LiveBPM indeed does not do well with waltzes. No problem with jigs or reels.
Rich G
> I don't know whether anyone has done careful systematic testing of liveBPM's
> accuracy on a varied range of contra dance music. If anyone does, I'd be
> interested in knowing the result. I have,
There is a app for iphone or Android called liveBPM. A lot of bands use it.
I usually have if going when we play.Very useful tool.We also use it
in rehearsal to identify dips or spikes in the tempo over the course of a set.
We generally try to play between 110 and 120 depending on
I will often ask the fiddle player to come out on the floor and play for a
short circle dance. This is an opportunity to get them dancing right away,
teaches connection (giving weight), phrasing (counting to 8), and swing basics.
Sometimes the whole band wants to play.
Rich
> On Sep 10,
If you can get by calling a triplet, Linda Leslie’s Corner Triplet is an easy
CC dance.
Rich
> On Jul 10, 2019, at 3:31 PM, Rich Sbardella via Callers
> wrote:
>
> Friends,
> I have been asked to call a contra dance with contra corners in it. Can
> anyone suggest an interesting dance that
Called Chuck’s dance tomight in Portland (OR) with Chuck playing in the band.
Nicely received by the dancers. Great dance.
> On Jul 6, 2019, at 11:26 AM, Charles Abell via Callers
> wrote:
>
>
> Charles Abell has shared a OneDrive file with you. To view it, click the link
> below.
>
I got this inquiry.Anyone interested contact Pamela directly.
Rich
Begin forwarded message:
> From: Pamela Thomas
> Date: April 10, 2019 at 10:15:51 PM EDT
> To: r...@richgoss.com
> Subject: Caller Enquiry
>
> Hi Rich, I am looking for a caller for a square dance on Saturday, June 15.
>
in. She gave us a tour.
Laura’s Secret Garden – Rich Goss Improper
(Start take inside hands with Neighbor)
A1: (with inside hands) Neighbor Balance, Star Thru, Gents alle left 1 1/2
A2: Partner Bal and Swing
B1: (Form ring) Ring Bal, twirl to right, Neighbor swing
B2: Pass Thru (no hands
Ben's Spinnoff #3 is not becket
Rich
> On Nov 12, 2016, at 11:31 AM, Erik Hoffman via Callers
> wrote:
>
> Hi All,
>
> Thanks to all who’ve supplied names! Below are the names of most of my “Don’t
> Know” dances. A few, reposted at the bottom of this email,
Hi Joseph,
Several years ago there was a national MWSD convention here in Portland. They
hired a local contra dance band, rented an hall, and put on a contra dance for
the attendees. The band invited dancers from the local contra dance
community. Their callers did the contra calling.
Dancing Bear by Becky Hill is a good one. Easy to teach and a little
different. She used to teach it with a little hop after the a1 alle right 1/2.
> On Dec 8, 2015, at 4:31 PM, Sandy Knudson via Callers
> wrote:
>
> I like First Hey by Paul Balliet
>
>
I like my iPad mini. Just the right size for me.
> On Aug 31, 2015, at 11:24 PM, JD Erskine iDance via Callers
> wrote:
>
> Hullo folks,
>
> Of those using, or considering using, a tablet computer for dance directions
> ("cards") and programs, what size do
Found this one in my collection.Good dance.
Roll In To The Grey Eagle - Hank Morris
A1: LLFB, ladies roll gents (R/L on the way back)
Ladies Chain
A2: Hey for four
B1: Partner balance and swing
B2: Circle left 3/4, Neighbor swing
> On Apr 12, 2014, at 9:27 AM, Jerome Grisanti
I'll frequently call a two or three dance medley as the last dance, all easy,
with the same caveats mentioned by Bree.
