Re: [spectre] Dispatches from Ukraine: Tactical Media Reflflections and Responses
dy really did manage to do it properly, so we were laughing, and making fun.. (really?) and if someone, anyone, who thinks that it was bad as you were culturally "colonisied" by Disneyland in the 80s and therefore were dreaming of living in Soviet Union, I can only say one thing - please mind, this is a very very dangerous idea as you should now rather become aware of that you have been brainwashed by Russia's imperialism, who has been running a very sophisticated propaganda machine for almost a century long.. and if you still think, here can be "multiple perspectives", I also would recommend to apply for residency in Russia, could be an interesting and useful experience... But also coming to Poland or Baltic countries may 'heal'... it's quite an adrenaline living here in these difficult times, following the news on Ukrianan Telegram every day hour by hour, while reading Western intellectuals' messages full of unnecessary tolerance and critic, or utopian pacifism promotion. Best, Rasa On 18/07/2022 00:26, xname wrote: Hello Ryszard, Thanks for your email, and for sharing your view and experience. I'd clarify here: my childhood desire was towards the unknown, that which was not described, as no one was telling us what was really going on in Russia, all we had was the fake American dream (which included the commodification of female bodies) and literature from the past. I am also aware that I was very lucky and privileged growing up in a house full of any sorts of books, also having access to many libraries. My anecdote was in response to Rasa, to highlight that there are multiple perspectives and modalities for cultural appropriation (and rejection). I am not disputing what was better or worse, or whose childhood was happier. The idea was to acknowledge that also in the West some had a curiosity or a wish that that which was not the status quo could be better than the real they had to experience. And I am not at all saying that being under Russian influence is in any way a good thing, I am simply saying that the game at stake is a power game, it is unfortunately not about anyone's freedom, or better interest, but profit. I am sorry if my email was unclear and you had the impression I was trying to decide where to move to, it couldn't be further away from what I was trying to express. Best wishes Eleonora X, PhD. On 2022-07-17 21:47, Ryszard Kluszczyński wrote: Dear Eleonora, let me quote you: "During my childhood, in Milan in the 80s, I had an opposite experience than yours: my country had been culturally colonised by the US (cinema TV clothing etc), and they did think they were better. Most people did not notice at all they were colonised, because they had been brainwashed. As I happened to dislike American cinema and Disney's total animation, but I did read a lot of Italian and French and Russian literature and philosophy, I must say it did happen to me during my childhood to wish I was in the Soviet Union instead, hoping that that would be a better alternative from the dumb hypnotic imperialism that had subsumed my contemporaries." During my childhood in Poland in the 60s, I was not so happy as you in the 80s. You could have decided what to read. The Soviet-Russian censorships deprived me of such possibilities. You were happy to avoid the experioence what it really means to live in the colonised country, colonised society. But it doesn't mean you should not try to imagine and understand what it is really. Anyway you can try to realise your desire from your childhood. You can move to Russia to become the resident. But resident not just visitor. I understand if you don't decide to do it. A French famous film actor who did it once (to avoid paying taxes in France) is already back as I heard. Good luck whatever you decide to do Ryszard .. Prof. Ryszard W. Kluszczynski, PhD. Chair of Department of New Media and Digital Culture University of Lodz 171/173 Pomorska Street 90-236 Lodz Poland tel +426655133 On 17 Jul 2022, at 18:00, xname wrote: During my childhood, in Milan in the 80s, I had an opposite experience than yours: my country had been culturally colonised by the US (cinema TV clothing etc), and they did think they were better. Most people did not notice at all they were colonised, because they had been brainwashed. As I happened to dislike American cinema and Disney's total animation, but I did read a lot of Italian and French and Russian literature and philosophy, I must say it did happen to me during my childhood to wish I was in the Soviet Union instead, hoping that that would be a better alternative from the dumb hypnotic imperialism that had subsumed my contemporaries. -- phantasmata and illusions @oracle666 http://xname.cc -- phantasmata and illusions @oracle666 http://xname.cc__ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
Re: [spectre] Dispatches from Ukraine: Tactical Media Reflflections and Responses
Hello Ryszard, Thanks for your email, and for sharing your view and experience. I'd clarify here: my childhood desire was towards the unknown, that which was not described, as no one was telling us what was really going on in Russia, all we had was the fake American dream (which included the commodification of female bodies) and literature from the past. I am also aware that I was very lucky and privileged growing up in a house full of any sorts of books, also having access to many libraries. My anecdote was in response to Rasa, to highlight that there are multiple perspectives and modalities for cultural appropriation (and rejection). I am not disputing what was better or worse, or whose childhood was happier. The idea was to acknowledge that also in the West some had a curiosity or a wish that that which was not the status quo could be better than the real they had to experience. And I am not at all saying that being under Russian influence is in any way a good thing, I am simply saying that the game at stake is a power game, it is unfortunately not about anyone's freedom, or better interest, but profit. I am sorry if my email was unclear and you had the impression I was trying to decide where to move to, it couldn't be further away from what I was trying to express. Best wishes Eleonora X, PhD. On 2022-07-17 21:47, Ryszard Kluszczyński wrote: Dear Eleonora, let me quote you: "During my childhood, in Milan in the 80s, I had an opposite experience than yours: my country had been culturally colonised by the US (cinema TV clothing etc), and they did think they were better. Most people did not notice at all they were colonised, because they had been brainwashed. As I happened to dislike American cinema and Disney's total