Re: [Phono-L] Great Rust Removal Method - Electrolytic Rust Removal...

2014-01-12 Thread Chris Kocsis
I came across this post, which I had saved from 2011, and have a 
question about this method.  I've seen a lot of suggestions to use a car 
battery charger as the power source.  How about a filtered and 
regulated, high-current DC supply?  I figure the purer the DC the better 
and wonder about using a 12 volt, 25 amp Astron supply. Should I add a 
load of some sort (such as a light bulb) in series to prevent the fuse 
from blowing?


Chris

On 7/15/2011 2:43 AM, clockworkh...@aol.com wrote:

This is well known to car restorers and has been used on iron or steel for
years.
  
Sodium hydroxide will also work.  Sodium hydroxide is Drano but without the

aluminum flakes that would mess up the process.  Sodium hydroxide is
commonly called lye and eye protection is advised.  It works a bit better than
'washing soda' or soda ash which is sodium carbonate, Na2CO3.
  
For a gas tank an electroplated coating of zinc is suggested immediately

after the process.
  
For a phonograph body any pits should quickly be filled and a coat of paint

put on if it is an exposed part.  Motor frames and the like can be dipped
into an oil bath that has a paraffin base or given a dip into shellac or
lacquer to keep the rust off.
  
If the part is to be plated then the next immediate step is to copper plate

the part before any oil or oxide can contaminate the pristine surface.
Even a fingerprint is a problem.  Cast iron needs a copper plating then tin
plating before nickel can be put on.
  
Electrolytic rust removal has been used by museums and restorers for ages.

Bill Harrah had a huge bath when he was restoring old rust buckets into
great antique cars for his collection.  Harrah had an Edison Opera, a Triumph,
an Amberola 30, and other Edison machines on display but never felt they
needed restoration.  Boy, did they!
  
Happy Bastille Day to all,
  
Al
  
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[Phono-L] Wanted: Soft Tone Tungs-Tone Needles; Pfanstiehl Dollar Needle

2013-03-22 Thread Chris Kocsis
I'm looking for a full tin of Victor Tungs-Tone needles, soft tone, 
needles unused (I don't care about the condition of the tin).


Also a Pfanstiehl dollar needle for acoustic phonograph.

Any offers?

Thanks!

Chris
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Re: [Phono-L] Little Known Facts About Edison :)

2013-01-26 Thread Chris Kocsis
If you google edison antisemite you will come across an astonishing 
and lengthy screed about how the Jews created Hollywood so they could 
peddle filth and undermine Christian morals.  It begins with the 
struggle of Jews to wrest filmmaking away from the Edison Trust, and 
strays into communism, socialism, Disney, unions, Unamerican Activities, 
and Howard Hughes.  I didn't follow any of the other google links, 
having reeled away from the computer after reading that paranoid dump 
from which it is impossible to sift any kernels of truth.


But to get back to some useful  information about Edison, he didn't 
invent the light bulb.  He did make it practical in many ways, from 
developing a thin carbon filament with high electrical resistance to 
devising all the other elements of a complete electrical system: 
generators, wiring, conduits, switches and cutouts, means of measuring 
electricity consumed, etc.  He was an astonishing businessman.


The most money he made came not from the light bulb, the phonograph, or 
telegraphy -- it came from his alkaline batteries, which made electric 
cars practicable.


He dabbled in cement and designed houses and furniture molded out of cement.

His last project was to synthesize rubber (from goldenrod) -- not a 
great success.


Cheers,

Chris


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[Phono-L] Newbie Question - How To Tell an Acoustical Record

2013-01-02 Thread Chris Kocsis

Hi all,

I've just gotten my first keeper wind-up phonograph, a Victor VV 8-35 
(which a list member is refurbishing the mechanics of, I can hardly 
wait!), and I have a really elementary question:  How do I tell which 
records can be safely played with a steel needle?


I suspect all Victor batwings are OK.  But is there a general rule of 
thumb besides date (would that be pretty much 1930s and before?) As late 
as when?  Is absence of a spiral run-in groove a reliable indicator?  
Does electrically recorded mean too late?


I belong to an antique radio club and at the last meeting one member 
sold another a table model along with half a dozen albums of 1940s-1950s 
78s.  I told them both that the steel needle in the heavy acoustic 
reproducer will ruin those records, and with the right records you also 
need to replace the needle for every play. But they went ahead 
demonstrating the machine and turning the grooves white.  Oh well.


Thanks,

Chris Kocsis
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Re: [Phono-L] Regina (or like) Music Box in Orange Cnty, CA

2012-11-19 Thread Chris Kocsis

Hi Robert,

The best resource for all questions regarding music boxes and other 
kinds of mechanical music is the Mechanical Music Digest, a fabulous 
Internet discussion forum with a vibrant community of congenial members 
-- collectors, repairers, dealers, beginning and experienced enthusiasts 
-- interested in everything from player pianos to musical clocks to band 
organs.  Disc players come up often.  I suggest you visit 
http://www.mmdigest.com/, sign up, and post your question there.  You 
can also search and read extensive archives. Happy hunting!


