litant
members of the Women’s Social
and Political Union, on a number of artworks and artefacts in English and
Scottish museums; and then these women went to prison for it?
regards
Johannes Birringer
[Flourish schreibt]
>>I just joined empyre, after finding out about it from Alan So
reative and artistic pursuits. an open university would be open, no? and if
it's closed
down, the meta-lab can move somewhere else (potentially other zones
of conflict) and be fertile.
regards
Johannes Birringer
dap-lab
http://www.brunel.ac.uk/dap
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hero') model that can be scrutinized as
well, though
I have of course fond memories of those who inspired me. (I am asking as I
just read
Edward Prutzer introducing/hosting Chad Wellmon almost with a book review of
Chad Wellmon's
forthcomi
lizaBeth
and Mimi did not directly address the politics of witnessing but brought up
"self-care" under "neoliberal management.' What if you extend that to the
racial-State war-State managements* under which most of us live?
respectfully
Johannes Birringer
* (my term
--empyre- soft-skinned space--
yes, indeed Kevin,
and my comment had implied as much of course, namely that you
and I, or the graduate students, and whatever campus, and those who
graduate into the corporate business world, are part
of the racialized state but (in the
ent metadata or hyperdata operators or
information management systems.
regards
Johannes Birringer
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eractive interface?
(and sited in an art gallery context quite at a distance to the context of your
ancestors and family in the Philippines). Well, after experiencing your own
installation
in the gallery, how well did the plants "play" their part?
regards
Johannes Birringer
__
"see" Beckett's not growing tree, and the
waiting for Godot not coming, and the collapse of
help systems, supports, the racialized disaster, the perverse DIY strategies
cooked up, etc
Do we notice when trees aren’t there?
Oh yes, we do.
with regards
Johannes Birringer
plants (well, I do,
the garden at my landlords' is 55 meters long and 24 meters wide, and my
landlady Judith works there every day and i am amazed just watching her and the
incredible richness and diversity of the life right near me, none of that art,
but lively and full of energies and full of dansity.
regards
Johannes Birringer
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he tiny plants opened
themselves to the robber, ever so gently.
How then do plant scientists approach plants and humanists, Murat? And are sets
of assumptions about plants changing (sets about otherness? about the code of
the other?)
regards
Johannes Birringer
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y or of
aesthetics would proceed to undermine the spider story, or Murat's 'difficulty
of the translator.'
regards
Johannes Birringer
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-art and some criticisms the latter
suffered).
regards
Johannes Birringer
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--empyre- soft-skinned space--
just a brief question (and thanks Murat, and Florian, for picking up on some
of the commentaries exchanged)
--- I received twice a posting from the invited participants, Gregory Lasserre
& Anais met den Ancxt, and the
postings seem ide
ection systems; and I would therefore ask what is it that you give voice to?
I am really curious and want to understand better why such work would be
considered 'plant art'?
Johannes Birringer
[Gregory schreibt]
We have been invited
ection systems; and I would therefore ask what is it that you give voice to?
I am really curious and want to understand better why such work would be
considered 'plant art'?
Johannes Birringer
[Gregory schreibt]
We have been invited
ere never
personalized except
to the extent that one can think of "subjective" experience of responses
(within rule bound systems) of the players
and interactors (or resistors).
http://empaclivemediaperformancelab.blogspot.com/
regards
Johannes Birringer
Interaktionslabor
htt
nteracting with
her/himself?
I don't think "the culture" is obsessed with self-capture; but there are
various forms
or terror that have infiltrated our lives for sure, and I dread them.
regards
Johannes Birringer
Fro
re pertinent and of course bleak
(though there are different borders, and thus differently felt scenarios) -
what do you mean, Ricardo, by suggesting that
do you see the camps everywhere?
Johannes Birringer
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nts
of
sexual violence, puportedly committed by immigrant asylum seekers staying in
Germany
at the time of the criminal offenses (Cologne e.g.), and how such violence has
been used
now against migrants by the instrumentalizing political wings and press.
unplugged, about the small steps of making sociality and community
visible, that's the only chance...
What i mean here is that chance of sustaining an ethics of community, of
actually also pondering whether our island democracies [should you believe yo
here, then?
Regards
Johannes Birringer
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ather than spelling out the boundaries of the cession."
This vagueness benefited the government’s purposes in crafting treaties and
executive orders. “Greater legality and more precision,” Saunt argues, “would
have made it impossible to seize so much land in so short a time.”
How d
will invoke). Pau might answer that (42 invited guests, to a country
as huge as Uruguay, abused the hospitality?).
regards
Johannes Birringer
ps.