animation, but I did read a lot of Italian and French and Russian literature and philosophy, I must say it did happen to me during my childhood to wish I was in the Soviet Union instead, hoping that that would be a better alternative from the dumb hypnotic imperialism that had subsumed my contemporaries." During my childhood in Poland in the 60s, I was not so happy as you in the 80s. You could have decided what to read. The Soviet-Russian censorships deprived me of such possibilities. You were happy to avoid the experioence what it really means to live in the colonised country, colonised society. But it doesn't mean you should not try to imagine and understand what it is really. Anyway you can try to realise your desire from your childhood. You can move to Russia to become the resident. But resident not just visitor. I understand if you don't decide to do it. A French famous film actor who did it once (to avoid paying taxes in France) is already back as I heard. Good luck whatever you decide to do Ryszard .. Prof. Ryszard W. Kluszczynski, PhD. Chair of Department of New Media and Digital Culture University of Lodz 171/173 Pomorska Street 90-236 Lodz Poland tel +426655133 On 17 Jul 2022, at 18:00, xname wrote: During my childhood, in Milan in the 80s, I had an opposite experience than yours: my country had been culturally colonised by the US (cinema TV clothing etc), and they did think they were better. Most people did not notice at all they were colonised, because they had been brainwashed. As I happened to dislike American cinema and Disney's total animation, but I did read a lot of Italian and French and Russian literature and philosophy, I must say it did happen to me during my childhood to wish I was in the Soviet Union instead, hoping that that would be a better alternative from the dumb hypnotic imperialism that had subsumed my contemporaries. -- phantasmata and illusions @oracle666 http://xname.cc__ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
Re: [spectre] Dispatches from Ukraine: Tactical Media Reflflections and Responses
Dear Rasa, Thanks for sharing, and I send you all blessings from London. The way I read Heats' questions is different, as imho it is always good to know who is funding a project and whether those involved as somewhat "objects" of the publication have the tools (ie can read the story) to participate in the discussion. It is also fair to remember that the Netherlands has a certain reputation of having journalists thrilled to get involved and enunciate sentences about "other people's wars" (possibly moved by the kick in adrenaline to temporarily forget their lingering depressive boredom, eventually stemming from a Ritalin infused society...). This isn't obviously about Geert but the general tendency of a small privileged society who gives itself credits to comment on other people's non privileged societies from shiny institutes with ergonomic chairs and fast bandwidth, eventually staring at the ducks swimming through large windows facing the canal. But this is also a partial story infected of stereotypes. Because the discussion is of course much more complex. Every time there is a war, there is someone, some "parts", that are making money because of the world. Big money. There is also another reality: the function of weapons is to kill and make war. If you add weapons to the table, you'll increase the "phase space" of a war. By no means increasing weapons diminishes war. Such weapons have also another function, that of making a few rich. It is numerical. These are simple facts, not judgment, not theory. During my childhood, in Milan in the 80s, I had an opposite experience than yours: my country had been culturally colonised by the US (cinema TV clothing etc), and they did think they were better. Most people did not notice at all they were colonised, because they had been brainwashed. As I happened to dislike American cinema and Disney's total animation, but I did read a lot of Italian and French and Russian literature and philosophy, I must say it did happen to me during my childhood to wish I was in the Soviet Union instead, hoping that that would be a better alternative from the dumb hypnotic imperialism that had subsumed my contemporaries. Saying that Biden and the United States are worried about "freedom" and the freedom of Ukraine, makes me grimly grin. First of all, the US has done the same several times, for example when it invaded Afganistan. Where they fighting for peace? Secondly, NATO's incessant expansion was clearly tilting any possible balance, or that which was left and gave stability during the cold war, the binomial function that divided the world but somehow also kept it together. And you know what happens when you have a dickhead on the one hand, and another dickhead on the other: things suddenly crack! Especially if these two dickheads who are toying with the future of the world basically don't care about the future at all because they are old and they shall retire rather than approach international politics without any logic or fear because there is nothing better than a great big final collective showdown, rather than a slow lonely end in the countryside. But there is more: as much as making more weapons is not obviously going to stop the war, there is also a linguistic issue at play, or better a semiotic one. This war has reintroduced the cult for words such as courage, nation, heroism, all masculine virtues connected to patriotism. But, personally, I don't believe in national identity, I don't want borders, I don't care about patriotism, I despise it. And maybe there are some women in Ukraine who think so too. But ultimately it is all very sad and I don't have any answers, I am just as confused by the many viewpoints, and of course it is great that the Dutch are using some of their funding to make a well designed English publication in homage to the people who are dying - and perhaps they are also trying to make some theory about what's happening, but I did wonder where the money was coming from too as sometimes oppressors (or weapons producers) hire and finance their own opposition, that happens all the time, so instead of having someone against them, the opponents become their employees, it's a brilliant strategy wildly used in the UK too to make things appear as if they had a broad critical spectrum, as if there was freedom of speech. So, if I was Geert, I'd have just shared the info immediately rather than reacting in a defensive tone. In the end, I don't speak Russian, altho I did try to study it when I was in primary school, and it took a long time to find a book as there was no manual, no books, no recordings, nothing. But I did learn the alphabet and the first word I looked up, which stayed with me forever, was мир -/mir/, PEACE. My 2 cents Eleonora PS Paolo Fabbri, my professor of semiotics, used to say that 'peace' is an active process, which requires more energy and force because it has to b
