Re: [slim] CDs rapid Demise

2018-07-11 Thread emalvick


drmatt wrote: 
> I think they rarely go full scale DC for any number of samples on any
> recordings,  they are pushing it too hot but it's compression not
> "distortion" as such, (though we choose to call it such because we are
> pedants..) so wouldn't see that level of distortion.
> 
> Extreme compression is pretty horrible and results in a deeply
> unpleasant sound however.
> 
> 
> -Transcoded from Matt's brain by Tapatalk-

I don't know, when they compress it and run it at the limits
(volume-wise), it is pretty noisy.  Maybe not distorted, but definitely
not what was intended.  

Regardless, I miss the time when bands and musicians actually used
dynamics as an element to their music. The steady volume levels of music
these days is what really ruins it for me.  And why does music need to
be distributed at such loud levels.  It isn't like we don't have the
ability to change the volume ourselves.  But now I am just ranting, and
those complaints are beyond the fact CD's are dying.



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Re: [slim] CDs rapid Demise

2018-07-11 Thread drmatt


I think they rarely go full scale DC for any number of samples on any
recordings,  they are pushing it too hot but it's compression not
"distortion" as such, (though we choose to call it such because we are
pedants..) so wouldn't see that level of distortion.

Extreme compression is pretty horrible and results in a deeply
unpleasant sound however.


-Transcoded from Matt's brain by Tapatalk-



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Re: [slim] CDs rapid Demise

2018-07-09 Thread w3wilkes


emalvick wrote: 
> "but if there isn't distortion and the music is good, I'm happy."

Right on!



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Re: [slim] CDs rapid Demise

2018-07-09 Thread emalvick


cliveb wrote: 
> Just wanted to comment on a few of the issues you raise:
> 
> 
> Agreed. Despite its manifest flaws, vinyl can sound pretty damn good,
> but if it sounds better than the CD, it's because a better master has
> been used.
> 
> However...
> 
> This simply isn't true. It's perfectly possible to cut a hypercompressed
> master to vinyl. In fact many (most?) modern releases use the same basic
> master for vinyl and CD (although of course the vinyl master is further
> processed to cope with the limitations of the medium).  
> 
> 
> I think the rot set in big time during the mid-1990s. The earliest
> example I can think of where the degree of dynamic range compression was
> just a tad too much is the Led Zeppelin remasters from 1991.
> 
> 
> If you're checking for clipping with an audio editor, presumably you're
> looking for flat-topped waveforms. Note that a flat-topped waveform is
> an example of DC (ie. it has a frequency of 0Hz). Vinyl by its very
> nature imparts a high-pass filtering effect (ie. there are no
> frequencies below, say, 20Hz). As such, a flat-topped waveform is
> impossible to cut to vinyl, so even if the master is clipped, what gets
> cut (and what you'll see in an audio editor) is a waveform with a
> sloping top and so it doesn't appear to be clipped, even though it is.
> 
> Now of course it may be possible that in this case the vinyl was
> genuinely from a different (less compressed) master than the CD, but
> beware of jumping to conclusions. Remember: most LPs these days are cut
> from the same master as the CD.
> 
> One way of pretty much guaranteeing that you get a non-hypercompressed
> album is to buy secondhand stuff from earlier than 1990. Unfortunately
> although CDs from that era weren't compressed, a lot were made from copy
> masters that had generational losses. And of course buying used vinyl is
> a crapshoot. So basically you can't win. Life's a bitch, eh?

I don't disagree with any of what you said, but when buying newer music,
I do check closely at how the vinyl is mastered:  I track record
companies who put more care into the process (and note it), I look for
samples and reviews of the albums I am interested in, reviews of an
album or discussion regarding, and even the availability of high-res
files for sale.  In fact, if they are selling a high-res version of an
album, the vinyl will usually be from that source; although, I've seen
high-res that is obviously from a CD format, but people are becoming
more aware of that too.

Oh well... It's tough to win on this.  It can all be a crap-shoot, but a
little effort improves the odds of getting something good if it's
important.  I am not an audiophile enough to get too hung up; I just
want to avoid the obvious distortion of a hypercompressed album that is
mastered too loud.  Not that a non-clipped hypercompressed album is
fantastic, but if there isn't distortion and the music is good, I'm
happy.



