This is an interesting topic. Interesting enought that I feel
compelled to pull some completely ungrounded theorizing out of my
tuchis.
I think what drives these cycles at it's root is that people are like
ducks -- they form their deepest emotional attachment to the music
they hear when they're yo
I think a couple years ago the Rephlex crew were throwing parties
where they played all sorts of early rave music. Trying to bring back
the feeling of that first E, or something. Forget it guys, those
receptors are blown.
I do an abbreviated version of that when I drop Bomb Scare and Mr
Kirk's n
New York City is a tough place to book shows. I have huge respect for
Bryan Kasenic who has put on events for years that, even if they're
not Detroit-centric, are always respectable line-ups of artists who
would interest members of this list. But there's always a hundred
things going on every nigh
... can be had from here:
http://infinitestatemachine.com/2008/07/10/guest-mix-chaircrusher
Done with Ableton Live, but it's one take, no tweaks.
I won't duplicate my verbiage there, but here's the track listing:
1. Ectomorph - Lost Angles (Manyangles Version)
2. Adult - Nightlife
3. ESG - Danc
It's exactly like that ;-) I know Dave and Roland the Bastard because
they've played in Iowa City a couple of times. Not Detroit techno by
any means, and not normally my sort of thing, but I have a lot of
respect for their working class, unpretentious dedication to their
craft. That and their d
they
both have an ear for the tweaky minimal funk. As opposed to the
tweaky, funkless mnml.
On Fri, Jul 11, 2008 at 9:06 AM, Matt Kane's Brain
<[EMAIL PROTECTED]> wrote:
> Tom let you post a mix with John Tejada? He's gettin' soft :)
>
> On Fri, Jul 11, 2008 at 10:04 AM
I think it was allowed because there are a couple of almost vinylistic
mistakes ;-)
I love vinyl but
1) I'm old and have a herniated disc in my back and I'm not crazy
about lugging a record box.
2) I have too much going on in my life to practice with turntables
enough to get beyond the mechanics
Herculese and Love Affair is the new hot topic in hipster pop music --
they do a pretty decent job of recycling late disco/early house sounds
for kids who were still in diapers the first time around. And they
got Anthony Hegarty to sing on some of the tracks and I love his
voice. But they totally
I'll have to do more as time goes by. I'm still working on my 'DJ'ing'
with Ableton Live. In the meantime...
http://www.cornwarning.com/chaircrusher/cornwarning2002mixcd.mp3 --
back when I took the 'record label' thing seriously I put together a
mix of tracks made by me and the other people who ha
I think this release is brilliant:
http://www.boomkat.com/item.cfm?id=65270
The original is lush, but the remixes are by Galaxy2Galaxy and DJ S2,
and bring the Detroit funk. In perusing the 313 archives (so I don't
look like a complete chump) -- the S2 remix has been around since
Santiago put it
Fabrice has some the tracks on Soundcloud from the upcoming/imminent
Evolutionism Part 2 and if "Children From Galapagos" isn't an instant
classic, I'll eat my hat. Original, lush disco-house -- with no
samples of old records. Live slap bass, lush strings,
You can hear the whole track h
Sure, A Guy Called Gerald is British, but he's always been a Detroit
Techno 'fellow traveler.' This album was crucial back in the day, and
if the hype about the remastering job in the Boomkat e-mail has any
validity, it's time to party like it's 1995 ...
On Fri, Jul 25, 2008 at 10:28 AM, Odeluga, Ken <[EMAIL PROTECTED]> wrote:
> Cheers Kent.
>
> I never owned this, always had to beg my younger brother to hear his
> copy.
>
> I'm sure many others don't have this seminal piece either, so a
> re-release is very welcome.
>
> Hope 're-mastered' doesn't=
I don't really think it's here nor there. I'm a fan of the music, and
getting too caught up in the 'legend' gets in the way, which from his
blog post, was precisely why he gave it up.