Chris

On 11/19/2012 1:40 PM, rk...@cox.net wrote:

My wife wants a Regina or Polyphon type disc player.  I know enough about 
phonos to buy something online but not music boxes.
Do you know of a store or booth or individual in Southern California that we 
could visit this week that might have Reginas or that type of antique music 
player for sale?

We appreciate any hints.

Thank you,
Robert

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Re: [Phono-L] contact info requested

2010-11-18 Thread Chris Kocsis
If you google that domain name you do get a large number of predictable 
results, including at least one that seems to reference the site.  This 
is unfortunate or worse, in my opinion.   If that is what one is into, 
one should at least be discreet about it.


On 11/18/2010 10:15 PM, Vinyl Visions wrote:

I apologize for being insensitive, but when I read the domain name for Mr. 
Opera, I was thinking wtf does that have to do with phonographs? It sounds like 
a domain from San Francisco...


From: steve_nor...@msn.com
To: phono-l@oldcrank.org
Date: Thu, 18 Nov 2010 19:08:22 -0500
Subject: Re: [Phono-L] contact info requested


The first one is the main page for his site, the second one tells about how he 
became interested in phonographs.


To: phono-l@oldcrank.org
From: john9...@pacbell.net
Date: Thu, 18 Nov 2010 23:59:45 +
Subject: Re: [Phono-L] contact info requested

Ok. The phonographs.html didn't appear in the first email and I was worried...
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Steven Medvedsteve_nor...@msn.com
Sender: phono-l-boun...@oldcrank.org
Date: Thu, 18 Nov 2010 18:46:36
To: Phono-lphono-l@oldcrank.org
Reply-To: Antique Phonograph Listphono-l@oldcrank.org
Subject: Re: [Phono-L] contact info requested


http://teen-boy-preview.com/html/phonographs.html

Hello John,

This is actually the address to the Mr Opera phonograph website.

Steve


To: phono-l@oldcrank.org
From: john9...@pacbell.net
Date: Thu, 18 Nov 2010 23:35:59 +
Subject: Re: [Phono-L] contact info requested

Teenboy-preview.com?? Did you get your email hijacked?
John
--Original Message--
From: Steven Medved
Sender: phono-l-boun...@oldcrank.org
To: Phono-l
ReplyTo: Antique Phonograph List
Subject: Re: [Phono-L] contact info requested
Sent: Nov 18, 2010 3:29 PM


burdettewalt...@yahoo.com

webmas...@misteropera.com

http://teen-boy-preview.com/index.html


From: maff...@bresnan.net
To: phono-l@oldcrank.org
Date: Wed, 17 Nov 2010 21:20:30 -0700
Subject: [Phono-L] contact info requested

All:

I received the following earlier this year to an inquiry:



Burdette Walters makes the reproduction boxes and lids for Blue Amberol
(orange boxes).



I would appreciate the E-mail contact address to inquire about cost and
availability.



If no E-mail info, any other type would work.



Again, thanks in advance



Bob

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Sent from my Verizon Wireless BlackBerry
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[Phono-L] Off-Topic -- Looking for early patent help in France

2010-06-02 Thread Chris Kocsis
My apologies for this request unrelated to phonographs, but I'm looking 
for someone in France who is able to look up a patent number (205058) 
and tell me what the device is that it refers to.  It is probably 
1920s-30s.  My hope is that there is a phono collector there who knows 
how to look this up (online patents don't go back that far) or can tell 
me how to do it. 


Phono question: Does a Victor Consolette sound about as good as a Credenza?

Thanks,

Chris
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[Phono-L] Coin machine or jukebox needles?

2010-03-10 Thread Chris Kocsis
Can anyone give me the lowdown on jukebox needles?  I bought some new 
old stock Cole's coin machine needles with osmium tips.  The package 
says the needle lasts many plays and doesn't have to be rotated.  I'm 
also curious about the shape of the needle.  A couple of millimeters up 
from the point, the metal is flattened into a pointed oval like a cobra 
head and then resumes being cylindrical.  What is that for?


Osmium is nearly as hard as tungsten and I've seen some references to 
people cutting their own needles from tungsten wire and forming the 
point by rubbing the cut end in a record groove while rotating it (which 
seems astonishing).


Is such hardness a good idea in a needle, or does it cause excessive 
record wear? 

If these jukebox needles are safe to use, how do I tell when it's time 
to change one?


Best regards,

Chris
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Re: [Phono-L] Coin machine or jukebox needles?

2010-03-10 Thread Chris Kocsis

Thank you, Greg!

Are you saying that tungsten wire shaped needles are just clipped 
lengths of tungsten wire, without a point being formed on them before 
being used to play a record?


