...and we just had Richard Devine and Jeff Milligan (Algorithm) here on Friday,
and Jeff Samuel a couple weeks back.
wow, didn't know about Roy Davis Jr. Looks like I might be breaking my own
personal 'I'm never ever setting foot in Martini Blu' rule.
- jobot
- Original Message -
Dan Bell's also making an appearance here (minneapolis) on Oct 29, at the
Dinkytowner
sorry about the spam but i'm excited, i missed him at Movement this year.
- jobot
- Original Message -
From: KiDD*e* [EMAIL PROTECTED]
Date: Thursday, September 30, 2004 3:55 am
Subject: Re: (313)
speaking of 'commercial techno', I caught a different version of the
controversial Hummer advert yesterday. the visuals were identical, but some
bad alt-rock-type cut had replaced LFO's 'Freak'. perhaps GM's ad team
reasoned that most members of the 'target audience' that cut appeals to don't
I don't watch too much television, and i'm not sure as I don't know half of
those bands, but it definitely wasn't Mojave 3, Tom Jones or The Who.
in related news, if I hear Led Zeppelin in another f***ing Cadillac commercial,
i'm chucking the telly out the nearest window.
- jobot
-
'The Devil Does Drugs' off Kooler Than Jesus
- bot
- Original Message -
From: Martin Dust [EMAIL PROTECTED]
Date: Friday, September 24, 2004 4:11 am
Subject: (313) Helpster
Anyone know which Thrill Kill Kult contains the vocal and this is
what
the devil does?
Cheers
Martin
Currently rocking the office, to the dismay of my coworkers. many thanks to
LD.
I'm curious where and when this set was recorded -- I remember several of these
cuts from his Minneapolis appearance this summer.
- jobot
the Dirty Criminals is Traxx, Deecoy, and Hieroglyphic Being. i haven't heard
the new album yet,unfortunately.
Traxx is from Chicago and has indeed been hot lately; he substituted for Dabrye
at the Ghostly/Matthew Dear show in Mpls, and threw down an excellent set. his
better performances
god I hate that. i wish stores that cater towards the serious DJs/collectors
could at least supply decent headphones/needles. i keep telling myself to
bring my own headphones when i go shopping, but i usually forget. how are you
supposed to judge how a record will sound on a full-size
i'm also very excited about his Axis record. it should be a great fit for him,
since the Spectral record has a rather Mills-ish feel to it. it has a very
interesting quality to it - sounds almost surgical in precision, but like
there's a thick cloth between you and the speakers. it's one of
I contributed my old half-working Numark to some friends, who have made a
noise wall out of old/broken mixers. they basically connect everything
improperly to generate feedback, which can be at least rudimentally controlled
through EQ, fader, external effects etc. the 'crown jewel' is this
that's the standard CD-quality sampling rate. I believe you can record at
48khz with Sound Forge -- which is slightly better technially speaking, but
you'd need to convert to 44.1khz to record to CD anyway.
44.1khz should sound fine on a big system, but this is just the inherent
properties
this and the Delsin clips sound like winners.
not very familiar with black label -- well, not the record label anyway. i'm
intimately familiar with the inexpensive brew of the same name. is this the
same label the Comtron EPs were released on? anyone know where can I get hold
of a copy here
well said, J.T. I knew somebody else on the list would voice my opinion before
I got a chance.
The granularity in today's music production software such as Ableton and
Cubase, coupled with both software and outboard hardware effects and
processing, can easily alter a short sample of a song
not sure who he is, but I've got the Barf 12 inch and it's nice -- chunky,
slower glitch-house stuff in the Akufen/Soft Pink Truth vein. +2 nerd points
for having ALF on the cover.
http://www.discogs.com/release/190383
- jobot
- Original Message -
From: James Hurlbut [EMAIL
...with pre-apologies to those not from the Midwest.
Common Factor E-Tones in the First Ave mainroom this Saturday, August 27th.
$3 before 11pm \ $6 after.
if you want more info reply in private.