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Re: [slim] CDs rapid Demise

2018-07-04 Thread cliveb


Just wanted to comment on a few of the issues you raise:

emalvick wrote: 
> I've noticed plenty of examples where the vinyl sounds better than the
> CD and it isn't because vinyl is better, it's just the mastering.
Agreed. Despite its manifest flaws, vinyl can sound pretty damn good,
but if it sounds better than the CD, it's because a better master has
been used.

However...
emalvick wrote: 
> Vinyl, however, has been immune to this type of mastering, probably
> because it can't really stand up to it
This simply isn't true. It's perfectly possible to cut a hypercompressed
master to vinyl. In fact many (most?) modern releases use the same basic
master for vinyl and CD (although of course the vinyl master is further
processed to cope with the limitations of the medium).  

emalvick wrote: 
> I really started noticing the decline in CD mastering quality around
> 2004 / 2005 (I'm sure it began sooner).
I think the rot set in big time during the mid-1990s. The earliest
example I can think of where the degree of dynamic range compression was
just a tad too much is the Led Zeppelin remasters from 1991.

emalvick wrote: 
> I remembering ripping a few CD's that just sounded terrible once ripped.
> Using audacity and then a few other tools showed me that the music was
> clipped across the board.  A few years later, I found a vinyl copy of
> one of the albums, and when it was ripped, I noted there was no clipping
If you're checking for clipping with an audio editor, presumably you're
looking for flat-topped waveforms. Note that a flat-topped waveform is
an example of DC (ie. it has a frequency of 0Hz). Vinyl by its very
nature imparts a high-pass filtering effect (ie. there are no
frequencies below, say, 20Hz). As such, a flat-topped waveform is
impossible to cut to vinyl, so even if the master is clipped, what gets
cut (and what you'll see in an audio editor) is a waveform with a
sloping top and so it doesn't appear to be clipped, even though it is.

Now of course it may be possible that in this case the vinyl was
genuinely from a different (less compressed) master than the CD, but
beware of jumping to conclusions. Remember: most LPs these days are cut
from the same master as the CD.

One way of pretty much guaranteeing that you get a non-hypercompressed
album is to buy secondhand stuff from earlier than 1990. Unfortunately
although CDs from that era weren't compressed, a lot were made from copy
masters that had generational losses. And of course buying used vinyl is
a crapshoot. So basically you can't win. Life's a bitch, eh?



Transporter -> ATC SCM100A

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Re: [slim] CDs rapid Demise

2018-07-03 Thread emalvick

d6jg wrote: 
> You are 100% correct about Loudness although Vinyl isn’t totally immune
> from it, it is as you say much less likely to occur. 
> 
> As usual the Record Industry exploits those of us who rebel against
> Loudness by selling FLAC etc for much more than MP3. The only additional
> cost is a bit of storage yet it can be double the price. If it’s an old
> album I’ll always source a secondhand CD and rip it myself.

You're right.  I meant to mention that.  I actually found that with
Nirvana's Nevermind album, which in its vinyl release of the past few
years, is a victim of the loudness war.  That was a point I wanted to
make. Vinyl is not immune.  I do think that if everything is relatively
equal, especially the sources, then the argument for vinyl is really
subjective.