I have this book called "F in Exams".It has totally wrong and hilarious
answers to exam questions. I could imagine an answer to this question:
"The best dance for a
Not sure if anyone mentioned the New England Dancing Masters. Great resource,
especially for worki g with Children.
http://www.dancingmasters.com
Rich
> On Feb 19, 2014, at 11:05 AM, "Harold E. Watson" wrote:
>
> Thanks everyone for all the great recommendations and
Completely agree. I certainly appreciate the way the mods on sharedweight
manage this list. Thanks for setting it up.
> On Feb 19, 2014, at 8:15 AM, Robert Livingston wrote:
>
> As it is,is great
Most certainly carry cards as well. But there are now several dances for
which I do not have physical cards.
> On Oct 8, 2013, at 10:02 AM, Kalia Kliban wrote:
>
> Have any of you who use tablets for calling ever had problems with them in
> the middle of a gig? Do you
I previously used a full size iPad. I got an iPad mini and love it for
calling. The best part is that it fits perfectly on the clip-on card holder I
used for physical cards and the magnetic cover locks it in place.
> On Oct 8, 2013, at 8:28 AM, Aahz Maruch wrote:
>
>
You could include Alberta Street. Has an unusual way to reverse the line of
four.
Alberta Street Contra – Rich Goss
Improper
Easy, down hall
A1: (new) Neighbor Balance and Swing
A2: Down hall 4-in-line, *Dixie Twirl
Return, Bend
So you have a beginner crowd at a festival? Since when does the band get to
dictate what you call? Just sayin'
Rich
On Jul 26, 2013, at 8:42 PM, Eric Black wrote:
> Bob,
>
> I've danced pretty much this sequence as a Becket starting at B2. Can't
> remember who or
Love the dance, but I can't stand coconut, in pie or anything else.
On Jul 6, 2013, at 2:35 PM, Joyce Miller wrote:
> I love this dance for a crowd with lots of beginners. It's sure fire and
> pretty much fail proof! And fun!
>
> On Jul 6, 2013, at 1:43 PM, lynn
I think a bit of context is in order. This topic was originally started in a
thread about teaching young children at school. In this context I agree with
Dan Pearl's post about not correcting it.
My 2 cents.
Rich Goss
At our weekly contra I would discourage it in a tactful way.
On May 20
New England Dancing Masters has some great resources for teaching children. I
called a dance at a local elementary once and used some of their material.
http://www.dancingmasters.com/
Rich
As far as that arms folded dosido. I usually say "that's from the musical
Oklahoma, and we're not IN
I came across this old thread. I'm unclear on the exact name (is it Punch or
Bunch?) and the author (is it Diane Silver?)
Cool dance!
Thanks, Rich
On Aug 23, 2012, at 4:54 AM, Bree Kalb wrote:
> Joy, I got Fruit Bunch from Diane a couple of years ago. Yes, it is a
>
Okay, seems like a good time to share a new dance. I've been calling this one
for about a year now. The A1 circle left is without hands. The transition
from the LHS to the single file prom 3/4 is fun to dance.This seems to work
best with "slinky" tunes.
Baby Evelyn’s Reel –
I like to find out the variety of styles a band plays. Are they strictly
old-time? Do they play jigs? If I have a smoothish dance planned, do they
play smooth minor jigs? Do they play bouncy dorky jigs? If they are a
northern style band, can they play southern tunes? I like to provide a
Virtually any contra dance can be done as a Sicillian circle. Probably would
work best with an improper non-becket dance.
Rich
On Jan 2, 2013, at 1:14 PM, Kalia Kliban wrote:
> I'm looking for recommendations of Sicilian circle dances that scratch the
> contra itch,
I never use the term Petronella for that move. It's always "spin to the right"
or twirl to the right" For me. Petronella is the name of a Chestnut that the
move comes from as most all of you know. Callers used to say "as in the dance
Peronella..." but through the evolutionary process is no
scores, but I find that it's great for managing my PDFed dances.
>
> Lisa
>
> On Sun, Oct 14, 2012 at 2:05 PM, Rich Goss <richg...@comcast.net> wrote:
>
>> I do keep my dance files in my computer, where I enter new dances that I
>> pick up. I also have a website a
I do keep my dance files in my computer, where I enter new dances that I pick
up. I also have a website and routinely upload my dance files to that space.