- j
that record wasn't bad, but I like Alex Cortex more when he keeps it 4/4 but
gets all buzzy and abstract like on the 'Phlogiston' EP. the interplay between
synth tones gets almost vocal at times.
i'm not too familiar with his backcatalogue -- anything else along those lines?
or other
I predict the Ebay selling prices for old Mark Verbos records will take a sharp
upswing. Amazing mix -- listened to it 5 or 6 times already.
- jobot
- Original Message -
From: Martin Dust [EMAIL PROTECTED]
Date: Thursday, August 19, 2004 3:10 am
Subject: (313) Not A UR mix...
mix in a lot of hipster techno and sextronica for credibility's sake.
- jobot
- Original Message -
From: Martin Dust [EMAIL PROTECTED]
Date: Thursday, August 19, 2004 11:53 am
Subject: Re: (313) Not A UR mix...
I was thinking for my next mix I may just label it Mad Mike and
Jeff
08/16/04 11:54 AMSubject: Re: RE: (313)
Techno Films
Please respond to
jbartuski
there exists a nice early-80s analog cover of the closing theme...
http://www.discogs.com/release/145810
- bot
spoiler warning: don't read this if you haven't seen the movie.
http://dir.salon.com/ent/movies/feature/2001/10/23/mulholland_drive_analysis/index.html?pn=1
- Original Message -
From: Cyclone Wehner [EMAIL PROTECTED]
Date: Monday, August 16, 2004 11:11 pm
Subject: Re: (313) TECHNO
is it just me, or does anybody else think 'Tied Up' is the worst track LFO has
ever done? it seems to be getting all this attention lately, it's on the
upcoming Warp DVD compilation I believe...
- Original Message -
From: [EMAIL PROTECTED]
Date: Tuesday, August 17, 2004 4:16 pm
check out Rotation Records, it's in former East Berlin near the giant TV tower.
www.rotation-records.de
- bot
- Original Message -
From: Christopher Davey [EMAIL PROTECTED]
Date: Sunday, August 15, 2004 8:39 am
Subject: (313) Berlin
I'm going to be in Berlin from August 20 to 30. So
there exists a nice early-80s analog cover of the closing theme...
http://www.discogs.com/release/145810
- bot
- Original Message -
From: Ken Odeluga [EMAIL PROTECTED]
Date: Monday, August 16, 2004 5:35 am
Subject: RE: (313) Techno Films
Actually, I wonder what dialogue or sound
http://slate.msn.com/id/2104755/?GT1=4529
You, too, can be a 'Freak' cruising your illegal gas-guzzling tax writeoff down
our side streets! Whoever licensed this cut to GM should be locked in a small
room and forced to listen to the *other* LFO for the remainder of eternity.
- jobot
no, not really. there's a bit added to the drum pattern, the bass is boosted a
bit and it's got a nice rough-hewn quality to it. fun to mix with the Anthony
Rother cover of same.
- bot
- Original Message -
From: Thomas D. Cox, Jr. [EMAIL PROTECTED]
Date: Thursday, August 5, 2004
more Minneapolis:
Woody McBride
Chris Sattinger (Timeblind)
The Suburbs
Soul Asylum
Milwaukee, where I'm originally from:
Violent Femmes
Doormouse
Mark Verbos
good call on Pale Saints -- I hauled 'The Comforts of Madness' out of its
hiding spot a couple weeks back.
- Original
wonder what airfare to Rotterdam is these days... :)
- Original Message -
From: kj at technotourist dot org [EMAIL PROTECTED]
Date: Friday, August 6, 2004 1:46 pm
Subject: (313) Egyptian Lover live
For all you electroheads ot there:
Another Clone party!! 07-10-04 at the Waterfront
yeah, and more record stores per capita than just about anywhere else. plus
the bootleg dj cafe. hoping to spend more than 24 hours there at some point --
Clone alone ate up about three of those hours.
- Original Message -
From: [EMAIL PROTECTED]
Date: Friday, August 6, 2004 2:16 pm
he's also James Cotton, whose recent Dancing Box album and Press Your Body ep
have semipermanently glued themselves to my turntable platters.