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Re: [slim] CDs rapid Demise

2018-07-03 Thread d6jg

emalvick wrote: 
> The loudness war I think is a huge reason vinyl is popular with
> audiofiles (doesn't necessarily explain the hipster love of vinyl).
> 
> I've noticed plenty of examples where the vinyl sounds better than the
> CD and it isn't because vinyl is better, it's just the mastering.  About
> the time digital download sales began, mastering started to gear itself
> towards compression.  I think it was easier to just master the CD and
> mp3 all at once and then compress the dynamics to tailor towards
> listeners who predominantly listen to music in a car, crappy headphones,
> ipods, etc.  That is how music is listened to 99% of the time now. 
> Vinyl, however, has been immune to this type of mastering, probably
> because it can't really stand up to it, and the industry is trying to
> bank on the idea that vinyl is better.
> 
> I really started noticing the decline in CD mastering quality around
> 2004 / 2005 (I'm sure it began sooner).  I remembering ripping a few
> CD's that just sounded terrible once ripped. Using audacity and then a
> few other tools showed me that the music was clipped across the board. 
> A few years later, I found a vinyl copy of one of the albums, and when
> it was ripped, I noted there was no clipping, and consequently sounded
> better.  Was it because it was vinyl? only indirectly.  If the CD had
> been mastered the same as the vinyl, I'm fairly certain it would have
> sounded the same to my ears.  I am not an audiophile in the sense some
> people can be, I do prefer the clean sound of a well-mastered CD or
> other format rather than the random pops that go with vinyl.  My home
> system and speakers are quite modest; I can't hear the difference
> between a 24-192, 24-96, or 16-44 audio.  I can rarely hear the
> difference between a 320 bit mp3 vs a FLAC (from the same source).  But,
> I really hate over-compressed and loud CD's and digital files.
> 
> So, with regard to CDs and their demise; I tend to buy used CDs, like
> others expressed, mostly because if an album is old enough, the 1990's
> generally had better mastering than the 2000's when it comes to popular
> music.  I do buy new music but I am much more selective than I used to
> be.  I rely on Spotify to try before I buy, and then I get selective on
> the format I do buy. I tend to buy more FLAC (bandcamp and 7digital) but
> stick with 16/44 format or occasionally 24/48 as I don't find a need for
> higher resolution.  But, when FLAC is significantly more expensive or
> impossible to come by, I might buy CD or Vinyl. 
> 
> I am not a huge fan of the warming aspects of vinyl, so I generally try
> to avoid it unless I (a) really love the album (b) it's the only good
> mastering of the album and (c) want the album art.  
> 
> With this method, I find myself buying less music but buying more music
> that I will listen to and that will sound good.  
> 
> I am, however, a contributer to the CD's demise, although the record
> industry has contributed too.  I do think it is cheaper to sell, stream,
> distribute digitally than physically, otherwise physical formats
> wouldn't be in a demise.  Digital is probably more profitable and the
> prices are really just based on what the market will bear.

You are 100% correct about Loudness although Vinyl isn’t totally immune
from it, it is as you say much less likely to occur. 

As usual the Record Industry exploits those of us who rebel against
Loudness by selling FLAC etc for much more than MP3. The only additional
cost is a bit of storage yet it can be double the price. If it’s an old
album I’ll always source a secondhand CD and rip it myself.



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Re: [slim] CDs rapid Demise

2018-07-03 Thread emalvick


The loudness war I think is a huge reason vinyl is popular with
audiofiles (doesn't necessarily explain the hipster love of vinyl).

I've noticed plenty of examples where the vinyl sounds better than the
CD and it isn't because vinyl is better, it's just the mastering.  About
the time digital download sales began, mastering started to gear itself
towards compression.  I think it was easier to just master the CD and
mp3 all at once and then compress the dynamics to tailor towards
listeners who predominantly listen to music in a car, crappy headphones,
ipods, etc.  That is how music is listened to 99% of the time now. 
Vinyl, however, has been immune to this type of mastering, probably
because it can't really stand up to it, and the industry is trying to
bank on the idea that vinyl is better.

I really started noticing the decline in CD mastering quality around
2004 / 2005 (I'm sure it began sooner).  I remembering ripping a few
CD's that just sounded terrible once ripped. Using audacity and then a
few other tools showed me that the music was clipped across the board. 
A few years later, I found a vinyl copy of one of the albums, and when
it was ripped, I noted there was no clipping, and consequently sounded
better.  Was it because it was vinyl? only indirectly.  If the CD had
been mastered the same as the vinyl, I'm fairly certain it would have
sounded the same to my ears.  I am not an audiophile in the sense some
people can be, I do prefer the clean sound of a well-mastered CD or
other format rather than the random pops that go with vinyl.  My home
system and speakers are quite modest; I can't hear the difference
between a 24-192, 24-96, or 16-44 audio.  I can rarely hear the
difference between a 320 bit mp3 vs a FLAC (from the same source).  But,
I really hate over-compressed and loud CD's and digital files.