I still tend to think "Kinopolitics" refers to Cinema/Kino. Moving images?
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en
the former east and the former west? At what point do artistic gestures (like
the passport from NSK's "state in time" that I hold)
become ineffective, ridiculous, or arrogant?
Yet your work, Tanja, seems to raise such important questions about sexual
violence, degradati
?
regards
Johannes Birringer
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t;expulsion"]
these short paragraphs alone could of course be discussed at length
My question about your notion of the "gesture" (and your theatrical reference
in regard to the Transborder Immigrant Tool) was meant simply to rais
ulptural, anamorphic.
where 'representation' falters a little, at least.
affects? attaching meanings and metaphors nevertheless seems unavoidable for
the toucher.
regards
Johannes Birringer
DAP-Lab
London
'Performance Architectures, Wearables and Gestures of Participat
being interchangeable"?), i think that is not what
you are concerned with, yes?
can you talk more about practical matters?
with regards
Johannes Birringer
[thomas schreibt]
oh sigh. the figure of the slave. it hurts me so deeply, this connection of
blackness to the figure of the slave.
to touch and thus different modes of
imagining gestalten (in the plural, not one Gestalt).
respectfully
Johannes Birringer
[Thomas schreibt]
black performance has always been liquid, or post, or excessive, or many other
things because it is concerned with adornment and elaboration, individu
flipped my "plain text" and
resulted
in garbled (unreadable) code arriving at the empyre which then refused to
publish the unreadable. Now isn't that ironic.
regards
Johannes Birringer
[Alessandra schreibt]
[...] aesthetics is found in the work and
nt
Matter: A Political Ecology of Things" (2010) is all the rage in town. Is it?
i guess depends on the town.
Ken your comments on oil and L.A. & blockbusting are fascinating! I am sending
your post to my friends in Houston.
regards
Johannes Birringer
[Ken schreibt]
>>So
indeed “liquid blackness” in his work, as Derek argues there is,
then it is both the condition for what he is able to achieve AND its end product
>>
or maybe not, maybe we are constantly evoking exhausting contradictions that
can't be solved under the realities of our politica
k or not black) cannot be weightless? we cannot flow away
that is the problem.. we shall (need to) be gathered?
Johannes Birringer
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ed the whole architecture, a little. Then he rebalanced it,
though I am not sure what color balance has
in the dark.
https://youtu.be/Iw4T-uM3n-U
thanks
Johannes Birringer
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--empyre- soft-skinned space--
oh, just to throw something in (listening to all of your very provocative
replies),
how is this week's focus on spatiality
>>
to commit/invest in the materiality of blackness while we are attending to
its complex spatiality in th
ans as a trouble shooter...
The he says he left, feeling absolutely impotent, as an artist, having anything
to say about the catastrophe.
Would you care to comment on how you felt about this notion of the artist as
social worker/troubleshooter, coming up with 'unauthorized" pr
--empyre- soft-skinned space--
hi all
new message now have appeared (out of time sync) due to the empire processing
of discussants not part of directly enrolled guests), and I am sorry
if questions I wanted to further direct at Corinna Mehiel are now perhaps no
longe
--empyre- soft-skinned space--
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sonance in this and wondered whether we can continue to discuss a
bit,
as our moderator, Christina McPhee, has not closed the debate yet?
regards
Johannes Birringer
* Martin Burckhardt, "Die dunkle Seite der Zahl," FAZ 9 August 2016, p. 13
>>
[Jon Ippolito schreibt]
A footnote
--empyre- soft-skinned space--
thank you Christina for
your special effort to wrap up this amazing month of discussion and for the
reflections you offered as our moderator,
and thanks of course to all the participants!
best
jb
and (Murat suggests) as pawns at all times
where there are no rules or infinitely changeable rules.
and what wind exactly made the elections come out the way they did, in the
united states or in britain?
regards
johannes birringer
+=
[Adeena Karasick schreibt]
All through the nightmarish
--empyre- soft-skinned space--
Dear all
Sorry to not contribute to content at the moment, but I have to echo Jonathan,
I think the issue was reported to the list managers a while ago, I think it
began about a year ago,
that we no longer seem to have a functioning maill
sk notices, cutting, dismantling,
and so forth. so there will be more talk, surely, on
re-organizing ourselves?
regards
Johannes Birringer
dap-lab
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sanctuary city
though people marched for it.