Chris

Greg Bogantz wrote:
   Osmium tipped needles were a transitional style.  They were the 
cheapest permanent needle typically marketed in the late 1930s thru 
the '50s.  The more expensive varieties of permanent needles were 
sapphire or ruby and the most expensive were diamond.  People were 
using record changers and didn't want to mess around with changing 
steel needles all the time, so these styles became popular.  The 
problem with all of these needles in that time period is that the 
pickups tracked at too high a force for any of them to be optimal with 
regard to record wear.  The magnetic and crystal pickups of that 
period typically tracked at between 30 and 80 grams.  Although that's 
less than the 80 to 150 grams of the earlier acoustic reproducer 
period, it's still just too high for any of these hard needles.  They 
were especially deadly when used with the early vinyl 78s that were 
beginning to appear after WWII.  The proper technology for high 
tracking forces was the steel or tungsten wire needle when used with 
shellac records that contained abrasive fillers that were intended to 
quickly wear the needle into conformance with the groove shape.  But, 
of course, the steel needles needed to be changed with every record 
side or two.  Tungsten WIRE shaped needles are superior to the osmium 
tipped needles because the cylindrical wire shape retains the same 
cross-sectional area during the entire lifetime of the needle.  The 
osmium needles were tapered and as they wore they got a bigger cross 
section.  This is fine until the cross section gets too big to fit 
into the groove width which happens after just a few records are 
played. Then the needle forms shoulders that ride outside the groove 
and on the land of the record.  This lifts the needle out of close 
contact with the groove walls which leads to mistracking, distortion, 
and high record wear.  These hard needles, especially the sapphire and 
diamond ones don't wear down quickly, and instead wear the records.  
These needles that were typical in this time period are the main 
reason that records that have survived from the '30s thru the '50s 
look worn and sound more distorted and worn than records that have 
survived from the teens and '20s and that were played properly with 
steel or tungsten wire needles.  The use of these hard needles only 
became proper when pickup tracking forces were reduced to 10 grams or 
less in the 1950s.  I don't feel comfortable using them even above 
about 5 grams.  Tracking forces of 1 to 2 grams became commonplace in 
the early 1960s, and jewel-tipped needles are perfectly satisfactory 
when used in these pickups.


   The bottom line is, I would NOT recommend using hard needles in any 
pickup tracking at more than 10 grams if you want to preserve your 
records. When new, these needles will sound good for a while.  But 
they will be grinding the bejeezus out of your records if you are 
tracking them at 30 grams or more.  If you have a jukebox or record 
changer that operates at high tracking force, use tungsten wire 
needles.  Or change the pickup (and tonearm if necessary) to allow 
tracking forces below 10 grams if you want to use jewel-tipped 
needles.  Osmium would also work in this application, but it will wear 
out after 20 sides or so, even at this tracking force.  Osmium is just 
a bad idea for just about any application.


Greg Bogantz


- Original Message - From: Chris Kocsis chris...@cox.net
To: phono-l@oldcrank.org
Sent: Wednesday, March 10, 2010 8:47 PM
Subject: [Phono-L] Coin machine or jukebox needles?


Can anyone give me the lowdown on jukebox needles?  I bought some new 
old stock Cole's coin machine needles with osmium tips.  The package 
says the needle lasts many plays and doesn't have to be rotated.  I'm 
also curious about the shape of the needle.  A couple of millimeters 
up from the point, the metal is flattened into a pointed oval like a 
cobra head and then resumes being cylindrical.  What is that for?


Osmium is nearly as hard as tungsten and I've seen some references to 
people cutting their own needles from tungsten wire and forming the 
point by rubbing the cut end in a record groove while rotating it 
(which seems astonishing).


Is such hardness a good idea in a needle, or does it cause excessive 
record wear?
If these jukebox needles are safe to use, how do I tell when it's 
time to change one?


Best regards,

Chris
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Re: [Phono-L] Columbia 122 angle correct?

2010-02-14 Thread Chris Kocsis
There is something wrong.  Regardless of whether it is the correct tone 
arm for the machine, or the correct reproducer, the shaft of the needle 
must be straight up and down when viewed from the front.   It should 
never lean into the groove at a sideways angle.  Period.


Chris

Keith Wright wrote:
It looks like it.  I have now included a side picture the owner sent.  


http://keithwright.ca/columbia122/columbiaport122%20angle.html

Compare to another 122 shown below.  The owner of this one has not replied to a 
request for more pictures.

http://keithwright.ca/columbia122/columbiaport122.html

Anyone got pictures of their 122 with the correct angle?

Thanks,
Keith

  

From: ediso...@verizon.net
To: phono-l@oldcrank.org
Date: Wed, 3 Feb 2010 12:35:58 -0500
Subject: Re: [Phono-L] Columbia 122 angle correct?

 Is that the correct reproducer ?

- Original Message - 
From: Keith Wright khwri...@hotmail.com

To: phono-l@oldcrank.org
Sent: Tuesday, February 02, 2010 9:25 PM
Subject: [Phono-L] Columbia 122 angle correct?




Hi Folks,

Some one I know with a Columbia 122 portable pointed out the angle at 
which the reproducer leans at the end of the arm.  I didn't think anything 
of it until I compared it with one of my HMVs.  Is there some problem with 
the Columbia or is this an inherent flaw with the make/model?  I've posted 
the photos on the page below (it should work with a copy-and-paste):


http://keithwright.ca/columbia122/columbiaport122%20angle.html

Thanks,
Keith
  

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Re: [Phono-L] Columbia 122 angle correct?