So, with regard to CDs and their demise; I tend to buy used CDs, like
others expressed, mostly because if an album is old enough, the 1990's
generally had better mastering than the 2000's when it comes to popular
music.  I do buy new music but I am much more selective than I used to
be.  I rely on Spotify to try before I buy, and then I get selective on
the format I do buy. I tend to buy more FLAC (bandcamp and 7digital) but
stick with 16/44 format or occasionally 24/48 as I don't find a need for
higher resolution.  But, when FLAC is significantly more expensive or
impossible to come by, I might buy CD or Vinyl. 

I am not a huge fan of the warming aspects of vinyl, so I generally try
to avoid it unless I (a) really love the album (b) it's the only good
mastering of the album and (c) want the album art.  

With this method, I find myself buying less music but buying more music
that I will listen to and that will sound good.  

I am, however, a contributer to the CD's demise, although the record
industry has contributed too.  I do think it is cheaper to sell, stream,
distribute digitally than physically, otherwise physical formats
wouldn't be in a demise.  Digital is probably more profitable and the
prices are really just based on what the market will bear.



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Re: [slim] CDs rapid Demise

2018-06-30 Thread atrocity


Dogberry2 wrote: 
> What, you mean you don't prefer a high noise floor, terrible
> signal-to-noise ratio, plenty of hiss, wow and flutter, with
> continuously degrading wear and worsening sound every time you listen to
> an album? What are you, a heretic? Any vinyl cult follower will tell you
> all that crappy noise stuff translates into a "warmer sound"!

I just got the new Andy Partridge 10" yesterday. It sounds shockingly
good...except for the side that's wildly off-center...and ends with a
single long, sustained note.



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Re: [slim] CDs rapid Demise

2018-06-29 Thread Grumpy Bob


d6jg wrote: 
> Most of the LPs were bought in the 70s & 80s and in many cases I can
> recall actually where and when I bought them. Not so for the CDs.

This is true for me too, for almost all my LPs! My LPs remain in pretty
good shape - and I never completely stopped buying vinyl. And with
reference to an earlier poster - yes, the ritual around caring for and
playing is quite good fun.

Robert



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Re: [slim] CDs rapid Demise

2018-06-29 Thread d6jg


Coming to this discussion late (I have been away).

Approx 30% of my Music Library is FLAC from meticulously digitised Vinyl
which has taken me nearly 10 years to complete. 
69% is FLAC from from CD
Perhaps 1% is downloaded mp3/FLAC where I can't source physical
product.

Most of the LPs were bought in the 70s & 80s and in many cases I can
recall actually where and when I bought them. Not so for the CDs.
I am still buying the odd (secondhand) LP.
In lots of cases I have both FLAC from Vinyl and FLAC from CD copies of
the same album. I invariably play the version from Vinyl. Is it just for
nostalgic reasons. Possibly?



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Re: [slim] CDs rapid Demise

2018-06-28 Thread sfraser


It's the inconvience and extra expense that really draws me back to
vinyl LOL!



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Re: [slim] CDs rapid Demise

2018-06-26 Thread Dogberry2


pablolie wrote: 
> I retired my turntable a lng time ago. I only brought it out around
> ~2007 to digitize some albums that were never re-issued. I always took
> excellent care of my vinyl. But I digitized and then sent the turntable
> (technics SL1200, nothing exotic) back to a storage location. And I
> gifted it last year.
> 
> I have no nostalgia for the sound nor the ritual, but I do like the
> large album art as my reading ability has suffered over the last few
> years :-D
> 
> But among a few things that make me foam out of my mouth like a rabid
> werewolf is when modern artists introduce artificial hiss and pop to a
> perfectly good digital recording. AAARRRGGG. Enough said.What, you mean 
> you don't prefer a high noise floor, terrible
signal-to-noise ratio, plenty of hiss, wow and flutter, with
continuously degrading wear and worsening sound every time you listen to
an album? What are you, a heretic? Any vinyl cult follower will tell you
all that crappy noise stuff translates into a "warmer sound"! :D

Most of the vinyl-heads I know are not old timers; they're kids in their
30s and younger. All the old timers I know laugh at them. We were amazed
at how good things sounded when the digital age hit us, and we could
start getting away from the nastiness of vinyl. I still buy almost all
my music on CD, and rip it to FLAC for my Squeezeboxen.