Re: [spectre] Dispatches from Ukraine: Tactical Media Reflflections and Responses
Very good questions!! Sent from the street http://xname.cc Original message From: heath bunting Date: Fri, 15 Jul 2022, 3:21 pmTo: Geert Lovink Cc: spectre Subject: Re: [spectre] Dispatches from Ukraine: Tactical Media Reflflections and Responsesgeertwho are the funders of this project (any non-aligned countries) ?are ukrainian citizens (not 'shocked' but liberated) from the donbas region including in this project ?is this publication available to russian speaking ukrainian citizens oris the russian language banned in his publication as-well as in ukraine ?regardsheathOn Fri, 15 Jul 2022, Geert Lovink wrote:> > Theory on Demand #44> Dispatches from Ukraine:> Tactical Media Reflections and Responses> > edited by Maria van der Togt and 1 &23%#719> > This publication marks the first results of the Tactical Media Room Ukraine project, launched in> February 2022 in Amsterdam after the shocking Russian full-scale invasion of Ukraine. Tactical Media> Room is a network of activists, journalists, scholars, and artists linked by the exchange of ideas> and practices—all aimed at supporting Ukrainian media and confronting Russian state propaganda.> Together, the network of experts initiated a screening and a series of meetings that took place> mainly in Amsterdam. Based on these meetings, Dispatches from Ukraine: Tactical Media Reflections and> Responses showcases initiatives, critique, and essays that provide insights into the ways information> circulates in time of war.> > This edition also aims at overcoming the Eurocentric approach through inviting Ukrainian journalists,> artists, and thinkers to share their observations and personal experience of living through war in> the digital age. It allows the collected reflections to be grounded and situated within the certain> context of Ukrainian, Belarusian and Russian long-lasting conflicts. While on the one hand,> perspectives on info-war and the array of urgents matters at a distance are presented, on the other> hand, this publication also focuses on what is missing from outside of the war-zones.> > Contributors> Elmaz Asan, Franco ‘Bifo’ Berardi, Andrii Dostliev, Lia Dostlieva, Olexii Kuchanskyi, Karyna Lazaruk,> Geert Lovink, Lera Malchenko, Svitlana Matviyenko, Maria Plichta, Ellen Rutten, Sander Steffann, Marc> Tuters, Michał ‘rysiek’ Woźniak.> > Printed on Demand ISBN: 978-94-92302-86-1> > Contact> > Institute of Network Cultures> Email: i...@networkcultures.org> Web: http://www.networkcultures.org> > Order a copy or download this publication free of charge at http://networkcultures.org/publications.> > This publication is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0> International.> > Order a print copy HERE> Download the .pdf HERE> > > > >__SPECTRE list for media culture in Deep EuropeInfo, archive and help:http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre__ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] BOOK OUT \0/ Il Segno Audiovisivo. Cinema d'animazione e nuovi linguaggi
Dear all,
I am very happy to announce that my first book, "Il Segno Audiovisivo.
Cinema d'animazione e nuovi linguaggi" ("The audiovisual sign. Animated
film and new languages"), is OUT now:
https://www.meltemieditore.it/catalogo/il-segno-audiovisivo/
The book is available in all Italian bookshops and online. I have a few
copies at hand so if you are in UK contact me for prompt delivery.
And yes, it is in Italian only for now
Yours,
Eleonora
__
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[spectre] REBUS at Guthman Musical Instrument Award
Dear all, (apologies for X posting) I am happy to share that my musical instrument REBUS has been selected as semifinalist for the Guthman Musical Instrument Award. More about the instrument: http://xname.cc/rebus As one of the finalists will be selected by the public, if you like the project it would be great if you could cast your vote here: https://guthman.gatech.edu/semifinalist-gallery-2022 Voting closes on December 7th!!! Thank you, Eleonora __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] Nebularosa 02 - Electromagnetic Interactions - 27 June 2020
Dear all, I am very happy to invite you to an event where REBUS, the musical instrument and interactive system I have developed during my PhD, will be played live for the first time. The program includes Eleonora Oreggia aka xname on Rebus, Marta Zapparoli improvising with a range of antennas and Dorit Chrysler, theremin player and founder of the New York Theremin Society, with a special production for this event. The evening will start with a conversation between the three artists moderated by Emily Bick from The Wire. REBUS is a digital compositional tool and interactive system with extensive potential applications in electronic music, media art, dance, theatre and performance. It radically innovates the 100 years old Theremin technique, generating an electromagnetic field that forms an immaterial interface which can be manipulated by the hands and the human body. REBUS is the result of 7 years of intense study in Computer Science and Electronic Engineering at Queen Mary University of London. Hardware and software are designed by yours truly xname. The software runs on BELA (bela.io), all sounds are programmed in C++. The event is organised by IKLECTIK ARt Lab and Nebularosa Records with kind support from Arts Council England, Centre for Public Engagement QMUL and UK Research and Innovation. Date: Saturday 27 June – Conversation 20:00 – 20:30 | Online concert 20:30 – 22:00 Venue: IKLECTIK YouTube Channel, Facebook Page and Twitch channel http://nebularosa.net/nebularosa02/ https://www.facebook.com/events/784980972038575/ I would be very pleased if you would like to join me in this strangely remote and anyway contactless event. Email me privately if you wish to receive a GUEST PASS allowing internal access to the Zoom talk. The entire event will be streamed live: https://www.youtube.com/watch?v=3B45nYPfD5g&feature=youtu.be BOOM \0/ yours, xname -- phantasmata and illusions @oracle666 http://xname.cc __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] Make Music with Lights :: workshop and performance in Berlin