I keep them as pdfs and use iBooks on my iPad.
On Oct 14, 2012, at 10:50 AM, Maia McCormick wrote:
> A tangentially
One of my favorite circle mixers is Circle of Friends by Steve Zakon-Anderson.
Easy to trach and dance, but fun.
On Aug 30, 2012, at 7:53 PM, Laur wrote:
> I am looking for a mixer, probably a circle mixer, that is fun and
> interesting for regular contra dancers, not new
I once had a band tell me they could play anything I wanted, as long as it was
a Hoedown.
On May 21, 2012, at 6:53 AM, barb kirchner wrote:
>
> yes, those are all responsibilities of the caller - but those are the
> technical responsibilities.
>
> i think the most important role is that of
I may have missed it, but I haven't seen William Watson's excellent collection
of caller resources.
http://www.quiteapair.us/calling/
Rich
Sounds like a great project. I'm currently working to encourage local callers,
suppose you could call it mentoring. A couple of them quite actively. Also
have mentored to some degree long-distance. The long distance bit mainly is
providing resources and being available to discuss upcoming
I have a dance that has that feature.
Do What the 2's Say – Cammy Kaynor and Sue Dupre Improper
A1: Neighbor Dosido
Ones swing
A2: Ones down the hall, turn alone
Return, with Neighbor cast off (Twos cast Ones)
B1: One’s (or Two’s) choice
B2:
Well put Jim! I totally agree that dancer fun should be our main objective as
callers. Or programs should have variety or the dance form will become boring.
Thank you Jim.
Rich
On Mar 21, 2012, at 8:55 AM, James Saxe wrote:
> I'm finally feeling impelled to comment on
Generally requests come in the form if asking for a certain move. "Can you
call a dance with a hey in it?" Those can generally be accommodated if it fits
the program.
I was asked once to call a specific dance. I called it, and it was a disaster.
It was a disaster because I wasn't familiar
While I do pay some attention to the stock figures of a dance, I think the
signature moves and the feel of the tunes are more important. I also like to
make sure the progressions are unique. The flow of the evening is most
important IMO.
Rich
and I re-wrote Slice of Pinewoods at lunch that same day to be a more
> neighbor centered dance, August 31st, 2006.
>
> On Jan 27, 2012, at 11:46 PM, Rich Goss wrote:
>
>> Nice dance. One very minor point: my understanding is that a Yearn is past
>> two couples. Toward t
Seems like it would have better flow if the A1 roll away was women rolling the
men. Flows nicely then into A2 Women chain.
I don't recognize it.
Rich
On Jan 27, 2012, at 11:52 PM, Ric Goldman (letsdance) wrote:
> Hi folks,
>
> I just came across some old scribbled notes I wrote down for a
Nice dance. One very minor point: my understanding is that a Yearn is past two
couples. Toward the first on the left then as you back away you are across from
the second couple along the line. At least the original dance with yearn did
that reasoning that as you pass that first couple you
I have a question. At the end of A2 do they form long lines to start the B1
slides, or to they make a line of 8 across? Do the slides in B1 go up/down or
across? The statement "to a line of people across both sets" seems to
contradict "partners facing...".
Thanks, Rich
>
> Title:
Sure why not. I designed and maintain my calling website and also the Cascade
Crossing site.
Rich
Sent from my iPhone
>
Hi Jeff,
Thanks for the data. Portland has an attendance range of 80-150. Hall is $300.
Rich
On Jul 11, 2011, at 4:01 AM, Jeff Kaufman wrote:
> Dan Pearl wrote:
>>
>> In answer to questions, we give $50 to the person who provides/runs
>> the sound.
>>
>
> Thanks!
>
> I've made a summary
caller are
paid, same formula.
Sound person is paid $125.
Rich Goss
Sent from my iPad
On Jun 19, 2011, at 5:46 AM, Delia Clark <deliacla...@gmail.com> wrote:
> I would urge folks not to reply off list, as I think this is of interest to
> all!
