Dear all,
I'm wondering which keys are favored these days for the Bach lute works, and
which
editions are commonly used.
I played around with PFA in F, D and Eb the last two days and I think Eb is
still the
most reasonable key, although the Praeludium (and only the Praeludium...) is a
piece
Thanks Sterling. That leads to the question: which editions are available and
in which
keys are the works there?
I only know of the editions by Stefan Lundgren, Tree editions and Ut Orpheus
(H. Smith, not complete yet), but I haven't seen them.
By the way, I just found pics of the whole
Dear Taco,
in the german version Wolfgang tells us that the instrument has been sold to
Japan.
And if you click the pictures you get larger ones that IMO clearly show plain
gut strings.
Regards,
Stephan
Am 25 Jul 2007 um 11:16 hat Taco Walstra geschrieben:
difficult to recognize
Does anyone know what this exactly is?
http://de.youtube.com/watch?v=u0dHmUORzEk
I didn't know that we have a composition by Johann Christian Weyrauch. Meyer
doesn't list
anything. Hm...
Regards,
Stephan
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http://www.modernlutemusic.com/
I don't remember if there is something for d-minor lute on this site, but
interesting anyway.
There is a german guy who writes beautiful resonant modern music with
voice, maybe also solo. I once heard a CD but forgot the name. Maybe
someone knows?
Best
Yes, and this is the CD:
http://www.cdbaby.com/cd/dsmg
Best regards,
Stephan
Am 09.10.2010, 13:41 Uhr, schrieb Thomas Schall lauten...@lautenist.de:
You surely mean Meinhardt Gerlach.
best wishes
Thomas
Am 09.10.2010 09:03, schrieb Stephan Olbertz:
http://www.modernlutemusic.com/
I
Dear all,
which non-lutenist composers with original lute works do we have earlier
than Kleinknecht, Pfeiffer and those guys from the Augsburg MS?
Regards,
Stephan
--
Erstellt mit Operas revolutionärem E-Mail-Modul: http://www.opera.com/mail/
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.
rt
- Original Message - From: Stephan Olbertz
stephan.olbe...@web.de
To: baroque-lute@cs.dartmouth.edu
Sent: Thursday, October 28, 2010 5:40 AM
Subject: [BAROQUE-LUTE] non-lutenist composers
Dear all,
which non-lutenist composers with original lute works do we have earlier
than
Am 08.11.2010, 15:05 Uhr, schrieb Christopher Wilke chriswi...@yahoo.com:
It was, however, also common practice for the bowed strings to use mutes
when playing with lutes
Interesting. I only know the Hagen Duet for Violin and Lute with obligato
mute, what else do we have?
Regards,
In my oppinion they are misinterpreted alternative double-parts for flute
or violin and cello. The information is added by a later hand to the MS,
very pale for SC 54 and 59, almost invisible for SC 56, at least in my
copy of Dresden (Erbe deutscher Musik). You find that also in
Am 22.11.2010, 13:49 Uhr, schrieb Nicolás Valencia nivalenl...@gmail.com:
Dear all,
According to Richard Stone's article, Weiss's Concerted Music: A
Catalogue with Commentary, published in the latest LSA Journal, some
duets by Weiss include alternate instrumentations, i.e. lute
think it
more likely that no keyboard was expected (compare with extant trios
for lute, violin basso)
MH
--- On Sun, 28/11/10, Stephan Olbertz stephan.olbe...@web.de wrote:
From: Stephan Olbertz stephan.olbe...@web.de
Subject: [BAROQUE-LUTE] Re: Weiss duets for lute
and Dieter Kirsch inform me.