- jobot
- Original Message -
From: matt kane's brain [EMAIL PROTECTED]
Date: Friday, August 6, 2004 4:06 pm
Subject: Re: (313) Tomorrow -
the hostel we stayed in was only slightly better -- there was an unclean
fishy-type odor emanating from the bathroom plumbing. at least we had beds.
- j
- Original Message -
From: matt kane's brain [EMAIL PROTECTED]
Date: Friday, August 6, 2004 4:39 pm
Subject: Re: Re[2]: (313)
MEK, you *must* catch him live at some point. He opened for Squarepusher in
the Ascot a few months back and absolutely blew me away. He did an 8-minute
Kraftwerk mash-up at 140bpm that sounded better than some Ableton sets. I have
never heard a human able to accurately reproduce a beat,
I'm going against the group on this one. 'Decompression' sounds really good in
headphones at three in the morning. Not counting Yel2 I have yet to hear it on
a big system, but i'm hoping to remedy that soon.
- jobot
- Original Message -
From: Ken Odeluga [EMAIL PROTECTED]
Date:
been rather busy with boring apartment/job stuff lately, but I did stumble upon
a cache of ghetto tech (Dancemania, older Twilight 76 etc) formerly belonging
to DJ Boogie. apparently, he's selling off his collection and switching over
to gospel house.
- Original Message -
From:
Clan of Xymox - Medusa
excellent! just listened to the Stranger / A Day 12 the other night -- I
should drag Medusa out of its hiding spot.
right now i'm listening to the dan bell / cabanne / jeff samuel set from Green
Light Go and pretending to work... i don't think i'm fooling anyone.
some of my favorites as well. I agree that Pet Shop Boys hasn't held up as
well as the others, but there's a really great melancholy disco stormer called
Don Juan on the b-side of the Domino Dancing 12 that's worked its way into
some of my sets lately. I've also been selecting tracks for an
DOH -- missed the giant MIKE GRANT in the subject line slaps forehead
- Original Message -
From: Ken Odeluga [EMAIL PROTECTED]
Date: Tuesday, July 27, 2004 4:53 am
Subject: RE: (313) Mike Grant ID
A good way to find out which track this is, is to go to the
AfrosyntrixAudio shop
I really enjoyed Derek and Matthew's set that night, too.
Got to see the live-PA-with-vocals act from Mr. Dear on Saturday; it definitely
added another dimension to his live set. i enjoyed the vocals live more than
on the albums, they seemed less effected, more natural and melodic. some of
...and honestly, is what little hype there is really all bad? it's not like
the man's doing Sum 41 remixes. some of the folks I saw at Matthew Dear in
mpls this weekend don't normally go to 'techno' shows. the fact that he can
get press from outlets that don't traditionally deal with much
yes, it's quite good -- and it's also three years old.
jobot
- Original Message -
From: theREALmxyzptlk [EMAIL PROTECTED]
Date: Thursday, July 22, 2004 7:13 pm
Subject: Re: (313) anthony rother
At 08:12 PM 7/22/2004, [EMAIL PROTECTED] wrote:
IMO, Rother has been recycling the same
the a-side, kisses i think? not sure but that's the track i assumed yussel
was referring to. it is a bit over the top...
- Original Message -
From: J. T. [EMAIL PROTECTED]
Date: Thursday, July 22, 2004 7:28 pm
Subject: Re: (313) records
do you guys mean that audion track with the
yeah, Hacker was a solid release. some great moments on the Electro Commando
comp that came out on psi49 around that time, too. both are better than the
early stuff production-wise, but I don't think the tracks are as timeless as
those on sex with the machines or simulationszeitalter.
dunno, but I'm finding myself wondering how many different artists have used
the name M.I.A. -- this girl, Raphael from UR, plus there's a minimal artist
on Traum/Substatic...