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Re: [slim] CDs rapid Demise

2018-06-20 Thread pablolie


I retired my turntable a lng time ago. I only brought it out around
~2007 to digitize some albums that were never re-issued. I always took
excellent care of my vinyl. But I digitized and then sent the turntable
(technics SL1200, nothing exotic) back to a storage location. And I
gifted it last year.

I have no nostalgia for the sound nor the ritual, but I do like the
large album art as my reading ability has suffered over the last few
years :-D

But among a few things that make me foam out of my mouth like a rabid
werewolf is when modern artists introduce artificial hiss and pop to a
perfectly good digital recording. AAARRRGGG. Enough said.



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Re: [slim] CDs rapid Demise

2018-06-18 Thread atrocity

Mnyb wrote: 
> People much younger than me thinks vinyl i kind of hip hence its current
> comeback .
> 
> I abamdoned it in the early 90’s sometimes wonderng if i should take it
> up again as a nostalgig thing.
> 
> My parents also gave up vinyl at the same time , but i do think must
> audiophiles are my dad’s ago or slightly older.
> With them a lot of silly things would ll die.
> Most normal people of that age probably have a harder time to abandon
> vhs and fm radio at home ( fm radio in the car is sad necessity)

I've been on a vinyl digitizing kick again lately and have been doing my
collection of Warner Brothers Loss Leaders. I'm occasionally surprised
at how good some of it sounds, but it's sure variable! Even the same
side of a record can start out horrible but be terrific by the end. It's
interesting to also get visual confirmation of what I'm hearing:
ClickRepair will show me it's doing all kinds of work on some passages
and nothing at all on others.



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Re: [slim] CDs rapid Demise

2018-06-18 Thread drmatt


JJZolx wrote: 
> "LP playback system" ... A turntable? You can play CDs on a turntable
> now? That's pretty cool.
> 
> Reading audiophile forums is how you get good playback of badly mastered
> CDs?

Pedantry will get you everywhere.


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Re: [slim] CDs rapid Demise

2018-06-18 Thread JJZolx


drmatt wrote: 
> I am depressed to say that there's a secondary problem. Due to loudness
> wars so many CDs are so badly mastered that they probably benefit from
> the softening and flattering bass of an LP playback system.

"LP playback system" ... A turntable? You can play CDs on a turntable
now? That's pretty cool.

> I'm starting to think the game is lost, home playback of high quality
> music is dead, unless you're prepared to pick over geeky audiophile
> forums where sad ex BBC engineers moan all day...

Reading audiophile forums is how you get good playback of badly mastered
CDs?



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Re: [slim] CDs rapid Demise

2018-06-17 Thread drmatt


I am depressed to say that there's a secondary problem. Due to loudness
wars so many CDs are so badly mastered that they probably benefit from
the softening and flattering bass of an LP playback system.

I'm starting to think the game is lost, home playback of high quality
music is dead, unless you're prepared to pick over geeky audiophile
forums where sad ex BBC engineers moan all day...


-Transcoded from Matt's brain by Tapatalk-



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albums..

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Re: [slim] CDs rapid Demise

2018-06-17 Thread Mnyb

mavit wrote: 
> I kinda hope so.  You can listen to a record using little more
> technology than a pin and a paper cone; if doing that becomes our best
> option again, some things have gone badly wrong.

People much younger than me thinks vinyl i kind of hip hence its current
comeback .

I abamdoned it in the early 90’s sometimes wonderng if i should take it
up again as a nostalgig thing.

My parents also gave up vinyl at the same time , but i do think must
audiophiles are my dad’s ago or slightly older.
With them a lot of silly things would ll die.
Most normal people of that age probably have a harder time to abandon
vhs and fm radio at home ( fm radio in the car is sad necessity)




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Re: [slim] CDs rapid Demise

2018-06-17 Thread mavit


drmatt wrote: 
> Vinyl will die when my parent's generation dies.

I kinda hope so.  You can listen to a record using little more
technology than a pin and a paper cone; if doing that becomes our best
option again, some things have gone badly wrong.