I think that the numbers now are in a fixed state, as the last volumes
of the edition should be published in a little while:
http://www.slweiss.de/index.php?id=2type=sc-listlang=eng
Best regards
Markus
Am 28.11.2010 10:29, schrieb Stephan Olbertz:
Am 22.11.2010, 13
Am 01.11.2011, 09:08 Uhr, schrieb Martyn Hodgson
hodgsonmar...@yahoo.co.uk:
For true intonation the size of a chromatic semitone is different to a
diatonic semitone: so that, for example, the interval C# to D is
larger
than Db to D. Advocates of unequal temperament fretting on
Dear Taco,
in part II, which is vol 6 of the Weiss-edition and vol 12 of the
Sonderreihe of Das Erbe Deutscher Musik you'll find:
13 Preludes, 11 Sonatas and 1 Menuet in Bb-major, f-minor, g-minor,
c-minor and Eb-major, as well as the lute part of 7 incomplete ensemble
sonatas or concertos
Dear all,
it has been argued, that the lute trio (with violin/flute and bass) could
have had a certain influence on the development of the piano trio. Does
anyone know of an article on this subject? I could only find a statement
by Tim Crawford in a liner note...
Regards,
Stephan
To
me off-list.
--
Viele Grüße
Best regards
Stephan Olbertz
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Dear all,
I need a scan of a page or two of Francesco Bartolomeo Contis Cantate con
istrumenti. Would anyone who has it be so kind to send it to me?
--
Viele Grüße
Best regards
Stephan Olbertz
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http://www.cs.dartmouth.edu/~wbc/lute-admin
by
Fasch (?) described as a Dresden composer. Is this concerto in print
anywhere, or facsimile? No mention of the lutenist, BTW. r
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Viele Grüße
Best regards
Stephan Olbertz
] On Behalf Of
Stephan Olbertz
Sent: Thursday, August 16, 2012 12:16 PM
To: baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Fasch concerto
Chiesa made an edition in staff notation, the facsimile can be viewed online at
the pages of the SLUB Dresden. Somewhere there...
Regards
Stephan
for over
5000 Euro.
If you are interested, please answer privately.
--
Viele Grüße
Best regards
Stephan Olbertz
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear all,
do we have an earlier source for the so-called musicological notation of lute
music (with a space of one ledger line between the staves) than Kohlhase's NBA-edition?
From his foreword it seems that he invented it.
Best regards
Stephan
To get on or off this list see list
Milan (1928). But his bizarre edition is so unique it deserves a
separate name, Schrade Method.
- Original Message -
From: Stephan Olbertz stephan.olbe...@web.de
To: Baroque lute Dmth baroque-lute@cs.dartmouth.edu
Sent: Saturday, May 11, 2013 11:20 AM
Subject: [BAROQUE-LUTE] Kohlhase
published in the latest Bach Jahrbuch (Stephan
Olbertz: Verborgene Trios mit obligater Laute? - Zu Fragen der
Fassungsgeschichte und Autorschaft der Sonaten Es-Dur und g-Moll, BWV
1031 und 1020, Bach-Jahrbuch 99 (2013), pp. 261-277).
To cut a long story short: The known versions for flute
the German lute festival. I hope they will record
it some day...
Best wishes
Stephan
-Ursprüngliche Nachricht-
Von: Markus Lutz [mailto:mar...@gmlutz.de]
Gesendet: Dienstag, 9. Dezember 2014 09:54
An: Stephan Olbertz; baroque-lute@cs.dartmouth.edu
Betreff: Re: [BAROQUE-LUTE] New edition
Dear all,
does anyone know a supplier of half wound gut strings? Not the gimped
or luxline typ of strings, as they seem to have less metal than real
demi-filés. What I need is something in between luxlines and
closewounds for the deepest bass of a baroque lute with bass rider.
https://www.hfmt-koeln.de/nc/en/aktuelles/stellenangebote.html
BTW, this Umlaut-problem seems rather new on my machine, I don't understand
this... So, it's Junghaenel...
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stephan
Von: Stephan Olbertz [mailto:stephan.olbe...@web.de]
Gesendet: Donnerstag, 7. Dezember 2017 11:53
An: 'l...@cs.dartmouth.edu'
Betreff: Professorship in Cologne
Hi all,
this is to inform you that the Cologne Musikhochschule is looking for a
new lute professor (50
It took me a while to realize that there is a download link on the page
What an article, I'm deeply impressed! The amount and depth of archival
studies involved is totally crazy!
Now, who wants to do a complete edition of Johann Melchior Pichler's lute
works? The time is ripe :-)
Regards
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