Hello,
Sorry for the OT nature of this post, but I would like this to go to
somebody in the Detroit Metro-Area. I have a Juno 106 with some cosmetic
and functional problems, the synth engine is fine. Email me for more
details. I have two in my posession and it is time for this one to go.
I
Re:
Knights of the Jaguar is listed on the cover [Mixmag], and they reckon its
gonna be one of the biggest tunes of the Summer! Where the hell have they
been?
This always happens with music that truly is underground. For an example of
something else that recently has blown up is a little
On Thu, 15 Jun 2000, [EMAIL PROTECTED] wrote:
Not the same mag, but in a recent Jockey Slut, they had DB dj's (LTJ
Bukem, Jumpin' Jack Frost and some other guy) review 12's and they ripped
on 'Revenge of the Jaguar', saying it was 'trying to re-create something
that's long gone' (read
I figured that letter might wind somebody up, ah well, it just comes
down to difference's of opinion...I've always found Good Lookin' records to
be alright, but completely interchangable, and basically hip restaurant
music, something good to buy items to. This isn't a bad thing, but I just
RE:
Even some tunes that I like - Maas' Juan is the Teacher
f'rinstance, or Ian O'Brian's Mad Mike Disease - leave me wondering if
they're helping or hurting the music with their fetishistic recreation of
the sounds of Detroit c.a. 1989 or 1992. Anthony Rother is fun, but do we
really need
howdy peeps
can anyone tell me the email address of the store in perth that stocks d
techno and house? i can't even rememeber its name sorry (used to be
purveyors?) thanx
also - has anyone had any luck ordering with recordtime recently? they
don't seem to be answering email.
philip
I just ordered a copy and from what I heard it's the third part of
the Magick Kuts label. I remember someone has mentioned this label a year
ago. Besides Kranke musique ist schoen, are there any other bootleg
compilations in this similar style?
ps, shortly after this came out, clone had a
For those who are on the left coast of the US
___
Renegade Rhythms would like to present...
An Evening of Deep House with Rick Wade - Portland Oregon
Saturday July 1st, 2000
First Portland Appearance!
DJ Rick Wade - Harmonie Park,
Just picked up Rick Wade's The Harmonie Project on Viva - 4 funked up
jazzy and disco house cuts, oh yeah! Never heard of Viva - anyone have the
lowdown on this label (where? releases?) Is Rick's own label still running?
Also check the new Deep4Life by Darand Land - deep indeed - D4L never fails
On Fri, 16 Jun 2000, Batory, Jason wrote:
Just picked up Rick Wade's The Harmonie Project on Viva - 4 funked up
jazzy and disco house cuts, oh yeah! Never heard of Viva - anyone have the
lowdown on this label (where? releases?) Is Rick's own label still running?
I think Viva is a
Wow, that rhymed. Anyway, Disco D will be playing a last minute free set in
NYC this Sunday at THE ALPHABET LOUNGE (S.E. Corner of Ave. C 7th St)
Doors are at 8 pm, and the event is free.
THIS MONDAY, JUNE 19
JT BROON from SWAYZAK (Exclusive DJ Set)
(Swayzak Recordings, Medicine Label, London UK)
plus Sleaze Factor residents
Peter Anthony (Planet E/Green Galactic)
Adam Goldstone (Tiny Trendies, Nuphonic Records)
Sleaze Factor.
Weekly Mondays @ Sapphire
249 Eldridge St.
Januari 4, 1990, Hotmix crashed on earth due to major spaceship
malfunctions. In 0rder to survive on this planet the crew started importing
and distributing music from sources as in Chicago and Detroit. When these
sources dried up the organisation decided it was time to set her own
standards.
here's a question...
at what point has the music of one scene become so copied that the original
soul and unique spirit of those first pioneers become diluted with 1/2 arsed
knock-offs and misguided interpretations? simply put, how long doest take
for the bandwagon to run over the pioneers?
In a message dated 6/15/00 5:26:46 PM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
Don't forget Panic in Detroit on Buzz. Lots of stuff on Buzz.
Speaking of summing up, here are the eight
most recognized very out of print classic Detroit comps.
They are available on vinyl as well.
Anyone that wants to see a suck ass DJ and producer should definitely come
out
Wow, that rhymed. Anyway, Disco D will be playing a last minute free set
in
NYC this Sunday at THE ALPHABET LOUNGE (S.E. Corner of Ave. C 7th St)
Doors are at 8 pm, and the event is free.