- Original Message -
From: matrix313 [EMAIL PROTECTED]
Date: Friday, July 23, 2004 9:01 am
Subject: (313)
thanks -- the kid606 one is priceless :)
- Original Message -
From: Greg Earle [EMAIL PROTECTED]
Date: Friday, July 23, 2004 10:45 am
Subject: (313) OT: If record covers were honest ...
Not really 313-related, but a good chuckle to start off the day ...
a -- i knew the clip on m_nus sounded familiar... wish i would've caught
more of his set than just the last 20 minutes.
jobot
- Original Message -
From: Phonopsia [EMAIL PROTECTED]
Date: Friday, July 23, 2004 2:34 pm
Subject: Re: (313) Matthew Johnson
- Original Message
the press sheet for Linkin Park's first album claimed that Aphex Twin was one
of their primary influences.
i really hate myself for knowing that. i'm going to curl up in the corner and
cry now...
- jobot
- Original Message -
From: matt kane's brain [EMAIL PROTECTED]
Date: Friday,
i hope everybody downloads it -- if it doesn't make the labels any money,
hopefully they'll stop releasing this garbage.
- Original Message -
From: Thomas D. Cox, Jr. [EMAIL PROTECTED]
Date: Friday, July 23, 2004 5:00 pm
Subject: Re: (313) Re: new Prodigy album
-- Original
what i've picked up recently:
Matzo Pauli EP on Viewlexx -- special order; i had been looking for this for
months. This must be a repress as my copy is on plain ol' black vinyl instead
of the translucent red from the first run. :( it's still a great record -- i
love the slower, melancholy
agreed on the new Jeff Mills, and excited to catch Dabrye live this weekend.
jobot
- Original Message -
From: Jason Brunton [EMAIL PROTECTED]
Date: Thursday, July 22, 2004 8:04 am
Subject: (313) New Records
Also- New Juan Atkins on New Relgion is due on Monday (no surprise
to
you
okay, because it's the second record mentioned on that page i've got to ask --
what's up with Anthony Rother lately? seems like he disappeared for quite some
time, then resurfaced about six months ago with a whole lot of crap tracks. he
used to be one of my favorite producers. he's still
i'd like to nominate Shake's rmx of osbourne bout ready to jack on Spectral...
jobot
- Original Message -
From: [EMAIL PROTECTED]
Date: Thursday, July 22, 2004 12:46 pm
Subject: Re: (313) records
cut-of-the-year
cloose second- audion (mattt dear) on ghostly
acid acid acid
hmmm, i need to hear Warm. agreed on the rest -- his early output is
amazing.
actually the newer stuff has been released under the label Datapunk, so at
least he's not tarnishing the psi49 imprint with subpar releases. i haven't
heard the new 2LP for the same reasons you cited. i did hear
maybe, but the remixes came out this year -- and it's a better cut than Audion,
though not by much :)
can't wait to get my mitts on that new mathew jonson record.
- jobot
- Original Message -
From: [EMAIL PROTECTED]
Date: Thursday, July 22, 2004 4:30 pm
Subject: Re: (313) records
http://www.grexultra.com/movies/assign.zip -- loops from Claude Young...
unfortunately it's not actually him working the controller.
- Original Message -
From: Renegade808 [EMAIL PROTECTED]
Date: Monday, July 19, 2004 5:53 pm
Subject: Re: (313) when I grow up..
personally i
New Order - The Peel Sessions (Jun 1 '82)
jason kenjar wrote:
Ok.
If you died today and had arranged for your cremated ashes to
be
pressed into a record, which one would it be??
Drew= Final Frontier
MEK = Larry Heard Alien Lp
Me= Wave Jumper
keep em coming!!
perhaps Propaganda and Belle Sebastian should collaborate on a one-off cover
of Video Killed the Radio Star.
- Original Message -
From: Cyclone Wehner [EMAIL PROTECTED]
Date: Monday, July 19, 2004 3:37 am
Subject: (313) Trevor Horn Fans Rejoice
No TATU though. ;)
Produced by
that track always deserved the Long Distance Runaround.