Drexciya's identity was kept under wraps for two reasons -- the people
that knew were asked to keep quiet and did
Sounds great -- run us out a mix of these, innit? ;-)
On Wed, Aug 20, 2008 at 7:41 AM, Martin Dust <[EMAIL PROTECTED]> wrote:
> 1. DJ Bone - No Sleep - Sect
> 2. Los Hermanos - Traditions & Concepts - Submerge
> 3. Gas - Nah Und Fern - Kompact
> 4. X102 - Titan EP - Tresor
> 5. Plej - Home Is Wher
with England?
>
>
>> -----Original Message-
>> From: kent williams [mailto:[EMAIL PROTECTED]
>> Sent: 20 August 2008 16:41
>> To: Martin Dust
>> Cc: Three-One-Three 313
>> Subject: Re: (313) August Chartage
>>
>> Sounds great -- run us out a mix of these, innit? ;-)
>
>
My friend Orion Meyer (from Iowa City, known him since he was in
kindergarten!) is the hip hop buyer for the Hollywood store, so at
least that end of the business is sorted!
On Wed, Aug 20, 2008 at 9:27 AM, <[EMAIL PROTECTED]> wrote:
> I don't know if he still does but Mike BEE used to run the da
313techknow had a golden age and then kind of disappeared a while
back. I just added a google group for 313techknow:
http://groups.google.com/group/313techknow
So if you're a producer and want to talk to other producers about
producing, synths, and the best way to oontz, go to that link.
http://home.earthlink.net/~bobbau/email/avoiding-html/
Despite the circa-1996-grade HTML formatting, this is a nearly
comprehensive page on the subject.
Remember plain text good, HTML bad. At least with respect to this
mailing list. Not open to debate either. Everyplace I go on the
Internets whe
Hee, bad admin, OT post
http://chaircrusher.livejournal.com/350765.html -- my live journal
post about it...
BTW 313-ers hit me back private if you're on Livejournal. It's just
like blogging, only lamer!
If you wish to post your decks of punch cards to me, I have access to
a reader, and can forward your posts to the list. I also accept
illuminated vellum messages.
EBCDIC would be a great track title. Baffle the youngsters.
On Mon, Aug 25, 2008 at 4:56 AM, Klaas-Jan Jongsma <[EMAIL PROTECTED]> wr
http://www.myspace.com/jonahsharp -- he even has a website for
reflective records, but it's just a placeholder for now.
On Mon, Aug 25, 2008 at 1:36 PM, <[EMAIL PROTECTED]> wrote:
> what the hell happened to Spacetime anyway? what's Mr Sharp been up to?
>
> MEK
>
>
I feel really strange listening to this. I have a half dozen different
vinyl recordings of Le Sacre (as my composer mother & conductor dad
called it around the house) at least 3 CDs and a battered cassette of
my dad conducting it with the Cedar Rapids Symphony. That was the
first piece of classica
I've learned a lot about DJ'ing from watching DJs play. Especially
watching Terrence Parker -- but of course when I try and do the things
he does it doesn't come out quite so great.
On Fri, Sep 5, 2008 at 8:47 AM, Martin Dust <[EMAIL PROTECTED]> wrote:
> For sure but I love the geekery. We played
Watching Claude work records, trigger loops, and joke around with
people around him at same time, will make you want to hang it up
altogether ;-)
On Fri, Sep 5, 2008 at 10:58 AM, Martin Dust <[EMAIL PROTECTED]> wrote:
>
> On 5 Sep 2008, at 16:50, kent williams wrote:
>
>> I&#
It hasn't been released, so where are you listening to it?
On Sun, Sep 7, 2008 at 10:41 AM, P.A. Keur <[EMAIL PROTECTED]> wrote:
> I don`t know what the original sounds like since I have never listened
> to Ravel. In my opinion Carl Craig & Moritz Von Oswald - Recomposed
> Vol. 3 is a very poor re
Man, Richie Hawtin is 313's third rail.
