At 3:36 PM +0100 2/9/07, shirling neueweise wrote:
I'd really like to know, how you bind your music with it. Do you
only stick two pages together, or do you make real booklets with
more pages? How?
i print to 9.5x12.5 2-sided, then prepare as a booklet, one piece of
tape per pair of pages.
I guess my 3-dimensional perception just hasn't kicked in yet this
morning, but I can't picture where the tape goes in a booklet, or
why you would use it. I too favor booklets unless I have a part
with absolutely NO possible page turns and I have to find another
solution, but after fitting
you can't print 12.5x19 without going to offset printing. i find the
extra 1/2 inch H/W (larger than 9x12) offers me an excellent
The Xante Accel-a-Writer 4G will print up to 13 x 35.5 (the
4N model does 13 x 18.5). Resolution up to 2400dpi (1200dpi w/4N).
Paper weight is up to 135 g/m2.
John,
Jef is doing something which I'd honestly never before considered or
heard of, which is to print double sided (on 9.5x12.5 paper), then
tape pairs of pages together in booklet order, then staple on the
*tape*. Not only does it make oversize booklets viable, It's actually
better
I have a piece that's written in 7/4, and I'd like to re-notate it
for clarity as 6/8 + 4/4. That's easy enough to do, but 6/8 is, to
Finale, 6 distinct 8th notes rather than two groups of 3.
Were I notating whole measures in 6/8, I could easily choose two
dotted quarters per measure as
Jef, when you're not using electrical tape, what do you normally use?
the canadian music centre (montréal branch). i
normally send the jobs to them to print, bind and
mail (and usually never see the printed parts!),
but this was a really big and long job and in the
end i didn't have time
1/1.5 + 1/1.5 + 2/4 + 2/4 (or ... + 1/2 + 1/2, depending on whether
you'd rather manually fix the sixteenth note beams or the eighth note
beams).
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 10 Feb 2007, at 4:11 PM, Clay Zambo wrote:
I have a piece that's written in 7/4, and I'd like
darcy, can you get decmial places to work there!? (i don't think so)
select EDUs:
2/1536 + 4/1024 (quarters beamed separately)
2/1536 + 2/2048 (quarters beamed in groups of 2 [i.e. as half notes])
1/1.5 + 1/1.5 + 2/4 + 2/4 (or ... + 1/2 + 1/2, depending on
whether you'd rather manually fix
Hi All:
The piece I am working os in 6/4 from bar 1 to bar 192.
It then changes to 3/2 from bar 193 until the end. At bar 231 the saxes
become out of sync with the brass. There are 2 altos, to tenors and 2
baritones. The saxes are out of sync as a section. This has happened 3
times.
When I
Bob Florence wrote:
Hi All:
The piece I am working os in 6/4 from bar 1 to bar 192.
It then changes to 3/2 from bar 193 until the end. At bar 231 the saxes
become out of sync with the brass. There are 2 altos, to tenors and 2
baritones. The saxes are out of sync as a section. This has
Carl Dershem wrote:
Bob Florence wrote:
Hi All:
The piece I am working os in 6/4 from bar 1 to bar 192.
It then changes to 3/2 from bar 193 until the end. At bar 231 the
saxes become out of sync with the brass. There are 2 altos, to tenors
and 2 baritones. The saxes are out of sync as a
John Howell wrote:
At 3:36 PM +0100 2/9/07, shirling neueweise wrote:
I'd really like to know, how you bind your music with it. Do you only
stick two pages together, or do you make real booklets with more
pages? How?
i print to 9.5x12.5 2-sided, then prepare as a booklet, one piece of
tape
Clay Zambo wrote:
I have a piece that's written in 7/4, and I'd like to re-notate it for
clarity as 6/8 + 4/4. That's easy enough to do, but 6/8 is, to Finale,
6 distinct 8th notes rather than two groups of 3.
Were I notating whole measures in 6/8, I could easily choose two dotted
quarters
Bob Florence wrote:
Hi All:
The piece I am working os in 6/4 from bar 1 to bar 192.
It then changes to 3/2 from bar 193 until the end. At bar 231 the saxes
become out of sync with the brass. There are 2 altos, to tenors and 2
baritones. The saxes are out of sync as a section. This has
Music prep offices in LA do the following:
Parts are printed on 9.5 x 12.5 paper, single sheets (because 19 wide
paper doesn't fit thru large format laser printers).
Taping is always done on the outside of the fold.
We use 1/2 white paper tape. I use American Tape brand for around $2/roll.
On 10 Feb 2007 at 20:11, dhbailey wrote:
Clay Zambo wrote:
I have a piece that's written in 7/4, and I'd like to re-notate it
for clarity as 6/8 + 4/4. That's easy enough to do, but 6/8 is, to
Finale, 6 distinct 8th notes rather than two groups of 3.
Were I notating whole measures in
Why not use 3+3 over 8 and 3/4 in the next box and THEN choose to
display the time signature of 7/4? I just tried it in Finale 2006
for Mac and it works.
___
J. Scott Jones
Band/Orchestra Director/Freelance Trumpet
Why not use 3+3 over 8 and 3/4 in the next box and THEN choose to
display the time signature of 7/4? I just tried it in Finale 2006
for Mac and it works.
yes this would be the best way i think... one thing to add, set up a
metatool if it occurs more than once in the piece.
the only
I have learned much from the thread concerning binding. I now pose
an even more basic question: What printers are recommended for your
oversized pages? I would like to purchase one capable of printing
larger that 8.5 x 14. Thoughts?
Steve
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