Don,
Excellent! I will include this w/ your Mon listing.
Can you send me a link to the bus line that gets
one to Concord? I'd like to start
listing these items along w/ the basic info
& see if it shakes anything up. I know of
a few dancers somewhat locally who
drive electric cars. We're not
Hello all,
Changing the subject line to reflect the topic
of discussion.
Thank you, and please think and contribute if
you can. This could be a game changer.
Kind regards,
Paul
If people want to revisit the use of words,
please reflect that on a different thread.
Hey all,
This is a long email, as it includes three posts.
First, I hope people don't mind, but I'm ccing,
callers and musicians list here, as I think
we can collectively bring about a major shift
in habits w/ our concerted hive intelligence.
I am including the original two posts near the top
The other way is to include yourself as a bcc on
the email you send to the list.
Happy calling,
Paul
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Star is half way around?
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Hannah,
I whole heatedly double the recommendation for Corner Triplet
by Linda Leslie.
It even works w/ 4 cpls, as the top cpl becomes
the bottom cpl, (then essentially out 1 rd) everyone moving up 1.
Good luck,
Paul
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Can anyone cover this?
Please contact Mike:
mhar...@gmail.com
978-692-2039
Thanks,
Paul
This list ROCKS!!!
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Rich,
Twilight Deliverance (DI): no circles, has both N & P Sw.
A-1 N-S
LL F
A-2 Star L 3/4 (Gent turns over R Sh for)
P-S
B-1 Gents start 1/2 hey (L sh)
Gents chain
B-2 Bal & Pet 2X (on 2nd turn 1/2 extra to swing new N)
To end dance: Bal & Pet 1X, P-S
Yours in
Dearest Hive,
Is anyone available to call a dance this Sat, 7-10 PM, in Wareham MA,
just before the Bourne Bridge?
I've been down w/ the flu for 6 days and it hasn't let go yet. No
voice, just a whisper.
Contact me off-list for details. It is a small dance, typically 20-30.
Thanks everyone,
Linda,
Hi! Here is one option that I've used once and was very surprised by:
http://www.fullcompass.com/prod/131132-Roland-MOBILE-CUBE?utm_source=googleps_medium=shopping_campaign=googleps=googleshopping-musical_instruments===131132=EAIaIQobChMIhMLT6bHY2AIVE7nACh2nmAQ0EAUYAiABEgLJwvD_BwE
good
Maia,
Another Second Time Around
Robert Cromartie Becket
A-1 Cir L 3/4
N-S
A-2 Cir L 3/4
P-S
B-1 LL F
Lad Ch L Diag
B-2 Lad Pull by R, Al L 3/4 w/ shadow
P-S
Enjoy,
Paul W
Prov RI
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Mark,
Hi! It seems the dance should work, but I do notice one quirk. It
looks to be a becket R dance (in terms of progressing direction). So
starting out in DI means the first star is shorter for the ladies than
it would be (one full time around) once you swing your P in the
B-2.
Michael,
Hey all,
I'm helping a friend out who is experiencing some serious (but
hopefully temporary) stress.
Would anyone be interested in calling a dance in Prov RI on Fri June
16? There may be other dates available at this series in the future,
for interested parties.
We are hoping to expand our go
Maia,
Culver City Contra, by James Hutson (becket R, for those who will:-)
A-1 LL F
R & L Thru
A-2 Ladies Chain
Star L 1X
B-1 New N DoSiDo
N-S
B-2 Men Al L 1 1/2
P-S
A bit more complex for a medley are:
To Have & To Hold Don Flaherty
Triptophane Susan Kevra (all 3
Hey all,
Does this dance exist already? If no, please give it a whirl and let me
know what you think.
Twilight Deliverance DI
A-1 N - S
L L F & B
A-2 Star L 3/4 (to Ladies side)
P - S (Men turn back to S P)
B-1 1/2 Hey (Men lead, L in ctr)
Men's
Amy,
Thank you.
Called Cotuit tonight. The evening was channeling your sentiments,
exciting & outside the box.
If you ever plan to get to the Prov or Cape area on a wknd and want to call
or play, please give me a shout. Housing available at a few spots. I'm
just starting the Jan schedules,
lers <
callers@lists.sharedweight.net> wrote:
> Caller is Paul Wilde, I believe.
>
> -Don
>
> On Sat, Jun 4, 2016 at 12:12 AM, Chet Gray via Callers <
> callers@lists.sharedweight.net> wrote:
>
>> Gallimaufry at Sandywoods (I don't know the caller):
>
Can anyone identify the name/author of this dance please?
Becket
A-1 L Ch L Diag
1/2 Hey (LR in ctr)
A-2 N B & S (N you chained to)
B-1 Cir L 3/4
Bal & CA Twrl
B-2 P B
Thanks,
Paul
We've tried gyre and gimble a few times at a small local dance series. The
few who responded were positive. It has a certain je ne ces't quas (even
if we misrepresent the technical meaning of gimble :-)
Paul
I am happy w/ the present system whereby identifying requests/ answers are
part of the regular forum.