:)
- j
- Original Message -
From: Ken Odeluga [EMAIL PROTECTED]
Date: Monday, July 19, 2004 4:50 am
Subject: RE: (313) Trevor Horn Fans Rejoice
I used to think I liked Yes until someone pointed out that 'Owner
Of A Loney
hrm -- interesting. i'm ordinarily not much of a Behringer fan, as I think
they take cost-cutting measures that affect sound quality, but that's not
really an issue with a USB MIDI controller. there's also the BCR2000, which
does away with the faders completely in exchange for more knobs.
-
plus there should be some sort of method for the archive to be updated with
little or no human intervention. it's not september 2002 anymore; the .gz
archives apparently haven't been updated since then.
i dunno, i'm all for it. i'm sick of getting home and having 20 different
emails i've
Remote control and microcassettes?
- j
- Original Message -
From: Martin Dust [EMAIL PROTECTED]
Date: Friday, July 16, 2004 9:59 am
Subject: Re: (313) Render List
To be clear - I don't want a forum, we already have loads of those...
I want to drag this list into 21st Century, by
whoa, I haven't listened to 'White light...' in at least 5 years.
have you heard the New Deutsch compilation on Gigolo? 20 tracks of early
Germanic analog weirdness, including 'Film 2'. one of the most important
releases of last year in my opinion.
- jobot
- Original Message -
that's downright depressing.
personally, I think this is too close time-wise to DEMF -- if it were later in
the summer or early fall, I think it would stand a much better chance of
success.
- Original Message -
From: theREALmxyzptlk [EMAIL PROTECTED]
Date: Sunday, July 11, 2004
you saw the Pixies and your weekend was only 'OK' ??? I'm living for the day
this coming November when I finally get to see them...
- jobot
- Original Message -
From: [EMAIL PROTECTED]
Date: Monday, July 12, 2004 4:56 am
Subject: (313) Digital Soul Party/Detroit House Festival
How
looking for contact information for Alex from Ultradyne -- I inadvertently
deleted his email address. if anybody has this please respond off list.
- jobot
I commend your bin-digging endurance. i've found maybe two records in the
entire lot that have been worth purchasing -- 99.8% of that Watts collection is
horrid commercial dance music.
- jobot
- Original Message -
From: [EMAIL PROTECTED]
Date: Tuesday, July 6, 2004 11:31 am
I believe if you get renter's insurance you can declare your records as a
valuable, in which case they would be covered if stolen... which reminds me, I
need to get renter's insurance.
No idea if you're a homeowner, and things are probably different in the UK
anyways.
- jobot
-
one of my best friend's record collection was involved in a fire while he was
out of the country recently. he had them stored at a high school friend's
place, which was almost completely gutted by fire. we spent several days
retrieving and sorting thru 9 postal crates full of smoke-damaged
i've been listening to 'the other people place' a LOT lately... it's like
Drexciyan theory applied to TP or Moodymann-style deep house. great to listen
to outside or in the car on a beautiful summer day.
i'm also trying to figure out how to upload an mp3 into my cell phone. i will
not rest
i've never been able to get hold of that one... if anyone stumbles across it at
an online store (preferably US), pls send me the link off list.
- jobot
- Original Message -
From: Ken Odeluga [EMAIL PROTECTED]
Date: Tuesday, June 29, 2004 8:04 am
Subject: RE: (313) Some Hot Tracks
If
minneapolis is full of kids that stand 3 feet from the decks with their arms
folded staring at your hands, waiting for you to slip up a beatmatch... it's
really f***ing annoying. is it like that everywhere?
- j
- Original Message -
From: Steward, Tim [EMAIL PROTECTED]
Date: Tuesday,
Still sounds like Minneapolis, if you substitute minimal techno for deep
house. There are a few really good minimal DJs -- and a whole slew of
mediocre ones trying to jump on the bandwagon.
- jobot
- Original Message -
From: Phonopsia [EMAIL PROTECTED]
Date: Tuesday, June 29, 2004
Very interesting. One could assume, given Rane's reputation for building
bulletproof gear, that this would be a much more stable solution than that
other vinyl/computer interface...
