Steve Currington wrote:
Carl Dershem wrote:
.---.-.-...
If you're trying to he authentic, do what he did. He probably had a
reason.
If you're trying to be played right the first time, bass clef is the
first clef for trombonists, and the one they read without a seond
Hi, Everyone...
Is there some easy way to change all chords in a song to invert the
top note down to the bottom? For example, I have a song that has
soprano, alto, tenor all together in one layer on a staff and I need
to switch the order to have the alto note become the soprano note,
On Jun 19, 2006, at 7:45 PM, Christopher Smith wrote:
Question: Why don't Finale's ending repeats behave like smart
shapes? Seems to me it must be pretty trivial to apply the
existing smart shape code to them.
Good question. I know some people on the list (I think Bill Duncan
is
Jacki,
How about exploding the music (using the mass edit tool) into new
staves, transposing the top note (staff) down the octave and
imploding the staves?
Maybe there's an easier way, but that's what occurs to me.
Chuck
On Jun 20, 2006, at 8:14 AM, Jacki Barineau wrote:
Hi,
Every time I've played the Schumann or Schubert symphonies, the parts were
1st-Alto Clef, 2nd-Tenor Clef, and 3rd-Bass Clef. The copies I have at home of
these parts are all like that. The score might lump the first 2 parts in 1 clef
for space-saving or to suggest some kind of group-treatment,
In a message dated 6/19/06 1:01:39 PM, [EMAIL PROTECTED] writes:
From: Christopher Smith [EMAIL PROTECTED]
Subject: Re: [Finale] Kiss Me, Kate books
In addition, as I have already said elsewhere, I don't think four
strings and four brass really do the score of Kiss Me Kate justice, but
that was
At 5:21 AM -0400 6/20/06, dhbailey wrote:
Steve Currington wrote:
Carl Dershem wrote:
.---.-.-...
If you're trying to he authentic, do what he did. He probably had a
reason.
If you're trying to be played right the first time, bass clef is
the first clef for trombonists,
Hello list,
A couple of weeks ago I wrote in with some questions about creating
medieval (neumes) notation in Finale. (see the thread: [Finale]
Neumes/Gregorian Chant Notation). Well, we received the plug-in today
and I just went through the tutorial:
The output is just as nice as it
Sounds like a job for the Canonic Utilities plug-in.
In a message dated 6/20/06 10:15:21 AM, [EMAIL PROTECTED] writes:
Is there some easy way to change all chords in a song to invert the
top note down to the bottom? For example, I have a song that has
soprano, alto, tenor all together in
On Jun 20, 2006, at 2:29 PM, [EMAIL PROTECTED] wrote:Sounds like a job for the Canonic Utilities plug-in.What's that, and where can I get it?! :)Thanks!___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Jacki Barineau wrote:
On Jun 20, 2006, at 2:29 PM, [EMAIL PROTECTED]
mailto:[EMAIL PROTECTED] wrote:
Sounds like a job for the Canonic Utilities plug-in.
What's that, and where can I get it?! :)
It comes with the program, look in the Plug-Ins menu, under Scoring and
Arranging.
--
On Jun 20, 2006, at 11:04 AM, Jacki Barineau wrote:
Thanks so much, Chuck! I didn't even think of that, but it worked
just fine! Only thing now is it put 3 chord symbols on top of each
other when I imploded the staves back together! Any way to tell it
to only leave 1 chord symbol and
On Jun 20, 2006, at 5:20 PM, Chuck Israels wrote:
On Jun 20, 2006, at 11:04 AM, Jacki Barineau wrote:
Thanks so much, Chuck! I didn't even think of that, but it worked
just fine! Only thing now is it put 3 chord symbols on top of each
other when I imploded the staves back together! Any
Recent scores often put 1st and 2nd on one stave in tenor, but parts are alto, tenor, bass, respectively.
RBH- Original Message -From: [EMAIL PROTECTED]Date: Tuesday, June 20, 2006 8:45Subject: [Finale] Re: trombone clefsTo: finale@shsu.edu Every time I've played the Schumann or Schubert
Exactly!
BTW the result is 'similar' to C tenor clef but in Bb Treble the key sig
must be adjusted by a tone to read as Ten clef- Then all C, F, and G
accidentals altered!
Complex to explain- not too hard to do!
Cheers
K in OZ
Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02)
On 20 Jun 2006 at 12:00, [EMAIL PROTECTED] wrote:
Yes, 95% of the orchestration changes taking place in recent years on
B'way are for the budget.
But is it not quite obvious that the Kiss Me, Kate re-orchestration
was *not* done for that reason? It reduced the number of players by
ONE but
On Jun 20, 2006, at 5:20 PM, Chuck Israels wrote:
I don't know how the canonic utility works. If you figure out
something, please let us know.
Wow - that worked like a charm!!! Much easier than the explode/
implode option... All you do is go under Mass Edit, choose the
Canonic
At 8:49 PM -0400 6/20/06, David W. Fenton wrote:
On 20 Jun 2006 at 12:00, [EMAIL PROTECTED] wrote:
Yes, 95% of the orchestration changes taking place in recent years on
B'way are for the budget.
But is it not quite obvious that the Kiss Me, Kate re-orchestration
was *not* done for that
Actually they are nornmally tuned to Bb and play so.. Nope don't transpose as
in an orchestra. If the note on tegh page says play Bb they play Bb based on
their learned slide positions. Mind you with the extra tubing and the rotary
keys on the left hand thumb they also play around a bit
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