Re: OT: further findings about TwistedWave
Nope, home and end takes you to the beginning and end of the file respectively, at least that’s what the help says. And in IOs, the browsing may be good, but if you can’t select and edit portions of the sound that’s a deal breaker. /Krister 6 aug 2014 kl. 02:58 skrev Gordon Kent dbmu...@cybernex.net: I'm pretty sure that home and end already take you to the start and end of a selection. This is really a handy little app. And as I said, the browse feature in the iOS version is the best file transfer utility for iOS I've come across. Gord -Original Message- From: Krister Ekstrom Sent: Tuesday, August 5, 2014 8:04 AM To: ptaccess@googlegroups.com Subject: OT: further findings about TwistedWave Hi all, I got a really helpful mail this morning from Twistedwave support. Firstly they seem open to accessibility concerns and said they would consider my suggestions on scrubbing and other things for the future. Then they told me about some undocumented keyboard shortcuts that can come in handy: You can actually select small portions from the sound file using shift + left and right arrows. Secondly you can scrub by shift+command clicking anywhere in the wave form rather than having to locate the ruler that you drag in in order to scrub. ”But the wave form isn’t visible” i hear you ask, and it is true, however there’s an indicator or rather a text that tells you sample rate, bit depth etc, go up from there with your physical mouse or track pad until you hear ”name of project, window” where ”name of project” is the name of your audio file and there is your wave form. Now to my own findings: It’s good if you turn cursor tracking off when playing with Twistedwave. You may also want to consider setting ”cursor moves back after playing” to checked. That way the cursor seems to move back to the play head when you stop playing and i think though i can’t be certain about this, that this makes it easier to scrub. By default it looks like the wave form is very small so when you select, you select in very long distances, so just like in all other wave editors, adjust the zoom so the waveform gets bigger. The edit short cuts dialog isn’t a loser after all, it’s quite smart in fact. The way the dialog works is like this: You go into the dialog for editing shortcuts, then it tells you to select an item from the menu to edit its short cuts. VO+m to the menu bar and then go to a menu and select the menu item you want to edit just as you would if you wanted to choose something from that menu. Now another dialog pops up asking you for the keyboard shortcut. Enter the shortcut you want and the dialog will close and you’re in the main window. Now here’s a little tricky bit, because the edit shortcuts dialog stays open however it’s not in focus so whatever you do do not select an item from a menu because then you will be asked for a new shortcut for this item. Instead use the window chooser, vo+f2 twice in rapid succession and you’ll be in the window chooser menu, go down the menu until you hear ”edit shortcuts” and choose that item. Now you’ll be in the edit shortcuts dialog again and you can ok the choices you’ve made or revert to default short cuts or cancel the dialog alltogether. What i’d suggest you do is to set up a shortcut for going to start and end of selections, those shortcuts will come in handy when you edit. Hope this makes any sense. Now here’s where i need your help guys: Could someone who works with Twistedwave please help me explain to the devs in a technical way how to make the wave form visible to VO? I don’t think you can make the wave form itself visible so that you can interact with it and do fun stuff, although that would be cool but one could do as they have done in some audio editors in IOS where the wave form is, Voiceover says ”wave form”. As i said, i hope any of this made sense. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: OT: further findings about TwistedWave
Yes home and end takes you to the start and end of a file respectively. However there are go to start of selection and go to end of selection shortcuts you can use for this. They don't have shortcut keys assigned however so you will have to do this first. On Aug 6, 2014, at 4:03 AM, Krister Ekstrom kris...@kristersplace.com wrote: Nope, home and end takes you to the beginning and end of the file respectively, at least that's what the help says. And in IOs, the browsing may be good, but if you can't select and edit portions of the sound that's a deal breaker. /Krister 6 aug 2014 kl. 02:58 skrev Gordon Kent dbmu...@cybernex.net: I'm pretty sure that home and end already take you to the start and end of a selection. This is really a handy little app. And as I said, the browse feature in the iOS version is the best file transfer utility for iOS I've come across. Gord -Original Message- From: Krister Ekstrom Sent: Tuesday, August 5, 2014 8:04 AM To: ptaccess@googlegroups.com Subject: OT: further findings about TwistedWave Hi all, I got a really helpful mail this morning from Twistedwave support. Firstly they seem open to accessibility concerns and said they would consider my suggestions on scrubbing and other things for the future. Then they told me about some undocumented keyboard shortcuts that can come in handy: You can actually select small portions from the sound file using shift + left and right arrows. Secondly you can scrub by shift+command clicking anywhere in the wave form rather than having to locate the ruler that you drag in in order to scrub. But the wave form isn't visible i hear you ask, and it is true, however there's an indicator or rather a text that tells you sample rate, bit depth etc, go up from there with your physical mouse or track pad until you hear name of project, window where name of project is the name of your audio file and there is your wave form. Now to my own findings: It's good if you turn cursor tracking off when playing with Twistedwave. You may also want to consider setting cursor moves back after playing to checked. That way the cursor seems to move back to the play head when you stop playing and i think though i can't be certain