- jobot
- Original Message -
From: Marc Langsman [EMAIL PROTECTED]
Date: Monday, June 28, 2004 4:54
Weak. I caught them on the Mezzanine tour here, and they were excellent. What
a difference a few years can make.
- jobot
- Original Message -
From: Toby Frith [EMAIL PROTECTED]
Date: Monday, June 28, 2004 5:04 am
Subject: RE: (313) Sonar 2004: It Rocked!
I only caught the end,
yeah, I don't think the ipod has a line-level input. The only decent mp3
player I know of that has one are the older Creative Nomad models, the larger
ones that also function as a CD player. The newer, pocket-sized Nomads don't.
I often wonder why this feature isn't included on mp3 players,
naturally, no US dealers listed
:-(
- j
- Original Message -
From: Jari Tolkkinen [EMAIL PROTECTED]
Date: Monday, June 28, 2004 11:45 am
Subject: Re: (313) recording detroit techno sets with ipod
I'm getting one of these:
funny -- i just bought a pair of studio monitors this afternoon. take a look
at the KRK V6. i'm just getting started in production and this is the first
pair of monitors i've owned, but I did quite a bit of research and listening
before settling on these. I can tell you already that they are
I've heard 'em, and they're okay for $99 speakers. they're nice if you need
something portable -- my pal brought a pair to Detroit so we'd have something
to screw around with Ableton and watch dvd's on in the hotel. I'd say they're
more on the level of good computer speakers than cheap
you took the words out of my mouth.
- jobot
- Original Message -
From: David Gillies [EMAIL PROTECTED]
Date: Wednesday, June 23, 2004 9:26 pm
Subject: Re: (313) A domestic Perlon-like sound??
[EMAIL PROTECTED] wrote:
I really like the experimental techno/house sound (Geez n Gosh,
steven beaprea (aka crackhaus)
Oh christ, just when I had forgotten about that harmonica track...
- jobot
I second the Richard Devine vote. Most of the core Schematic artists are
laptoppy (?) and still manage to really get the audience involved. My personal
favorite is Otto von Schirach -- his live show is nuts.
Another group of great live laptop performers are the ZOD Records guys out of
you're exactly right -- i'm completely agreed on his stage presence, and I
thought that particular performance was stunning regardless. I've heard BMG do
Ableton sets before and they've been good, but it usually seems like the same
general formula. on +31/313 he played a lot of the familiar
I was at one of those Aphex Twin shows... he had people get in these gargantuan
fluffy Care Bear costumes and bounce into each other on stage... and that was
the entire show. he just laid down in the corner, had two tiny knob boxes with
him and that's it.
- jobot
- Original Message
and the Metro Times wonders why Movement isn't financially successful.
Earth to the city of Detroit: to attract tourism dollars, you have to provide
a safe environment, easy transportation, and places for people to spend those
dollars. Festival shootings, con-artist cabbies, shady hotels,
I second this recommendation wholeheartedly -- amazing visuals and very
powerful music. Not the type of thing I listen to much at home, but live they
are excellent. Their drummer is also affiliated with the Br0klyn Beats
collective, and releases unusually good experimento-electronic music
agreed, Phoenecia is definitely the most boring of the lot to watch. still
great music though...
- j
- Original Message -
From: Neil Wiernik [EMAIL PROTECTED]
Date: Thursday, June 24, 2004 1:16 pm
Subject: Re: (313) Laptop performances
I dont know when i played a show wioth
Alex,
Just to clarify, I have never once felt threatened or feared for my life in
Detroit. Almost everybody I've encountered there has been peaceful,
interesting, and kind. I'm a firm believer that if you keep your head on
straight and appear like you know what you're doing, you'll never
...and I forgot to add that I, myself, would not continue the summer complete
without a trip to the festival.
- j
- Original Message -
From: [EMAIL PROTECTED]
Date: Thursday, June 24, 2004 2:22 pm
Subject: Re: (313) Shootings at the fireworks?
Jobot,
While I agree with many of
Lineups like this make me wish I lived in Detroit.
that reminds me, did anyone catch Raiders of the Lost Arp?
