first image ("pedestals") just confuses me.





On Sun, Dec 17, 2017 at 7:34 PM, Bruce Walker 
wrote:


I finally bought a Squeezerlens tilt/shift gadget for my 645z because
I had a hankering to dabble with pictorialism once again. After
shooting a few random scenes and objects I booked a shoot with a
visual artist slash model from Seattle who was just visiting the area.
That went astoundingly well and here is the best shot so far ...

"A comment regarding pedestals: no-one asked the woman"

https://portfolio.brucemwalker.com/index/IjteXqCQu5c4






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Re: Floundering about how to provide images for a "client"

2017-12-18 Thread Eric Weir

> On Dec 18, 2017, at 2:08 PM, John  wrote:
> 
> On 12/18/2017 12:14, Eric Weir wrote:
>>> On Dec 13, 2017, at 6:16 PM, John  wrote:
>>> 
>>> I would also include a text file on the disk with a copyright release 
>>> granting them permission to print the images (save them a hassle from any 
>>> photolab they might ask to make the prints).
>> Wondering if there’s a release template somewhere out there on the web that 
>> I could work from. Or one that any of you’d be willing to share.
> 
> Actually, "copyright release" is probably the wrong words. What you need is a 
> "print release" that allows them to print photos for personal use.
> 
> If you Google "Photographers print release" you should find a bunch of 
> different templates in .PDF form.

Thanks, John.

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Decatur, GA  USA
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"What does it mean...that the world is so beautiful?" 

- Mary Oliver 










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Re: Floundering about how to provide images for a "client"

2017-12-18 Thread John

On 12/18/2017 12:14, Eric Weir wrote:



On Dec 13, 2017, at 6:16 PM, John  wrote:

I would also include a text file on the disk with a copyright release granting 
them permission to print the images (save them a hassle from any photolab they 
might ask to make the prints).


Wondering if there’s a release template somewhere out there on the web that I 
could work from. Or one that any of you’d be willing to share.




Actually, "copyright release" is probably the wrong words. What you need is a "print 
release" that allows them to print photos for personal use.

If you Google "Photographers print release" you should find a bunch of 
different templates in .PDF form.

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Re: refusal to even attempt to focus

2017-12-18 Thread John

On 12/18/2017 01:49, Larry Colen wrote:

This afternoon I was photographing a heron at the Waldport seawall with my K-1 
and sigma 50-500 during low tide.  It had flown from one spot to another, I was 
walking back to the new spot, photographing as I went, and at one point the 
camera went completely out of focus, then wouldn't even attempt to focus. I 
eventually got it back on track, got some more shots, then the bird spooked, 
flew off (past me) I tried for some flight photos but the lens again went 
completely out of focus, then refused to do anything to get back into focus. 
With the bigma I couldn't (easily) manually focus and I completely lost my 
opportunity for those BiF photos.

Does anyone know what causes the focus mechanism to freeze up like that, or any 
way to convince it to try to refocus?



Have you tried a different lens? At this point you don't yet know which is at 
fault.

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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Weir

A few images from the graduation ceremony I spoke about.

One with Pentax K-5/50-200/4-5.6 that was improved by editing:
https://www.flickr.com/photos/eeweir/38427160774/in/album-72157661729844657/

One that was not:
https://www.flickr.com/photos/eeweir/38254902955/in/album-72157661729844657/

One with Fuji X-M1/27/2.8. This one was edited too, but except for cropping I 
could easily used it as shot.
https://www.flickr.com/photos/eeweir/39105762872/in/album-72157661729844657/

As has been pointed out, not a fair comparison. Nevertheless….

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Re: PESO+ squeezerlens experiments

2017-12-18 Thread Daniel J. Matyola
"The image itself or the caption?"

Both.  I'm just not artistic.


