Now for sale at "Le Luth Doré". :-(
Jean-Marie
Le 15/01/2020 à 19:00, Roman Turovsky a écrit :
Dear collective wisdom,
What ever happened to the J.D.Forget's Weiss typesets?
RT
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Thank you for the heads up, Markus !
All the best,
Jean-Marie
--
>Dear friends,
>today I found out, that 5 of the 6 Dresden volumes are online now.
>
>http://digital.slub-dresden.de/werkansicht/dlf/276092
>http://digital.slub-dresden.de/werkansicht/dlf/92747
>http://digital.slub-dr
same here "error retrieving pdf"... :-(
Jean-Marie
--
> I get "error retrieving pdf" :(
>
> On Wed, Jun 20, 2018 at 12:49 PM, Markus Lutz <[1]mar...@gmlutz.de>
> wrote:
>
> Dear Matthew, did that work for you?
> Tim and also me tested it, and it didn't work.
> But
beautiful piece anyway !
All the best,
Jean-Marie
--
>Dear Jean-Marie,
>Let me be the first, hoping that your PC opens Fronimo files.
>Mathias
>
>
>
>-Ursprüngliche Nachricht-
>Von: Jean-Marie Poirier [mailto:jmpoiri...@wanadoo.fr]
>Gesendet
"SORRY FOR THE TYPO" :-D
--
>ooops ! Sorry fothe typo : "except the odd mistake"...
>Classical flat tuning here A D g b flat d f, supposing a lute in A...
>
>Jean-Marie
>
>
>--
>
>>Sorry Mathias, but except the opddmistake here and there, I don't see
>>anything st
ooops ! Sorry fothe typo : "except the odd mistake"...
Classical flat tuning here A D g b flat d f, supposing a lute in A...
Jean-Marie
--
>Sorry Mathias, but except the opddmistake here and there, I don't see anything
>strange about the 3rd course in this piece which I love and p
Sorry Mathias, but except the opddmistake here and there, I don't see anything
strange about the 3rd course in this piece which I love and play regularly.
It sure could be a transcription from the old tuning.
When I have the time, I will try to transcribe it back to old tuning ;-) ! Just
to see.
sire to deprive Gaultier from his wonderful pieces in d
minor, which I love and play, but I simply want
to question the traditional presentation of Gaultier as a rather monolithic
monument of the baroque tuning, which for me
he is not ! I think his contribution was much more complex and deep than it
pen
questions as open questions, if there are no very string reasons to
attribute a piece to a certain Gaultier.
2. Jean-Marie Poirier suggested in his âanswer" to G.C.'s question âSo
did Denis could pass on works of Ennemond as being his own and not only
transcribi
irst half of the century) is far
from having
delivered all its secrets !
Best wishes to all,
Jean-Marie Poirier
--
> Hi,
>
> Â
>
> I don't think one can accuse Denis of having "hijacked" or "passed on
> works by Ennemond as his own
to the XVIIIth century.
[1988] CD Booklet Astree E 8703
On Sat, Dec 2, 2017 at 9:30 PM, Jean-Marie Poirier
<[1][3]jmpoiri...@wanadoo.fr> wrote:
:-D !!!
Le 2 dà �c. 2017 à 20:40, G. C. <[2][4]kalei...@gmail.com> a Ã
�crit :
So did Denis pass
:-D !!!
> Le 2 déc. 2017 à 20:40, G. C. a écrit :
>
> So did Denis pass on works of Ennemond as being his own, and not only
> transcribing them from vieil tone and getting huge credit from D. A.
> Smith 40 years ago for that?
>
> --
>
>
> To get on or off this list see list informatio
He sure does even though he sort of hijacked a good part of his older cousin’s
output ;-) !
Jean-Marie
> Le 2 déc. 2017 à 20:19, G. C. a écrit :
>
> When looking again at D.A. Smith's Weiss thesis of 1977, I look at the
> following passage: "Weiss's work unquestionably can stand beside the
mysterious title-page.
Would anyone on this list know where precisely this precious document is
preserved ?
Thank you for your feedback anyway !
Best wishes to all,
Jean-Marie Poirier
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accordsnouveaux.ch/de/Abhandlung/Schreiber/Schreiber.html
>
>Andreas
>
>Am 09.03.2017 um 10:37 schrieb Jean-Marie Poirier :
>
>> Interesting Ernst !