I don't have anything to add, really, except to say that the best DJ
sets I've seen were done with two turntables and a mixer without
effects. If you play the right records, in the right order, and mix
them right, magic happens. No reason not to experiment
Can we invoke Godwin's Law now and declare this thread finished? ;-)
> Martin Dust <[EMAIL PROTECTED]> wrote on 09/08/2008 03:59:46 PM:
>
>> [EMAIL PROTECTED] wrote:
>> > 'Technolgystolemyvinyl'
>> >
>> >
>> >
>> OK, lets tip the balance...
>>
>> Hitler is a M_nus fan!
>> http://www.youtube.com/wa
Not that the mix has anything to do with politics, but for real, lets
avoid another nightmare of historical proportions and elect Obama.
Y'all in Michigan need to be out pounding doors and making calls,
because Michigan is going to be crucial.
And I had the boys at moodmat announce it first so go
Let threads die without going all meta on them. And Frank, I can
delete entire threads with one mouse click. What is it you're doing?
Err the Koss earbuds:
http://www.amazon.com/Koss-SPARKPLUG-Stereo-Ear-Plugs/dp/B00081A2DQ/ref=sr_1_1?ie=UTF8&s=electronics&qid=1221442341&sr=1-1
On Sun, Sep 14, 2008 at 8:31 PM, kent williams <[EMAIL PROTECTED]> wrote:
> I've tried earbuds, and the ones that were the be
I've tried earbuds, and the ones that were the best balance between
price, sound, and comfort for me were the dirt cheap Koss:
But earbuds in general bug me -- I haven't found any that were
comfortable or held an acoustically valid seal in my ear canals, so my
vote goes to these:
http://www.amazon
Curse you, Beatport, with your e-mails about irresistable releases:
http://tinyurl.com/3f8ql8
Model 500 "Starlight" with remixes by Deepchord, Echospace, Sean
Deason, Mike Huckaby, and Phase 90.
It seems like I have hours and hours of Deepchord/Echospace & related
material. They need to slack o
I got a note on facebook from Stefan about this, and grabbed it
immediately from Beatport, where it appears to be cheapest (in the
US). You can probably do better in
Europe with http://www.junodownload.com/ppps/products/1345664-02.htm
Stefan's stuff as Florence, Sierra Romeo, etc is a little more
Velvet -- http://www.discogs.com/release/1166341 -- sound samples
http://www.boomkat.com/item.cfm?id=102443
The B side (24) wears Martyn's Detroit love on it's sleeve -- it's all
about those minor+major 7 chords. The A side (Velvet) sounds like
Martyn had his Black Dog with his toast every mornin
When I defended my Master's Project I promised myself never to go back
to school. After nearly 30 years of schooling I realized that I'm a
terrible student. Ironically my work now is in an Academic department
of the College of Medicine. I work with and for professors and grad
students. But I just
Cari Craig's Beatport chart:
http://tinyurl.com/4w84vq
It's funny to think that 10 year ago, Carl Craig really wasn't thought
of as a DJ. Now, that's how he makes a living -- I doubt Planet E
clears that much, what with the overhead of staff and pressing vinyl.
Now he's definitely a DJ -- in Eu
2 dueling Thingamakits I built.
http://bleeplabs.com/thingamakit/
On Thu, Sep 25, 2008 at 2:04 PM, <[EMAIL PROTECTED]> wrote:
> What are you all listening to right at this second? Please include format.
> (LP, CD, streaming mp3, podcast, etc)
>
> Thanks!
>
> m50
>
>
a sentence with a
>> coordinating conjunction because their grammar teachers in grade school
>> discouraged them from doing so. Yet such a rule is completely
>> unjustifiable."
>>
>> ;-)
>>
>>
>> [EMAIL PROTECTED] wrote:
>>
>>>
>
There was a blizzard of bounces in my inbox this morning because of
people sending rich text/html/multipart mime messages.
Usually I email everyone individually to remind them to send messages
plain text. Not up for it today. SET YOUR MAIL CLIENT TO PLAIN TEXT
FOR 313 EMAILS.
Don't know how? Goo
I have no use for DJs who try to 'fit in.' It's harder getting gigs
if you don't 'fit in' but in the long run, why not find your own way?