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Re: [slim] CDs rapid Demise

2018-06-17 Thread Mnyb

Also,the local store don’t have all I want nowadays , so they offer to
order .
But I can do that myself fro amazon or cdbaby and a zillion places.
Or do I really want to waits weeks to get the music , when there is a
flac download a minute away..?




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Re: [slim] CDs rapid Demise

2018-06-17 Thread earthbased


cliveb wrote: 
> The price of CDs, digital downloads (and vinyl LPs, for that matter) has
> little to do with production costs.
> It has everything to do with what the market can bear.
> 
> If the price was governed by the cost of production and delivery, then
> FLAC downloads would cost no more than the equivalent MP3.
> But they do cost more, because the customer is prepared to pay more for
> what they perceive to be a superior product.

FLAC takes more cpu power to create from PCM master vs MP3.   Streaming
uses more bandwidth.   Storing requires more GB/TB.  Smart persons use
RAID and online backup.  These are real costs.



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Re: [slim] CDs rapid Demise

2018-06-17 Thread earthbased


SlimChances wrote: 
> Surely there is a much greater cost to produce and ship CDs to stores
> than to provide a download

Yes, you are correct.   Store rental, inventory costs, worker costs,
stolen merchandise costs, etc.   See
https://www.zerohedge.com/news/2018-06-15/affordability-crisis-low-income-workers-cant-afford-2-bedroom-rental-anywhere



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Re: [slim] CDs rapid Demise

2018-06-17 Thread earthbased


JJZolx wrote: 
> With CDs you were never really paying for the physical media and
> packaging. I recall when CDs first became prevalent, there were claims
> that they'd lower the cost of buying albums, but that was never true.
> They came out and were actually more expensive than vinyl records.
> There's no reason to expect downloads to be much cheaper than CDs.

That's because Central Banks keep printing money!  Print Print
Print...Entertainment costs skyrocket.  

MLB is mystified why attendance is down ~9%
(https://www.wsj.com/articles/major-league-baseball-sees-a-sharp-drop-in-attendance-1529063246)
because they are too stupid to understand the new US tax code nixes biz
deductions for customer entertainment.   Wait until next season!   Keep
building those MLB Stadium Suites!



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Re: [slim] CDs rapid Demise

2018-06-16 Thread cliveb


iPhone wrote: 
> .
> It is *-NOT-* just a perceived superior product, the FLAC File is
> lossless hence one is getting ALL the music they paid for whereas MP3 is
> a copy and a bad one at that with tons of missing actual music data.
You have misunderstood my point. I never said that FLAC isn't a better
product, just that the customer perceives it to be so and is therefore
prepared to pay more, even though it costs the vendor no more to deliver
it. I personally choose to pay a little extra to buy FLAC downloads
rather than MP3 because I believe they are (probably) going to sound
better.

The word "perception" does not mandate a false impression, and I chose
the word very deliberately. In the context of pricing things in the
marketplace, it doesn't matter whether the customer's perception is real
or imagined - only that they have it, and are therefore prepared to pay
more.



Transporter -> ATC SCM100A

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Re: [slim] CDs rapid Demise

2018-06-16 Thread iPhone


cliveb wrote: 
> ..
> 
> If the price was governed by the cost of production and delivery, then
> FLAC downloads would cost no more than the equivalent MP3.
> But they do cost more, because the customer is prepared to pay more for
> what they perceive to be a superior product.

.
It is *-NOT-* just a perceived superior product, the FLAC File is
lossless hence one is getting ALL the music they paid for whereas MP3 is
a copy and a bad one at that with tons of missing actual music data.
128Mbps is easy to tell the difference even on a bad stereo as it is
lifeless, incomplete, and has no sustained bass because notes and
sustained musical artifacts have been removed by an algorithm that was
mathematically designed on the bad assumption that the human ear
couldn't actually hear those notes yet a human brain and ears heard them
in the first place because that is why they were written into the music
(musicians don't get paid by the note, they get paid by what people like
to HEAR and listen to)! 256Kbps is not much better and 320Kbps does take
a decent stereo to hear the difference but again just anybody that
writes music, studies music, is an avid listener of quality music can
tell a 320Kbps file from a FLAC file.

