This is only marginally relevant, but when demonstrating a move I often
will take the newest dancers I can and use them as my demonstrators --
walking them through the move while assuring them they can do it. I also
throw in little hints like "You're not going to remember everything, so
don't
Two more suggestions. At some dances I have called, I found that saying "end
the swing and face across" a bit early solved the late-for-the-next move
issues. And sometimes repeatedly cuing at B1, where the music is often audibly
different AND where there is often some noticeable move starting,
tra...@gmail.com>
To: Mac Mckeever <mac...@ymail.com>
Cc: Caller's discussion list <call...@sharedweight.net>; Martha Wild
<maw...@sbcglobal.net>
Sent: Tuesday, March 7, 2017 3:51 PM
Subject: Re: [Callers] Difficult dancers as a caller
Mac, suggestions on how?
(Guessing this
On 3/7/2017 1:51 PM, Ron Blechner via Callers wrote:
Mac, suggestions on how?
(Guessing this is more of an organizer, not caller, thing to do.)
Ron Blechner
On Mar 7, 2017 9:51 AM, "Mac Mckeever via Callers"
>
wrote:
-
> *From:* Martha Wild via Callers <callers@lists.sharedweight.net>
> *To:* Caller's discussion list <call...@sharedweight.net>
> *Sent:* Tuesday, March 7, 2017 8:40 AM
> *Subject:* Re: [Callers] Difficult dancers as a caller
>
> As one other caller mentioned
McKeeverSTLouis
From: Martha Wild via Callers <callers@lists.sharedweight.net>
To: Caller's discussion list <call...@sharedweight.net>
Sent: Tuesday, March 7, 2017 8:40 AM
Subject: Re: [Callers] Difficult dancers as a caller
As one other caller mentioned - what I do as a caller is a
As one other caller mentioned - what I do as a caller is avoid looking at that
dancer AT ALL. That confuses me, and I will miscall if I get to caught up in
what is happening there. What I do is look ASAP for the dancers who are doing
the moves smoothly and well, and I call to them, making sure
That is a GREAT question. I try not to call to a single dancer--largely b/c
often, calls don't even help this sort of dancer all that much. (Sometimes
I call to them out of instinct, but I've been trying to check myself there.)
I don't reay have a good strategy here except to enlist dance
Inspired by Marie's other thread, I wonder what tools callers use when they
encounter a dance floor with such a dancer, especially if there is only one who
is having so much difficulty but who leaves confused dancers in their wake. Do
you call to that dancer? Do you call earlier? Do you adjust