The simple answer to your question is 'no,' any X102 tracks aren't
going to be at the same musical or emotional temperature as 'modern
minimal tech house.'
On
Not gonna happen, and the reasons why also available by emailing
[EMAIL PROTECTED]
On Fri, Sep 26, 2008 at 9:39 AM, Williams, Graham <[EMAIL PROTECTED]> wrote:
> Kent,
>
> Just enable HTML, and save yourself the Heartache... :-)
>
His stuff is also on Beatport.com and Boomkat.com. Friends don't let
friends use ITunes.
On Fri, Sep 26, 2008 at 10:17 AM, robin <[EMAIL PROTECTED]> wrote:
>
> I suspect this is especially annoying as MG has made his stuff available on
> iTunes. I mean you can't get any easier to buy than that.
>
This isn't the place to debate it, obviously, but the fact is that
high-bitrate MP3s can't be distinguished from CDs in blind listening
tests. You can argue that vinyl is superior to both those formats, but
in the majority of listening situations the difference in sound
between the formats is swamp
Sean Deason was kind enough to send me a CD of the Model 500
'Starlight' mixes, which I'd already bought in MP3 form from Boomkat.
After the discussion yesterday about how MP3s are noticeable on a good
sound system, this seemed like a golden opportunity to challenge the
golden ears amongst you to a
OK that was just a test. Try this link:
http://www.cornwarning.com/xfer/m500-starlight-blindfold test.wav
On Sat, Sep 27, 2008 at 11:54 AM, kent williams <[EMAIL PROTECTED]> wrote:
> Sean Deason was kind enough to send me a CD of the Model 500
> 'Starlight' mixes, which I&#
OK I did a second thing that might be of some interest. I took the two
samples, edited the starting point very carefully to get them exactly
in phase, and then subtracted one from the other. In other words, I
made a new sample that was just what was different between the two
versions. This produce
Glazer <[EMAIL PROTECTED]> wrote:
> this would be more useful if you could download it rather than playing
> it in browser. because the link doesn't work because of the space
> it's impossible to right click and save as
>
> On Sat, Sep 27, 2008 at 1:19 PM, kent williams &l
Do you ever take this as a 'teaching moment' and tell them why that is
a horrible way to view things?
Of course, this just goes to show what everyone's probably noticed:
99% of DJs are complete wankers.
Present company excepted off course.
On Mon, Sep 29, 2008 at 5:23 AM, [EMAIL PROTECTED] <[EMA
http://www.youtube.com/watch?v=JCgOsgyVt1Y
Manalive on Bush.
This is some complete BS in my book. KMS should sue -- Bush is a high
enough profile label that they should know better.
I heard this because I was listening to the top sellers on Beatport.
Which is mostly a reminder, yet again, of wha
On Mon, Sep 29, 2008 at 10:15 AM, JT Stewart <[EMAIL PROTECTED]> wrote:
> Policing the internet seems like an impossible task,
I think it's impossible to exhaustively police the Internet, but an
hour or two a week spent with google and the torrent search sites
would at least give you some places t
o DJing with wave files and I've heard the
> difference in the club. generally it depends on the quality and depth
> of the sound production, of course the more dynamic, spacey stuff gets
> affected more than,let's say, plink-plonky-3-element song when you
> compress to mp3.
>
By all means play uncompressed WAV files.
No matter what you play, if you care at all you'll get more out of a
system if you spend a little more for proper Digital to Analog
conversion. I've been using an RME Hammerfall DSP for several years
now. I found some TRS 1/4" to Male XLR cables, so I'm
Especially good as a place where Tom Cox sounds off without getting
into skirmishes with people on this list.
And if you want to get into skirmishes with him still, you can do it
in comments on the blog.