>
> On Jun 18, 2011, at 10:3
#1 I have as "Young at Heart" - Steve Zakon-Anderson
On 2/22/11 8:05 PM, "David Millstone" wrote:
> Two contras called at a dance not long ago... the caller can't come up with
> the
> titles or authors. Can anyone on the list help?
>
> Thanks.
>
> David Millstone
On 4/30/10 11:29 AM, "Bob Isaacs" wrote:
> Chris Weiler wrote:
>
>
> "I subscribe to the theory that if I need more than one walk thru, then
> I'm calling a dance that is too difficult for the crowd. The main reason
> that I might run a second walk thru is if there
t a big problem, and I
> was able to fix it by timing my calls differently.
>
>> Betty's Night Out
>> Rich Goss
>> Improper, Double Prog
>>
>> A1: Neighbor Dosido and Swing (end facing down hall)
>> A2: Down hall 4-in-line(4), turn as couples(4); Return
the next by the
> left (women pass), then get ready to do-si-do a new neighbor for the
> next time through?
>
> I might try it this weekend. Thanks,
>
> ~Ruth, Chapel Hill NC
>
>
> On Apr 14, 2010, at 11:57 AM, callers-requ...@sharedweight.net wrote:
>
>> From
Wrote this dance recently in honor of one of our dancers who recently passed
away, Betty Stewart. Has this one already been written?
Betty¹s Night Out Rich Goss
Improper, Double Prog
A1: Neighbor Dosido and Swing (end facing down hall)
A2: Down hall 4-in-line, turn as couples; Return, face
It's the same path as a dosido. Have them do a dosido and notice their
path, then lock eyes across the set with their partner and follow the same
path sideways around the same neighbor they did the dosodo with. Seems to
work.
Rich
On 3/26/10 6:49 AM, "Rickey" wrote:
> Hi
I got mine at our local music store. You may have better luck at music
stores that carry band instruments vs a Guitar Center type place.
On 3/6/10 8:35 PM, "aawoodall" wrote:
> Hi,
> I am looking for a stand that attaches to a mic stand to hold my
> cards. I have seen
Actually, most any dance with a balance and swing can be changed to a gypsy
and swing. Just be careful when it occurs at the end of a hey (works if
it's right-on-the-side, but not left-on-the-side).
On 2/12/09 7:21 PM, "Rickey" wrote:
> OK,
>
> I give up. I have been
Duh on my part. I walked it through from the ladies role. Of course it
works with turning alone.
On 12/29/08 7:48 PM, "Rich Goss" <richg...@comcast.net> wrote:
> It's in G Maybe a clue there. It doesn't seem to work for me when I
> envision it without the CT. I'm Prob
Actually, I noticed that in Double Boomerang the PT across has a courtesy
turn, that would fix it. This is from a website with his dances:
Double Boomerang by Gene Hubert Contra Becket
A1 M Almd L 1&1/2, Sw N
A2 LC on L diagonal, F
B1 PT across, Cir L, PT along
B2 B P
On 12/29/08 7:19
It looks like Double Boomerang by Gene Hubert, except for A2 (Gene's is
LLFB, LC on left diag)
On 12/29/08 5:48 PM, "Jack Mitchell" wrote:
>This is a dance that I wrote down at a dance I went to a while back.
>Finally got around to checking it out and a) I
Nevermind. I read a later post. Got it.
On 4/25/08 11:37 PM, "Rich Goss" <richg...@comcast.net> wrote:
> Something seems to be missing. How do the actives get into the middle?
>
>
> On 4/25/08 9:21 PM, "Laur" <lc...@yahoo.com> wrote:
>
>
Something seems to be missing. How do the actives get into the middle?
On 4/25/08 9:21 PM, "Laur" wrote:
> I KNOW. I was quite enlightened by my personal google
> encounter.
