Re: Fingering in PMX (was RE: [TeX-music] fingering in MusiXTeX ?)

2002-09-08 Thread Andre Van Ryckeghem

1
In piano pieces there are rarely fingernumbers left of the notes. Even with cords, 
they are stacked
above or beneath the chord. If they are between the notes, then the music becomes less 
readable.

2
I (always) use an 8 pt (postscript)font

3
... and stacked digits (hight ref on lower digit if above the chord, ...)?

4
I understand the advantage of using the accidental method is that the fingers are 
placed
automatically. If they collide with the accidentals, are they placed then after the 
notes?

Also the o command algorithm puts the symbols nicely above the staff or above the 
notes (but not the
notes with a (shorted) stem above a staff.


But i am an amateur, i follow the ideas of the professionals

Andre

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Fingering in PMX (was RE: [TeX-music] fingering in MusiXTeX ?)

2002-09-07 Thread Don Simons

Allright, you guys have me thinking about automating all this in PMX.
(Meanwhile use \zcharnote..\ or D ).

Here are some considerations, for your comment:
1. I may be able to adapt the algorithm used for placing accidentals to work
for fingerings too. This would assume the default position is to the left of
the notehead. This can get very complicated in chords with 2nds, maybe even
with 3rds, if the digits cannot just be stacked; you need to store the
outline of each character to determine how much lateral shift is needed to
avoid collisions.
2. What font specification? Must scale with \musicsize.
3. Printed characters? single digits, 2 closely spaced digits with a tie
above them. Any others?
4. Syntax? Start out parallel to accidentals, i.e., subcommand to note name.
Can't use d, f, D, or F. The best I can think of is "G" (for guitar).  Then
one or two digits (but see item #5). Second consecutive digit always taken
as second part of printed pair, not any other interpretation of digits that
can be used in note names. So cG24 would not mean a quarter note with finger
2, it would be a note with inherited duration and a tied pair of numbers.
5. Position modifiers (with +/-") would have to come before the finger
digits, othersise +/- could be confused with something else. They would then
need a terminator ":" to signal when the finger digits start.  Should
position modifiers be relative to default position or to center of notehead,
or somewhere else? Does vertical position need any finer resolution than 1
\internote? Should there be a separate modifier to change default position
to above or below? Change of default position could either be global or
local.

--Don Simons

> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On
> Behalf Of David Raleigh Arnold
> Sent: Thursday, September 05, 2002 1:56 PM
> To: Joerg Anders
> Cc: [EMAIL PROTECTED]
> Subject: Re: [TeX-music] fingering in MusiXTeX ?
>
>
>
> On Thu, 05 Sep 2002 10:07:05 Joerg Anders wrote:
> > Hi all!
> >
> > I didn't find anything about fingering in MuxiXTeX documentation.
> > I saw an example there somebody placed numbers above the
> > staff. It is good for a single line of music. But what to do
> > in case of chords?
> >
> > Actually I'm looking for possibility to write small numbers
> > before or after the notes. This should also work for
> > chords.
> >
> > Any suggestions ?
>
> Just one.  Before good, after bad.
>
> 
> Information is not knowledge.   Belief is not truth.
> Indoctrination is not teaching.   Tradition is not evidence.
>  David Raleigh Arnold   [EMAIL PROTECTED]
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Re: [TeX-music] fingering in MusiXTeX ?

2002-09-06 Thread David Raleigh Arnold


On Thu, 05 Sep 2002 10:07:05 Joerg Anders wrote:
> Hi all!
> 
> I didn't find anything about fingering in MuxiXTeX documentation.
> I saw an example there somebody placed numbers above the
> staff. It is good for a single line of music. But what to do
> in case of chords?
> 
> Actually I'm looking for possibility to write small numbers
> before or after the notes. This should also work for
> chords.
> 
> Any suggestions ?

Just one.  Before good, after bad.