about this, that this makes it easier to scrub. By default it looks like the wave form is very small so when you select, you select in very long distances, so just like in all other wave editors, adjust the zoom so the waveform gets bigger. The edit short cuts dialog isn't a loser after all, it's quite smart in fact. The way the dialog works is like this: You go into the dialog for editing shortcuts, then it tells you to select an item from the menu to edit its short cuts. VO+m to the menu bar and then go to a menu and select the menu item you want to edit just as you would if you wanted to choose something from that menu. Now another dialog pops up asking you for the keyboard shortcut. Enter the shortcut you want and the dialog will close and you're in the main window. Now here's a little tricky bit, because the edit shortcuts dialog stays open however it's not in focus so whatever you do do not select an item from a menu because then you will be asked for a new shortcut for this item. Instead use the window chooser, vo+f2 twice in rapid succession and you'll be in the window chooser menu, go down the menu until you hear edit shortcuts and choose that item. Now you'll be in the edit shortcuts dialog again and you can ok the choices you've made or revert to default short cuts or cancel the dialog alltogether. What i'd suggest you do is to set up a shortcut for going to start and end of selections, those shortcuts will come in handy when you edit. Hope this makes any sense. Now here's where i need your help guys: Could someone who works with Twistedwave please help me explain to the devs in a technical way how to make the wave form visible to VO? I don't think you can make the wave form itself visible so that you can interact with it and do fun stuff, although that would be cool but one could do as they have done in some audio editors in IOS where the wave form is, Voiceover says wave form. As i said, i hope any of this made sense. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google
Re: OT: further findings about TwistedWave
For me, and this is for me personally for 2 reasons, one of which may even be a misunderstanding so let's begin with that: 1: Protools is first and foremost an environment for creating music in whilst TwistedWave seems to be some kind of a general purpose editor and even if this wasn't the case i still haven't come off the ground with pro tools which i think is scary, daunting and confusing, a sign that i'm getting old. The main reason now why i haven't come off the ground with PT is that i'm afraid to the point of panic, ahem no that was maybe overdoing it a little, but i'm scared for some reason to use my Digi003 without knowing what i do with it. I'm trying to make the 003 accessible with the Surface reader application, but it's slow going. Besides it's good to have many tools in your arsenal, right? /Krister 6 aug 2014 kl. 16:21 skrev Slau Halatyn slauhala...@gmail.com: I'm just a little confused about something... Presumably, most of the people on the list own Pro Tools which is undoubtedly one of the most powerful audio editors around. Why the interest in this editor? I'm simply curious. Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: OT: further findings about TwistedWave
Well sometimes f for basic wave editing using Pro Tools is like using a sledge hammer to crack anut. Also for things like batch processing, decting and removing silence etc its a useful quick tool. The other reason i looked at it when i saw it on sale is i know plenty of people that just do podcast and stuff like that and just need a wave editor and not a multi tracker. It's nice to have that option to point them to now thats not Garage Band, which has it's perks, but editing can be a bit clunky at times. Just another tool in the tool box so to speak. On 8/6/14, Slau Halatyn slauhala...@gmail.com wrote: I'm just a little confused about something... Presumably, most of the people on the list own Pro Tools which is undoubtedly one of the most powerful audio editors around. Why the interest in this editor? I'm simply curious. Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Touching Bases. pt 11? bugs?
Fwd: SampleTank 3 Serial Number block quote Envelope-to: ps...@psychmusic.com X-EN-OrigIP: 184.175.65.216 X-EN-IMPSID: WF1C1o0244fx8kg01F1D81 From: IK Multimedia Digital Delivery digitaldeliv...@ikmultimedia.com To: ps...@psychmusic.com Subject: SampleTank 3 Serial Number block quote end block quote www.ikmultimedia./061EB3DD.jpg www.ikmultimedia./2A0AFFB7.jpg block quote end block quote Your SampleTank 3 is now available for download block quote end block quote Thanks once again for your pre-order of SampleTank 3. The highly anticipated next generation software sound workstation is now ready for you to download! Please find below your SampleTank 3 serial number and the instructions on how to register, authorize and download. block quote end block quote STX30-68IOEWQP-14475 block quote end block quote HOW TO DOWNLOAD AND AUTHORIZE YOUR PRODUCTS: 1) Download the Authorization Manager here. 2) Run the Authorization Manager and follow the instructions to download and authorize your products. 3) To download the included Sound Library, click Sounds Downloads in your User Area My Products section to view the download files. Click here to access User Area. IMPORTANT: You have 180 days from the date of registration to download the sound library from your User Area. We suggest to make a backup copy of the installers to avoid future delays/costs. After installation, if the sound library does not appear for use in the software, please visit the FAQ section. block quote end block quote block quote end block quote | Authorization Manager | User Area | block quote end block quote www.ikmultimedia./6450B1BB.jpg www.ikmultimedia./1A036CC7.jpg www.ikmultimedia./28A83177.jpg www.ikmultimedia./36301C89.jpg www.ikmultimedia./43DF4692.jpg www.ikmultimedia./2A0AFF6B.jpg block quote end block quote *All prices from the IK online store exclude taxes / VAT and may vary by country. Although IK strives to provide accurate product and pricing information, unintentional pricing or