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

On Mon, Dec 18, 2017 at 9:45 AM, Bruce Walker 
wrote:

> On Sun, Dec 17, 2017 at 8:56 PM, Daniel J. Matyola 
> wrote:
> > The first image ("pedestals") just confuses me.
>
> The image itself or the caption?
>
>
> > My favorite of the group is "Cautiously Optimistic."  Quite pleasing and
> > effective.
>
> Thank you, Dan.
>
>
> >
> > Dan Matyola
> > http://www.pentaxphotogallery.com/danieljmatyola
> >
> > On Sun, Dec 17, 2017 at 7:34 PM, Bruce Walker 
> > wrote:
> >
> >> I finally bought a Squeezerlens tilt/shift gadget for my 645z because
> >> I had a hankering to dabble with pictorialism once again. After
> >> shooting a few random scenes and objects I booked a shoot with a
> >> visual artist slash model from Seattle who was just visiting the area.
> >> That went astoundingly well and here is the best shot so far ...
> >>
> >> "A comment regarding pedestals: no-one asked the woman"
> >>
> >> https://portfolio.brucemwalker.com/index/IjteXqCQu5c4
> >>
> >>
> >> The Squeezerlens is hand made by a nice German guy named Frank
> >> Baeseler, and versions exist for various mounts, including the Pentax
> >> 645. (I would have simply bought a Lensbaby but they don't do anything
> >> for medium format.)
> >>
> >> http://squeezerlens.com/medium-squeezerlens.html
> >>
> >> The optic in my copy is a Leitz Hektor (120 mm, f:2.5) projector lens.
> >> It produces all kinds of wonderful distortion and looks super dreamy
> >> when shooting a backlit scene.
> >>
> >>
> >> Some more shots:
> >> https://portfolio.brucemwalker.com/index/IqrQue6u8Q8c
> >> https://portfolio.brucemwalker.com/index/IYXaBBmvIVv0
> >>
> >> And less serious: "Pictorialist Glamour"
> >> http://off-axis.brucemwalker.com/image/168659165532
> >>
> >> Enjoy!
> >>
> >> --
> >> -bmw
> >>
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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Weir

> On Dec 18, 2017, at 12:52 PM, Paul Stenquist  wrote:
> 
> I’m sure you can do a second edit of your RSE (RAW) file.

I’m checking up on virtual copies in Lightroom, which Larry brought to my 
attention in an earlier post in this thread. I think a virtual copy of an edit 
gives you a copy of the edit. But I assume that can be reset and reedited.

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Re: Second thoughts about Pentax

2017-12-18 Thread Paul Stenquist
RAW, not RSE. Typing on a phone doesn’t work well for we fat fingered fellows,

Paul

> On Dec 18, 2017, at 12:52 PM, Paul Stenquist  wrote:
> 
> I’m sure you can do a second edit of your RSE file. I don’t use Lightroom; I 
> work solely in photoshop and retain all my RAW files. If I want to start from 
> scratch with a second edit, I just open the Raw in ARC and click on default 
> conversion. That takes me back to step one. I can then do a new conversion 
> and assign the finished product a different file name.
> 
> Paul
> 
>> On Dec 18, 2017, at 12:21 PM, Eric Weir  wrote:
>> 
>> 
>>> On Dec 14, 2017, at 10:05 AM, Paul Stenquist  wrote:
>>> 
>>> You need to do some homework. You can start here: 
>>> http://www.instructables.com/id/A-Complete-Beginners-Guide-to-Raw-Files-And-Raw-Pr/
>> 
>> Thanks again, Paul, for this and the other site/page you sent links to. Most 
>> of what’s discussed are things I’ve been using/doing. For the most part I’m 
>> familiar/comfortable with the effects achieved, but have had little sense of 
>> what the labels mean, what the actual underlying processes are. A few of the 
>> sliders I‘d never touched before, e.g., clarity, vibrance, saturation.
>> 
>> I note that tastes are involved, that what makes for improvement and 
>> worsening is a personal matter, but also from discussions here that there is 
>> often significant agreement about what is lacking. 
>> 
>> Uncertain now that Lightroom does use Adobe Camera Raw.
>> 
>> I’ll keep going back to these articles for a while to check and firm up my 
>> understanding. 
>> 
>> One thing that remains obscure that the articles didn’t address is the 
>> histogram. 
>> 
>> A question: Since the RAW file is not changed by edits, is it possible to 
>> keep an edit while doing a second one of the same RAW file?  
>> 
>> 
>> --
>> Eric Weir
>> Decatur, GA  USA
>> eew...@bellsouth.net
>> 
>> "What does it mean...that the world is so beautiful?" 
>> 
>> - Mary Oliver 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
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Re: Second thoughts about Pentax

2017-12-18 Thread Paul Stenquist
I’m sure you can do a second edit of your RSE file. I don’t use Lightroom; I 
work solely in photoshop and retain all my RAW files. If I want to start from 
scratch with a second edit, I just open the Raw in ARC and click on default 
conversion. That takes me back to step one. I can then do a new conversion and 
assign the finished product a different file name.

