I usually program an evening dance the day before the event, since my mental
and metaphysical state will be closest to how I will be at the event, and I
think it’s important for my own energy and enthusiasm to be focused on the
present. My programming always has a “Plan A” set of dances,
Subject: Re: [Callers] Programming a Dance
I might be a bit different than most of the replies to yourquestion.
For a regular contra dance, I usually set up a program onthat day or one
day prior. Sometimes in the car enroute to the dance(if someone else is
driving). I may be thinki
My approach varies considerably depending on what kind of dance it is, and it
also depends on my attitude about it and the musicians attitude about it. I
work with a lot of different musicians in my different dance worlds (English,
contra, Civil War, Regency, Early American, Victorian,
I almost always program a regular dance the day of. This has gotten a lot
easier since I now keep a digital record of every program I call -- I can
look through and find a program I called for a similar dance, pull out
those cards, and modify and make changes as necessary. I try to also make
notes
I might be a bit different than most of the replies to your question.
For a regular contra dance, I usually set up a program on that day or
one day prior. Sometimes in the car enroute to the dance (if someone
else is driving). I may be thinking of dances that I'd like to call
during the
Being in charge of a monthly "open band open mic dance," I rarely prepare
-- but I usually have at least a couple of dances in mind, just in case. I
never know if another caller will show up or if a room full of newcomers
will show up. It's a small venue and the regular dancers are forgiving.
I should addend my previous response to say I approach a dance preparation
as I do a horse show. That's how my mind works. There is a plan and steps
to it.
Mary
On Mar 13, 2018 6:15 PM, "Mary Collins" wrote:
I usually start thinking about the program as soon as I book.
I usually start thinking about the program as soon as I book. Then as far
out as two weeks I pull and practice dances, determine suitable music,
refine a day or two before and then once at the dance change the whole
program. Lol. Not really but once I get there I end up changing order or
some
As a new caller I spend way too many hours preparing. I used to start weeks in
advance, just so I could read all the choreography books I have. Now I’m down
to 1 or 2 weeks. LOL. Where I’m spending most of my time nowadays is developing
a sense of “story” and “biorhythm” to the program, and not
;call...@sharedweight.net>
> Subject: [Callers] Programming a Dance
>
> I am curious how much time you all plan programming a dance before arriving
> at a venue. If you do not preprogram, what is your approach for on the fly
> p
This is why they pay us the big bucks!
My process is very much like Jonathan. My calling took a big leap forward when
I started paying more attention to what I would say during the walk-thru, and
practicing saying it out loud as concisely as possible (Lisa Greenleaf
influence!).
Jean
> On
I like to have a program of dances selected and laid out for my gigs.
Of course I know that sometimes the prepared program has to be
departed from, or completely replaced, but I like to at least start from
the point of having a prepared program.
For a typical contra dance I will spend
Usually from 2-4 hours, I’d say. I plan in alternatives for harder dances, and
I also provide suggestions to the band for what sorts of tunes are needed,
smooth, bouncy, marchy, where the balances are. I always pre-program.
Occasionally I have to change something on the fly, but not usually an
I am curious how much time you all plan programming a dance before arriving
at a venue. If you do not preprogram, what is your approach for on the fly
programming?
Rich Sbardella
Stafford, CT
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