of the
list, that shoot down the idea of open book production.
adam
looking forward to the rest of the discussion
tiziana terranova
Il 09/01/12 12.07, Simon Biggs ha scritto:
Welcome to all empyre subscribers and, especially, this months
moderators and discussants, Penny Travlou, Smita
) that demonstrate a model we can all participate in as cultural
workers.
Kickstarter approaches have their issues, but I think there are many
people, orgs, and companies that want books produced and have the $ and
motivation to pay for them to be produced.
adam
On 01/12/2012 06:40 PM, Dmytri
differently.
We need living books and under copyright we have to fight very hard to
keep them alive.
1. Daniel James^
2. http://www.futureofthebook.org/commentpress/ ^
3. http://benfry.com/traces/^
4. http://vimeo.com/10750350^
--
--
Adam Hyde
Founder, FLOSS Manuals
Project Manager, Booki
Book
for me in this scenario doesn't hold much of what it was (so
much so that I think it would need another name) but is tremendously
exciting.
adam
On 01/24/2012 02:42 PM, marc garrett wrote:
I agree with Snelting's comment. For if we are to get some kind of grip
on what publishing is, we need
On 01/26/2012 02:22 PM, Simon Biggs wrote:
Adam cited the Sharism statement:
The person who associated a work with this deed has dedicated the work to the
public domain by waiving all of his or her rights to the work worldwide under
copyright law, including all related and neighboring
editable sources.
Rob - you would know this better than I - what free licenses are there
suitable for books that require the source to be available?
adam
On 26/01/12 17:17, Simon Biggs wrote:
I'm all for free culture - of course. But I am also pragmatic, seeking
to understand the legal side
is interested get involved.
maybe we need to create a free book manifesto, something similar to the
four freedoms of the free software movement. a manifesto that requires
access to the source in an easily editable and transferable form amongst
other requirements.
adam
- Rob
and producing free
software and free content.
adam
On 01/29/2012 06:51 PM, h w wrote:
Adam wrote:
=
We need to get rid of these fears, stop hiding behind licenses,
upholding old values and processes of closed culture within free culture and
embrace
read the
archives for this conversation in detail.
adam
On 09/28/2012 03:25 PM, Lichty, Patrick wrote:
Since my last received post was on the 13th (and I apologize for not driving
the conversation harder), I am a little dismayed at the dead air. Therefore i
would like to aks a few questions
a moment it would be very interesting to hear a little more
about what you think the students dont understand about the process and
any strategies to get them to appreciate more what they are gaining from
it...
adam
On 05/23/2013 10:22 AM, Gabriela VargasCetina wrote:
--empyre- soft
is it?
adam
On Wed, 2009-10-28 at 12:49 +1100, Anna Munster wrote:
I don't want to sound like a fascist here...but as moderator I am supposed
to keep people on topic on the empyre list as it is a list devoted to
particular topics by the month.
The question has been raised about whether
On Wed, 2009-10-28 at 21:56 -0400, Marco Deseriis wrote:
Hi Adam, :-)
Hey Marco :)
So I want to ask you a question. In your experience with the Floss
Manuals Foundation, how many times have you noticed that the workshops
you run are actually driven by a shared project? In other words, do
development.
Cheers,
Adam
--
Adam Parker
Campus Academic Coordinator
Qantm Melbourne
Qantm College Melbourne Campus
235 Normanby Rd
South Melbourne VIC 3205 Australia
+61 (0) 3 8632 3400 | Phone
+61 (0) 3 8632 3401 | Fax
www.sae.edu | Web
www.qantm.com.au | Web
www.saeshortcourses.com | Web
SAE
that could provide
real opportunities for renewal (e.g. challenging the rhetoric of efficiency
in interaction design) are things that gamification does not presently
explore.
Cheers,
Adam
--
Adam Parker
Campus Academic Coordinator
Qantm Melbourne
Qantm College Melbourne Campus
235 Normanby Rd
Frame buffer invented by Richard Shoup, working on Alan Kay's Xerox PARC Alto
project, in 1972.
First recorded bitmap picture = Shoup, excited, holding a small placard reading
it works.
ES commercialized the device.
~Adam
Sent from my iPhone
On 07/07/2012, at 3:18, Rob Myers r
that Esposito misses); and in this perspective, bioart becomes
an essential site for this biopolitical work.
I'm wondering if you could comment on this, perhaps by spelling out how you
see bioart functioning in this biopolitical landscape.
Thanks, Rob!
Best,
Adam
On Sun, Sep 1, 2013 at 1:12 PM
--empyre- soft-skinned space--
Thanks Adam N. for having a mind meld on these topics. Good crew! Off the
top, Bioart is living-materials-first in my addled brain. No offense to the
object oriented animism of listmania but tinkers and tailors of life feel
the experience
--empyre- soft-skinned space--Thanks, Adam, for these helpful reflections.