Hello, there are a couple of places still available for this workshop starting tomorrow in Berlin http://spektrumberlin.de/events/detail/make-music-with-lights.html Participation to the workshop includes entrance to the evening program at SPEKTRUM: http://spektrumberlin.de/events/detail/scope-presents-h-schramm-n-wiese-patrick-kh-a-karaoulanis-xname-376.html where I will perform some psychedelic noise and melodic broken techno. Unique opportunity for those in Berlin yours xname __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] nebularosa records || nebulullaby compilation
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Hello everybody, I am very happy to announce Nebularosa Records, a new London-based record label publishing experimental noise, techno, industrial and algorithmic electronic music that challenges the established modes of music production, releasing music in viny and digital download. http://nebularosa.net/ Debut album: http://nebularosa.net/nebulullaby/ a compilation of electronic lullabies Press release: http://nebularosa.net/press_release_nebulullaby.pdf Pre-order: https://nebularosa.bandcamp.com Launch party: http://nebularosa.net/nebularosa01/ Please join us on 23rd April 2016 at Apiary Studios from 4pm to 2am. Kids free+1! Yours, xname Supported by Arts Council England, Centre for Public Engagement at Queen Mary University of London, Centre for Cultural Studies at Goldsmiths University of London, Atau Tanaka and MetaGesture Music, European Research Council. -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.10 (GNU/Linux) iEYEARECAAYFAlcPetEACgkQNvasaG3ULUzqhACeNj8nsRTGZOiHD1WCzROrESw3 2+sAoK030O6ug22uXjOoglWF6aZNvmo3 =u1uy -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] ascribe.io resembles project Virtual Entity
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Dear all, this email is to let everyone know that one of my software projects, Virtual Entity, initiated at the end of 2007, and fairly widespread on the Internet and presented at festivals, tech events, Institutes and Universities, has been barely reproduced by a startup called: http://ascribe.io which pretends to have invented the NEW thing in archiving, metadata and licensing. The system technically works pretty much the same and the logic behind it is identical, but, whereas I made a poetic art project, they are making a busyness. Mine was a working prototype, whereas they have built a huge database. http://virtualentity.org I've contacted the founders who just acknowledged the similarities between the two projects and offered me to write a blog post on their site. They affirm they were not aware of the project, which in my opinion doesn't matter (although, to be honest, on a second look, is quite hard to believe). In fact, before declaring you have invented something, you should make your research. In any case, we don't think a blog post is enough to declare the origin of the idea and we are currently investigating more exciting options towards a fruitful collaboration with Ascribe. Funnily enough, the whole project constructs a narrative where the inventor is a CREATOR rather than a owner, so it is interesting that this is happening right now. Cheers, xname -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.10 (GNU/Linux) iEYEARECAAYFAlYAA10ACgkQNvasaG3ULUy8CwCg2URkT2wH/qz2uOF3pM8aX4gr nL4An3icqgsWSKHts7Ajc4ZaKS802TM8 =5oRL -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] Agostino Di Scipio – Public Lecture - 23 Febrary 2015
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 sorry for >< posting :: feel free to >> thank you - --- Dear All, As part of my PhD research I have invited Agostino Di Scipio to present his amazing work at Queen Mary University of London. This is a free and open event, all welcome!! Timezone: 23 February 2015 h 18:00 Queen Mary University of London Arts One Lecture Theatre Mile End Campus E1 4NS London Event page: http://xname.cc/emsensing/agostino-di-scipio-lecture/ RSVP: http://agostino-di-scipio-lecture.eventbrite.com Flyer: http://xname.cc/flyers/discipio_flyer.jpg ::: The place of computing in situated sonic interactions of performers, machines, and environment ::: In this presentation I address the place and meaning of computing resources in the context of the hybrid technological infrastructures necessary in sound-making practices, and the surrounding physical space where such practices take place. I illustrate examples from personal experience with sound installation and performance works based where the structural coupling is elaborated between the room acoustics and the technical equipment (including pro- and consumer-level electroacoustic transducers, and mechanical resonators). While the approach may fit well in a broader scenario of artistic practices in which data from various sources in the environment are admitted as component parts of the computing process, the particular perspective I try to elaborate bears almost exclusively on sound and auditory perception. Sound is experienced as the only interface in a network of situated interactions having both energetic and informational dimensions. It is suggested that, in such a context, a notion of ‘computing’ seems to materialise that can’t be reduced to ‘information processing’ (safe if we fully subscribe to an utterly reductionistic epistemology), and gets closer to a view of ‘embodied and situated cognition’ rooted in the biology of cognition and the phenomenology of the living. ::: Biographical note ::: Agostino Di Scipio (Naples, Italy, 1962) composer, sound artist, scholar. Graduated in Composition and Electronic Music from the Conservatory of L’Aquila, and studied Computer Music at CSC, University of Padova. Di Scipio explores original methods in the generation and transmission of sound, often featuring phenomena of emergence and chaotic dynamics. His works include live electronics performance (often with musical instruments, too) and installation works designed as “man-machine-environonment” networks of purely sonic interactions (e.g. the Audible Ecosystemics series, and the more recent Modes of Interference series). His output includes two stage works mixing poetry reading and electroacoustics. His music is available on various labels (RZ Edition, Chrysopeé Electronique, Wergo, Neuma, etc.). With pianist Ciro Longobardi, Di Scipio published a full-concert realization of John Cage’s Electronic Music for Piano, presented at the 2012 Venice Biennale. With saxophonist Mario Gabola, he forms the Upset duo, in the context of which he explores recycled analog circuitry (Upset, Viande Records). A recent special issue of Contemporary Music Review collects various perspectives on Di Scipio’s work. Artist-in-residence of DAAD, Berlin (2004-2005) and other international residency programs, Di Scipio served as full-time professor in Electroacoustic Composition at the Conservatory of Naples (2001-2013), and today holds the same position in