On Wed, Oct 1, 2008 at 9:46 AM, <[EMAIL PROTECTED]> wrote:
> An obvious choice would be:
> w
What is blowing me away today is Bitone Troupe from Uganda. Not techno
but who can resist African children singing?
http://www.myspace.com/bitonetroupe
It's actually difficult to purchase the CD a guy named Grant Buhr made
-- you have to call or e-mail New High (M)art --
http://www.newhighmart.co
I got the announcement today of Electrofunk.com, which combines the on
line UR vinyl/CD catalog with DetroitDigitalVinyl.com. Two things are
a little strange about the site:
1. The Catalog -- particularly the download section -- is nowhere near
as extensive as DDV was.
2. There's apparently a new
According to a Berlin friend 'Tresor is the club where people go when
they can't get into Watergate or Berghain.' I think that Tresor's
original cohort of fans has aged out of all night clubbing, and
despite being legendary, the prime clubbing demographic of 18-25
weren't out of diapers during the
Detroit Beatdown Vol 2 (all EPs) have been out for a while -- I played
3 tracks from it in my most recent mix, announced here a while back.
Third Ear does a really good job and I feel like their compilations do
what others often don't - get artists to give them a track off their
top shelf.
Amazing
http://www.mail-archive.com/313@hyperreal.org/
Mail-archive was going to pull in stuff before last May but never got
around to it apparently. But since May it's comprehensive.
No idea what's up with Resynthesize. Last time I checked they were on
top of things.
On Thu, Oct 9, 2008 at 4:26 AM, [E
On Sun, Oct 19, 2008 at 8:16 PM, Jeffrey Richards
<[EMAIL PROTECTED]> wrote:
> Do we really need a public peanut gallery on the price Frank is charging for
> his records? If you have issues with his prices take it up offline...sheez
>
We don't.
>From the soundbytes I'd say that it would work in the club, but it's a
bit 'by the numbers' Detroit techno, not amazing. It's not that I
don't like it, but it doesn't really rise above, and I'm trying to
only buy music that I can't live without.
I loved this review of it on the Delsin site:
"We
I liked how the audience had a lot of people either getting jittery on
redbull, or looking like a lot of KB got burned before everyone sat
down.
On Tue, Oct 21, 2008 at 3:51 PM, senslo <[EMAIL PROTECTED]> wrote:
> I'm on the digest, so forgive me if this has already been posted . . . but
> Moriz v
I'm not going to state what I heard, so as not to spread possible
misinformation, but:
Does anyone know -- first hand -- if Moritz appeared at the DEAF
festival in Dublin, and if he is still in good health?
I don't say this to start a debate, because 'disco only lasted 10-15
years at best' is nominally correct. But I can't really pinpoint the
death of Disco, especially since deep house has been plowing the same
row since ... forever. Disco as a mass phenomenon in the United
States was really brief,
HDNet showed "Standing In The Shadows Of Motown" Sunday Night. I
remember it being discussed on the list when it first came out, but I
just have to say what deep emotions it brought up in me to finally
hear a little of the story of those guys, and to see the survivors
perform together.
Surprising
I got to talk briefly with Terrence Parker when he played here
Halloween night, and when I asked him about how things were in
Detroit, he didn't talk about music or musicians -- he talked about
the problems with the automotive industry.
Now without getting into an off topic discussion on the econo
What with all the time Mills spends in France, and the fact that his
long-time manager is French, and the French predilection for banging
techno*... don't they already refer to him as 'notre Jeff Mills?' For
a country that's made an art form of 'Le Cynicisme' the French do like
their heroes.
On
Taboo for 313 or taboo in general?
I've met Frederic, briefly in Paris, and back when I tried to do such
things, had some exchanges via E-Mail with him about booking Jeff
Mills to play in Iowa City. Jeff Mills has not appeared in Iowa City,
so I can't say those exchanges were satisfactory from my
http://www.facebook.com/profile.php?id=609125765#/pages/Dutch-Resistance/46587712256
I suppose any san-serif bold logo is going to echo Underground
Resistance (and Detroit Techno Militia), but this looks like a
conscious homage.