>> Two (very small) remarks nonetheless : there is no point calling Merville
>> "Nicolo" (or is it a typo ?) as he w
Interesting Ernst !
Two (very small) remarks nonetheless : there is no point calling Merville
"Nicolo" (or is it a typo ?) as he was a Parisian born and such a typical
French lutenist, especially as you call him properly "Nicolas" a little further
down in your text.
The second point is about th
Good luck, Ed ! Enjoy yourselves with this fine repertoire ;-) !
Best wishes,
Jean-Marie
--
> This Saturday, April 23, Edward Martin and Thomas Walker will be
> performing the program from their duet recording of baroque lute duets
> "Courante" at the Sacred Heart Music Cent
Exactly Stewart. It is the end of a year of mourning actually. "Bout de l'an"
was a religious service for the anniversary of someone's demise.
In the dictionary by Nicot, Thresor de la langue française (1606), we find this
definition : "Faire le bout de l'an, ou l'anniversaire, Feralia vel parent
A "bout de l'an" was a traditional religious service in memory of a deceased
person, taking place one year after his death. So this Allemande was probably a
posthumous tribute to Gaultier one year after his burial.
All the best,
Jean-Marie
--
>Dear All,
>
>I’m wondering about the
I got it almost imediately, so forget this request !
Thank you Susanne ;-) and all,
All the Best,
Jean-Marie
--
>Dear collective wisdom,
>Would there be a charitable soul among you having an access to JSTOR and who
>would accept to download and send me [ private email : jmpoiri.
Dear collective wisdom,
Would there be a charitable soul among you having an access to JSTOR and who
would accept to download and send me [ private email : jmpoiri...@wanadoo.fr ]
the following article :
Matthew Locke and the Consort Suite
Christopher D. S. Field
Music & Letters
Vol. 51, No. 1 (
, xv (1982), 52–83
Thank you very much to all in advance for your help.
All the best,
Jean-Marie Poirier
jmpoiri...@wanadoo.fr
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Thanks for the tip Markus !
>Hello,
>it seems as if now the second volume of the Dresden Weiss manuscript is
>online on the SLUB homepage - the sonatas in C major and a minor:
>http://digital.slub-dresden.de/werkansicht/dlf/92747
>
>Best regards
>Markus
>--
>
>Markus Lutz
>Schulstraße 11
>
>8
ounder of Western Union!
>
>
>
> **Formerly in the library of Brahms' friend and biographer Max Kalbeck
> (Vienna). It was never in the Prussian State Library (*pace*
> Boetticher).
>
>
>
> Arthur
>
>
>
> - Original Message -
> From: &qu
ion!
>
>
>
> **Formerly in the library of Brahms' friend and biographer Max Kalbeck
> (Vienna). It was never in the Prussian State Library (*pace*
> Boetticher).
>
>
>
> Arthur
>
>
>
> - Original Message -
> From: "Jean-Ma
>On 15/11/12 20:04, Arto Wikla wrote:
>>
>> Dear Jean-Marie,
>>
>> in GB-Ob ms. G.617 there seems to be one "Prelude de Gautier de P", p.
>> 120-121, in A minor. Peter S's pages say it is V. Gaultier. Isn't the
>> "P" for &quo
(Ennemond). My CNRS old
>edition doesn't have any... If you know of the existence of such pieces, could
>you cite the sources where they may be found, please?
>
>Thank you in advance for your unremitting generous help,
>
>All the best,
>
>Jean-Marie Poir
tting generous help,
All the best,
Jean-Marie Poirier
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I think I remember reading somewhere that Gogo was the name of a parrot or some
sort of exotic bird, some aristoctrat's pet, and this Tombeau was written in
honour of this pet...
I found the reference, in Monique Rollin's introduction to Mouton Complete
Works for the CNRS Editions :
"This Tomb
"Gogo", possibly the nickname of Elisabeth Montgobert, lady-in-waiting to Mme.
de Sevigné... after C. Liddell's notes to her recital for the Lute Society of
America.
Best,
Jean-Marie
=
== En réponse au message du 05-05-2012, 13:27:57 ==
> > Does anyone ha
A very good read indeed !