typographical errors may occur. IK reserves the right to correct, change or update information such as pricing, availability and product descriptions, at any time without notice. IK Multimedia - Headquarters: Via dell'Industria, 46,41122, Modena ITALY. US Office: 1153 Sawgrass Corporate Pkwy., Sunrise, FL 33323, USA. block quote end block quote Contact Us for all other requests. Please do not respond to this email as it may result in an error. block quote end block quote block quote end On 7/30/2014 7:52 PM, Hi wrote: about:blank Hey buddy, long time, good to hear from you. I'll try to give a ring tomorrow or Friday. PT 11.2 is crazy. Lots of crashes, voiceover trouble and things not reading correctly one minute and then working again the next minute. I can't believe the biggest issue for me hasn't been fixed yet. since version 11 came out you can't use shift comma or shift period while audio during fast forward or rewind is turned on. I called Avid about this months ago and they told me it would be fixed in the next release. Well, that was 2 releases ago already and still nothing. I'm kind of surprised nobody else has talked about this since I would think most would use audio during RW and FF. Of course the plugin window for the instruments but that's a whole other can of worms. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: OT: further findings about TwistedWave
I half to agree with slau! Why twist your Wave trying to remember what key strokes do what for different apps? Stay with the sledgehammer just hit a little less harder when needed! Besides that will improve your PT chops! BTW What is anut decting? ;) YMMV Chuck On Aug 6, 2014, at 11:00 AM, Monkey Pusher wrote: Well sometimes f for basic wave editing using Pro Tools is like using a sledge hammer to crack anut. Also for things like batch processing, decting and removing silence etc its a useful quick tool. The other reason i looked at it when i saw it on sale is i know plenty of people that just do podcast and stuff like that and just need a wave editor and not a multi tracker. It's nice to have that option to point them to now thats not Garage Band, which has it's perks, but editing can be a bit clunky at times. Just another tool in the tool box so to speak. On 8/6/14, Slau Halatyn slauhala...@gmail.com wrote: I'm just a little confused about something... Presumably, most of the people on the list own Pro Tools which is undoubtedly one of the most powerful audio editors around. Why the interest in this editor? I'm simply curious. Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Why use tools like Twisted Wave?
Hi, Slau, Chuck and others, This is a great question. For me, tools like Twisted Wave keep things simple, and sometimes that's all I need. I do a lot of voiceovers, and when I'm managing a project like an audiobook or long form eLearning, or if I'm dubbing or voicing to time in an already made video, ProTools makes sense. When I'm just tossing out 15 to 30 second auditions in .mp3 to prospective clients, I don't need anything but a single mono track. I don't really have to do any processing on it. I do have to clean up breaths, mouth noises, etc, and when I do that, ProTools default behavior is simpy to remove the audio but keep the silence in the track. Often I want to remove the audio AND the time. That can certainly be done in ProTools, but in simpler tools it just happens with less keystrokes. I am absolutely willing to concede that I have not exhausted all ProTools options and that I am no PT expert. PT is a work in progresss for me. I play with it when I can, which isn't as often as I'd like given my work load. I definitely see its value though, even for small stuff. Satauna -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Touching Bases. pt 11? bugs?
Guessing you didn't mean for this to go to a public list dude. You might want to request a new serial number from IK. Scott On 8/6/14, 'Hi' via Pro Tools Accessibility ptaccess@googlegroups.com wrote: Fwd: SampleTank 3 Serial Number block quote Envelope-to: ps...@psychmusic.com X-EN-OrigIP: 184.175.65.216 X-EN-IMPSID: WF1C1o0244fx8kg01F1D81 From: IK Multimedia Digital Delivery digitaldeliv...@ikmultimedia.com To: ps...@psychmusic.com Subject: SampleTank 3 Serial Number block quote end block quote www.ikmultimedia./061EB3DD.jpg www.ikmultimedia./2A0AFFB7.jpg block quote end block quote Your SampleTank 3 is now available for download block quote end block quote Thanks once again for your pre-order of SampleTank 3. The highly anticipated next generation software sound workstation is now ready for you to download! Please find below your SampleTank 3 serial number and the instructions on how to register, authorize and download. block quote end block quote STX30-68IOEWQP-14475 block quote end block quote HOW TO DOWNLOAD AND AUTHORIZE YOUR PRODUCTS: 1) Download the Authorization Manager here. 2) Run the Authorization Manager and follow the instructions to download and authorize your products. 3) To download the included Sound Library, click Sounds Downloads in your User Area My Products section to view the download files. Click here to access User Area. IMPORTANT: You have 180 days from the date of registration to download the sound library from your User Area. We suggest to make a backup copy of the installers to avoid future delays/costs. After installation, if the sound library does not appear for use in the software, please visit the FAQ section. block quote end block quote block quote end block quote | Authorization Manager | User Area | block quote end block quote www.ikmultimedia./6450B1BB.jpg www.ikmultimedia./1A036CC7.jpg www.ikmultimedia./28A83177.jpg www.ikmultimedia./36301C89.jpg www.ikmultimedia./43DF4692.jpg www.ikmultimedia./2A0AFF6B.jpg block quote end block quote *All prices from the IK online store exclude taxes / VAT and may vary by country. Although IK strives to provide accurate product and pricing information, unintentional pricing or typographical errors may occur. IK reserves the right to correct, change or update information such as pricing, availability and product descriptions, at any time without notice. IK Multimedia - Headquarters: Via dell'Industria, 46,41122, Modena ITALY. US Office: 1153 Sawgrass Corporate Pkwy., Sunrise, FL 33323, USA. block quote end block quote Contact Us for all other requests. Please do not respond to this email as it may result in an error. block quote end block quote block quote end On 7/30/2014 7:52 PM, Hi wrote: about:blank Hey buddy, long time, good to hear from you. I'll try to give a ring tomorrow or Friday. PT 11.2 is crazy. Lots of crashes, voiceover trouble and things not reading correctly one minute and then working again the next minute. I can't believe the biggest issue for me hasn't been fixed yet. since version 11 came out you can't use shift comma or shift period while audio during fast forward or rewind is turned on. I called Avid about this months ago and they told me it would be fixed in the next release. Well, that was 2 releases ago already and still nothing. I'm kind of surprised nobody else has talked about this since I would think most would use audio during RW and FF. Of course the plugin window for the instruments but that's a whole other can of worms. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
a couple of pt questions
Hello all, I'm getting ready to jump back in to protools tomorrow after listening to the protools with speech tutorials. I have to record a couple of keyboard parts tmorrow andI had a couple of questions. 1. I'm going to need to import a tracking mix in to my session, and I was wondering how the import dialog looked. When I tried using it before, it was a little confusing so was wondering how that wrked. 2. I'm going to have tw audio tracks, which are going to be a left and right string tracks coming out of my keyboard in t my interface. I'm assuming that both tracks need to be selected in the track list table in order to record on them at once. Can't remember the command to select a track that is right beside the other tack that you have selected. I'm using PT10.0. 3. My last question has to do with exporting. I'm going to need t have to export both of my string tracks out of pt. I know that I would use the bounce to disc option, but what's the best way t just bounce out individual tracks out of my session and not the entire mix which for me in this case would also include my tracking mix. Thanks for the help guys. I'm a little nervous about jumping in to this, but what better way to start learning the daw again but jump in. It's been a while since I have used this daw. Thanks, Brian -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Touching Bases. pt 11? bugs?
LOL At 12:12 PM 8/6/2014, you wrote: Guessing you didn't mean for this to go to a public list dude. You might want to request a new serial number from IK. Scott On 8/6/14, 'Hi' via Pro Tools Accessibility ptaccess@googlegroups.com wrote: Fwd: SampleTank 3 Serial Number block quote Envelope-to: ps...@psychmusic.com X-EN-OrigIP: 184.175.65.216 X-EN-IMPSID: WF1C1o0244fx8kg01F1D81 From: IK Multimedia Digital Delivery digitaldeliv...@ikmultimedia.com To: ps...@psychmusic.com Subject: SampleTank 3 Serial Number block quote end block quote www.ikmultimedia./061EB3DD.jpg www.ikmultimedia./2A0AFFB7.jpg block quote end block quote Your SampleTank 3 is now available for download block quote end block quote Thanks once again for your pre-order of SampleTank 3. The highly anticipated next generation software sound workstation is now ready for you to download! Please find below your SampleTank 3 serial number and the instructions on how to register, authorize and download. block quote end block quote STX30-68IOEWQP-14475 block quote end block quote HOW TO DOWNLOAD AND AUTHORIZE YOUR PRODUCTS: 1) Download the Authorization Manager here. 2) Run the Authorization Manager and follow the instructions to download and authorize your products. 3) To download the included Sound Library, click Sounds Downloads in your User Area My Products section to view the download files. Click here to access User Area. IMPORTANT: You have 180 days from the date of registration to download the sound library from your User Area. We suggest to make a backup copy of the installers to avoid future delays/costs. After installation, if the sound library does not appear for use in the software, please visit the FAQ section. block quote end block quote block quote end block quote | Authorization Manager | User Area | block quote end block quote www.ikmultimedia./6450B1BB.jpg www.ikmultimedia./1A036CC7.jpg www.ikmultimedia./28A83177.jpg www.ikmultimedia./36301C89.jpg www.ikmultimedia./43DF4692.jpg www.ikmultimedia./2A0AFF6B.jpg block quote end block quote *All prices from the IK online store exclude taxes / VAT and may vary by country. Although IK strives to provide accurate product and pricing information, unintentional pricing or typographical errors may occur. IK reserves the right to correct, change or update information such as pricing, availability and product descriptions, at any time without notice. IK Multimedia - Headquarters: Via dell'Industria, 46,41122, Modena ITALY. US Office: 1153 Sawgrass Corporate Pkwy., Sunrise, FL 33323, USA. block quote end block quote Contact Us for all other requests. Please do not respond to this email as it may result in an error. block quote end block quote block quote end On 7/30/2014 7:52 PM, Hi wrote: about:blank Hey buddy, long time, good to hear from you. I'll try to give a ring tomorrow or Friday. PT 11.2 is crazy. Lots of crashes, voiceover trouble and things not reading correctly one minute and then working again the next minute. I can't believe the biggest issue for me hasn't been fixed yet. since version 11 came out you can't use shift comma or shift period while audio during fast forward or rewind is turned on. I called Avid about this months ago and they told me it would be fixed in the next release. Well, that was 2 releases ago already and still nothing. I'm kind of surprised nobody else has talked about this since I would think most would use audio during RW and FF. Of course the plugin window for the instruments but that's a whole other can of worms. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Touching Bases. pt 11? bugs?