Paul

> On Dec 18, 2017, at 12:21 PM, Eric Weir  wrote:
> 
> 
>> On Dec 14, 2017, at 10:05 AM, Paul Stenquist  wrote:
>> 
>> You need to do some homework. You can start here: 
>> http://www.instructables.com/id/A-Complete-Beginners-Guide-to-Raw-Files-And-Raw-Pr/
> 
> Thanks again, Paul, for this and the other site/page you sent links to. Most 
> of what’s discussed are things I’ve been using/doing. For the most part I’m 
> familiar/comfortable with the effects achieved, but have had little sense of 
> what the labels mean, what the actual underlying processes are. A few of the 
> sliders I‘d never touched before, e.g., clarity, vibrance, saturation.
> 
> I note that tastes are involved, that what makes for improvement and 
> worsening is a personal matter, but also from discussions here that there is 
> often significant agreement about what is lacking. 
> 
> Uncertain now that Lightroom does use Adobe Camera Raw.
> 
> I’ll keep going back to these articles for a while to check and firm up my 
> understanding. 
> 
> One thing that remains obscure that the articles didn’t address is the 
> histogram. 
> 
> A question: Since the RAW file is not changed by edits, is it possible to 
> keep an edit while doing a second one of the same RAW file?  
> 
> 
> --
> Eric Weir
> Decatur, GA  USA
> eew...@bellsouth.net
> 
> "What does it mean...that the world is so beautiful?" 
> 
> - Mary Oliver 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Weir

> On Dec 14, 2017, at 10:05 AM, Paul Stenquist  wrote:
> 
> You need to do some homework. You can start here: 
> http://www.instructables.com/id/A-Complete-Beginners-Guide-to-Raw-Files-And-Raw-Pr/

Thanks again, Paul, for this and the other site/page you sent links to. Most of 
what’s discussed are things I’ve been using/doing. For the most part I’m 
familiar/comfortable with the effects achieved, but have had little sense of 
what the labels mean, what the actual underlying processes are. A few of the 
sliders I‘d never touched before, e.g., clarity, vibrance, saturation.

I note that tastes are involved, that what makes for improvement and worsening 
is a personal matter, but also from discussions here that there is often 
significant agreement about what is lacking. 

Uncertain now that Lightroom does use Adobe Camera Raw.

I’ll keep going back to these articles for a while to check and firm up my 
understanding. 

One thing that remains obscure that the articles didn’t address is the 
histogram. 

A question: Since the RAW file is not changed by edits, is it possible to keep 
an edit while doing a second one of the same RAW file?  


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eew...@bellsouth.net

"What does it mean...that the world is so beautiful?" 

- Mary Oliver 










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Re: Floundering about how to provide images for a "client"

2017-12-18 Thread Eric Weir

> On Dec 13, 2017, at 6:16 PM, John  wrote:
> 
> I would also include a text file on the disk with a copyright release 
> granting them permission to print the images (save them a hassle from any 
> photolab they might ask to make the prints).

Wondering if there’s a release template somewhere out there on the web that I 
could work from. Or one that any of you’d be willing to share.

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you learn something no one has learned before." 

- Richard Feynman


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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Weir

> On Dec 17, 2017, at 2:08 PM, Larry Colen  wrote:
> 
> Note that the greater the dynamic range a camera has, the less apparent 
> contrast there will be in the unedited file.

You’re gonna have to explain that, Larry. To my naive, uninformed, ignorant 
mind it strikes me as counterintuitive. More than a little. But just my naive, 
uninformed, ignorant mind. 

