how was it?
feed my jealousy
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Hi,
Are the most up to date 313 archives found at
http://music.hyperreal.org/lists/313/ or is there another?
TIA,
John
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Hello,
Does anyone have the booking info for Claude Young?
TIA
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my delete finger be soar.
-Original Message-
From: Jayson B. [SMTP:[EMAIL PROTECTED]
Sent: Wednesday, August 15, 2001 12:49 PM
To: 313@hyperreal.org
Subject: RE: [313] ANyone know about Finalscratch (maybe OT)
and if it's dollars that techno
label people are worried
Damon Wild ?
THAT. would be nice :)
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Hi :)
blah. sounds like a prefabricated form letter to me. doesn't really
*address my concerns* whatsover.
ugh.
lauryn.
YUP. I got the SAME one.
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Hi :)
Mine's a touch different. Maybe she realized we might compare? Sounds like
a Falstaff plot! Here's my letter and the reply. BTW, I got a response from
John Jelinek (Ford Mo. Co.) and Brian McCollum from one of the papers
(can't recall which) asking permission to publish it.
Your letter
FORD COULD CARE LESS ABOUT TECHNO! THEY JUST WANT TO SELL CARS! that's the
bottom line. if they thought there was a big enough market for Midget
Transsexual Racecar Drivers they would exploit that. it's all about
appealing to a mass of people and then moving in for the kill, it has about
as much
yeah that's Thomas Brinkmann. it's on his Max Ernst label, i believe there
are quite a few of these. max ernst is the heavier(sounding) counterpart to
the Ernst label. the Ernst stuff from what i've heard is way more chill, all
of the Ernst records are named after girls. there are lots of them
IF IT AIN'T BROKE DON'T FIX IT :)
-Original Message-
From: dj revolver [SMTP:[EMAIL PROTECTED]
Sent: Friday, December 01, 2000 1:21 PM
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: [313] get ready to rock...
are you talking about the Groove Caster? or the PVT-e1,
LOLman that's ridiculous, just goes to show that some people
just don't feel comfortable until everything is in a neat little
category.
-Original Message-
From: Topping, Micah [SMTP:[EMAIL PROTECTED]
Sent: Tuesday, November 21, 2000 10:07 AM
To: '313@hyperreal.org'
YUP! that just about sums it up for me!
-Original Message-
From: [tan] [SMTP:[EMAIL PROTECTED]
Sent: Thursday, November 16, 2000 1:59 AM
To: 313
Subject: Re: [313] Focus Commercial
From: FRED MCMURRY [EMAIL PROTECTED]
I think you're right about that interpretation
judging by the positive response on this whole Ford thing over the last week
or so, i'm willing to bet that at least half, if not all, of the members of
this list work for Ford :)
-Original Message-
From: Lester Kenyatta Spence [SMTP:[EMAIL PROTECTED]
Sent: Thursday, November 16, 2000
this is becoming a lot like brave new world, soon everyone will be running
around saying for Fords sake :)
-Original Message-
From: Joe Myers [SMTP:[EMAIL PROTECTED]
Sent: Thursday, November 16, 2000 1:09 PM
To: 313 (E-mail)
Subject: Re: [313] Ford Focus
I heard the
this really erroneous piece of information?
-Original Message-
From: John Shipman [EMAIL PROTECTED]
To: 'Dennis Donohue' [EMAIL PROTECTED]; [EMAIL PROTECTED]
[EMAIL PROTECTED]; 313@hyperreal.org 313@hyperreal.org
Date: Thursday, November 09, 2000 7:58 AM
Subject: RE: [313] Mistress Barbra
hey, does anyone know when or where every dog has it's day vol.2 will be
available in the states?
yeah, it's a bit mysterious. there's a picture of the record on the opening
page of the site that got me excited. though it might be out, hope it gets
released..
-Original Message-
From: Jongsma, K.J. [SMTP:[EMAIL PROTECTED]
Sent: Friday, November 10, 2000 9:38 AM
To: 'John Shipman
i'm having a hard time swallowing this i guess, just can't really see it as
a good thing. don't get me wrong i think it's wonderful for atkins himself,
he deserves everything he gets and from what i've heard it's not a hack job
on the tune but, at the same time it's a horrible shame that the man
i agree with you, i could really care less what people who don't get it
think, they are insignificant. and i definitely don't think that having the
song in a commercial lessens the original importance' at all. the only
problem i have with the whole thing is that it's being used to sell a car.
if i
, just constantly morphs
to fight against evil
-Original Message-
From: Peter B Leidy [SMTP:[EMAIL PROTECTED]
Sent: Thursday, November 09, 2000 1:10 PM
To: John Shipman
Cc: 'Topping, Micah'; 313@hyperreal.org
Subject: RE: [313] Ford and Atkins
hear where youre
09, 2000 2:36 PM
To: John Shipman
Cc: 'Topping, Micah'; 313@hyperreal.org
Subject: RE: [313] Ford and Atkins
me in the first place. i've always thought of the people involved in the
music to be intelligent enough to circumvent this whole entire system.