2010-02-02 Thread Chris Kocsis
It should be straight up and down as with your HMV.  Beyond hurting the 
sound, this can harm the records.  From my limited experience, the 
problem with the portable could be a wrong tonearm.   Raising it at the 
other end will correct the angle.  I had to do that with my General 
Phonograph Model E, which had the wrong arm, by making a circular disk 
out of wood like a large, fat washer.


Also, by the way, the tip of the needle should swing over the center of 
the spindle (for the correct tracking angle with respect to the 
groove).  If the tonearm is too long, this can result in the needle 
being too straight up and down, which will create too much drag and also 
hurt the records.  I saw a Victor pamphlet that said the ideal angle of 
the needle with respect to the groove was 60 degrees.


Chris

Keith Wright wrote:

Hi Folks,

Some one I know with a Columbia 122 portable pointed out the angle at which the 
reproducer leans at the end of the arm.  I didn't think anything of it until I 
compared it with one of my HMVs.  Is there some problem with the Columbia or is 
this an inherent flaw with the make/model?  I've posted the photos on the page 
below (it should work with a copy-and-paste):

http://keithwright.ca/columbia122/columbiaport122%20angle.html

Thanks,
Keith 



 		 	   		  
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[Phono-L] Some 7-inch Berliners on eBay

2010-01-30 Thread Chris Kocsis
Just a note that I've posted three 7-inch Berliner records on eBay, with 
a few more to follow eventually.  These are earlier than my other 
records and don't fit my interests, and I don't want to attempt to play 
them on what I have.   You can search on 7-inch Berliner Gramophone 
Phonograph Record. 


Best,

Chris
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[Phono-L] VV-1-90 -- Available?

2010-01-15 Thread Chris Kocsis
I've decided the next phonograph I'm really looking for is a VV-1-90, 
the orthophonic table model.  Does anyone have one for sale?  What can I 
expect to have to pay for one?


Chris
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[Phono-L] Semi-Luddites - was Re: Definition of antiques

2010-01-03 Thread Chris Kocsis
How many of us older folks have embraced Web 2.0 social media like 
Facebook and LinkedIn?  Frankly I have no interest in either, but I have 
friends and acquaintances my age (61) (including my dentist) who send me 
invitations.  Has anyone here found these to be worthwhile and beneficial?


Chris

Robert Wright wrote:

[snip]
  
Fun story, Peter. I know people less than half your friend's age who are 
still to scared to embrace modern (computer) technology fully, even 
though in their youth they were anything but Luddite.



From: pjfra...@mac.com
Date: Sun, 3 Jan 2010 11:34:22 -0800
To: phono-l@oldcrank.org
Subject: [Phono-L] definition of antique - was Re:  Shipping phonographs

Yesterday my 14 year old and I went to install some RAM in the computer of a 
friend.  We also helped our friend with her iPod.

As we left, I told my daughter that she would be lucky if she, too, could be as 
with it when she got to the age of our friend:  92.  She replied that she'd 
always stay up on the latest ipods and other technology...but paused to reflect when I 
mentioned that by that time, an iPhone would look to youngsters the same way an Edison 
cylinder phono looks to her today.

Antique is a moving target.  Most kids today have no idea what an LP is - and 
even cassettes as well - and when they see one consider it to be an antique.



 		 	   		  
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Hotmail: Powerful Free email with security by Microsoft.
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Re: [Phono-L] source for Columbia companion vol 2

2009-11-02 Thread Chris Kocsis

There are three copies here -- all expensive:

http://www.addall.com/SuperRare/RefineExact.fcgi?id=091102180443984607order=TITLEordering=ASCdispCurr=USDexaAuthor=Bob+Baumbachmatch=YexaTitle=Columbia+Phonograph+Companion:+2

If that long URL doesn't work, go to addall.com and search for columbia 
phonograph companion.  Good luck!


Chris

Bob Maffit wrote:

All:

 


A short while ago, someone listed a link, source, for the out of print book:
Columbia Companion vol. II. This is the one for the disk machines.

 


I would appreciate it if I could get it.

 


Thanks

 


Bob

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[Phono-L] Questions about a General Phonograph Model E

2009-10-24 Thread Chris Kocsis

I got this cute little machine at an auction and have some basic
questions I hope you can help me with.  I've posted photos to 
Photobucket: http://s664.photobucket.com/albums/vv10/chrisk33/


1) Does this look like the original tone arm?

2) How about the sound box -- see closeup -- It seems to say RCA and V
in a deco style.  Do those letters together mean that it was made no
earlier than 1929 (the RCA and Victor merger)?  Could it possibly be the
one that was supplied on this machine?

3) The sound box is not fastened to the tone arm very rigidly.  There is
a cylindrical red rubber seal (hard and cracking now, don't know if it
was ever flexible) in between and the sound box can be twisted a little,
both sideways (on the axis of the tonearm) and vertically, changing the
angle that the needle makes with the line of the groove.  Should the
needle be slanted at all sideways with respect to the record surface, or
would anything other than 90 degrees be tracking error?  How about the
rake of the needle longitudinally in the groove?  All the phonographs
I've seen with one-use needles seem to have the needle at an angle, such
as 35 minutes past the hour if the sound box were a clock.  What is this
ideal angle?