Chris, you forgot to thank the nice man for free software :P On 8/6/14, Chris Smart csma...@cogeco.ca wrote: LOL At 12:12 PM 8/6/2014, you wrote: Guessing you didn't mean for this to go to a public list dude. You might want to request a new serial number from IK. Scott On 8/6/14, 'Hi' via Pro Tools Accessibility ptaccess@googlegroups.com wrote: Fwd: SampleTank 3 Serial Number block quote Envelope-to: ps...@psychmusic.com X-EN-OrigIP: 184.175.65.216 X-EN-IMPSID: WF1C1o0244fx8kg01F1D81 From: IK Multimedia Digital Delivery digitaldeliv...@ikmultimedia.com To: ps...@psychmusic.com Subject: SampleTank 3 Serial Number block quote end block quote www.ikmultimedia./061EB3DD.jpg www.ikmultimedia./2A0AFFB7.jpg block quote end block quote Your SampleTank 3 is now available for download block quote end block quote Thanks once again for your pre-order of SampleTank 3. The highly anticipated next generation software sound workstation is now ready for you to download! Please find below your SampleTank 3 serial number and the instructions on how to register, authorize and download. block quote end block quote STX30-68IOEWQP-14475 block quote end block quote HOW TO DOWNLOAD AND AUTHORIZE YOUR PRODUCTS: 1) Download the Authorization Manager here. 2) Run the Authorization Manager and follow the instructions to download and authorize your products. 3) To download the included Sound Library, click Sounds Downloads in your User Area My Products section to view the download files. Click here to access User Area. IMPORTANT: You have 180 days from the date of registration to download the sound library from your User Area. We suggest to make a backup copy of the installers to avoid future delays/costs. After installation, if the sound library does not appear for use in the software, please visit the FAQ section. block quote end block quote block quote end block quote | Authorization Manager | User Area | block quote end block quote www.ikmultimedia./6450B1BB.jpg www.ikmultimedia./1A036CC7.jpg www.ikmultimedia./28A83177.jpg www.ikmultimedia./36301C89.jpg www.ikmultimedia./43DF4692.jpg www.ikmultimedia./2A0AFF6B.jpg block quote end block quote *All prices from the IK online store exclude taxes / VAT and may vary by country. Although IK strives to provide accurate product and pricing information, unintentional pricing or typographical errors may occur. IK reserves the right to correct, change or update information such as pricing, availability and product descriptions, at any time without notice. IK Multimedia - Headquarters: Via dell'Industria, 46,41122, Modena ITALY. US Office: 1153 Sawgrass Corporate Pkwy., Sunrise, FL 33323, USA. block quote end block quote Contact Us for all other requests. Please do not respond to this email as it may result in an error. block quote end block quote block quote end On 7/30/2014 7:52 PM, Hi wrote: about:blank Hey buddy, long time, good to hear from you. I'll try to give a ring tomorrow or Friday. PT 11.2 is crazy. Lots of crashes, voiceover trouble and things not reading correctly one minute and then working again the next minute. I can't believe the biggest issue for me hasn't been fixed yet. since version 11 came out you can't use shift comma or shift period while audio during fast forward or rewind is turned on. I called Avid about this months ago and they told me it would be fixed in the next release. Well, that was 2 releases ago already and still nothing. I'm kind of surprised nobody else has talked about this since I would think most would use audio during RW and FF. Of course the plugin window for the instruments but that's a whole other can of worms. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to
Re: OT: further findings about TwistedWave
Right. I can certainly appreciate a tool that does one thing and does it well. The price is, of course, a plus and the fact that the developer is considering the accessibility. I was just curious. Slau On Aug 6, 2014, at 12:24 PM, Scott Chesworth scottcheswo...@gmail.com wrote: There are similar discussions about Twisted happening on a few lists. It's off topic on some, but I'm letting it go on the one that I moderate because the developer is apparently asking for feedback, and one more accessible option can't hurt. Big picture, accessibility is the thing to care about here isn't it rather than a DAW war. Stacking it up against PT though, I'd think the lower cost would be a big advantage for someone who might use Twisted to its potential but barely scratch the surface of PT. Also might be appealing to some folk that there's an iOS version of the same app. I haven't seen it, but guessing the terminology used throughout would be similar if it was done right. Just some thoughts... Scott On 8/6/14, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: I half to agree with slau! Why twist your Wave trying to remember what key strokes do what for different apps? Stay with the sledgehammer just hit a little less harder when needed! Besides that will improve your PT chops! BTW What is anut decting? ;) YMMV Chuck On Aug 6, 2014, at 11:00 AM, Monkey Pusher wrote: Well sometimes f for basic wave editing using Pro Tools is like using a sledge hammer to crack anut. Also for things like batch processing, decting and removing silence etc its a useful quick tool. The other reason i looked at it when i saw it on sale is i know plenty of people that just do podcast and stuff like that and just need a wave editor and not a multi tracker. It's nice to have that option to point them to now thats not Garage Band, which has it's perks, but editing can be a bit clunky at times. Just another tool in the tool box so to speak. On 8/6/14, Slau Halatyn slauhala...@gmail.com wrote: I'm just a little confused about something... Presumably, most of the people on the list own Pro Tools which is undoubtedly one of the most powerful audio editors around. Why the interest in this editor? I'm simply curious. Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: OT: further findings about TwistedWave