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Re: Second thoughts about Pentax

2017-12-18 Thread Eric Weir

> On Dec 17, 2017, at 4:00 PM, P. J. Alling  wrote:
> 
> Actually the K-5 isn't that much older.  It was introduced in 2010 and 
> discontinued officially 2013 about a year after the K-5II and K-5IIs were 
> released.
> 
> There wasn't a lot of "improvement" in APS-C sensors from the K-5 until the 
> release of 24mp Cameras like the K-3 were released at the end of 2013, (which 
> includes the Nikon 3xxx, 5xxx and 7xxx which all received pretty much the 
> same sensor).
> 
> The K-5 sensor when tested by DxO remained at the top of APS-C sensors for a 
> number or years, and even beat out FF and even a couple of Medium format 
> sensors.
> 
> The Fuji X-Trans sensors were also in the class that DxO put near the top of 
> the heap.
> 
> One can take exception to what makes a sensor good, and DxO may be testing 
> some of the wrong things but they are consistent for comparison purposes.

Thanks, P.J. (Is it Peter? I got it wrong once, was admonished, and have been 
shy since.) The information in this and your earlier post has been especially 
instructive/helpful.

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(I)t is important that awake people be awake... the darkness around us is deep.

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Re: refusal to even attempt to focus

2017-12-18 Thread David J Brooks
On Mon, Dec 18, 2017 at 3:16 AM, Anthony Farr  wrote:
> First you need to isolate the fault to either the lens or the camera
> body. You have other camera bodies so start by determining if the
> Bigma behaves or misbehaves on those.
> regards, Anthony


Similar problem this past summer with my D200 and 70-200 f2.8. It
would focus then it would not. After some experiments i determined it
was the D200. I did clean the contacts.

It worked well on my D1H and D2H so it must be the D200.

Dave
>
>
> On 18 December 2017 at 17:49, Larry Colen  wrote:
>> This afternoon I was photographing a heron at the Waldport seawall with my
>> K-1 and sigma 50-500 during low tide.  It had flown from one spot to
>> another, I was walking back to the new spot, photographing as I went, and at
>> one point the camera went completely out of focus, then wouldn't even
>> attempt to focus. I eventually got it back on track, got some more shots,
>> then the bird spooked, flew off (past me) I tried for some flight photos but
>> the lens again went completely out of focus, then refused to do anything to
>> get back into focus. With the bigma I couldn't (easily) manually focus and I
>> completely lost my opportunity for those BiF photos.
>>
>> Does anyone know what causes the focus mechanism to freeze up like that, or
>> any way to convince it to try to refocus?
>>
>> --
>> Larry Colen  l...@red4est.com (postbox on min4est) http://red4est.com/lrc
>>
>>
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Re: PESO+ squeezerlens experiments

2017-12-18 Thread Bruce Walker
On Sun, Dec 17, 2017 at 8:56 PM, Daniel J. Matyola  wrote:
> The first image ("pedestals") just confuses me.

The image itself or the caption?


> My favorite of the group is "Cautiously Optimistic."  Quite pleasing and
> effective.

Thank you, Dan.


>
> Dan Matyola
> http://www.pentaxphotogallery.com/danieljmatyola
>
> On Sun, Dec 17, 2017 at 7:34 PM, Bruce Walker 
> wrote:
>
>> I finally bought a Squeezerlens tilt/shift gadget for my 645z because
>> I had a hankering to dabble with pictorialism once again. After
>> shooting a few random scenes and objects I booked a shoot with a
>> visual artist slash model from Seattle who was just visiting the area.
>> That went astoundingly well and here is the best shot so far ...
>>
>> "A comment regarding pedestals: no-one asked the woman"
>>
>> https://portfolio.brucemwalker.com/index/IjteXqCQu5c4
>>
>>
>> The Squeezerlens is hand made by a nice German guy named Frank
>> Baeseler, and versions exist for various mounts, including the Pentax
>> 645. (I would have simply bought a Lensbaby but they don't do anything
>> for medium format.)
>>
>> http://squeezerlens.com/medium-squeezerlens.html
>>
>> The optic in my copy is a Leitz Hektor (120 mm, f:2.5) projector lens.
>> It produces all kinds of wonderful distortion and looks super dreamy
>> when shooting a backlit scene.
>>
>>
>> Some more shots:
>> https://portfolio.brucemwalker.com/index/IqrQue6u8Q8c
>> https://portfolio.brucemwalker.com/index/IYXaBBmvIVv0
>>
>> And less serious: "Pictorialist Glamour"
>> http://off-axis.brucemwalker.com/image/168659165532
>>
>> Enjoy!
>>
>> --
>> -bmw
>>
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Re: PESO+ squeezerlens experiments

2017-12-18 Thread Bruce Walker
Thank you, Bob. It's fun to use but not that simple to get useable
images. A little of the OOF effect goes a long way, and as usual I
struggle with subtlety. ;)

The model herself loves that shot. One of her friends declared it's
now his favourite portrait of her.