4) Lastly, much of the (nickel or chrome?) finish is corroded and pitted
-- on the turntable edge, on/off switch, the needle cups -- can you
recommend someone to restore these, or from your experience should I
attempt to polish and plate them myself as suggested in The Compleat
Talking Machine?

Thank you!

Chris

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Re: [Phono-L] Paper cone for Polly Portable

2009-09-09 Thread Chris Kocsis
Thank you Ron, that is splendid suggestion.  If I decide to sell the 
player, would that affect the value?


Chris

Ron L'Herault wrote:

How about coating it with shellac?  It would add stiffness and maybe improve
function.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Chris Kocsis
Sent: Tuesday, September 08, 2009 12:57 AM
To: Antique Phonograph List
Subject: [Phono-L] Paper cone for Polly Portable

I just bought a Polly Portable Phonograph in good condition, but the 
paper cone speaker is rather worn and doesn't hold together very 
well.   It's also lost a lot of stiffness, which I assume is necessary 
for best performance.  Does anyone make a replacement or know of a spare?


Best,

Chris
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[Phono-L] Paper cone for Polly Portable

2009-09-08 Thread Chris Kocsis
I just bought a Polly Portable Phonograph in good condition, but the 
paper cone speaker is rather worn and doesn't hold together very 
well.   It's also lost a lot of stiffness, which I assume is necessary 
for best performance.  Does anyone make a replacement or know of a spare?


Best,

Chris
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Re: [Phono-L] Advice please - holes in cylinder surface

2009-08-17 Thread Chris Kocsis
Hot stylus drops with a C reproducer on a day that would fry eggs on the 
sidewalk?


Chris

Bruce Mercer wrote:
I saved the photo to My Pictures and looked at it extremely blown up. 
There is a dimple in the bottom of each hole. It looks like it was 
done with heat and ???
If they were bubbles I don't think the perimeter would be that perfect 
or have that mark in the bottom of each hole. One hole appears to be 
'starting'. They look like BB holes until you look closely and see the 
dimple in the bottom. You can see a stylus drop above one of them.

Bruce and my .02
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Re: [Phono-L] Advice please - holes in cylinder surface

2009-08-16 Thread Chris Kocsis
Thanks, Norman, I will try that.  My 2-minute reproducer is a C.  I 
thought of bubbles too but not only is the size exactly the same of all 
the holes, but the sides of the holes are cylindrical, straight down, 
and they are of uniform depth.  A mystery.


Chris

Norman Bruderhofer wrote:
Chris, These holes look indeed different than the ones I used to find 
sometimes on black wax cylinders. The usual holes are, to what I was 
to figure out, caused by the collapse of the wax surface when tiny 
bubbles are underneath it. You can see this sometimes on broken black 
wax cylinders, both 2-minute and 4-minutes.
The holes on your cylinder do not have an uncommon size though. It's 
just the large group of them what looks suspicious. A regular stylus 
should even be able to play over such an area, especially when you are 
using a Model B reproducer which has a bullet sapphire instead of the 
doorknob of a C.
As Steven pointed out, candle wax could actually do but it can be 
sticky and, as a worst case, can mess up your stylus that has to 
cleaned then. I had good success with filling comparable holes with 
modelling wax (for wood restoration) with a wooden toothpick. It takes 
a lot of time and you should have the cylinder on the mandrel to give 
it a better support while applying the wax.


Norman


Chris Kocsis wrote:
I just got a cylinder I won on eBay (Edison 9100, Bob Roberts' 
Everybody Works But Father) to replace mine that cracked. It was 
advertised as in excellent + condition, and as I pulled it out of its 
sleeve it looked like it was. But as I turned it to examine it 
closely, I found a strange, almost patterned number of deep circular 
pits among the grooves. I'm afraid to play it in case the stylus 
catches in these holes and gets ripped out. I'm attaching a picture.


I would appreciate advice (as well as any information on how these 
holes could have formed -- I'm not an experienced collector, but I've 
never seen anything like them before).


Many thanks,

Chris
-- ATTACHMENT --
**An Attachment Was Scrubbed**
Name: 9100 holes.jpg
Type: image/jpeg
Size: 52776 bytes
URL: 
http://oldcrank.org/pipermail/phono-l/attachments/20090812/f397cb3b/attachment.jpg 


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[Phono-L] retarmysgt (William) post regarding Gramophoneshane

2009-03-02 Thread Chris Kocsis
Hi all, I think this is it:

http://www.youtube.com/watch?v=rbPa-VWAzSY

Cheers,

Chris

Thatcher Graham wrote:
 Shane,

 If there's a youtube video that shows how to replace the mainspring 
 that'd help me out.
 got a link?

 -- Thatcher

 shane nolan wrote:
 I know him well, because I am gramophoneshane!
 I have NOT harrassed you. I have NOT spread rumours or lies about 
 you, and quite frankly, I am getting fed up with this kind of 
 nonsense on these forums.
 I am the one being harrassed by a couple people from Boston, and it 
 all seems to come down to a youtube video I posted, showing the 
 removal  installation of a main spring.
 I've obviously upset these repairmen by showing how easy spring 
 removal is.