There are similar discussions about Twisted happening on a few lists. It's off topic on some, but I'm letting it go on the one that I moderate because the developer is apparently asking for feedback, and one more accessible option can't hurt. Big picture, accessibility is the thing to care about here isn't it rather than a DAW war. Stacking it up against PT though, I'd think the lower cost would be a big advantage for someone who might use Twisted to its potential but barely scratch the surface of PT. Also might be appealing to some folk that there's an iOS version of the same app. I haven't seen it, but guessing the terminology used throughout would be similar if it was done right. Just some thoughts... Scott On 8/6/14, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: I half to agree with slau! Why twist your Wave trying to remember what key strokes do what for different apps? Stay with the sledgehammer just hit a little less harder when needed! Besides that will improve your PT chops! BTW What is anut decting? ;) YMMV Chuck On Aug 6, 2014, at 11:00 AM, Monkey Pusher wrote: Well sometimes f for basic wave editing using Pro Tools is like using a sledge hammer to crack anut. Also for things like batch processing, decting and removing silence etc its a useful quick tool. The other reason i looked at it when i saw it on sale is i know plenty of people that just do podcast and stuff like that and just need a wave editor and not a multi tracker. It's nice to have that option to point them to now thats not Garage Band, which has it's perks, but editing can be a bit clunky at times. Just another tool in the tool box so to speak. On 8/6/14, Slau Halatyn slauhala...@gmail.com wrote: I'm just a little confused about something... Presumably, most of the people on the list own Pro Tools which is undoubtedly one of the most powerful audio editors around. Why the interest in this editor? I'm simply curious. Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Touching Bases. pt 11? bugs?
That's funny, it's actually a forwarded email from someone to someone else and then to me, hence the forwards in the subject. I did delete the post though and I don't know about the # # part but one would think that's tied to the software. I do actually have the version 2 of this and I liked it but that was years ago. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Touching Bases. pt 11? bugs?
whoops hahaha At 12:28 PM 8/6/2014, you wrote: Chris, you forgot to thank the nice man for free software :P On 8/6/14, Chris Smart csma...@cogeco.ca wrote: LOL At 12:12 PM 8/6/2014, you wrote: Guessing you didn't mean for this to go to a public list dude. You might want to request a new serial number from IK. Scott On 8/6/14, 'Hi' via Pro Tools Accessibility ptaccess@googlegroups.com wrote: Fwd: SampleTank 3 Serial Number block quote Envelope-to: ps...@psychmusic.com X-EN-OrigIP: 184.175.65.216 X-EN-IMPSID: WF1C1o0244fx8kg01F1D81 From: IK Multimedia Digital Delivery digitaldeliv...@ikmultimedia.com To: ps...@psychmusic.com Subject: SampleTank 3 Serial Number block quote end block quote www.ikmultimedia./061EB3DD.jpg www.ikmultimedia./2A0AFFB7.jpg block quote end block quote Your SampleTank 3 is now available for download block quote end block quote Thanks once again for your pre-order of SampleTank 3. The highly anticipated next generation software sound workstation is now ready for you to download! Please find below your SampleTank 3 serial number and the instructions on how to register, authorize and download. block quote end block quote STX30-68IOEWQP-14475 block quote end block quote HOW TO DOWNLOAD AND AUTHORIZE YOUR PRODUCTS: 1) Download the Authorization Manager here. 2) Run the Authorization Manager and follow the instructions to download and authorize your products. 3) To download the included Sound Library, click Sounds Downloads in your User Area My Products section to view the download files. Click here to access User Area. IMPORTANT: You have 180 days from the date of registration to download the sound library from your User Area. We suggest to make a backup copy of the installers to avoid future delays/costs. After installation, if the sound library does not appear for use in the software, please visit the FAQ section. block quote end block quote block quote end block quote | Authorization Manager | User Area | block quote end block quote www.ikmultimedia./6450B1BB.jpg www.ikmultimedia./1A036CC7.jpg www.ikmultimedia./28A83177.jpg www.ikmultimedia./36301C89.jpg www.ikmultimedia./43DF4692.jpg www.ikmultimedia./2A0AFF6B.jpg block quote end block quote *All prices from the IK online store exclude taxes / VAT and may vary by country. Although IK strives to provide accurate product and pricing information, unintentional pricing or typographical errors may occur. IK reserves the right to correct, change or update information such as pricing, availability and product descriptions, at any time without notice. IK Multimedia - Headquarters: Via dell'Industria, 46,41122, Modena ITALY. US Office: 1153 Sawgrass Corporate Pkwy., Sunrise, FL 33323, USA. block quote end block quote Contact Us for all other requests. Please do not respond to this email as it may result in an error. block quote end block quote block quote end On 7/30/2014 7:52 PM, Hi wrote: about:blank Hey buddy, long time, good to hear from you. I'll try to give a ring tomorrow or Friday. PT 11.2 is crazy. Lots of crashes, voiceover trouble and things not reading correctly one minute and then working again the next minute. I can't believe the biggest issue for me hasn't been fixed yet. since version 11 came out you can't use shift comma or shift period while audio during fast forward or rewind is turned on. I called Avid about this months ago and they told me it would be fixed in the next release. Well, that was 2 releases ago already and still nothing. I'm kind of surprised nobody else has talked about this since I would think most would use audio during RW and FF. Of course the plugin window for the instruments but that's a whole other can of worms. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails
RE: a couple of pt questions
Hi Slau, Thanks for this informative answer. It was very helpful. One question. If I create a stereo track, when I export the track out, will that track be exported as one stereo track or as 2 mono tracks labeled left and right. Thanks again Slau, Brian From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Slau Halatyn Sent: Wednesday, August 06, 2014 1:53 PM To: ptaccess@googlegroups.com Subject: Re: a couple of pt questions Hi Brian, See my comments following your questions. On Aug 6, 2014, at 12:12 PM, Brian Howerton bshowert...@gmail.com mailto:bshowert...@gmail.com wrote: 1. I'm going to need to import a tracking mix in to my session, and I was wondering how the import dialog looked. When I tried using it before, it was a little confusing so was wondering how that wrked. Press Command-Shift-i to bring up the Import Audio dialog. This will be a standard dialog and you should know how to navigate to the files you wish to import. Press Return on each file you wish to import then move to the Done button and click once. You'll probably get another dialog asking where to import the files. The default location will be the Audio Files folder in your session so just press Return again. Finally, you'll get a dialog asking whether to import to a track or to the Regions list. The first radio button (which has the letter t associated with it) should be selected and then hit Return. A new track or tracks will come up with the files you selected. 2. I'm going to have tw audio tracks, which are going to be a left and right string tracks coming out of my keyboard in t my interface. I'm assuming that both tracks need to be selected in the track list table in order to record on them at once. Can't remember the command to select a track that is right beside the other tack that you have selected. I'm using PT10.0. I'm not sure why you don't just create one stereo track and enable it with one record button. At any rate, a track doesn't necessarily need to be selected in order to record to it. One does have the added advantage of being able to use a couple of shortcuts for record-enabling the track but it's not required. For what it's worth, the p key and the semicolon key with the Control modifier will move the track selection to adjacent tracks. Using Shift will extend the track selection. Make sure that track selection follows edit selection under the Options menu for that to work correctly. 3. My last question has to do with exporting. I'm going to need t have to export both of my string tracks out of pt. I know that I would use the bounce to disc option, but what's the best way t just bounce out individual tracks out of my session and not the entire mix which for me in this case would also include my tracking mix. You essentially have two options: A. Mute all tracks except the ones you wish to bounce to disk and simply bounce them or, B. Export the files with Command-Shift-e. The thing about the second option is that you'll need to consolidate the tracks' audio regions first. Make sure the tracks you wish to consolidate are selected. Select the edit range from the top of the session to the end of the tracks you wish to consolidate. Press Option-Shift-3 on the numbers row to consolidate. With the tracks still selected, use the Export Regions command and navigate to where you wish to export. Keep in mind that if you wish to rename the regions before exporting, use Command-Shift-r to bring up the region name dialog. If more than one track is selected, it will prompt in order of appearance. If it's a stereo file, it'll append the necessary L and R to the individual files unless you export as interleaved stereo. Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com mailto:ptaccess+unsubscr...@googlegroups.com . For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
protools 10 reference guide question
Hello folks, I know that we have a documentation folder with the protools documentation in it. And I know where to get the pdf file for the reference guide, but I was wondering if anyone had a text copy of this guide because I would like to read it on my braille note taker, and because the file is so large, when my note taker trys to convert the pdf to text, I think it is getting hung up during the conversion, so just was wondering if anyone had a copy of this in a text format. Thanks for the help, Brian -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Why use tools like Twisted Wave?
If you want to remove the mouth noises and have all the audio shift to the left, just hit f1 to put yourself in slip mode. I too use simple audio editors when just needing to edit a quick wave or mp3. I'm a huge fan of Amadeus pro, but I'll definitely check out Twisted wave. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: An ILok question, and one other thing.
How would you load different kits and such with trigger in Pro Tools? I'm assuming there's a ton of automatable parameters for sensativity and such, but how would you access the load buttons for the different kit pieces? Thanks so much. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Why use tools like Twisted Wave?
Hi Kevin, Did you mean shuffle mode? Just curious? Chuck On Aug 6, 2014, at 2:36 PM, Kevin Reeves wrote: If you want to remove the mouth noises and have all the audio shift to the left, just hit f1 to put yourself in slip mode. I too use simple audio editors when just needing to edit a quick wave or mp3. I'm a huge fan of Amadeus pro, but I'll definitely check out Twisted wave. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: An ILok question, and one other thing.