I'd like to try to tie together some threads in order to encourage some
discussion. It seems to me that Rob's concern over death and affirmation--
or at least as he's expressed it so far-- can
--empyre- soft-skinned space--Dear all,
First, I'd like to thank our two guests, Rob Mitchell and Cary Wolfe, for
an excellent conversation this past week! I think that their insightful
comments were able bring bioart and biopolitcs into new proximity. While
there were
--empyre- soft-skinned space--This is a response to Chris Robbins:
I am answering a request for more definitive notion of art goals.¹ Beyond
what I had said about bioart offering a reading of science and art in the
difficult land of luxurious, useless, process based,
!
This week I'd like to welcome four new guests into the fold: Adam Zaretsky
(who is no stranger!), Phillip Thurtle, Maja Kuzmanovic, and Nik Gaffney.
Here is a bit of bio for each of our guests:
Phillip Thurtle is director of the Comparative History of Ideas program and
associate professor
--empyre- soft-skinned space--Adam Zaretsky Submitted a Response to the United States Food and Drug
Administration call for comments on the Use of Edible Products from Animal
Clones or their Progeny for Human Food or Animal Feed as follows:
http://www.fda.gov/ohrms
transparent or forthcoming
When you review the modern breeding procedures
That went into the formation of Alba?
They surely did cause some harm.
Signing out until next time,
A difficult fan,
Adam Zaretsky
Research Affiliate,
MFA
Arnold Demain Fermentation
and Industrial Microbiology Laboratory
and
the livestock aesthetics of well bred Cloned Animal meat might help mete out
the home on the wide range that the diversity collage shuffle\d into this
millenium? In any case, you can read into the issues of Human IGM between
the blinds¹ of the animal model concepts in the two letters.
Adam
--empyre- soft-skinned space--Hi all,
Once again, a terrific discussion this week. I'd like to extend a big
thanks to Adam Z, Phillip, Nik and Maja for their contributions. I know
there are still a lot of loose ends -- especially, on the nature of
experiment, process
.
Thanks,
Adam
On Mon, Sep 23, 2013 at 9:07 PM, Adam Nocek ano...@uw.edu wrote:
Hi all,
Once again, a terrific discussion this week. I'd like to extend a big
thanks to Adam Z, Phillip, Nik and Maja for their contributions. I know
there are still a lot of loose ends -- especially, on the nature
to participate in the discussion on bioart and its related themes. I
think we covered a truly exceptional amount of ground... so thanks. It was
a lot of fun. I look forward to the discussion next month!
My best,
Adam
___
empyre forum
empyre
find our aesthetics.
Thanks,
Adam
On Mon, Sep 30, 2013 at 2:58 PM, Phillip S Thurtle thur...@uw.edu wrote:
--empyre- soft-skinned space--
Interesting points, Adam. I see some interesting synergies with
earlier posts as well. We've been using the analytic
--empyre- soft-skinned space--Hi all,
I'd like to welcome Ross Exo Adams and Adrian Parr to the first week at
-empyre!
This week's topic addresses what I'm calling, Neo-eco-liberalism. The
title references the complicated way that ecological catastrophe
dominates so
:
--empyre- soft-skinned space--
We welcome Adam A.J. Nocek once again as our guest moderator for
September.
A.J. Nocek is a PhD candidate in the Comparative Literature Department
and instructor in the Comparative History of Ideas Program at the
University of Washington. His
--empyre- soft-skinned space--Hi all,
Thanks, Ross, Adrian, and others for your great comments. I'm particularly
encouraged and intrigued by Adrian's hope that we may be able to subvert
neoliberalism via design in the public interest, and so on. I also want
to draw
--empyre- soft-skinned space--Hi all,
I'd like to thank our invited guests, Ross and Adrian, for participating
this past week, as well as all those who joined in the discussion! I'm
really encouraged by what has been developing over the past week,
especially in
and thanks Adam for inviting me
back.
Unfortunately I didn't follow all of the conversation last week, as I was
in China, experiencing first hand some of the extremes of urban spatial
organisation... seeing the out of control urbanisation (read: forests of
high rising apartment blocks) in what
--empyre- soft-skinned space--Hello all,
Thanks so much Oron and Johannes for your compelling comments. What's
intriguing to me is how much the conversation is an elaboration of last
week's developing discussion on urbanization. That is, we seem to be
running into the
, that was merely a plea to think about
life as somehow existing simultaneously within the register of neoliberal
expansion and within the register of the geologic time of the planet… to
the extent that this is at all possible…
Hope this clarifies. Thoughts??
Best,
Adam
On Tue, Sep 23, 2014 at 11
, to jump into this discussion!
Thanks,
Adam
On Thu, Oct 2, 2014 at 9:01 AM, Johannes Birringer
johannes.birrin...@brunel.ac.uk wrote:
--empyre- soft-skinned space--
thanks for your very interesting reply, Davide,
to some of the comments. And your reply, if we
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