 Now Bill, you have my email address. Please use it with proof of 
 these accusations you are making.
 I am on a carers pension because I look after my elderly mother, who 
 is close to disabled herself, so why would I harrass anyone because 
 they are in a wheel chair?
 Your claims are complete nonsense, and posting this sort of rubbish 
 on this  other boards is childish behaviour from someone who should 
 know better.


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From waltsomm...@comcast.net  Mon Mar  2 09:45:31 2009
From: waltsomm...@comcast.net (Walt Sommers)
Date: Mon Mar  2 09:50:49 2009
Subject: Small Spring Service on YouTube: Was Re: [Phono-L]
retarmysgt (William) post regarding Gramophoneshane
In-Reply-To: 49abf58e.2010...@cox.net
References: 176860.26718...@web62304.mail.re1.yahoo.com   
49abf186.3030...@mediaguide.com
49abf58e.2010...@cox.net
Message-ID: 49ac1b3b.2000...@comcast.net

Thanks for the link Chris:

http://www.youtube.com/watch?v=rbPa-VWAzSY

I mostly use jigs and fixtures to hold and wind springs because of the 
numerous services I perform for others and the benefit that they afford 
me in terms of speed and safety. The technique described is applicable 
to 1/3 or less of the motors I routinely encounter. Most springs are 
significantly larger. I don't know the dimensions of the barrel or the 
spring in the video clip but I am guessing they are no more than about 
1 wide, and based on the ease of flexing them they can't be thicker 
than about .019. Such a hand-held technique is okay for tiny springs 
like the one shown, but anyone attempting to service springs in machines 
like the Edison Diamond Disc or Edison Triumph (just to name two) should 
not attempt the job with such an unsafe and mechanically inadequate 
arrangement. My grip is that of a high steel worker but it falls short 
of what the big guns need. Once you start trying to wrestle with two 
springs in the same barrel or those that are wider than 1 1/4, thicker 
than .02 and with lengths that exceed 12 feet, the danger factor 
increases exponentially. I actually enjoy a certain sense of risk when I 
work on motors and I don't mind getting nipped (Hint: The use of red 
grease helps hide the damage from my wife), but there is a level at 
which mere risk becomes high probability. I know that some folks don't 
wear gloves of any sort when they work on springs, claiming that it 
reduces their dexterity which they say adds a risk factor that outweighs 
the potential of getting gashed from Pandora or one of her high tension 
sisters. Good, thin, Kevlar reinforced gloves are expensive, but one 
pair costs a fraction of what a trip to the emergency room costs. And 
some injuries that send you to the emergency room often result in 
permanent losses of dexterities (I know firsthand - pun intended).

I think Shane's video pretty much shows the gore and inevitable goo that 
one must contend with when confronting spring service and I am glad he 
posted it.

Regards,
Walt




Chris Kocsis wrote:
 Hi all, I think this is it:

 http://www.youtube.com/watch?v=rbPa-VWAzSY

 Cheers,

 Chris

 Thatcher Graham wrote:
 Shane,

 If there's a youtube video that shows how to replace the mainspring 
 that'd help me out.
 got a link?

 -- Thatcher

 shane nolan wrote:
 I know him well, because I am gramophoneshane!
 I have NOT harrassed you. I have NOT spread rumours or lies about 
 you, and quite frankly, I am getting fed up with this kind of 
 nonsense on these forums.
 I am the one being harrassed by a couple people from Boston, and it 
 all seems to come down to a youtube video I posted, showing the 
 removal  installation of a main spring.
 I've obviously upset these repairmen by showing how easy spring 
 removal is.

 Now Bill, you have my email address. Please use it with proof of 
 these accusations you are making.
 I am on a carers pension because I look after my elderly mother, who 
 is close to disabled herself, so why would I harrass anyone because

[Phono-L] Circus Wagon Phonograph - Incorrect ebay listing

2009-01-07 Thread Chris Kocsis
Is it worth a lot more than the closing bid?

jan...@comcast.net wrote:
 Too bad the auction ended last month. ;-(

 Antique Wood Band Bus Truck Music Box w/ Musicians
 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=180314199983


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From fun...@comcast.net  Wed Jan  7 20:44:06 2009
From: fun...@comcast.net (funk)
Date: Wed Jan  7 20:44:19 2009
Subject: [Phono-L] Atlantis Talking Machine Company//
In-Reply-To: 63f75c556a6849a4b0521f9a8f3ac...@glastrispc
References: 
cc8.42055d93.36965...@aol.comcfbfa3d39d644cb586add29c22e02...@glastrispcacb11b078c9d42d4876acd3cb3d4c...@t60
63f75c556a6849a4b0521f9a8f3ac...@glastrispc
Message-ID: f6895ca2f6d64f709c1d17d2e5846...@your4dacd0ea75

I have scanned the brass tag but do not have any active web site. If you
wish to see a scan of the tag-- please email me at fun...@comcast.net. I
will be happy to send it as an attachment.
Suellen Funk 

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of George Glastris
Sent: Wednesday, January 07, 2009 8:35 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Atlantis Talking Machine Company//

Am I missing something?  What fraud case and who is Binzweig?