- jobot
- Original Message -
From: Matt MacQueen [EMAIL PROTECTED]
Date: Tuesday, June 22, 2004 10:57 pm
Subject: (313) Suburban Knight, Orlando Voorn, Derrick May
FRIDAY
exactly -- the old EBM stuff like 242, Skinny Puppy, Front Line Assembly etc is what got me interested in electronic music in the first place. Feels like there is quite a resurgence of interest in this stuff lately, even amongst those whose closets contain colors other than black. Seems to
I don't go to goth/industrial clubs anymore because they are playing: 1) too much plain rock for my taste 2) too much really cheap trance/hard house 3) too much of that 'future-pop' (or something) 4) they don't play ebm/industrial
you really hit that nail on the head. all I usually hear at the
acid is definitely making a comeback here in the Midwest. There are several DJs in Minnesota and Wisconsin playing it almost exclusively, Woody McBride isactually doing shows again (good ones even), and Terry Mullan and Hyperactive have both played in Minneapolis recently.
speaking of Montreal,
I refuse to buy into the nostalgia of the era - just because I was intothem when I was 16 doesn't mean that they were good MEK [EMAIL PROTECTED] om To: 313@hyperreal.org cc: 06/22/04 11:45 AM Subject: Re: (313) Nitzer Ebbeh? Please respond to jbartuski
exactly -- t
I don't remember, or care for that matter. :)
some of the local folks a little off-base on my musical tastes. "Joe spins electro, he'll like this, i'll just put it in his hold bag..."
- jobot
- Original Message -
From: matt kane's brain [EMAIL PROTECTED]
Date: Tuesday, June 22, 2004
GET THIS!
- jobot
- Original Message -
From: [EMAIL PROTECTED]
Date: Tuesday, June 22, 2004 1:45 pm
Subject: Re: (313) Nitzer Ebbeh?
I don't see Front 242 as being all that more obscure than Nitzer Ebb. John Acquaviva used to loop the bass line from Headhunter and play it for
hey that's a good idea, I've got both records but have never tried them together.
there's an excellent Terence Fixmer rmx of "Let Your Body Learn" on the flip of that Novamute record, plusI've got another N. Ebb 12" on Novamute with a Derrick May remix of "Shame"...
- jobot
- Original
that something
like LA Style James Brown Is Dead is -- a nonsensical time
trip. It is not, was not, and never will be quality music --
but
to me it's still fun. /P
And I refuse to buy into the nostalgia of HTML mail.
*Flogs jbartuski with his Goth cat-o'-nine-tails 'til he turns
awesome, I expect a fully annotated report. I've lived here close to 9 years and still haven't managed to catch Prince live.
if it gets out early you should swing by Tabu -- www.bass-united.com/events.html
- bot
- Original Message -
From: [EMAIL PROTECTED]
Date: Thursday, June 17, 2004
yes -- almost identical situation out here in Eden Prairie, a suburb of Minneapolis. just this morning I was forced to give the "Paul Oakenfold and Fatboy Slim are NOT techno" speech to a hapless co-worker...
- jobot
- Original Message -
From: [EMAIL PROTECTED]
Date: Tuesday, June 15,
thanks for the streamlink. Claude had some pretty surprising things to say about our little city. http://www.claudeyoung.frequencyberlin.de/, click on "Gastebusch".
can't remember if I've sent this link yet or not, but I was sick of having nothing to listen to at work, so a few months back I set
you know I'd hate to ask...
- bot
- Original Message -
From: Gerald [EMAIL PROTECTED]
Date: Friday, June 11, 2004 4:15 pm
Subject: RE: (313) Electric as a genre?
-Original Message- From: Matt Hellige [EMAIL PROTECTED] Sent: Friday, June 11, 2004 11:22 AM To:
the only thing different between these is the tip itself. the body of it isn't different from one model to the next. anyone know if this is true?
while I'm not certain the bodies are exactly the same, the tips work fine when interchanged between various models. Be advised, however, that the
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