Though the name 'Dutch Resistance' goes back to World War II
http:/
sly like a graphic homage to
Maxell UR cassetes to me ;-)
On Thu, Nov 20, 2008 at 8:16 AM, Odeluga, Ken <[EMAIL PROTECTED]> wrote:
> More to the point, what are they 'resisting'? Something other than The
> State maybe
>
> -----Original Message-
> From: kent
The UR DJs do not get booked enough in the US. I know that there are
more than a few people who haven't really been feeling the UR output
for the past few years. I'm not one of them, but I can see how some
people might not be getting it. But every time I've seen a UR DJ,
I've been completely dem
If this is the case, I want to know why. Who have you seen, how did
they disappoint you?
On Wed, Nov 26, 2008 at 7:06 AM, Robert Taylor <[EMAIL PROTECTED]> wrote:
> Never been impressed with any of them
>
lass half full/empty of water?
>
> m
>
> On 26 Nov 2008, at 14:55, kent williams wrote:
>
>> If this is the case, I want to know why. Who have you seen, how did
>> they disappoint you?
>>
>> On Wed, Nov 26, 2008 at 7:06 AM, Robert Taylor <[EMAIL PROTECTED]&
My sympathies. My experience has been completely the opposite, but
I've always seen them in Iowa City or Detroit or Chicago. In those
places they definitely have something different to prove.
Buzz playing in Iowa City (fun fact: his gf Kelleigh went to the
University of Iowa and was a DJ here be
Buzz asked that we not do that. Me and a few friends have copies, and
the rest of y'all will just have to cope. Or book Buzz yourself, and
tell him "Don't play one of those sets that cheeses off Robert
Taylor."
On Wed, Nov 26, 2008 at 10:48 AM, <[EMAIL PROTECTED]> wrot
Is that really Rolando and his girl? The physical description matches ;-)
On Thu, Nov 27, 2008 at 4:37 PM, Greg Earle <[EMAIL PROTECTED]> wrote:
> [EMAIL PROTECTED] wrote:
>>
>> I must of [sic] missed the original post.
>> Can I gather:
>> Rob Hood
>> In L.A.
>> On Friday?
>> Where?
>> Cause
The person who posted that ocean cruise review is Rolando's
manager/girlfriend.I met her briefly at DEMF in 2004. She seemed a
nice person, and I'm a sucker for girls with Scottish accents anyway.
Amazing green eyes as well. Not to focus on her looks, per se,
because she is a successful, intellige
Don't pass judgement on Margaret until you try and book gigs for a DJ
for a living. It's a never ending comedy of errors. While there are
really good people who book clubs and promote parties, it does seem to
be a profession that attracts the incompetent, the criminal minded,
and the insane. It
It's kind of awesome to see Justin Maxwell coming up. I can remember
him from Analog Heaven 12 years ago when he was 'Stupid Octave Cat'
and still in high school. Lord how we loved to make fun of him!
This is a one time post, I hope you'll indulge me.
I am trying to get a small business going doing promotional writing
for record labels -- one sheets, web verbiage etc. I have been
writing reviews for years, for publications such as Groove Magazine,
Alternative Press (before they started sucking
You see the subject line, and you think 'how ridiculous.'
Exactly.
PS Cheese and Metro Area. Cheesy music is just emotionally effective
music that people relate to immediately. Only it's gone way over the
line into bathos and pandering. There's a whole lot of awesome that
happens when someone t
http://fwdthought.blogspot.com/
Download the Dubulator EP. So deep it's infrared.
Since Kanye West could support nearly every musician in Detroit out of
his sunglasses budget, I don't think we need to talk about him any
more.
On Wed, Dec 10, 2008 at 11:41 AM, Gil Yaker <[EMAIL PROTECTED]> wrote:
> Am I the only one who feels this album is a huge ode to the first few Phil
> Col
We brought Ken & Karl both to Iowa City once, and we got the added
bonus of them finishing each other's sentences.
I prefer he release nothing than release something disappointing.
Maybe he's just until he has some tracks that are good enough to make
us forget the classics.
Maybe he found out he could make a living without putting his
reputation on the line. Oh wait, he did!
On Thu, Dec 11, 2008 at 7:30 PM,
I make a point of ordering CDs and the occasional 12" from the local
record store, because the owner is a friend. He lets me look at the
distributor faxes so I can order things I like.