- Original Message - 
From: Dan K ediso...@verizon.net
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Wednesday, January 07, 2009 5:22 PM
Subject: Re: [Phono-L] Atlantis Talking Machine Company//


 I think this 'jibes' with my post about the fraud case;  46 7th St puts it

 at 2nd Ave, which is where Birnzweig had his phono shop.  To me, it makes 
 sense that a fraud running an Atlantic shop would send out Atlantis 
 machines .



 - Original Message - 
 From: George Glastris glast...@comcast.net
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Wednesday, January 07, 2009 5:48 PM
 Subject: Re: [Phono-L] Atlantis Talking Machine Company//


 Would the New Yorkers help me out here please;  I did a MapQuest for the 
 address and there isn't an exact address like that on Manhattan, but 
 there is in Brooklyn and Staten Island.  It's possible that that part of 
 the street has been filled in as a building or something, but I'm curious

 in a very geeky way.


 - Original Message - 
 From: allena...@aol.com
 To: phono-l@oldcrank.org
 Sent: Wednesday, January 07, 2009 1:36 PM
 Subject: Re: [Phono-L] Atlantis Talking Machine Company//



 In a message dated 1/7/2009 2:23:51 P.M. Eastern Standard Time,
 harveykrav...@yahoo.com writes:

 Hi  Allen, It says Atlantis Talking Machine Co. Hope this helps, Harvey 
 P.
 Kravitz




 --
 So far, they do not seem to have advertised in the Talking Machine World
 (under this name). They may have sunk beneath the waves like their 
 namesake...
 ;-)

 Allen

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[Phono-L] Player for 78 rpm records

2008-11-09 Thread Chris Kocsis
Hi,

I have heard that the Webcor portable phonographs from the 1950s do a 
good job.  They have a flip-over or turnaround needle and I think 
styluses and cartridges can still be found.  I've offered to help a 
friend restore his Webcor Holiday (someone previously tried to fix the 
turntable and failed and junked it, so now I'm looking for a 
replacement, if anyone has just that mechanism).

Chris

buck Buchanan wrote:
 I need some help in finding a cheap record player that will play the 78 rpm 
 records.
 I have an Emerson and I have also looked at the Crosley and both of them just 
 don't cut it.
 They use the same needle for the 78's and for the 33's and the 78's sound 
 awful and it not because they are dirty because I have cleaned the records.
 My biggest problem is that I am a disabled vet trying to live on $1,000 a 
 month.
 so I don't have much to pull from in the way of money. I know my in laws want 
 to buy me something but I can't ask them to spend hundreds of dollars on 
 this. does anybody know of a cheap player on the market that sounds good! And 
 where can I find it.
 Thanks Bill




   
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[Phono-L] Snagged on eBay -- did it bite me?

2008-10-23 Thread Chris Kocsis
Hi all, this is on its way to me.  I'm a novice at phonographs and don't 
know what it is (my specialty is old light bulbs).  Anyone care to tell 
me?  I'll be able to answer specific questions (like does it have a 
stylus?) when it comes

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemssPageName=STRK:MEWAX:ITitem=200263341078

Best,

Chris


[Phono-L] Snagged on eBay -- did it bite me?

2008-10-23 Thread Chris Kocsis
Thanks Loran, Stan, and Bruce!

My search string is a professional scrounger's secret, but I bet you can 
figure it out :-)

Chris

BruceY wrote:
 Congratulations, that is an excellent buy. My only question would be: How 
 did you find it?  What did you search under?
 - Original Message - 
 From: Chris Kocsis chrisk33 at cox.net
 To: Antique Phonograph List phono-l at oldcrank.org
 Sent: Thursday, October 23, 2008 8:47 PM
 Subject: [Phono-L] Snagged on eBay -- did it bite me?


   
 Hi all, this is on its way to me.  I'm a novice at phonographs and don't
 know what it is (my specialty is old light bulbs).  Anyone care to tell
 me?  I'll be able to answer specific questions (like does it have a
 stylus?) when it comes

 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemssPageName=STRK:MEWAX:ITitem=200263341078

 Best,

 Chris
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[Phono-L] should I get Pay Pal?

2008-09-24 Thread Chris Kocsis
...but if you want to accept someone's credit card payment, you have to 
upgrade to a premier account (at least that's what it was called when I 
signed up).

No problems other than I wish the fee was less.  A friend in Europe sent 
me some money via credit card to buy something for him and the fee took 
a big bite out of what he sent ($17.27 out of $435).

Rich wrote:
 Free account is gone.  But the personal account is reasonable. If you 
 are only going to use it for payments it is free.

 Peter Fraser wrote:
   
 i've managed to hang on to the original free account all these years.   
 there's unceasing pressure to upgrade to a fee-based account but if  
 you read the fine print and pay attention you can still use it free.

 i don't know whether they still even offer the free account, but it's  
 worth looking into.  most complaints that you hear are from cheapskate  
 sellers who resent the 2.5% (or whatever it is) fee...the service is  
 obviously worth it, and is secure and easy to use.

