Hi everyone,
I have a question about dance length - not the length of time you run a
particular dance, but the length of an evening of dancing. In Chicago, we
recently went from a three-hour Monday night dance to a two-and-a-half hour
Monday night dance. Some dancers like ending earlier, some
Andrea brings up a great point, and one that I'd like to address in my own
dance community. My husband and I are the only couple that attends dances
with our young child (4) although I know of at least three other families
in our age range, with kids, who have stopped dancing.
I think the biggest
The three I keep coming back to over and over are Butter, by Gene Hubert;
First Hey by Paul Baillett; and Kitchen Stomp by Becky Hill..
The thing I can't figure out is that I like to call First Hey, and I use it
often ... but it is almost the same as Delphiniums and Daisies (sorry; not
with my
Once, I dreamed that I looked down at my card, and it was a recipe card, a d so
I said, "go down the hall, four in line, turn by yourself and return with a
pound of hand-rolled pasta."
Nothing gives me anxiety dreams like calling
Meg
Sent from my iPhone
I find dances where '1s swing, 2s admire' very helpful for summer dances in
hot halls, too.
Meg
On Tue, Jan 8, 2013 at 11:00 AM, wrote:
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Hi everyone,
I'll put on my guitar-player hat here for a minute ... I'm in a band that
likes to see the cards, or at least get a quick summary of the dance,
especially where the balances are. Something like, "There are balances at
the A1 and B1 and the rest of it is smooth," or "There are lots of
I had this same problem a couple years back in Chicago - un-airconditioned
hall with bad circulation and an old-time band with one speed: too fast.
Anyway, I ended up looking for dances where the 1s did something and then
the 2s did something (Dog Branch Reel, Bob Dalsemer; The Three Hats, Tom
Hi Delia,
I'm a caller and I'm in a band, so here's my 2 cents ...
Yes, I think there are some tunes that don't work as well for dancing as
others. Sometimes highly syncopated tunes don't work as well. Sometimes
noodly tunes don't work so well, because the tunes aren't very well
punctuated. There
I happened to play on Saturday night for Queer Contra Chicago, a dance
series that prefers to use bands/ bares. I've called for that series as
well.
Two things stood out: The first is that during the workshop someone asked
the caller if he'd heard the larks/ ravens terminology, and said they
I just had a gig like this! A friend of mine is heavily into MWSD and is
always looking for ways to cross-pollinate the scene. She asked me to come
and share an evening with the regular caller because they couldn't get a
round dance caller for that particular night. I did not have a live band; I
I like this one a lot:
*Becky's Brouhaha - Rhiannon (Giddens) Laffan
*>>* A1N Bal and Box the Gnat, Pull by R, (Previous N) Allemande L
*>* A2(Current) N B
*>* B1Circle L 3/4, P Sw
*>* B2Ladies Chain, Left Hand Star*
On Mon, Oct 10, 2016 at 11:36 AM K Panton via Callers <
Checking in from Chicago, where wrist-grip stars are the norm and
hands-across stars need to be specified When I started dancing, 14 or
15 years ago, in Michigan, many dancers reached for a hands-across star
first, though I don't see that so much anymore.
Meg
On Mon, Oct 10, 2016 at 12:00 PM
That's a Liz Albert dance, and it goes like this:
Swing States
A1: long lines forward and back, swing neighbor
AS: Long lines forward and back, swing next neighbor
B1: Circle left three places, swing partner on side
B2: Ladies chain across, circle right, open up into long lines
Liz says she
Yes, it was, and Liz is one of ours. :)
Meg
On Mon, Nov 14, 2016 at 10:33 AM Luke Donforth <luke.do...@gmail.com> wrote:
> Thanks Meg!
>
> Is Liz Albert from the Chicago area? Did I get that right that it was part
> of your Chicago set at IndepenDance?
>
> On Mon, Nov 1
Champaign-Urbana may be switching over to gender-free, though not LGBTQ, as
well - check with them to verify?
Meg
(Chicago)
On Tue, Jan 31, 2017 at 11:16 AM, Alexandra Deis-Lauby via Callers <
callers@lists.sharedweight.net> wrote:
> There's also a gender free LGBTQ dance in Chicago.
>
> Sent
Tips I found that helped me, presented in random order:
Pick one or two squares to watch, preferably with more experienced dancers,
and call to them. It will help with the timing.
When I started calling squares, a friend helpfully pointed out that I was
waiting for the tops of the musical
Ha! I read that book, but I thought I came up with that trick on my own.
Maybe I remembered it long after I read it and thought I'd invented it. :)
Meg
On Tue, Feb 7, 2017 at 3:58 AM John Sweeney via Callers <
callers@lists.sharedweight.net> wrote:
> Meg said, "I have better luck teaching that to
A friend of mine with autistic kids shared something with me that she
learned from her kids' therapist: some people have a hard time taking
verbal direction for physical activity and do better by seeing a
demonstration.
So sometimes when I have a dancer on the floor who seems really confused, I
I've run into dancers as a caller and on the floor who fit this description
- men and women both. Most of the time the problem seems to be that they
can't get where they need to be on time, or they end a figure facing the
wrong direction.
But here's something that I learned in retrospect from an
Backstory about where you were going when you wrote the dance?
Meg in Chicago
On Thu, Jun 1, 2017 at 7:46 PM, Bob Green via Callers <
callers@lists.sharedweight.net> wrote:
> Interesting question Don!
>
> Being one of those "trip to" choreographers, I think there are a number of
> reasonable
There is, though it's low-traffic. But people are generally responsive
when someone asks a question. I think this is the link that takes you to a
page that tells you about it.
http://www.sharedweight.net/index.php?pagestate=music_about
meg
On Sat, Jun 24, 2017 at 1:03 PM Bree Kalb via Callers <
Hi Luke,
I would come with a program that doesn't require kids to have a solid grasp
of left or right, or to participate fully in a setting where you're telling
them what to do and they do it, to music.
Maybe plan on a lot of singing games, and a lot of you being out there
doing it with them - the
What's orange and sounds like a parrot?
A carrot!
On Mon, Sep 24, 2018 at 6:24 PM Polly Minstrel via Callers <
callers@lists.sharedweight.net> wrote:
> My latest fave: what does the family of cows have for dinner?
> Hay-for-four.
>
> *groan
>
> On Mon, Sep 24, 2018, 3:50 PM Isaac Banner via
I use Traffic Jam as a warm-up dance at most all-ages dances I call now,
including the one I run, and it works great, especially to get people on
the floor while the band is soundchecking or something.
When you say "lots of young kids," you didn't mention how young, which
makes a difference. If
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