Now once one starts talking about super HiRes, then yes your claim makes
all the sense in the world because anything over 24/96 is a complete
waste of money because it is only good for Masters and even then starts
causes more problems then it is worth as rates get higher and higher.
24/192 playback has filter and high bit rate byproducts in it that
actually can easily be measured and when compared side by side with
24/96 playback 24/192 actually "Looks" dirty compared to 24/96 on the HP
Measuring Receiver due to these artifacts caused by sampling a rate that
high and the excess filtering involved in an attempt to remove these
artifacts, essentially attempting to keep the resolution level actually
ends up making it a lower actual resolution then native 24/96! The fact
that 24/192 playback has a higher noise floor then 24/96 tells one all
they need to know.
.



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Re: [slim] CDs rapid Demise

2018-06-16 Thread cliveb


The price of CDs, digital downloads (and vinyl LPs, for that matter) has
little to do with production costs.
It has everything to do with what the market can bear.

If the price was governed by the cost of production and delivery, then
FLAC downloads would cost no more than the equivalent MP3.
But they do cost more, because the customer is prepared to pay more for
what they perceive to be a superior product.



Transporter -> ATC SCM100A

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Re: [slim] CDs rapid Demise

2018-06-16 Thread DJanGo


SlimChances wrote: 
> Surely there is a much greater cost to produce and ship CDs to stores
> than to provide a download

Hmm
Are you working for a distributor or have any more than std. Pub
knowledge about that?
I dont think so.
You didnt believe the backgrounds and the infrastructure involved to
provide downloads.



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Re: [slim] CDs rapid Demise

2018-06-16 Thread drmatt

SlimChances wrote: 
> Despite the quote below I don't have much use for vinyl.
> 
> “Vinyl is written in stone. I think if it’s made it for 120 years now, 
> it’s here forever. That’s a beautiful thing to think about.”   
> Jack White
> 
> https://www.rollingstone.com/music/news/owning-music-buying-vinyl-cds-downloads-streaming-w521504

If I could buy a digital master that's mine, forever, I'd be happy to
forego physical media; I only rip it and put it back in the box anyway,
I never actually play from CD..

Jack White needs to get his head out the hippy smoke and join the real
world. Vinyl will die when my parent's generation dies.


-Transcoded from Matt's brain by Tapatalk-



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Re: [slim] CDs rapid Demise

2018-06-15 Thread iPhone


pablolie wrote: 
> I tend to buy used CDs quite often these days (seldom new ones). I know
> it's a form of piracy, but it gives me a simple 16/44 flac at an
> unbeatable price with cover art. The music industry simply shoots itself
> in the foot again and again. If I was a big label, I'd offer 16/44
> download from my website with cover art.

.
I am deeply in the used CD camp. I want to own "My Masters" so if
anything happens that I haven't planned for already, I can re-rip an
Album. I don't even remotely consider it piracy. The New CD was priced
at $16 and the artist got his cut. The Artist agreed to have his work
produced and sold on a CD. The person that bought that CD has every
right to sell it as it has now become his property, the artist was
licensing or renting the Album to the end buyer. CDs are no different
then any other product that is bought and sold out right to the
purchaser. If artists want to complain about something, how about Asian
and European copy-right laws?! How does ones copy right simple go away
after X number of years and anybody can now produce it and sell it at a
rate that doesn't pay the artist anything? Copy Rights are not Patents
that have a limited life and protection.

Which brings me to the issue of Downloads. Yes I have bought something,
but I don't physically own it in the material sense as in I can't hand
to somebody else allowing them to buy it for it has no physical form.
Yes it is "Stored" on a physical form but it is not packaged in physical
form and not sold in a brick and mortar retail establishment. If a hit
song is 88 cents for a download from Walmart, then the whole album
should be about $5 for buying in bulk. For again there is no cost of a
physical store front, no employee to pay to sell or interact with the
purchase, not warehouse space to store multiple hard copies, no
packaging to pay for, no product cost to incur to make and sell multiple
copies of the product, and on and on. So a huge costs have been removed
even when one thinks it only cost a penny or two to mass produce CDs for
a hit Album, there are tons of other costs involved like jewel cases,
storage, shipping, etc. 

