In einer eMail vom 04.12.2006 02:36:38 Westeurop=E4ische Normalzeit schreibt
[EMAIL PROTECTED]:
Yer the boss(es), I don't know. I just happened to come across it the other
day (and looked it up) because it was listed as being played on one of
Vittorio Ghielmi's CDs, he playing lyra-voil
Yer the boss(es), I don't know. I just happened to come across it the other
day (and looked it up) because it was listed as being played on one of
Vittorio Ghielmi's CDs, he playing lyra-voil (scordatura tuned) and his
partner (who usually plays lute) playing a ceterone. The combination
Good Morning the Cittern list,
I write mail to find an important information and I am sure somebody can help
me in my research. A friend of mine who is a corsican cetera player has an
Archicittern. This Cittern teorbato is french from the middle of the 18e
century make in Paris by the lutemaker
From: [EMAIL PROTECTED]
Date: Mon, 4 Dec 2006 03:38:18 EST
To: [EMAIL PROTECTED], [EMAIL PROTECTED],
cittern@cs.dartmouth.edu
Subject: [CITTERN] Re: arch-citterns [was: 12-c Saxon cittern]
In einer eMail vom 04.12.2006 02:36:38 Westeurop=E4ische Normalzeit schreibt
[EMAIL PROTECTED]:
At 12:38 AM 12/4/2006, [EMAIL PROTECTED] wrote:
He plays a Ceterone by Ugo Casalonga. I have just had a look at his page
and there is no mention of him making what we might call a ceterone. From the
mp3's I could hear on the net, it sounds as through the cittern does
have more
than 4 courses,
Hi Roger,
I don't quite see how I have spoiled it for you.
If you like the recording, even if it was recorded with a dime-store mandola,
(which I don't think it was and also did not suggest) then I see no reason why
you should not carry on enjoying it.
I just wanted to point out that the
I don't quite see how I have spoiled it for you.
If you like the recording, even if it was recorded with a dime-store
mandola, (which I don't think it was and also did not suggest) then I see
no reason why you should not carry on enjoying it.
I just wanted to point out that the instrument
All,
A few years back, I contacted Luca Pianca to ask him about his tunings and
the instrument that he played on Bagpipes from Hell, and Il Giardino
Armonico.
Here is the text from the Fax he sent me on October 1, 2002:
...(greeting omitted). My cetra was build in Corsica by Hugo Casalonga and
