Eric,
Engraver Time ships with Finale. My version of it, Big Time, is exactly
the same but with Cut and Common time added (and the + glyph added). My
version of big time signatures for scores is a bit smaller than Karen's (to
save horizontal space, but quite readable for any conductor as
Oops, yeah, you're right. Duh.I just assumed..oh nevermind.
Back in lurk mode.
Bill wrote:
Eric,
Engraver Time ships with Finale. My version of it, Big Time, is
exactly the same but with Cut and Common time added (and the + glyph
added). My version of big time signatures for
Darcy James Argue wrote:
On 05 May 2006, at 9:11 PM, Carl Dershem wrote:
In playback, being able to select a subset of parts for playback (the
sax section, the violins, the [fill-in-the-blank] section.
Again, already possible (and very easy) with mute/solo, mute/unmute all,
etc.
While
dc wrote:
And what happens if you have a time sig and a key sig you also want to
show? This is the problem, because the clef is in the wrong place.
Aha! The plot thickens! Yup, looks like no easy fix for this one. Sorry.
Bruce
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dhbailey wrote:
But it would be so much easier to simply click the measure tool, click
the measure where you want to force a clef to apear and set the
attribute just as we do now for time signature and key signature, and
have it appear at the same size as it does at the start of the system.
On 05.05.2006 Éric Dussault wrote:
Tell me your trick to get a tapered dotted slur
As I said in another post: I don't like them, I don't want them, I don't
need them (tapered dotted slurs). Sorry, no help from me on that.
Johannes
--
http://www.musikmanufaktur.com
On 05.05.2006 Éric Dussault wrote:
That's one of the problem I don't like with technology. Because the software doesn't do something, then a bad standard is establised because of that limitation. I believe Doblinger is using Finale. I am almost sure to have seen these slurs in Schott somewhere,
On 05.05.2006 Scot Hanna-Weir wrote:
You saying that about staff styles reminded me of how many times I've wished
that the select partial measures option would let you actually apply
something to just that part of the measure. There are so many things, (staff
styles, measure attributes,
On 05.05.2006 dc wrote:
- in the measure attributes, the possibility to show the clef, as one can show
the time or the key signature. The amount of fiddling this now requires is
incredible.
Clef tool, always show. No fiddling as far as I can see.
Johannes
--
http://www.musikmanufaktur.com
On 05.05.2006 dc wrote:
And what happens if you have a time sig and a key sig you also want to show?
This is the problem, because the clef is in the wrong place.
Ah, now I see what you want, for this you will need an extra invisible
measure. Possible, with some fiddling, though not really
Le 06-05-06 à 12:30, Johannes Gebauer a écrit :
As I said in another post: I don't like them, I don't want them, I
don't need them (tapered dotted slurs). Sorry, no help from me on
that.
That's ok with me. I don't expect anyone to absolutely need them.
I just feel that from an engraving
On 05 May 2006, at 9:11 PM, Carl Dershem wrote:
In playback, being able to select a subset of parts for playback (the
sax section, the violins, the [fill-in-the-blank] section.
Again, already possible (and very easy) with mute/solo,
mute/unmute all,
etc.
While possible, it isn't
I just needed a tie end at the beginning of a system, where Finale
doesn't want to show one (as the tie gos from layer 1 to layer 2). A
trick to force Finale to show it is to create an extra note in voice 2
(in this case in layer 2 also), tie it, and hide it.
Only works at the beginning of a
On 06.05.2006 Éric Dussault wrote:
That's ok with me. I don't expect anyone to absolutely need them.
I just feel that from an engraving point it is wrong, and a limitation of
Finale (or that the programmer was too lazy to get it right from the
beginning). If it had always been correct (tapered
Hi there!I am trying to get "warning" accidentals in the first ending of my repeat. The repeat is in D and the measure one is supposed to jump to, is in F. The second ending (so the one right after the first ending) is also in D. How do I do that. The manual is not very helpful there. Dummy
http://lists.shsu.edu/mailman/private/finale/2006-April/081023.html
On that post I was mentioning my concern about the quality of the PDF.