>
> Its called Microchasimic by Ann Fallon
>
> My mentor, Mike Clark, uses this dance in an evening
Chris,
Looks great. I like the whole program list on your previous gigs. Thanks
for putting your dances out there.
Another quick advertisement here. I used a book called Head First HTML, CSS
and XHTML when I first designed my webiste. This book made it so easy to
learn CSS. I highly
Erik Weberg, with a K.
On 1/14/08 2:50 AM, "Michael Barraclough"
wrote:
> Hi
>
> I have written down the notation for a dance called "Rocks & Dirt". My
> notes are unclear as to whether it is by Carol Ormand for Eric We or it
> is by Eric for Carol. Does
Thanks Bob and Karen. Those WERE called by Susan.
Bob, that's a very good dance you wrote.
Rich
I danced a dance tonight that started with allemande N by right 1.5, w/next
balance and swat the flea, pull by back to original N for a swing. It had
Flea in the name and I think Bob Isaacs may have written it. Does anyone
have the correct name, author, moves?
These may be the moves:
A1: N Alle
On 10/6/07 7:30 PM, "barb kirchner" wrote:
>
I got it from Kathy Anderson, who called at the first Wednesday dance in
Portland last week.
Rich
> rich, didja get this from me? i've been calling it forever. nick boulet
> lives in knoxville - knew him (well, i
> - Original Message
> From: Rich Goss <richg...@comcast.net>
> To: Shared Weight <call...@sharedweight.net>
> Sent: Saturday, October 6, 2007 1:02:30 AM
> Subject: [Callers] Dance Name
>
>
> Hi,
>
> Hope someone can shed some light on this. I cop
Hi,
Hope someone can shed some light on this. I copied down a dance recently
but did not catch the name. I didn't have a chance to ask the caller.
The dance was written by Nick Boulet. Here are the moves.
A1: Long wavy lines (women facing out) Balance, allemande left
...to a ladies
hey
it's good to tell folks that they ultimately end up where they started. At
least they know where they are supposed to be at the end of the hey.
Good luck, you'll do fine.
Rich Goss
On 11/5/06 9:32 PM, "Jillian Hovey" <jillianho...@rogers.com> wrote:
> Thanks to everyone wh
') for becket, particular
figures, authors, etc.
Sample is attached. If you are not able to receive attachments, I can
upload it and send you a link.
Rich Goss
Www.richgoss.com
On 9/29/06 10:02 AM, "Will" <mainesail...@yahoo.com> wrote:
> Hi All,
>
> After many
The B1 I got from Dale is:
B1: Corners Cross (Gents, then Ladies)
Circle Left (1x)
I like the other two mentioned.
On 5/9/06 3:38 AM, "Chris Weiler" wrote:
> Hi Peter,
>
> Thank you for identifying the dance! We had a great time dancing it at
> Chrissy's
This is what I have for Heartbeat Contra:
Heartbeat Contra - Don Flaherty
Improper
A1:Balance ring, pet turn,
Balance ring, pet turn
A2:Balance ring, Neighbor Swing
B1:Ladies gypsy 112; Partner Swing (on side)
B2:Circle 3/4; Balance ring, Cal twirl
On 4/4/06
Here is one I found in my list. No P swing, but a N swing.
Newbury Reel - Tony Parkes
duple Improper
A1: Long lines forward and back
Actives dosido partner
A2: Neighbor dosido
Neighbor swing
B1: Down the hall four in line, turn as couple
Return, bend the line
B2: Ladies
This is a fun dance for GRF dances:
Contra for Linda (Improper)
A1.(8)N dosido
(8)Circle left
A2.(16)N swing, end facing down
B1.(16)4-in-line go down the hall, turn as couples, return, bend the
line
B2.(8)Star right
(8)Star left
>From Grant Goodyear:
The San Antonio dance group had a blind dancer. Everyone in the community
helped her along. But Seth T's observation held here too. She didn't
function as well doing non-touching moves, but the other dancers made them
touching moves. It was a joy to watch, and to dance with her.
Rich
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