Why YOU gotta go make shit racial?
Kind of like what the Beatles and the Rolling Stones did with
blues..another black American art form.
I think it's actually a racial thing
Get Your Private, Free E-mail from MSN Hotmail
In a message dated 6/13/00 12:55:28 PM Eastern Daylight Time, [EMAIL PROTECTED]
writes:
Also, can anybody recommend any currently-available Detroit
compilations? - I'm pretty familiar with some of the recent Transmat
stuff,
but want to dig deeper.
F:AMILIAR RECORDINGS PRESENTS
ยท
the F:AMILIAR RECORDINGS CD
basement blossoms
is currenty available at record time, roseville and Threads, hmtrmk (after
SAT)
jBw
is anybody receiving this, too?
what's up with that
From: [EMAIL PROTECTED] (Post Office)
To: [EMAIL PROTECTED]
Subject: NDN: Re: [313] Mixed Up in the Hague Vol. 1 - Magick Kuts
Date: Thu, 15 Jun 2000 21:21:52 -0400
Sorry. Your message could not be delivered to:
Jeff Sanford (Mailbox or
In a message dated 6/15/00 7:30:17 PM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
If Bukem namedrops old 313 records, is he just 'trying to prove he was
down'? I think he _was_ down, played those tunes when they were released,
then
went on to create his own style. Tunes like 'Demon's
In a message dated 6/16/00 12:03:29 AM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
at what point has the music of one scene become so copied that the original
soul and unique spirit of those first pioneers become diluted with 1/2 arsed
knock-offs and misguided interpretations? simply
david siska asked:
i saw on pietro's (?) playlist that there
was a CiM record called 'reference' on
deFocus. what's that label about? has
it been formally released yet?
DeFocus is about releasing high caliber
electronic listening music for people to
enjoy both emotionally and physically.
If you
Curious to see what others think (as I've noticed often
everybody seems to agree on what the best tracks are).
Let's have some comments: what are the best five UR 12s?
My picks (Must Owns):
The Final Frontier 12 (UR003)
After Sonic, which had one phenomenal track (Eye of the Storm)
and three
At 06:30 PM 6/14/00 +0930, you wrote:
Those very kind people at KMS records have made some of their back
catalogue available on mp3.com. This includes one of my all time
favourites Ahnongay... I seem to remember it used to get quite a bit of
play on dreaming daisies (for those in adelaide :)...
This isn't really that 313 related, but
Here is your music, loo what we can do with it, and, you're missing out
on it. Kind of like what the Beatles and the Rolling Stones did with
blues..another black American art form.
Actually, it was Led Zepplin and many other British bands (even Black
Also , if you haven't already. check out his release on Out-Of-The-Box
Records,
yet another fine Detroit record label :) , OOTB004 is getting more play then
ME! ;)
Nelson
Dj Nova
(Miami , FL)
In a message dated 6/15/00 10:04:01 PM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
Just
Hi!
How r u
I hope you have recovered from the Queens Birthday long weekend I know I
definatly hav'nt! Mash Potato is my brain. opps oh well you get that hey.
=;-P I wonder if the Queen know's how we celebraity her birthday?
hu? Here is an informative rable about an mad event that we are
From: [EMAIL PROTECTED]
Subject: [313] UR Vote
The next question: with Revolution For Change out of print and
Rolando's disc being more of a mix CD than a proper retrospective,
don't we all agree a UR 2CD best of the 12s sort of thing is well
warranted?
Maybe but IMO, UR tracks are always tied
the only UK producers from the pre-Warp era I really still like are
Rhythmatic who make
awesome, punchy reduced techno and to some extent MK. A Rhythmatic
retrospective CD would be cool but I can only think of about five
tracks by them so maybe not enough material.
was energy on vinyl ever
Two of my favorites are Acid-Pin-Ups-1 on JJ and Kobol Tracks Vol.1 on DJAX, i
don't see why he doesn't put out more records like these.
stephen.
Thomas Heckmann is one of the first german Techno
producer. He was one of the first Force Inc artist (as
Exit100) with guys like Alec Empire,
Did anybody hear this? Opinions?