When I order digital my favorite sites are Juno and Boomkat. I have
ordered from Beatport, but I find browsing o
This CD strikes me as stupid good. where by 'stupid' I mean
intelligent, warm, subtle, varied, funky.
In particular the track "Honey" is a long form masterpiece -- the sort
of thing I wish Carl Craig was still doing. It starts out with a
looped, syncopated 4 bar loop that is instantly memorable,
I really hate MegaUpload, RapidShare, FileFelch -- all those sites.
If you have a mix you want to share and you don't have a real site you
can put it on, drop me a line. I already host a bunch of
InfiniteStateMachine mixes.
This is an offer subject to personal whim, and I will delete files on
a f
I happened on this on Idolator, and it sounds like a Theo Parrish
track with Italians spouting gibberish over it. Greg Wilson's 'Ruff
Edit' of it turns up the bass and adds some crazy business at the
end... and it's a bit like Velvet Underground in the bargain.
http://www.cornwarning.com/xfer/adr
Andrew Duke [mailto:and...@andrew-duke.com]
> Sent: Saturday, December 20, 2008 9:59 PM
> To: kent williams; list 313
> Subject: Re: (313) Prisencolinensinainciusol?
>
> kent williams wrote:
>> I happened on this on Idolator, and it sounds like a Theo Parrish
>> track w
Now that Andrew has premeired my remix of "Toy Typewriter" in his
radio show/podcast/dj mix, I can let the rest of you in on it. This is
a completely unauthorized remix, where I use Raymond Scott's piece in
it's entirety. 14 minutes of uncleared sample may be a new record.
But anyway, my work on i
i had my right elbow operated on new years day,wn and so my internet
experience is a one handed affair, so you're mostly on your own for
the next few weeks. so remember to send plain text messages free from
obscenity. and if you're having problems receiving messages, .just
unsub and resub.
yeah, well your suggestions are bang on. unfortunately, i'm afraid
that beatprt has been infected with the pretentious,grandiose, and
ultimately ridiculous bullsh1t that minus has been doing the past few
years. Beatport affecting your sense of taste? STFU. Beatport's built
their business by impres
haha BURN! Ialways thought of michael as mild mannered, but this is
the best one liner of the new year. well played!
On Thu, Jan 8, 2009 at 8:56 PM, Michael Kuszynski wrote:
> they all look like Ghostly International record covers.
>
> On Thu, Jan 8, 2009 at 9:51 PM, U&I Design
> wrote:
>> Wo
this came out in may (and earlier on different 12") and comprises a
series of remixes of songs by nigerian drummer tony allen. it features
the best carl craig remix ive heard in a long time plus maurizio and
mark ernestus dubs. though my favorite might be the opening track
'san kofa' which is all
Kenny Black has been 86éd from the 313 list.
sorry about that -- I'd have killed his subscription sooner but that
message went straight to my spam folder.
I dont remember him being dumped, actually, when I look at the
archives. He may have left in a huff.
There were occasions when T*m C*x was actually a positive influence on 313 ;-)
On Mon, Jan 19, 2009 at 3:41 AM, Odeluga, Ken wrote:
> As many of us know only too well, he used to be on here, befo
It should be mentioned as well that on my one visit to Rotterdam,
Serge and the other Clone guys made me feel very welcome. Great guys,
very professional, and straight shooters.
It isn't always the case that great music is made by nice people, but
in this case they couldn't be nicer.
I think it's kind of down to you to decide how you do what you do.
1. If you're comfortable with records, and want to go digital, the
vinyl controlling a laptop thing is fully mature. The friends I know
that DJ this way seem to like Serato the best. Traktor Scratch is a
lot fancier -- 4 decks! E
I'm of the philosophy that you should never go to a gig without
everything you need to plug directly into any sound system you might
encounter.
In my case that means I have a pair of 1/4" to XLR Male cables, so I
can plug directly into the stage plug box, plus a stereo RCA cable and
RCA->1/4" adap
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