That was the one thing I was discussing with Paul over at Slate Digital. I'm currently creating all of the presets for Trigger which will work the same way as Structure and Strike. BTW, Slate is having a sale on Trigger 2 Platinum which is great for $99. You get something like 46 kicks, 36 snares, toms and some percussion. Remember, some of the kicks and snares have 8 mic's that are sampled at 8 different locations in a big room so you can pretty much get any sound you want if you take the time to replace your drums. On 8/6/2014 2:40 PM, Kevin Reeves wrote: How would you load different kits and such with trigger in Pro Tools? I'm assuming there's a ton of automatable parameters for sensativity and such, but how would you access the load buttons for the different kit pieces? Thanks so much. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: protools 10 reference guide question
Brian, why not just load it into QRead or Acrobat or an OCR program and save as text. Out of those I recommend QRead. It's extremely fast and does a great job. At 02:16 PM 8/6/2014, you wrote: Hello folks, I know that we have a documentation folder with the protools documentation in it. And I know where to get the pdf file for the reference guide, but I was wondering if anyone had a text copy of this guide because I would like to read it on my braille note taker, and because the file is so large, when my note taker trys to convert the pdf to text, I think it is getting hung up during the conversion, so just was wondering if anyone had a copy of this in a text format. Thanks for the help, Brian -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to mailto:ptaccess+unsubscr...@googlegroups.comptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optouthttps://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: a couple of pt questions
Hello, If you select stereo interleave then it will be one track. If you don't it will be two mono files with L and R appended to the name appropriately. On Aug 6, 2014, at 2:13 PM, Brian Howerton bshowert...@gmail.com wrote: Hi Slau, Thanks for this informative answer. It was very helpful. One question. If I create a stereo track, when I export the track out, will that track be exported as one stereo track or as 2 mono tracks labeled left and right. Thanks again Slau, Brian From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Slau Halatyn Sent: Wednesday, August 06, 2014 1:53 PM To: ptaccess@googlegroups.com Subject: Re: a couple of pt questions Hi Brian, See my comments following your questions. On Aug 6, 2014, at 12:12 PM, Brian Howerton bshowert...@gmail.com wrote: 1. I'm going to need to import a tracking mix in to my session, and I was wondering how the import dialog looked. When I tried using it before, it was a little confusing so was wondering how that wrked. Press Command-Shift-i to bring up the Import Audio dialog. This will be a standard dialog and you should know how to navigate to the files you wish to import. Press Return on each file you wish to import then move to the Done button and click once. You'll probably get another dialog asking where to import the files. The default location will be the Audio Files folder in your session so just press Return again. Finally, you'll get a dialog asking whether to import to a track or to the Regions list. The first radio button (which has the letter t associated with it) should be selected and then hit Return. A new track or tracks will come up with the files you selected. 2. I'm going to have tw audio tracks, which are going to be a left and right string tracks coming out of my keyboard in t my interface. I'm assuming that both tracks need to be selected in the track list table in order to record on them at once. Can't remember the command to select a track that is right beside the other tack that you have selected. I'm using PT10.0. I'm not sure why you don't just create one stereo track and enable it with one record button. At any rate, a track doesn't necessarily need to be selected in order to record to it. One does have the added advantage of being able to use a couple of shortcuts for record-enabling the track but it's not required. For what it's worth, the p key and the semicolon key with the Control modifier will move the track selection to adjacent tracks. Using Shift will extend the track selection. Make sure that track selection follows edit selection under the Options menu for that to work correctly. 3. My last question has to do with exporting. I'm going to need t have to export both of my string tracks out of pt. I know that I would use the bounce to disc option, but what's the best way t just bounce out individual tracks out of my session and not the entire mix which for me in this case would also include my tracking mix. You essentially have two options: A. Mute all tracks except the ones you wish to bounce to disk and simply bounce them or, B. Export the files with Command-Shift-e. The thing about the second option is that you'll need to consolidate the tracks' audio regions first. Make sure the tracks you wish to consolidate are selected. Select the edit range from the top of the session to the end of the tracks you wish to consolidate. Press Option-Shift-3 on the numbers row to consolidate. With the tracks still selected, use the Export Regions command and navigate to where you wish to export. Keep in mind that if you wish to rename the regions before exporting, use Command-Shift-r to bring up the region name dialog. If more than one track is selected, it will prompt in order of appearance. If it's a stereo file, it'll append the necessary L and R to the individual files unless you export as interleaved stereo. Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email toptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Why use tools like Twisted Wave?
Hi folks, If you are looking for a great accessible audio editor take a look at Amadeus Pro on the app store. it really does a lot of stuff. With Logic I really don't need it a lot but for voiceovers and the like its great and works well with Voiceover. We print the Bible in Braille, http://biblesfortheblind.org Keith Reedy God gives His best to those who leave the choice with Him. J Hudson Taylor. On Aug 6, 2014, at 11:49 AM, Satauna Howery sata...@gmail.com wrote: Hi, Slau, Chuck and others, This is a great question. For me, tools like Twisted Wave keep things simple, and sometimes that's all I need. I do a lot of voiceovers, and when I'm managing a project like an audiobook or long form eLearning, or if I'm dubbing or voicing to time in an already made video, ProTools makes sense. When I'm just tossing out 15 to 30 second auditions in .mp3 to prospective clients, I don't need anything but a single mono track. I don't really have to do any processing on it. I do have to clean up breaths, mouth noises, etc, and when I do that, ProTools default behavior is simpy to remove the audio but keep the silence in the track. Often I want to remove the audio AND the time. That can certainly be done in ProTools, but in simpler tools it just happens with less keystrokes. I am absolutely willing to concede that I have not exhausted all ProTools options and that I am no PT expert. PT is a work in progresss for me. I play with it when I can, which isn't as often as I'd like given my work load. I definitely see its value though, even for small stuff. Satauna -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