L’Aquila. Edgar-Varèse-Professor at Technische Universität, Berlin (2007-2008), guest professor in various institutions in Europe and North America. In 2013, Di Scipio delivered the opening keynote speech of the Int’l Computer Music Conference (Edith Cowan University, Perth, Western Australia). His writings focus on a variety of subjects, specially including cognitive and political implications of music technologies (e.g. the volume Pensare le tecnologie del suono e della musica, Naples 2013). Di Scipio served as guest editor of the Journal of New Music Research for a special issue on Iannis Xenakis, and was the editor of various volumes including Xenakis’s Universi del suono (Milan 2003) and Michael Eldred’s Heidegger, Holderlin & John Cage (Rome 2000). http://agostinodiscipio.xoom.it/adiscipi/ This lecture is part of the ‘Artists presentations series’ organised by the students of the Media and Arts Technology programme funded by the EPSRC. Thanks to Queen Mary University of London. Students website: http://qmat.net Programme website: http://www.mat.qmul.ac.uk - --- Brought to you by _xname_ http://xname.cc -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.10 (GNU/Linux) iEYEARECAAYFAlTRJIAACgkQNvasaG3ULUx58wCfVCOc5dvnAMHuy1kiKHX5Av5v 0usAoImVWtkDaeA+CawdHtVetDHw6iKw =2YUB -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-
[spectre] REMINDER: OPEN CALL FOR LULLABIES
hello folk, we received a lot of interest and a good number of lullabies, BUT the selection is still open!!! Send your lullaby by 23 September... http://xname.cc/nebulullaby cheers xname (and nebula) On Mon, May 26, 2014 at 08:33:17PM +0200, xname wrote: > -BEGIN PGP SIGNED MESSAGE- > Hash: SHA1 > > > > with apologies for cross posting >>> <<< feel free to forward >>> >>> >>> > > > // > \\\ an interstellar cloud of dust > > > > open call for experimental noise industrial electronic techno and procedural > lullabies > > http://xname.cc/nebulullaby > > Lullabies exist since antiquity in every culture and part of the world. > Their repetition induces variations in the brain state, favouring the > transition between waking and sleep, or the oscillation in their liminal > threshold, recalling a pre-human state, that of the uninformed existential > field, the a-subjectivity (Deleuze, 1995) of the not yet human fluctuating in > the womb, where sounds are muffled and scanned by the rhythms of the hearts, > the two hearts temporarily connected into a single - almost supernatural - > body. > > Did it all explode at one time...Or, are the nebulae perpetually being form > from debris in space..? (Feynman 1999) > > NET RELEASE > October 2014 > > we encourage the use of free open source software and diy open hardware > however, any technique implementing an interesting and original process > or new extravagant musical instruments will be accepted. > > > send your track to: > neb...@xname.cc > subject: experimental lullaby > deadline: 23 September 2014 > > TITLE > DURATION > AUTHOR/S > BIO (max 50 words) > TECH (max 150 words) > FORMAT (flac/aif/wav) > LICENSE (preference *) > > > Please include source code and/or schematics where relevant. > Add max two pictures clarifying the process (ie signal flow and/or physical > connections) and, eventually, one visual art work illustrating the track. > > > * = BSD/COPYLEFT/OTHER > > Growing in size and complexity ... living things, masses of atoms, DNA, > protein ... dancing a pattern ever more intricate. Out of the cradle onto the > dry land ... here it is standing ... atoms with consciousness ... matter with > curiosity. Stands at the sea ... wonders at wondering ... a universe of atoms > ... an atom in the universe. (Feynman 1999) > > Newborns, it seems, are predisposed to noise music, specifically that of a > fuzzy, warm, and liquid timbre. It's only later that we begin to favor > harmony and melody. > (Timoty Gabriele, 2011) > > References > Deleuze. Pure Immanence. Essays on a life. 1995. > Feynman, Gottlieb, Leighton. Feynman's Tips on Physics. 1999. > Gabriele. The Science of Sleep: The Electronic Lullaby. Popmatters, 2011. > > // > \\ > > > > -BEGIN PGP SIGNATURE- > Version: GnuPG v1.4.10 (GNU/Linux) > > iEYEARECAAYFAlODiOkACgkQNvasaG3ULUzeVQCfTL2m1eHel2b4iLTsG4R2g1/M > HxgAnijLma53Ng7Zg+MjuZirb2zw1fjE > =PYhH > -END PGP SIGNATURE- > > __ > SPECTRE list for media culture in Deep Europe > Info, archive and help: > http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] OPEN CALL FOR LULLABIES
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 with apologies for cross posting >>> <<< feel free to forward >>> >>> >>> // \\\ an interstellar cloud of dust open call for experimental noise industrial electronic techno and procedural lullabies http://xname.cc/nebulullaby Lullabies exist since antiquity in every culture and part of the world. Their repetition induces variations in the brain state, favouring the transition between waking and sleep, or the oscillation in their liminal threshold, recalling a pre-human state, that of the uninformed existential field, the a-subjectivity (Deleuze, 1995) of the not yet human fluctuating in the womb, where sounds are muffled and scanned by the rhythms of the hearts, the two hearts temporarily connected into a single - almost supernatural - body. Did it all explode at one time...Or, are the nebulae perpetually being form from debris in space..? (Feynman 1999) NET RELEASE October 2014 we encourage the use of free open source software and diy open hardware however, any technique implementing an interesting and original process or new extravagant musical instruments will be accepted. send your track to: neb...@xname.cc subject: experimental lullaby deadline: 23 September 2014 TITLE DURATION AUTHOR/S BIO (max 50 words) TECH (max 150 words) FORMAT (flac/aif/wav) LICENSE (preference *) Please include source code and/or schematics where relevant. Add max two pictures clarifying the process (ie signal flow and/or physical connections) and, eventually, one visual art work illustrating the track. * = BSD/COPYLEFT/OTHER Growing in size and complexity ... living things, masses of atoms, DNA, protein ... dancing a pattern ever more intricate. Out of the cradle onto the dry land ... here it is standing ... atoms with consciousness ... matter with curiosity. Stands at the sea ... wonders at wondering ... a universe of atoms ... an atom in the universe. (Feynman 1999) Newborns, it seems, are predisposed to noise music, specifically that of a fuzzy, warm, and liquid timbre. It's only later that we begin to favor harmony and melody. (Timoty Gabriele, 2011) References Deleuze. Pure Immanence. Essays on a life. 1995. Feynman, Gottlieb, Leighton. Feynman's Tips on Physics. 1999. Gabriele. The Science of Sleep: The Electronic Lullaby. Popmatters, 2011. // \\ -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.10 (GNU/Linux) iEYEARECAAYFAlODiOkACgkQNvasaG3ULUzeVQCfTL2m1eHel2b4iLTsG4R2g1/M HxgAnijLma53Ng7Zg+MjuZirb2zw1fjE =PYhH -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] OPEN CALL FOR LULLABIES