I probably have less then a dozen downloads and I only have them because
there was no other means to get the Album I was searching for. Just my
thoughts. I don't ever want to see CDs go completely away. Does that
make me a control freak?
.



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Re: [slim] CDs rapid Demise

2018-06-15 Thread SlimChances


Yes the Bandcamp model is ideal. I sense that the artists get a good
portion of the sale as opposed to the record company model where the
label grabs most of the sale price. I wish other download sites followed
Bandcamps example. I was disappointed when CDBaby discontinued FLAC
downloads



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Re: [slim] CDs rapid Demise

2018-06-15 Thread Mnyb


pablolie wrote: 
> I tend to buy used CDs quite often these days (seldom new ones). I know
> it's a form of piracy, but it gives me a simple 16/44 flac at an
> unbeatable price with cover art. The music industry simply shoots itself
> in the foot again and again. If I was a big label, I'd offer 16/44
> download from my website with cover art.

Yes thats what we ever wanted for 30 years :D some do actually . Used CD
is a good source and it is not piracy really (unless previous owner
ripped it before sale) , actually with the UMW watermark it can be the
best source for their music is all downloads are tainted.. shooting
oneself in the head instead of the foot .




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Re: [slim] CDs rapid Demise

2018-06-14 Thread pablolie


I tend to buy used CDs quite often these days (seldom new ones). I know
it's a form of piracy, but it gives me a simple 16/44 flac at an
unbeatable price with cover art. The music industry simply shoots itself
in the foot again and again. If I was a big label, I'd offer 16/44
download from my website with cover art.



...pablo
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16.04 + LMS 7.9
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Re: [slim] CDs rapid Demise

2018-06-14 Thread Mnyb

SlimChances wrote: 
> Surely there is a much greater cost to produce and ship CDs to stores
> than to provide a download

Manufacturing cost was was not that much , I would say insignificant.
Pennies 
Maybe more cost in selling in a brick and mortar store with people
involved.

Most of the price is and was for the immaterial content .

That makes 10$ not to bad for a download I pay that when a CD in a store
costed more than that a decade ago heck,I paid more 20 years ago, and
even today with competition from downloading CD’s are often more .
CD to sells in more efficient ways mail order from amazon here to you
mostly pay for the content .

However with sites like Bandcamp and similar there is a very low “start
cost” no glass master ofsett print masks etc to pay for like in a Cd
print.
So you get a micro economy where an artist can take the risk of
releasing even if his independent or does not project huge sales.

So I do think roughly 8-10$ is the price for the content .

If you want expensive you can buy from HD tracks in so called hirez
where they upmarket the price just because thier custommers are willing
to pay more for bitinflated content ?

Price and manufacturing cost never has simple relationships it never had
.

With the advent of everything “made in China “ for rough estimates you
can say the bill of manufacturing a unit is “0” ( ok say <10% of
consumer sticker price ) and price is made up of other costs and risk
and development other business costs ( like having a company ) vat and
vat and shipping and actually what a market would pay for a “thing”.




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Re: [slim] CDs rapid Demise

2018-06-14 Thread SlimChances


JJZolx wrote: 
> With CDs you were never really paying for the physical media and
> packaging. I recall when CDs first became prevalent, there were claims
> that they'd lower the cost of buying albums, but that was never true.
> They came out and were actually more expensive than vinyl records.
> There's no reason to expect downloads to be much cheaper than CDs.
Surely there is a much greater cost to produce and ship CDs to stores
than to provide a download



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Re: [slim] CDs rapid Demise

2018-06-14 Thread JJZolx


SlimChances wrote: 
> Is $10 a reasonable price for an lossless album download or are we being
> ripped off. I would think the costs of producing and distributing  an
> album for download are far lower than the costs of yesteryear.

With CDs you were never really paying for the physical media and
packaging. I recall when CDs first became prevalent, there were claims
that they'd lower the cost of buying albums, but that was never true.
They came out and were actually more expensive than vinyl records.
There's no reason to expect downloads to be much cheaper than CDs.



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