On Sun, Dec 17, 2017 at 7:45 PM, Bob W-PDML  wrote:
> Good stuff. Interesting lens.
>
> I like this:
>
> https://portfolio.brucemwalker.com/index/IYXaBBmvIVv0
>
> B
>
>> On 18 Dec 2017, at 00:35, Bruce Walker  wrote:
>>
>> I finally bought a Squeezerlens tilt/shift gadget for my 645z because
>> I had a hankering to dabble with pictorialism once again. After
>> shooting a few random scenes and objects I booked a shoot with a
>> visual artist slash model from Seattle who was just visiting the area.
>> That went astoundingly well and here is the best shot so far ...
>>
>> "A comment regarding pedestals: no-one asked the woman"
>>
>> https://portfolio.brucemwalker.com/index/IjteXqCQu5c4
>>
>>
>> The Squeezerlens is hand made by a nice German guy named Frank
>> Baeseler, and versions exist for various mounts, including the Pentax
>> 645. (I would have simply bought a Lensbaby but they don't do anything
>> for medium format.)
>>
>> http://squeezerlens.com/medium-squeezerlens.html
>>
>> The optic in my copy is a Leitz Hektor (120 mm, f:2.5) projector lens.
>> It produces all kinds of wonderful distortion and looks super dreamy
>> when shooting a backlit scene.
>>
>>
>> Some more shots:
>> https://portfolio.brucemwalker.com/index/IqrQue6u8Q8c
>> https://portfolio.brucemwalker.com/index/IYXaBBmvIVv0
>>
>> And less serious: "Pictorialist Glamour"
>> http://off-axis.brucemwalker.com/image/168659165532
>>
>> Enjoy!
>>
>> --
>> -bmw
>>
>> --
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Re: refusal to even attempt to focus

2017-12-18 Thread Alan C

Larry, I'd try cleaning the contacts on the lens. "Spit & Polish".

Alan C

-Original Message- 
From: Larry Colen

Sent: 18 December, 2017 8:49 AM
To: Pentax-Discuss Mail List
Subject: refusal to even attempt to focus

This afternoon I was photographing a heron at the Waldport seawall with
my K-1 and sigma 50-500 during low tide.  It had flown from one spot to
another, I was walking back to the new spot, photographing as I went,
and at one point the camera went completely out of focus, then wouldn't
even attempt to focus. I eventually got it back on track, got some more
shots, then the bird spooked, flew off (past me) I tried for some flight
photos but the lens again went completely out of focus, then refused to
do anything to get back into focus. With the bigma I couldn't (easily)
manually focus and I completely lost my opportunity for those BiF photos.

Does anyone know what causes the focus mechanism to freeze up like that,
or any way to convince it to try to refocus?

--
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Re: refusal to even attempt to focus

2017-12-18 Thread Anthony Farr
First you need to isolate the fault to either the lens or the camera
body. You have other camera bodies so start by determining if the
Bigma behaves or misbehaves on those.
regards, Anthony


On 18 December 2017 at 17:49, Larry Colen  wrote:
> This afternoon I was photographing a heron at the Waldport seawall with my
> K-1 and sigma 50-500 during low tide.  It had flown from one spot to
> another, I was walking back to the new spot, photographing as I went, and at
> one point the camera went completely out of focus, then wouldn't even
> attempt to focus. I eventually got it back on track, got some more shots,
> then the bird spooked, flew off (past me) I tried for some flight photos but
> the lens again went completely out of focus, then refused to do anything to
> get back into focus. With the bigma I couldn't (easily) manually focus and I
> completely lost my opportunity for those BiF photos.
>
> Does anyone know what causes the focus mechanism to freeze up like that, or
> any way to convince it to try to refocus?
>
> --
> Larry Colen  l...@red4est.com (postbox on min4est) http://red4est.com/lrc
>
>
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