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 with apologies for cross posting >>> <<< feel free to forward >>> >>> >>> // \\\ an interstellar cloud of dust open call for experimental noise industrial electronic techno and procedural lullabies http://xname.cc/nebulullaby Lullabies exist since antiquity in every culture and part of the world. Their repetition induces variations in the brain state, favouring the transition between waking and sleep, or the oscillation in their liminal threshold, recalling a pre-human state, that of the uninformed existential field, the a-subjectivity (Deleuze, 1995) of the not yet human fluctuating in the womb, where sounds are muffled and scanned by the rhythms of the hearts, the two hearts temporarily connected into a single - almost supernatural - body. Did it all explode at one time...Or, are the nebulae perpetually being form from debris in space..? (Feynman 1999) NET RELEASE October 2014 we encourage the use of free open source software and diy open hardware however, any technique implementing an interesting and original process or new extravagant musical instruments will be accepted. send your track to: neb...@xname.cc subject: experimental lullaby deadline: 23 September 2014 TITLE DURATION AUTHOR/S BIO (max 50 words) TECH (max 150 words) FORMAT (flac/aif/wav) LICENSE (preference *) Please include source code and/or schematics where relevant. Add max two pictures clarifying the process (ie signal flow and/or physical connections) and, eventually, one visual art work illustrating the track. * = BSD/COPYLEFT/OTHER Growing in size and complexity ... living things, masses of atoms, DNA, protein ... dancing a pattern ever more intricate. Out of the cradle onto the dry land ... here it is standing ... atoms with consciousness ... matter with curiosity. Stands at the sea ... wonders at wondering ... a universe of atoms ... an atom in the universe. (Feynman 1999) Newborns, it seems, are predisposed to noise music, specifically that of a fuzzy, warm, and liquid timbre. It's only later that we begin to favor harmony and melody. (Timoty Gabriele, 2011) References Deleuze. Pure Immanence. Essays on a life. 1995. Feynman, Gottlieb, Leighton. Feynman's Tips on Physics. 1999. Gabriele. The Science of Sleep: The Electronic Lullaby. Popmatters, 2011. // \\ -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.10 (GNU/Linux) iEYEARECAAYFAlODihUACgkQNvasaG3ULUx0LgCg8WnkZTsTgzD9aBFLO7AySkNC 8SwAoKsd0Ktn2YtQV8pDKVHUpdGlkGo5 =l0Xw -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] dusty mariee live stream :: sick lincoln performance tonight
Hello, I would like to attract your attention to my new Net art piece 'Dusty Mariee', commissioned as part of the Barbican Centre's Dancing Around Duchamp season, and invite you to join the private view happening tonight in the Net and in my house, a flat in the iconic Balfron Tower in London. ::Where/When:: Live streaming from May 14 to June 9 (take it as a durational performance) ::Private view:: May 23rd H 18 - 21 Featuring: Site specific performance by Sick Lincoln live coded sound processing algorithms on the Large Glass http://sicklincoln.com/ The film 'Who is La Mariee?' London, and its noise ::How:: Play from the browser here: http://xname.cc/dusty_mariee (Firefox and Chrome should work in all platforms) Point player (videolan, mplayer) to URL: http://xname.tv:8000/dysty_mariee.ogg ::Interact:: Talk to me: irc.freenode.net #dusty_mariee Come and join us in the Net! Yours, xname http://xname.cc/dusty_mariee http://blog.barbican.org.uk/post/50996598487/digital-duchamp-dusty-mariee This event is supported by Queen Mary University of London -- Dusty Mariee is a live, continuous, audio-video stream broadcasted to the Internet from my apartment on the 19th floor of the Balfron Tower, the iconic example of brutalist architecture designed by Erno Goldfinger in 1963. The stream represents the large glass that separates my personal space from the external world, that is to say: private and public life. The camera focuses on the dust stratifying on the surface of the glass, while London and the artist inhabiting the flat appear as projections, phantom shadows over the much more stable, yet ever-changing, image of the dust, representing time and matter. Contact microphones on the surface of the window transform the glass into a very powerful long distance zoom: at random, the construction captures and reproduces the sounds that the city of London emits through the Net, transforming the glass into a gigantic microphone, producing a 'sounding' of both audible and visible multi-scalar dimensions of an environment. But who, or what, is La mariee? -- Dusty Mariee uses a Large Glass, a contact microphone, a Gumstix, a Linux Kernel, a Debian server, Icecast, Gstreamer, Ogg/Theora, Git, Javascript, the Balfron tower, a mixer, and some derelict electronics. Thanks to Antonios Galanopoulos for technical support. __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] NEM - Networked and Electronic Media
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 hello spectres, sorry for >< this email is to attract your attention to the 'call for art' of NEM Summit: http://nem-summit.eu/art-contest/ if you think you would like to influence, contaminate or even subvert with your art and vision the 'fast paced evolution of the networked and electronic media industry' (!!) - or should you simply wish to show something incisive outside of the usual new media art circles, then this call may be for you. http://nem-summit.eu/2012/07/31/nemart-contest-2012-submit-your-artwork/ confused? drop me a line off-list, i will answer eventually. may the Net be with you, best, Xname -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.10 (GNU/Linux) iEYEARECAAYFAlAacWMACgkQNvasaG3ULUwEtQCdE1eRCJf3VlflBDdr1BU30j4m +foAn285O6g2gLe9VQusmK1krc5FeXS/ =KNtj -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] SuperCollider Symposium 2012
Bovermann • Simon Katan • Yorgos
Diapoulis • Scott Nobles
Tuesday to Thursday (April 17th — April 19th), 12 noon to 6pm
Private view (for sc2012 ticket holders and guests) Monday April 16th
...:..:...
This event was funded by Queen Mary University of London and The PRS Foundation
for New Music
Thanks to all the people who made this possible:
http://www.sc2012.org.uk/credits/
### May the algorithm be with you!
###
{
((you cannot miss it)
...!!!)
