I wonder if this might be considered the second half of Tag the Line (Half
Tag is a common term, but it's the first half that square dancers use).
Modern western square dance callers may think differently.
--Jerome
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do,
Apart from Indigo Silk, my favorites are Dogleaf Reel by Lisa Greenleaf and
Best of Friends by Martha Wild.
Yoyo Zhou
On Mon, Mar 4, 2019 at 1:51 PM Don Veino via Callers <
callers@lists.sharedweight.net> wrote:
> Hi,
>
> I've been assigned the opening slot at this year's 2019 New England Folk
I would probably get everyone into their final positions first before
teaching the move, so's that everyone knows where they'll end up.
After that the language would look something like, "Star Right all the way
around. With your partner and without hands, slide out and away from the
center of the
whoops - further consideration, i admit I don't know an easy way! seems
straightforward though, if you just explain the simple mechanism of going out
and then coming back in it doesn't seem complicated. I would make sure to say
how far around the star should go, who is in the lead going out and
looks like a star into a slide left
From: Callers on behalf of Luke
Donforth via Callers
Sent: Thursday, March 7, 2019 4:30 PM
To: Callers@Lists.Sharedweight.net
Subject: [Callers] How would you teach this? What would you call it?
Hi All,
I'm playing around
I like Rory O’More, but Money Musk and Chorus Jig are probably the most often
danced (and perhaps most favorite) proper dances.
Sent from my iPhone
> On Mar 4, 2019, at 6:27 PM, Gregory Frock via Callers
> wrote:
>
> Something new perhaps? I wrote this recently, trying to avoid the
If it isn’t already a defined move it should most definitely be called a “star
burst”!!
Jacqui Grennan
> On Mar 7, 2019, at 1:30 PM, Luke Donforth via Callers
> wrote:
>
> Hi All,
>
> I'm playing around with choreographing triplets, and I've got a sequence that
> I think would flow well;
Here it is. Don’t ask me how the original goes, I don’t have it. I just have
this noted as “Nil’s adaptation”. Maybe Nil's mentioned that he adapted it back
in 2014 when I first danced it. It is rather circular but both couples do rest
16 beats at different times.
High Voltage Gypsy - as
Hi All,
I'm playing around with choreographing triplets, and I've got a sequence
that I think would flow well; but I'm not sure how to teach it short of a
demo.
The idea is that couples 2 & 3 do a star. Out of that star, they move out,
up, and back in; leaving space in the middle for couple 1 to
I'll second Indigo Silk. Not familiar with the second one.
I wrote one a while ago that does use the ubiquitous 1/2 figure 8. But also
borrows from things like David Kaynor's Open Doors
Simply Left in Wisconsin
by Luke Donforth
Contra/Proper/Int
A1 ---
PROPER
(8) Circle Right 3/4
As
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