Jean-Marie
=
== En réponse au message du 07-01-2012, 11:03:41 ==
>
> Read Lindley's book on lute temperaments if you don't believe me.
>
> MH
> --- On Fri, 6/1/12, howard posner wrote:
>
> From: howard posner
> Subject:
rk Lindley , Lutes, Viols and Temperaments, Cambridge
University Press, 1984)
I like the isea of playing a "charlatan of music" :-). Don't you ?
Best,
Jean-Marie
=
== En réponse au message du 06-01-2012, 22:39:12 ==
>2012/1/6 Jean-Marie Poiri
[Then he points
out that those using the tastini do not know much about theory, they just want
to hear 'marvels'.]"
Another plea for equality in other words...
Jean-Marie Poirier
== En réponse au message du 06-01-2012, 21:48:18 ==
>
>On Jan 6, 2012, at 12:36 PM, Jean-Mar
Isn't that evocative of the "Well-tempered keyboard"...
JM
>There is another important passage in the Jean Denis's text, well woth
>quoting. I will try a translation :
>
>After hearing a harpsichord tuned in equal temperament Denis asks why they use
>this temperament which he judges bad :
>
>"B
quest of the, if not impossible, yet very hard to achieve solution for
unequal temperament which will, anyway, remain an " anti-user friendly" way of
coping with music in general. I trust my ears more than my Korg tuner :-) My
humble opinion ;-) !
Best wishes,
Jean-Marie
s sort of
parctice in all the musical literature, od iconography by the way, but perhaps
I missed something...
Anyway, it is obvious that when we say equal temperament we do not refer to a
genuine equal temperament but to some sort of equal temperament; To play
satiscfactorily I think we hav
in particular, if it was ever done with some of
> the
>large 11- or 13- course baroque lutes of the type that we mostly
> use to
>play solos.
>Bill
>From: Jean-Marie Poirier
>To: William Samson
>Sent: Wednesday, 30 N
Wouldn't "Hautman" be a misspelling for "Hotman" the well-known viol and lute
player from mid 17th century represented in the Saizenay ms and in the Goess ms
as well ?
Best,
Jean-Marie
=
== En réponse au message du 22-08-2011, 09:17:36 ==
> There are pieces
My 11 course Warwick Frei by David Van Edwards is a Rolls Royce indeed ! But
David seems to be slowing down his production and his waiting list is now quite
long (4 or 5 years).
Of course if you have a lot of money in the bank there is Paul Thomson or
Michael Lowe...
Good luck to you Arto !
Be
I agree 200 percent Bernd ;-)
Jean-Marie
=
== En réponse au message du 04-03-2011, 11:58:11 ==
>I find that we all should get the RISM for free from the UN Lute High
>Commissioner.
>
>B
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http://www.cs.dartmo
ntastic subject.
Best wishes and season's greetings to all !
Jean-Marie Poirier
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I am sorry to disagree, but this little book was "recommended" by Per Kjetil
Farstad, who is a reputed musicologist, as something written by "the
Swedish/Norwegian lute researcher Robin Rolfhamre". We had a right to expect
more, a lot more...
End of discussion.
s not. Maybe "publishers should be rewarded for publishing these books", but
they should also be better advised before making such choices.
Jean-Marie
=
== En réponse au message du 18-12-2010, 22:03:43 ==
>On 18 December 2010 20:42, Jean-Marie Poirier
With a little delay, time to get the book, I must confess I am very
disappointed. This little book is much too expensive for what it is... I
expected something more professional, in the line of works by Ledbetter or Rave
(not even quoted in the bibliography...), but it is in fact only a short
m
Hi all,
A few years ago I was invited to play in the St John Passion. I used an
archlute in G, no problem.
Exactly as David says : a few arias (including the "musts", plus chorals,
choirs and instrumental ritornellos. A lot of fun in fact !
Best,
Jean-Marie
=
bp, bp back, Bernd !
Good job you did with the A major Prelude and thank you for uploading the jpgs
so quickly ! A nice piece indeed.
Best wishes from across the border,
Jean-Marie
=
== En réponse au message du 08-05-2010, 17:45:34 ==
>
>beep
>
>
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