_0^0_
}.xname
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WUAAoL/8TMBh+zxStGde55A7Qn9z3brU
=xQac
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__
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[spectre] Virtual Entity goes HTTP
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 sorry for X - -- Hello, I am very happy to announce that in the context of the UK launch of REFF book Virtual Entity will be displayed for the first time as an installation at Furtherfield Gallery in London. http://www.furtherfield.org/exhibitions/reff-remix-world-reinvent-reality Virtual Entity Tryptic featuring Virtual Entity Alpha: - - url support - - mac install - - web application - - realtime fluxus visualisation Furtherfield Gallery (formerly HTTP) Unit A2 Arena Design Centre, 71, Ashfield Road, London N4 1NY Private View from 6.30 Friday 25th February 2011 Exhibition Open 12-5pm Thurs- Sat (or by appointment), 25th February - 26th March 2011 The Net will never be the same! http://virtualentity.org Best, xname -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.9 (GNU/Linux) iEYEARECAAYFAk1m/bMACgkQNvasaG3ULUwGeQCgwg2QYznfHFK4lYd/478sdKsw VPEAoMtyLx/b+Ji37uDs0tyvMC0YZAVl =0Ula -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] REFF - The reinvention of the real through critical practices of remix, mash-up, re-contextualization, reenactment
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Dear Spectres, please find below the press release of this book just published in Italy by Derive Approdi <http://deriveapprodi.org/estesa.php?id=411> under the title "REFF. La reinvenzione del reale attraverso pratiche critiche di remix, mashup, ricontestualizzazione, reenactment." English version upcoming *hopefully* soon :) Best, xname - - sorry for cross posting - REFF The reinvention of the real through critical practices of remix, mash-up, re-contextualization, reenactment Foreword by: Bruce Sterling This book chronicles the intense experience of REFF, the RomaEuropa FakeFactory, told through the contributions and works of the wide network of artists, intellectuals, journalists, teachers, lawyers and activists who participated. The fake competition RomaEuropa FakeFactory (www.romaeuropa.org) was an act of artivism, in favor of free culture and non-proprietary rights for authors. This network confronted the themes of art and hacking, political activism and technology, copyright and intellectual property and extended to access, cultural politics, crowdsourcing, open source models, peer-to-peer economic governance and the reinvention of the real. The story begins with the section “VOICES”: a collection of more than 30 theoretical works on the themes of Free Culture, remixing as creative practice, the re-contextualization of urban spaces and knowledge sharing from international scholars such as Richard Barbrook, Andy Cameron, Stephen Kovats, The Yes Men, 0100101110101101.ORG, Jasmina Tešanović, Massimo Canevacci Ribeiro, Antonio Caronia. A catalog of the works presented by 32 artists, writers, designers, hackers and architects from all over the world follows in the section entitled “VISIONS”. These contributions give a voice to the unexplored scenarios of contemporary reality representing the worlds of innovation, appropriation and a continuous artistic and political reinvention bringing to light examples of new production models based on freely available contents, knowledge, connections and the possibility of reproducing, remixing and arranging contents, forms and objects; new technological practices, new forms social interaction; new opportunities for building unedited, self-determined imaginaries. The REFF experiment is more than its content, designing a new possibility for publishing: the book comes fully integrated with a digital dimension through the use of Augmented Reality in the form of QRCodes and Fiducial Markers. These devices transform the experience of reading, enhancing it with an interactive dimension through the REFF network and global social networks, in a way that is completely uncensored. The software is deposited on paper as hypertext, making it clickable, expandable, commentable and reactive, opening a virtually unlimited space for comparison between authors and readers on issues and debates on the book, dissolving the traditional boundaries that separate them. This book develops a new prototype of infinite potential for the intersection between digital and paper dimensions and, thanks to a special application, is available on the web or via smartphone: it is ubiquitous and cross-media publishing, a new way to "write on the world". The REFF project aims to advance the experience of similar publications by offering an Open Source tool – thanks to a publishing platform created by FakePress and used for the first time in the making of the REFF book – this tool is freely available to anyone looking to create their own cross-media publications. REFF is an artistic, cultural, political example act. A truly Augmented Reality. A multi-strata object that entices to be discovered, read and used with more “sense” up to the performative one, beyond the e-book. Copyright This book is licensed under the Creative Commons Attribution-NonCommercial ShareAlike 2.5 Italy. Info www.romaeuropa.org – www.fakepress.it - www.deriveapprodi.org/estesa.php?id=411 AUTHORS, ARTISTS & CURATORS (in alphabetical order) "VOICES" Richard Barbrook, Tatiana Bazzichelli, Germana Berlantini, Mike Bonanno, Loretta Borrelli, Andy Cameron, Massimo Canevacci, Francesca Canu, Carlo Cappa, Antonio Caronia, Dario Carrera, Stefano Coletto, Fiorello Cortiana, Umberto Croppi, Marco Fagotti, Marc Garret, Alex Giordano, Maria Hellström Reimer e Milica Lapčević, Lorenzo Imbesi, Stephen Kovats, Simona Lodi, Francesco "Warbear" Macarone Palmieri, Federico Monaco, Movimento ScambioEtico, Andrea Natella, Eleonora Oreggia aka xname, Luigi Pagliarini, Federico Ruberti, Marco Scialdone, Guido Scorza, Valentina Tanni, Jasmina Tešanović, Cristina Trivellin e Martina Coletti "VISIONS" 0100101110101101.ORG, Antoni Abad, Alterazioni Video, Apparati Effimeri, David Benqué, Jens Brand, Alex Dragulescu, Amy Francescini (Future Farmers), Flyer Communi
[spectre] The permanence of knowledge