It was mentioned that:
I did notice that the stems on flagged eighths seem to have alignment issues with the flag, and you have not corrected Finale's
Hello Group,
In FinMac2006d, I'm trying to enter some chord symbols for polychords
such as a B major triad over an A major triad. If I enter B_A, I get the
correct horizontal line between B and A. The problem is that the lower
letter is about 3 times too far below the horizontal line.
Where do
Johannes Gebauer wrote:
On 05.05.2006 dc wrote:
- in the measure attributes, the possibility to show the clef, as one
can show the time or the key signature. The amount of fiddling this
now requires is incredible.
Clef tool, always show. No fiddling as far as I can see.
Johannes
Cool!
Lee Actor wrote:
On 05 May 2006, at 9:11 PM, Carl Dershem wrote:
In playback, being able to select a subset of parts for playback (the
sax section, the violins, the [fill-in-the-blank] section.
Again, already possible (and very easy) with mute/solo,
mute/unmute all,
etc.
While possible,
This feature has been available for quite some time with one of
Jari's free
plug-ins, JW Playback, still available at
http://www.jwmusic.nu/freeplugins/index.html. I use it a great
deal when
I'm composing (mostly big orchestra stuff) and can't imagine
doing without
it.
I just
Am I being over-simplistic in suggesting the ideal 'improvement' on selected
playback;
Highlight (or check-box staff) required staves- select; playback. Listen!
That way one could hear- e.g. 2nd Trumpet, viola, 3rd Trom and tambourine if
one wished! (Bizarre thought!) Or any other combo.
keith helgesen wrote:
Am I being over-simplistic in suggesting the ideal 'improvement' on selected
playback;
Highlight (or check-box staff) required staves- select; playback. Listen!
That way one could hear- e.g. 2nd Trumpet, viola, 3rd Trom and tambourine if
one wished! (Bizarre thought!)
Consult Bill's excellent PDF documentation on the use of ChordSuf,
ChordSym, and ChordSymSubtext -- it's all explained therein.
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On 06 May 2006, at 4:43 PM, Leigh Daniels wrote:
Hello Group,
In FinMac2006d, I'm
Thanks, Darcy! It's right there on p. 53. I'd forgotten there was a
special way to do them. I'm happy now!
**Leigh
On Sat, May 6, 2006, Darcy James Argue [EMAIL PROTECTED] wrote:
Consult Bill's excellent PDF documentation on the use of ChordSuf,
ChordSym, and ChordSymSubtext -- it's all
I think I did not acknowledge replies when I told the list I could not find
a zero in Arial Narrow. Well, yes, Noel and Aaron, there is a zero in Arial
Narrow. When I typed a zero from the keyboard into a text box and
opened it in Arial Narrow Bold 8 point I saw exactly what I was looking for.
Wolf Wrobel wrote:
Hi there!
I am trying to get warning accidentals in the first ending of my
repeat. The repeat is in D and the measure one is supposed to jump to,
is in F. The second ending (so the one right after the first ending)
is also in D.
How do I do that. The manual is not very
Hi, Everyone...
Is there some easy way to merge notes together... For example, I
have a section of single notes and I want to merge another section of
single notes by copying them and pasting onto the other section but
add to those notes instead of replacing them like normal pasting
Have you perhaps checked the Manual under MERGING MUSIC?
Jacki Barineau wrote:
Hi, Everyone...
Is there some easy way to merge notes together... For example, I have
a section of single notes and I want to merge another section of
single notes by copying them and pasting onto the other
On May 6, 2006, at 9:27 PM, Eric Dannewitz wrote:
Have you perhaps checked the Manual under MERGING MUSIC?
I did a search on merge and nothing came up... Sorry.
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On May 6, 2006, at 9:27 PM, Eric Dannewitz wrote:
Have you perhaps checked the Manual under MERGING MUSIC?
Okay - now I did a search on merging music and nothing came up
either! I did find merging music in the index, but when I click on
it, it takes me to something called imploding
It's in the index under Merging Music.
Jacki Barineau wrote:
On May 6, 2006, at 9:27 PM, Eric Dannewitz wrote:
Have you perhaps checked the Manual under MERGING MUSIC?
I did a search on merge and nothing came up... Sorry.
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Now that expressions, particularly dynamics, can be properly positioned
automatically, I'd really like to be able to apply by dragging around the
destination note(s) or measures. Seems like this couldn't be too hard to
implement since it's very similar to the way articulations already work.
Don
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