Thanks,
Paul
> First of all, I think making changes is a bit premature -- nobody AFAIK
>> is complaining about the current stream of requests. That said, Mailman
>> has the ability to create
Quick correction on timing:
David's Triplet #5 David Smuckler
A-1 1s cast down own side to bottom,
Back up ctr to cast w/ 2s
A-2 All do si do P 1 1/4 into way line of 6, balance
Balance & Al R w/ P 1/2 into new wave &
B-1 Bal, Pul by P by R into hey for 6
B-2 P Gypsy &
Donna,
Here are the figures for the three suggestions I sent.
David's Triplet # 5 (David Smuckler). It has a lovely hey for 6 w/ a P
Gyre & Swing to finish.
A-1 1s cast to bottom, ret up inside and cast around w/ same gender 2s
All face P, dsd 1 1/4 to wavy line of 6, P in RH
A-2 Bal
Donna,
Levi Jackson Rag, for 10. Becoming a local favorite when numbers permit.
One I really like is David's Triplet #5 by David Smuckler. (It has a hey
for 6, or do it w/ hands to introduce a grand R & L). Nice dance.
Another quirky one that is a hybrid contra/square is Square Line Special
Jeff's Gyre & GimbleDI
A-1 1s Gyre & Gimble (R Sh)
A-2 Down Hall Line of 4, 2s Hand Cast 1's (or trn as cpl), return
B-1 Circle L 1X (all are back to orig DI)
Pass N-1 by R and Gyre N-2 by L
B-2 N-1 Gire & Gimble (R Sh)
Notes: This dance needs room, so best to keep lines
Jim,
I have had a lot of fun w/ mescolanzes and find them to be an efficient use
of space. They require a little more room lengthwise than that of a hands
4, but considerably less in width, compared to 2 lines of hands 4.
Similarly, 2 sets of 4 X 4 if 4 sets of hands 4 is too crowded across the
Kalia,
I love David's Triplet # 5 (David Smuckler). It has a lovely hey for 6 w/
a P Gypsy Meltdown to finish.
A-1 1s cast to bottom, ret up inside and cast around w/ same gender 2s
All face P, dsd 1 1/4 to wavy line of 6, P in RH
A-2 Bal wave, P Al R 1/2 reform (luv it) wave, Bal pull
I remember dancing this in Seattle last year w/ David Kaynor calling.
Didn't catch the name. Great dance. Requires everyone to be alert.
best,
Paul W.
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Fellow Rabble Rousers,
Ooops! Pressed send w/o checking the to box. Mea culpa.
Paul
. I see Lois at dance festivals, and we
danced together several times at NEFFA this yr.
More later.
warmest regards,
Paul Wilde
Prov RI
Good luck grabbing a caller for May 24th. I'm sure something will
come together from your SW post. Do keep me in the loop.
Rich,
Hi! First thing that comes to mind is "Cracking Chestnuts" by David
Millstone & David Smuckler. This is an excellent collection of dances
w/ fine historical (and ed) notes.
Paul Wilde
Hey all,
Just wanted to reconfirm that George Marshall gets credit for "stand
where you land".
It was the first place I heard it. George, hope you don't mind :-)
best,
Paul
Kalia,
Last month @ Pinewoods George Marshall was calling the afternoon
contra sessions @ E & A. Lots of fun & really interesting dances.
On some of the beckets, where the cpl out at the end (whether partners
or neighbors) needed to stay right where they are, he taught/called,
'stand where you
Oh boy, there will be some disagreement on this one, from past experience
of the same topic.
For me as a dancer? 126-128 bpm seems just right, but I haven't tried it
up a steep hill w/ wooden shoes yet, which I hear happens on occasion. Can
anyone verify this rumor (-:?
Paul
Jim,
OMG what a great post. You have so hit the nail on the head and presented
it so eloquently.
I believe good dancers who are community oriented (rather than dance gypsy
jaded, as Joelaine so brilliantly points out in her home page post on
gmail) are going to be just fine w/ the caller
John,
Mea culpa. I stand corrected on the terminology, which I ruefully
reconsidered after posting. Pt. taken.
Thanks,
Paul
In *Cracking Chestnuts* by David Smuckler & David Millstone, there is a
humorous and most enlightening history of the evolution of Money Musk which
runs 12 pages.
While I completely respect the authors original intent and choreography, I
do agree that there is room for variation when the need
Esteemed colleagues,
2 weeks ago I called my first "period' event, a Civil War Ball for teens &
their parents, most new to dancing, nearly all dressed in amazing costumes.
It was a good night, with about 50 dancers attending. The highlight of the
evening came during the last called dance, The
Hey all,
I've seen it called w/ a ladies chain ending the B-2, which worked very
nicely. Seemed to eliminate the confusion. I think it all depends on the
crowd and walk through.