-- crisk
._
[EMAIL PROTECTED] ._/-==\\\ _
|_.-`---^-._
Cheap quote from SPACEBALLS:
At last, we meet for the first time
In a message dated 6/16/00 1:51:48 AM, [EMAIL PROTECTED] writes:
It is kinda wierd, but it seems as though whenever black americans create
a new, amazing genre of music, whether its jazz, blues, rock, or techno-
it is often rejected by the mainstream American audience, but well
accepted by
jason:
...All LTJ's stuff just sounds the same to me, and it's not bad, but it REALLY
does seem to be just a pad and an amen break...
I take it you haven't heard his new album then? Your description couldn't be
further from the truth. Seems to me like you're basing your assumptions on
what you
Januari 4, 1990, Hotmix crashed on earth due to major spaceship
malfunctions. In 0rder to survive on this planet the crew started importing
and distributing music from sources as in Chicago and Detroit. When these
sources dried up the organisation decided it was time to set her own
standards.
-Original Message-
From: Simon Walley [EMAIL PROTECTED]
In general, fewer people (in the UK) seem to be collecting the older
Detroit
exactly,while there was a big demand for them 90-95,those rekids
were getting up to ukp30,but it seems like most ppl just lost intrest
in this kind of
FRED MCMURRY wrote:
I think it's actually a racial thing. Trance is so BIG right now because
it's non-threatening, white music...
Oh boy! It's a straight continuum to the EURO-sound that was up in the 80's.
Euro-beat, Euro-disco whatever you call it. I think it's simply THE
SOUND that
For some reason also, no one's cared to mentioned the Depth Charge 1-3 comps
on Submerge, basically detailing the history of music by UR, Acid Rain, Red
Planet, Octave One, Andre Holland etc etc
It has also some excellent unreleased tracks by all the class producers.
A_Zed
Not sure if this has been posted before?
http://www.musikundmaschine.com/
|| [CiM]
|| [EMAIL PROTECTED]
|| [EMAIL PROTECTED]
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
In a message dated 16/06/00 2:24:22 [EMAIL PROTECTED] writes:
Not enough on CD unfortunately. Acid Wash Conflict (Brother from Another
Planet on 7th City) and Planet Earth still make me all wiggly, though.
Yeah, brilliant techno record from the 7th City archives w/ some classic 303
Someone mentioned DJ Hell's X-mix. That Bernard Badie track, Can you feel
it on Night club, is it on his Mood music or on the Time reveals 12?
Underrated Chicago classic.
Anyone?
Proffit
Get Your Private, Free E-mail
In a message dated 16/06/00 11:30:21 GMT Daylight Time, [EMAIL PROTECTED]
writes:
If that is how you truly feel, then please progress to another mailing
list. You and the smart guy in the message below this one are obviously
very
angry non-americans.
I'm American, although living in
To ToToRoGrL:
I could diss you about a million things that are wrong
about your country. And you could do the same about
mine. This is about the music... no one cares where it
comes from. I don't believe things like black/white or
Yank/Limey conflicts should be discussed anymore in
todays
Nick Walsh wrote:
The American dance scene IS a helluva lot better than
that in the UK.
I don't know your experiences, but mine are rather different (although
based only on many nights clubbing in London, which I realise may not be
representative of the UK as a whole): the UK has a frequency
[EMAIL PROTECTED] wrote:
[EMAIL PROTECTED] writes:
It is kinda wierd, but it seems as though whenever black americans create
a new, amazing genre of music, whether its jazz, blues, rock, or techno-
it is often rejected by the mainstream American audience, but well
accepted by various
sometimes I just hate this list.
Anyone want to help me organize a 313 WWF-style cage match? A little
thinning of the heard might be kinda nice.
Scott
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, June 16, 2000 6:29 AM
To: 313@hyperreal.org
I know I have some works by him, but anyone have a recent catalogue?
Scott
(still play the sh*t out of my roomates' Trope records)
-Original Message-
From: stephen [mailto:[EMAIL PROTECTED]
Sent: Friday, June 16, 2000 5:40 AM
To: 313@hyperreal.org; [EMAIL PROTECTED]
Subject: Re:
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
You and the smart guy in the message below this one are obviously very
angry non-americans. as far as blues and rock goes, you need to maybe take
AMERICAN history and learn that not only was blues and ragtime and
Again from a Ron Hardy mix, this time from mix number 395. (Live 1987).