who
needs them
greg, i think wider exposure good / wider exposure with ford logo bad. just
my opinion
-Original Message-
From: Greg Earle [SMTP:[EMAIL PROTECTED]
Sent: Thursday, November 09, 2000 4:24 PM
To: 313@hyperreal.org
Cc: [EMAIL PROTECTED]
Subject: [313] That Pirelli ad track
i'm quite sure this is what atkins had in mind when he originally recorded
the tune :Pman, isn't this a sign of the apocalypse? we hear at for
are really down with that new techno sound..how cutting edge, where can
i get a focus?
-Original Message-
From: keleigh casper
oooppps, that's we hear at FORD
-Original Message-
From: John Shipman [SMTP:[EMAIL PROTECTED]
Sent: Wednesday, November 08, 2000 2:54 PM
To: 'keleigh casper'; 313@hyperreal.org
Subject: RE: [313] Ford and Atkins
i'm quite sure this is what atkins had in mind when he
i think you may be referring to punish #4? it's not produced by mistress
barbra though, it's actually mike humphries and glenn wilson. hope this
helps..
-Original Message-
From: FC3 Richards [SMTP:[EMAIL PROTECTED]
Sent: Tuesday, November 07, 2000 6:16 PM
To: '313@hyperreal.org'
word to that!..1-take out record 2-put on turntable 3- dribble about
grammatically correct liner notes becomes insignificant
also, i think everybody here has the ability to grasp the point he is trying
to make even if the notes are imperfect.
-Original Message-
i'm not really too fond of it, at least compared to his earlier releases on
blueprint. these may not be available on cd, further design could have
been released on that format but i'm not positive.
-Original Message-
From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED]
Sent: Wednesday,
this one didn't really do it for me, and that's unusual because i'm into dj
slip's stuff more often than not. i'll have to give it another listen but
there must have been some reason why i passed it up.
-Original Message-
From: tech komputer [SMTP:[EMAIL PROTECTED]
Sent: Wednesday,
could be hawtin but i would be surprised if it was mills. not enough flavor
imo.
-Original Message-
From: Cyclone Wehner [SMTP:[EMAIL PROTECTED]
Sent: Tuesday, October 17, 2000 1:37 PM
To: 313 Detroit
Subject: Re: [313] User/00A... Eh?
I doubt it. Probably just someone
probably depends who your talking to. tribal' to one won't be tribal to
another. i find that lots of times the lines between the classifications of
this and that get blurred. you could definitely use both of these terms to
describe ho, outline and ruskin. personally i would just like to describe
came across a record that had worked it's way to the back of my crate
yesterday, dj bone's-subject detroit- it's the one with that black lives
track on it. needless to say i really dig this record but have yet to see
any other bone productions. are there any others?
i agree that the post below is a little over the top as far as hype is
concerned but,IMO ben sims has been releasing quality stuff for the last
three years so i wouldn't really call it a fad. i think his records are just
good groove orientated dj tools designed with quick mixing in mind, no more
: Wednesday, October 11, 2000 10:37 AM
To: John Shipman; Cyclone Wehner; 313 Detroit
Subject: Re: [313] Ben Sims
that's exactly right! tools are tools - only an artisan can create
beautiful
music with them. good art stands on it's own. it's very hard to convey the
multiple spectral
warm and
squishy:)
-Original Message-
From: debonair [SMTP:[EMAIL PROTECTED]
Sent: Wednesday, October 11, 2000 11:10 AM
To: John Shipman; Cyclone Wehner; 313 Detroit
Subject: Re: [313] Ben Sims
i believe that good sets are borne from much experience - a chef goes
this release is excellent imo. the kind of stuff just made to be heard on a
big system. love the feedback sounds at the end of that one track, make the
ears bleed:)
-Original Message-
From: Jason Birchmeier [SMTP:[EMAIL PROTECTED]
Sent: Wednesday, October 04, 2000 3:44 PM
To:
don't know why i'm thinking of this but i am so.the last time i saw
mills(limelight) he had a large size trash barrel in back of him near his
records. i could swear i saw him finishing a mix and throwing the records in
the barrel more than once. did anybody else see this? i found this quite
hey don't sugar coat it. tell the list how you really feel ;)
-Original Message-
From: Diana Potts [SMTP:[EMAIL PROTECTED]
Sent: Monday, October 02, 2000 3:31 PM
To: 313@hyperreal.org
Subject: [313] digweed
the scoop on them is...I'd rather be trapped on an airplane
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