This made we wonder if some of you could perhaps speak about what a sanctuary
city would be able to do, politically/legally and whom it could protect
and how?
sincerely
Johannes Birringer
dap-lab
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pending its riches to make what is
>not there, in an expenditure without hope or need of recompense--minus.>>
I am trying to grapple with, and understand this
many regards
Johannes Birringer
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eatre of operations, betrayal, reporting on others not supporting
the national cause, seems to be close at hand; and fear of being betrayed leads
to silence.
Johannes Birringer
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yes? You are, then, speaking of
a few years of surviving the republican party in government? perhaps take heed
of how many other societies have survived their jefes.
In my next post I'll try and come back to Simon's question about résistance and
self-romanticizing the th
ting and tremendously humorous, back in the
days, when Chicano performance artist Guillermo Gómez-Peña would quip that he
could see the future, and the future would be bright, and also upside down, and
gringos would run to the border south, to seek political asylum in Mexico).*
regards
Johannes Bir
t the edge of water.
–
namely testing the sensing and listening and wayfaring you have suggested,
needing time to spend
making such links, as fantastical as they sometimes sounded, here, in these
pages.
thanks again to all,
Johannes Birringer
dap-lab
http://www.brunel.ac.uk/dap
[Gris
th Adam that plants, fish, and
other not human species may assess things
showing signs of alienation.
yes how do I access their art critique?
respectfully
Johannes Birringer
[Christopher Kennedy schreibt]
"resistance" is happening all ar
-empyre- also, in that sense, for a while, was a family romance, many of
us knew each other face to face
or wanted to know each other's artistic work better.
with regards
Johannes Birringer
dap-lab
[Christina McPhee schreibt]
>>
Thanks, Renate, for the comments around the aesthetics of e
received was personal and never
needed to be public.)
respectfully, and without regret,
thanking many and all here with whom I corresponded
over the years on discussions that moved me,
not backwards into a lost era of flaneurs, but forward,.
Johannes Birringer
dap-lab
?
respectfully
Johannes Birringer
dap-lab
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nce surely the same resurgence of solidarity and
protest will be assured to step up if elected governments fail to live up to
the responsibilities of addressing public health and the common weal (I am
reading a story about Mongolia, called "The First and the Last,"
quot; is here:
https://www.youtube.com/watch?v=rQnpBYpXYE8)
this would be something I'd really like to see us discuss more, in a concrete
way -- what are our materials? (and in my body-based performance or somatic
practice,
working with bodies of course forbid social distancing, and a
or repeats," and (Christina) yet echoing.
I am unable to respond much now to high theory, and may be forgiven, but our
DAP-Lab ensemble's last dance, in December, was drawing the climate crisis into
its thinking through material, and if you have time & a dark chamber, here i
ie McClanahan's commentaries on Marx, the labor of
hands, machinic organisms, outsourcing of/and consciousnesses (..."the kind of
theory that would give us an alibi for our own unknowing: that would reject the
idea that we see these conditions clearly..")
with regards
Johannes
image and Alan's
brilliantly evocative " Confusion entanglement: etymological impulse, poetics
rooted in
roots", is also an ethical choice for dialogue (not the "new normal" which as
Annie correctly assume will be the old normal) and the way one
resist, love, hope,
continue to dream.
This song does not resonate with Jonathan Basile's plantation thesis: "Viruses
are able to use us as machines because we are machines to
ourselves. We are able to live because we can rely on the functioning of our
own cellular machinery. With
; - could you tell us more, Junting?
thanks, with regards
Johannes Birringer
+
[Junting Huang schreibt]
Thank you, Luca. A quick note on your last point, Eric Hayot’s The Hypothetical
Mandarin: Sympathy, Modernity, and Chinese Pain traced that whole tradition to
the Enlightenment peri
pearing, back from Poland, grimly to order
the dead bodies to be taken up ( «soulèvez les corps»). Exeunt.
https://www.3sat.de/kultur/theater-und-tanz/starke-stuecke-hamlet-100.html
respectfully
Johannes Birringer
[Junting Huang schreibt]
Hi, Johannes, I a
own in an inter-pandemic era, and my
"Electric Dance, or How to Talk with Birds" will appear shortly in Critical
Stages/Scènes Critiques #22
(http://www.critical-stages.org), alongside other theatre artists's reflections
on what Annie called the unfulfilled promises.
thank you for w
tecture of four
science towers, looming overheard, one more ugly than the next, more deadening,
more desperately inhuman.
regards
Johannes Birringer
DAP-Lab. London
From: empyre-boun...@lists.artdesign.unsw.edu.au
on behalf of Shama Nair
Sent: 27 Ma
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