Check it from the URL:
www.biostat.wisc.edu/~rose/house/mixes12.htm
track comes in 4:40 just after Eurythmics' Sweet dreams... Amazing ghostly
kinda track, one of the few that actually makes the Roland vocoder's muddy
it's just a few t*ssers that are behind the times.
is tosser really a swear word?
what does it refer to?
i love to augment my store of expletives ...
at least i can have a more cultured foul mouth...
peace,
h*lly
So, is this why he didn't release anything for 10 years?
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=358934427
Hans
--
Hans Veneman
[EMAIL PROTECTED]
http://www.TV-99-AD.com/hans/
http://TechnoTourist.org/
In a message dated 16/06/00 6:30:28 [EMAIL PROTECTED] writes:
FYI from california, you are very bold to say that kind of shit on a
mailing
list invloving Americans. Not only does your opinion hold no value, it
also
lacks intelligence. It is your closed-mindedness that keeps the world
wow...lotta shit been goin on on this list...lot of hostility this
month...anyway...im happy to announce
FOUNDATION ONE YEAR ANNIVERSARY PARTY
June 30th @ centrofly 45 w. 21st , NEWYORKCITY
***ROBERT HOOD***live set/dj mplantdetroit
DIZ tweekin/guidancechicago
KIMYON foundationnyc
RICH B.
inextricably linked. The Frankfurt-Berlin-Detroit
Trans-Atlantic connection
ho ho... I'm not trying here to add a point to this ongoing thread, but just
curious : I still have some difficulty attaching the artists to city
scenes - Detroit I see - Berlin I see (basically I would put there
--- Gwendal Cobert [EMAIL PROTECTED] wrote:
inextricably linked. The Frankfurt-Berlin-Detroit
Trans-Atlantic connection
ho ho... I'm not trying here to add a point to this
ongoing thread, but just
curious : I still have some difficulty attaching the
artists to city
scenes - Detroit I
Could have sworn Gaetek was Italian no? Other conform artists, Advent
(UK) Qmen (Italy), Marco Carola (Italy). I think David Squillace is the
only person from Germany who has produced on this label. Actually just
confirmed Conform is Gaetek's label from Italy.
todd
[EMAIL PROTECTED]
Nick Walsh
I thought that David Squillace was Italian too.
I think David Squillace is the
only person from Germany who has produced on this label. Actually just
confirmed Conform is Gaetek's label from Italy.
todd
[EMAIL PROTECTED]
Frankfurt is/was the home to Sven Vath and the (now-closed) famous Omen
club. Wasn't Harthouse based in Frankfurt as well? Eye-Q?
Otto
PS If anyone dares to mention the t-word :) (besides, it was all
techno back then)
Panytech (sammy and Zip) and Dimbiman and Markus Nikolai from perlon Records
swing back and forth between Frankfurt and Berlin, mostly residing am main
On Fri, 16 Jun 2000 17:25:32 +0200, Ross, Jurri wrote:
How 'bout Thomas Heckmann
-Original Message-
From: Todd Smith
In a message dated 16/06/00 10:34:50 [EMAIL PROTECTED] writes:
ho ho... I'm not trying here to add a point to this ongoing thread, but just
curious : I still have some difficulty attaching the artists to city
scenes - Detroit I see - Berlin I see (basically I would put there Tresor,
Basic
MMM... that's weird then 'cause when Gaetek came to
The Orbit it said on the flyer Gaetek (Frankfurt).
How could this be?
Bubbye,
Nick(Dj Pacific:)
--- Todd Smith [EMAIL PROTECTED] wrote: Could
have sworn Gaetek was Italian no? Other
conform artists, Advent
(UK) Qmen (Italy), Marco Carola
From: Nick Walsh [EMAIL PROTECTED]
Subject: Re: [313] Frankfurt scene (was : 'Trying to recreate something
that's long gone')
MMM... that's weird then 'cause when Gaetek came to
The Orbit it said on the flyer Gaetek (Frankfurt).
How could this be?
Hmm, thats a puzzler. Especially as flyers
I could have sworn that Force Inc and it's offspring labels were from
Colonge, along with Heckmann and the rest of the crew.