 -- peter
 pjfraser at alamedanet.net

 On Sep 23, 2008, at 8:53 AM, Steven Medved wrote:

 
 PayPal has been great to me I have had no problems.  You can use a  
 credit card and I would recommend this for added protection when you  
 pay someone you are not sure of.  I have had PayPal since it was  
 free.  PayPal is like any other thing you have to avoid the weak  
 areas.  Poor customer service, fees keep going up, not much  
 protection but with care you can avoid most of the problems.

   
 Date: Tue, 23 Sep 2008 04:11:09 -0700 From: ddazer at sbcglobal.net  
 To: phono-L at oldcrank.org Subject: [Phono-L] should I get Pay Pal?  
 
 I never got a Pay Pal account because most ebay sellers would  
   
 take a check or money order.  Over the years, I have heard of many  
 problems with Pay Pal.  Have those issues been resolved?  Those of  
 you who use Pay Pal, do you like it? Any advice in this matter is  
 appreciated.  I do sell some non-phono related items once in a  
 while on Ebay, but I am not sure it is worth the risk of using Pay  
 Pal. Dave ___ Phono- 
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[Phono-L] should I get Pay Pal?

2008-09-24 Thread Chris Kocsis
I had the same problem with Shawn Borri and it still rankles.  I even 
defended him to strangers because he had a good reputation.  No apology, 
no refund.  I understand his partner screwed him over and he had severe 
financial problems, which he may not yet have recovered from; and there 
are people who speak well of him.

ClockworkHome at aol.com wrote:
 YES ! ! !
  
 I actually will bid way higher with a seller using PayPal and I have gotten 
 some phonographic bargains from sellers who demanded only money orders.  Once 
 the ease and security change your mindset you cannot go back to the old 
 system 
 relying on snail mail to deliver payment.  I like the very idea that I can 
 pay 
 for an item within minutes of the auction close and do so without getting out 
 of my chair.  If the seller is on the ball my item arrives often just days 
 after the close.
  
 I have only been stung on eBay once by a guy selling Borri Wax Cylinders as 
 he would not take PayPal but could cash the postal money order without 
 delivering the goods.  eBay pulled his account but I never got a cent or a 
 cylinder. 
  I figure that anyone who qualifies for PayPal has passed some scrutiny to 
 begin with.
  
 Regards to all,
  
 Al
 



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[Phono-L] Looking for decent K reproducer

2008-06-12 Thread Chris Kocsis
My new Fireside (bought at an auction) has the wrong reproducer, and I'd 
like to find a good K.  I understand the reproductions are low-volume 
and need serious tweaking to sound good.  So I guess I could also use 
suggestions on who could do such work.  Thanks!  By the way, my real 
expertise is old light bulbs, if anyone needs help there.


[Phono-L] Looking for decent K reproducer

2008-06-12 Thread Chris Kocsis
Thanks Ron, the more I look into this the more I think that's the way to 
go.  The reproducer that came on the machine is in poor shape but I have 
a C on my other machine -- a Standard -- so all I need is an H and I 
have a line on one through a friend. 

Chris

Ron L wrote:
 Which reproducer did it come with?  If it is a C, you could just get an H or
 vice versa.

 Ron L

 -Original Message-
 From: phono-l-bounces at oldcrank.org [mailto:phono-l-bounces at 
 oldcrank.org] On
 Behalf Of Chris Kocsis
 Sent: Thursday, June 12, 2008 10:16 AM
 To: phono-l at oldcrank.org
 Subject: [Phono-L] Looking for decent K reproducer

 My new Fireside (bought at an auction) has the wrong reproducer, and I'd 
 like to find a good K.  I understand the reproductions are low-volume 
 and need serious tweaking to sound good.  So I guess I could also use 
 suggestions on who could do such work.  Thanks!  By the way, my real 
 expertise is old light bulbs, if anyone needs help there.
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[Phono-L] Looking for decent K reproducer

2008-06-12 Thread Chris Kocsis
Hi Al, many thanks for the reply.  I'll remember what you say if I find 
a K.  For now I have decided to get an H and have a line on one.  You 
are the second person to refer me to Steve Medved and I'm grateful for 
that information!

Chris

ClockworkHome at aol.com wrote:
 Ideally you would want a brass body K that has not been previously worked on. 
  Usually all they need is to have new gaskets put in properly under correct 
 compression, the copper diaphragm cleaned (and lacquered with instrument 
 lacquer), and the styli turned if needed.  The two minute stylus is often in 
 such 
 good shape that it does not need turning but the four minute stylus will 
 likely 
 need to be turned.  The four minute stylus that has played many Blue Amberols 
 will have a flat spot.
  
 I do only my own reproducers but I believe Steve Medved, our list expert on 
 Edison reproducers, will do rebuilds.
  
 In my experience the reproduction K reproducers suffer from a thicker 
 diaphragm and improper compression of the gaskets.  They can be tuned up to 
 give 
 better results.
  
 Best Wishes,
  
 Al
 The Edison Guy...
  



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