Information is not knowledge.   Belief is not truth.
Indoctrination is not teaching.   Tradition is not evidence.
 David Raleigh Arnold   [EMAIL PROTECTED]
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Re: [TeX-music] fingering in MusiXTeX ?- using the D command

2002-09-05 Thread Andre Van Ryckeghem

There are examples of piano pieces in the icking site(Chopin,Schuman, Schubert,Benoit, 
Grieg,...),
the commands are in the file mypmxdef.tex. I use them in pmx and Musixtex.

Something else: it would be nice if the D-command in pmx that start with a figure 
should have a tiny
(finger)font and that in that case the "..." are not used. This is already done in 
simular thing as
Dp Dmp .. they have the \ppff font.
Fingercommands then could be something as: D4+3-.2 ...
D"\tinyfont \t{45}" is to be done at the old way

I know, i mentioned this before, who am i to ask such things, not knowing if it is 
possible to do
it.

Andre



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Re: [TeX-music] fingering in MusiXTeX ?

2002-09-05 Thread Jean-Pierre Coulon


- Original Message -
From: "Joerg Anders" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Thursday, September 05, 2002 12:07 PM
Subject: [TeX-music] fingering in MusiXTeX ?


> Hi all!
>
> I didn't find anything about fingering in MuxiXTeX documentation.
> I saw an example there somebody placed numbers above the
> staff. It is good for a single line of music. But what to do
> in case of chords?

There are examples in my edition of CPE Bach's Versuch. For
example, p.18, there are *three* numbers for a single note. There are
also chords further on.

> Actually I'm looking for possibility to write small numbers
> before or after the notes. This should also work for
> chords.

Look at my definition of \dgta, \dgtb, etc. I wasn't happy with the
centering of \zcharnote or \ccharnote. I am sure you know how to
use \loffset and \roffset.

En hoppant que ça helpe :-)

Jean-Pierre Coulon E-mail: [EMAIL PROTECTED]
Observatoire de la Côte d'Azur
Département FRESNEL, groupe ILGA
BP 4229
06304 NICE Cedex 4

Tel (33) {0}4 92 00 31 58   Fax (33) {0}4 92 00 31 38





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Re: [TeX-music] fingering in MusiXTeX ?

2002-09-05 Thread evita . j_01

On Thu, 05 Sep 2002 12:44:14 +0200, Patrik Nyman
<[EMAIL PROTECTED]> wrote:

>In the archive you'll find a file with (among other things) macros 
>for guitar fingerings, written by Eva Jaksch. They're great.

Thanks for the compliment, but I should point out that the macros have
been radically revised (and, I hope, improved) since I posted that
package. In particular, I've added several macros for putting
fingering next to chordal notes.

The only reason I haven't yet made the file publicly available is that
I keep intending to write some proper how-to-use documentation first,
and I just can't seem to find the time to do so. However, the macros
file itself contains usage instructions that should be intelligible
enough. Anyone who wants the file is welcome to drop me a line, and
I'll send it to them privately. (Jörg, I'm assuming you want it and am
sending it without waiting for your say-so! )

Eva


Downloadable guitar edition of J.S. Bach, Lute Suite BWV 995:
http://icking-music-archive.sunsite.dk/scores/bach/bwv995/bwv995cg.pdf
--
"Your concert-goer, though he feed upon symphony as a lamb
upon milk, is no true lover if he play no instrument.
Your true lover does more than admire the muse, he sweats
a little in her service."
  --Catherine Drinker Bowen
   Friends and Fiddlers (1935)
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Re: [TeX-music] fingering in MusiXTeX ?

2002-09-05 Thread Patrik Nyman

Joerg Anders wrote:

>Hi all!
>
>I didn't find anything about fingering in MuxiXTeX documentation.
>I saw an example there somebody placed numbers above the
>staff. It is good for a single line of music. But what to do
>in case of chords?
>
>Actually I'm looking for possibility to write small numbers
>before or after the notes. This should also work for
>chords.
>
>Any suggestions ?

If you want this for guitar, download

http://icking-music-archive.sunsite.dk/scores/bach/bwv1007/bwv1007guit.zip

In the archive you'll find a file with (among other things) macros 
for guitar fingerings, written by Eva Jaksch. They're great.

/Patrik Nyman

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