- Original Message -
From: [EMAIL PROTECTED]
Sent: Saturday, June 17, 2000 1:37 AM
In a message dated 16/06/00 10:34:50 [EMAIL PROTECTED] writes:
ho ho... I'm
Don't be cheeky... I'll never buy your records again,
if you keep making comments like that:)
Nick:)
--- Simon Walley [EMAIL PROTECTED] wrote: From:
Nick Walsh [EMAIL PROTECTED]
Subject: Re: [313] Frankfurt scene (was : 'Trying
to recreate something
that's long gone')
MMM... that's weird
David Gillies wrote:
I could have sworn that Force Inc and it's offspring labels were from
Colonge, along with Heckmann and the rest of the crew.
From the Force Inc. website (www.force-inc.com):
Force Inc. Music Works
Weserstrasse 7
60329 Frankfurt
Germany
Tel ++49 (0)69 239918
Fax ++49
I'm not having that problem, the sound is not that hot, especially the main
stage sets (but there's a lot of extra noise happening,ie, ambient noise).
But my connection is pretty clear, I get congestion about every 20 min or so
but I consider that normal for 56k.
Anyways I just wanted to say
In a message dated 16/06/00 11:52:07 [EMAIL PROTECTED] writes:
I could have sworn that Force Inc and it's offspring labels were from
Colonge, along with Heckmann and the rest of the crew.
Who gave you that information?
Here's the address from force-inc.com
Force Inc. Music Works
Whoops. Otto beat me to it.
So do you know where Khan Walker are from Mr Koppius?
A_Zed
hola 313
in the sonarvillage now for dj maus - hard tech
burnt friedman next
then pole, kit c
first night at the night festival was packed and i have to give almost
all of my props to the disko b crew
artists unknown were just incredible
i have to hear more of these guys
the stores here are
greets,
On the detroit compilation thread:
I'm suprised noone has mentioned the many plus 8 compilations, blueprints for
modern techno(logy) 1,2,3 are all spectacular and the only time from our minds
to yours vol2 ever left my cd case was when my original copy was stolen (i was
also quite
Now if only I can locate the source city of that legendary duo Khan
Walker...
they're from cologne.
peter
www.bunker-records.com
The Bunker Records site has been update with rare audioclips form the
legendary 1st Bunker series
with artists such as I-F, Rude 66, Unit Moebius, Ra-X and X-Plain.
The upcoming realeases section is also updated with a full schedule of
releasedates and currently
released
Um, again, I apologize that this message focuses on rock more than techno,
so if you aren't interested, then delete.
If that is how you truly feel, then please progress to another mailing
list. You and the smart guy in the message below this one are obviously very
angry non-americans.
Yeah, all _four_ of the Depth Charge cd comps are essential, and what's
more, readily available from Submerge as far as I know. The Tresor
comps (up to 5 or 6) have consistently solid contributions from
various Detroit artists.
Make sure to grab 'Generator World Sonik Domination' Volumes One
i'm new in these parts. dustin (the sapphrite) posted the info
somewhere, and the list sounds interesting. i spin techno as well as
darker house, some trance, and electro. mostly interested in dark,
hynoptic styled stuff. ala monolake, etc.
anyway, thats it for me.
jason
In a message dated 6/16/00 7:43:14 AM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
For some reason also, no one's cared to mentioned the Depth Charge 1-3 comps
on Submerge, basically detailing the history of music by UR, Acid Rain, Red
Planet, Octave One, Andre Holland etc etc
Want
In a message dated 6/16/00 9:19:52 AM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
SID is more than worth it... The green one w/yellow lettering is by far one
of the most aggressive tracks (SID 005?) in that cat. Check it out if you
can even get near one. Last I heard, they didn't
Sorry Jim but I can't help you. But one thing is for sure that Ron Hardy was
the best DJ ever. Derrick May sets reminds me this guy.
I don't know who reads this mailing list but a tribute Cd mix should be made
similar like the Larry Levan's recent one on Weston record label. People
deserve to
That's silly ;) I actually found one of those (not autographed) when I
looked through my old baseball cards once. Wouldn't that make a great album
cover for him if he ever puts out another one? Only $1.99 at the moment.
At any rate, there's also a Derrick Mays who I think is a receiver for the
Thought i'd try posting 1 more time 'cause i'm not the only one who wants to
know:
Stacey Pullen @ DEMF (part 2)
starts at about 43 minutes in (marching drums)
thx.
80 matches
Mail list logo