Paul
p;
NEFFA at Christ Episcopal Church, 14 School St, Medway MA. Paul
Wilde & members of the PJammers invite ALL dancers, including
musicians and callers (who are welcome to dance as well as call or play).
Contact Paul at zenye...@gmail.com for further info. Please
come and make the final spin around th
Mac,
This is very similar to Another Second TIme Around (I believe the author is
Robert Cromartie), difference being in ASTA (as I have it) the A-1 is Cir L
3/4 and swing N, w/o the pass through. It is a GREAT dance, but very
vigorous.
best,
Paul
Here is a dance I collected a few years ago -
Hey all,
Seeing the topic of inclusiveness has just popped up, I would like to start
a new thread. I would like to see us share some dance choices that are
best suited for older dancers, ones that are fun and interesting to dance,
but not quite so physically demanding as some of the high energy
Hey everyone,
I'd like to return to Michael's original thread, before it is forgotten.
The idea of posting our favorite 2 or 3 dances seems like a wonderful
chance to share resources and enrich our dance communities.
Thanks,
Paul
On Thu, Nov 29, 2012 at 10:19 PM, Michael Fuerst
Kalia,
In Bowl of Cherries, the original calls for the cross trail without hands,
which tends to make it part of the amazingly smooth & flowing dance it is.
Hands help if you have beginners in the line. You can teach it with
hands, and then point out that the actual dance doesn't use hands at
To Have & To Hold by Don Flaherty Becket R (CCW)
A-1 LL F
Ladies Chain R Diagonal (those who can)
A-2 Pass Thru (across set) & Swing
B-1 Circle L 1X
Gents Al R 1X
B-2 Gent 2 Al L 1/2, Gent 3 Al R 1/2
P-S
Original has the 3 Allemandes happening all in second half of
Hey all,
Three of my favorite contemporary dances are:
To Have & to Hold by Don Flaherty
The Second Time Around (apologies, author temporarily slipped my mind)
Bowl of Cherries by Sue Rosen
Not intentional, but there isn't a balance in one of them.
warmest regards,
Paul Wilde
Kalia,
LOL! A nearly universal problem, I'm guessing. Tony Parke's license plate
is HANDS4. Now that I'm calling, it's taken on a whole new meaning.
Paul
Hey all,
Just a gentle reminder per earlier (lengthy) discussions: please trim all
unnecessary posts when replying to a message. We are busy folk and don't
need the extra verbiage (which we've already seen at least once) to slog
through. If it's previously posted but really necessary to
Hey all,
Anyone have some interesting easy to intermediate triplets they'd be
willing to share?
I've got Ted's Triplets #3, #4, #6, Linda Leslie's Corner Triplet,
and David Smuckler's David's Triplet #5.
Thanks,
Paul W.
Prov. RI
I totally agree w/ Chrissy, John, & Hilton,
Please delete everything that has already been posted which is not
absolutely essential to your new post.
Thank you everyone,
Paul
Lynne,
I have not had a formal mentor, as such, but owe a great deal of gratitude
to this list, and especially to Tony Parkes & Dan Pearl for their great
warmth and willingness to share. Both have taken time to answer questions
and/or sit and chat on the sidelines of a dance talking w/ me about
Hey all,
Thanks for the rapid responses and interest. This list rocks. What a
great community.
warmest regards,
Paul
Hey Everyone,
I've had a request to do a 90 minute ONS in W. Greenwich RI on Sat. April
7. I would LOVE to do this gig, but I'm already booked.
Basics are: approx. 25 beginning dancers, 40-60 y.o. Start time
approximately 6 PM (TBD soon) *MUST* bring own recorded music.It may
be a schlep,
Chris,
I highly recommend the Suites of May. It's a 3 part dance, but as long as
you keep the general phrasing matched, no one seems to notice the dance
doesn't always begin on the A-1 of the music. It is a surprisingly fun and
exciting dance, compared to how it looks on paper. Keep lines to 6
Tina,
This doesn't look like a Becket dance, but rather simply improper, based on
what I'm reading. Seems for this to work, your partner has to start across
the set from you.
warmest regards,
Paul
>
> Carlson TapsalteerieBecket contra, improper
> Author
Chrissy,
What a sweet question. Thanks.
My favorite? The Wood Duck by Fried de Metz Herman. Even the
contracentrics may cave into this ECD.
Done w/ proper spacing, it is a thing of total beauty, to watch and to
dance. It's easy to remember from a caller's view. It has a quality of
very
tempo.
It might work for a bit of a breather in a hot hall. As a friend pointed
out, there's no physical connection during the gypsies, so a relaxed pace
keeps people from sliding around.
much love,
Paul Wilde
PS I think the dance is gender free as called above. Comments welcome.
Meg,
My personal opinion is that 7 couples is a good minimum number for a contra
line. This gives 3 sets of hands 4 dancing all the time. 6 couples will
leave you with 2 hands 4 and 2 couples out every other progression.
Good luck,
Paul Wilde
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