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Hello spectros, I am happy to paste here a link to an article I wrote last year, whose translation to English I just reviewed. http://xname.cc/text/the_permanence_of_knowledge.txt This is an interview to Edoardo De Carli, my teacher of Italian and English at the high school in Milan. When we wrote together this text, the topic was not as trendy as it is now, still important to us. De Carli, nicknamed 'dec' or 'edc', was well known in our school for coming to the examitions wearing sun glasses, so we could not know where he was looking and at what... For the first 30 minutes we were not allowed to open the dictionary, and the latin text would start making sense by itself. Over the last ten years we met only in cyberspace. Quote: "Reform or reforms? Apparently, each new government brings in reforms with the result that the long-term investment becomes more uncertain, fragmentary, precarious. Moreover, school's adaptation to the situation became a coward attempt to survive, a 'do it yourself' management disguised as school autonomy. The aspects of the reform that have caused more disorder have been precisely school autonomy (at the end the different cycles give results that diverse you cannot guarantee any cohering quality level), and the abolition of the "September exams" (students not proficient in maximum three subjects could be re-examined on September and either pass or repeat the year). That was the cherry on the cake: students definitely turned into customers, and the idea that it is the shop that should provide the product one is looking for was confirmed. The sense of responsibility of the human being forging his destiny with his own hands was lost." This text was originally published in Italian on Digicult.it English translation by Chiara Resmini (reviewed by the author). Italian here: http://xname.cc/text/la_permanenza_del_sapere.pdf About the difficulties of translating, I will write another article, eventually. This text is dedicated with gratitude to all those who I learned from. love, xname -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.1 (GNU/Linux) iD8DBQFJjKb7NvasaG3ULUwRAtTjAKCu8Z4/gnzMTP9He9I0E6i/UZFS9QCeKuTW gJdt9dyy+TUR/j3nIaQzLcA= =k07v -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
[spectre] KillerTV, Imaginary Property and HTV-the_Ijsberg present: The 33.000 Issue Launch
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 KILLER TV - HTV LAUNCH Killer TV, Imaginary Property and HTV - the Ijsberg present: The 33.000 Issue Launch Undermining the borders between text and image, between private property and public space through the design of "imaginary" advertisements and (ironically) deconstructing some of the basic conventions of a magazine, Imaginary Property is curating the 77 issue of HTV-de IJsberg, investigating new fields of image-production beyond the hard-coded notions of the commercial versus the editorial. January 31st 2009 Theatrum Anatomicum - Waag Society - Amsterdam Doors Open at 14:30 Broadcast from 15 Stream: http://killertv.nl Join us in irc: server: irc.goto10.org channels: #imp and #tm09salon Program: Presentations by Kim de Groot, Zeljko Blace , Lilia Perez, Eleonora Oreggia, Florian Schneider, Dirk Vis and guests. Presentor: Lucas Evers. Live interviews and remote connections with Alterazioni Video, Graham Harwood, Pirates of the Amazons and others. The discussion will be developed between Amsterdam, Milan, New York, Berlin, Bombai, and any other ubiquitous space. Join us on irc to ask your questions, or call imp_agency via skype. The program will be mirrored and interactively connected Critical Consumer Practice at Transmediale. http://www.transmediale.de/en/critical-consumer-practice-2-event/ This event is a collaboration between: HTV De IJsberg, a free bi-monthly arts paper based in Amsterdam. http://www.htvdeijsberg.nl/ killertv, a testbed, streaming laboratory and interactive television in progress, offering debate and presentations on a regular basis about digital culture and technological society. http://killertv.nl/ Imaginary Property, a new research project of the Design department at Jan van Eyck Academie in Maastricht. Imp agency is set up as a realm of experimentation at the intersections of design-theory and image-production, and a laboratory where emerging concepts and terminologies are set to a series of tests. http://imaginaryproperty.com/ Jan van Eyck Academie is an institute for research and production in the fields of fine art, design and theory, based in Maastricht in the south of The Netherlands. http://janvaneyck.nl/ Waag Society is a medialab based in Amsterdam that researching creative applications of technology for social innovation in the field of healthcare, arts & culture, education and the public domain. http://waag.org/ Transmediale, the international festival for contemporary art and digital culture in Berlin. http://transmediale.de/ -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.1 (GNU/Linux) iD8DBQFJgdnKNvasaG3ULUwRAhW4AJ48rKHIWxPB+m++44I4aO1pv1EPTACfUIDU 7k1S0AvFbRdlPiooTGwDtJI= =PXnf -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
Re: [spectre] Open call for new media art submissions
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Hello. > one question: how do you define the "Nordic new media artists" ? did you know about the 3B test? Bold, Blonde and Blue eyes... > degree of latitude? some nationalities? > or is Nordic related to media??? :D cheers, xname > > > On Tue, Nov 27, 2007 at 01:56:22PM +0200, Live Herring info wrote: > > http://www.ihminen.org/liveherring/open-call-for-submissions/ > > > > Live Herring ???08 > > The Jyv??skyl?? Art Museum > > October 29 - November 16, 2008 Jyv??skyl??, Finland > > > > All Nordic new media artists are invited to submit new media art works > > of all genres, digital prints and workshop proposals to an open new > > media art exhibition. > > > > Submission start date: October 15, 2007 > > Submission of works closing date: April 30, 2008 > > No submission or participation fee. > > > > Live Herring ???08 exhibition searches for Nordic new media art of all > > genres from net art to installation and from computer generated art to > > sound works. A list of selected work / artists will be announced on the > > Live Herring website (www.liveherring.org) at June 15, 2008. Live > > Herring is also looking for workshop proposals. > > > > Please, pass this message on! > > > > > > More info: > > http://www.ihminen.org/liveherring/open-call-for-submissions/ > > > > > > > > > > > > __ > > SPECTRE list for media culture in Deep Europe > > Info, archive and help: > > http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre > > > > __ > SPECTRE list for media culture in Deep Europe > Info, archive and help: > http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.1 (GNU/Linux) iD8DBQFHTWItNvasaG3ULUwRApvyAKCTftqfjmQ2KzDK1K8LGpuTamy99ACggg6V qHFs4lbQPtgbbIjXxxxRnY8= =XEnD -END PGP SIGNATURE- __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
