There were several replies to your query.
There seems to be some sort of latency issue with the server at SHSU, so
maybe that's affecting the sending of digests as well. I saw your
answer and had no reply but others did, so I am hopeful that you will
receive the digests which include those
dc wrote:
I have a piece in C time AA'BB'. My source has both repeat signs for A
in the middle of a measure. Would it make more sense to fill in the last
measure of A to have both repeat signs agree with barlines?
Don't know if I'm stating this clearly.
There is a pickup bar. And then a
David W. Fenton wrote:
On 1 Nov 2007 at 2:22, Kurt Gnos wrote:
Fix its old bugs, but better reprogram it from scratch, using new
technologies
This is a really terrible suggestion. If you think the bugs in Finale
are bad now, wait 'til you see the new programmed-from-scratch
Finale.
John's right -- there are lots of shortcuts.
The best thing I can suggest to new Sibelius users is to learn to use
the escape key -- hit it whenever you're in doubt (yes, you can still
have things selected that you're not viewing onscreen at the moment),
and sometimes hitting it twice for
Richard Smith wrote:
Since, from the tone of the list recently, the religious war between
Finale and Sibelius seems to be waning as both packages mature and since
world wide communications and data sharing have become so instant, I
have some questions for the list. What are your thoughts and
Very sensical points. In retrospect, a highly intuitive person
*might* have made the following observation in my experience, that
the fact that the setting returned itself to the Allow Optimization
Only If All Staves Are Empty setting, after it clearly had been
changed to Allow
On 01.11.2007 Richard Smith wrote:
1. Have we gotten to the point where .PDF is the best way to deliver
music to clients and publishers or should editable data files
(Finale, Sibelius or others) continue to be expected.
2. Should publishers publishers out source engraving work as
On 31.10.2007 Jari Williamsson wrote:
before I realised that I had to REMOVE optimisation before changing the group attributes.
Why not just use Scroll View, change the attribute there and then optimize?
Hi Jari, and a very warm welcome back on the Finale list!
Johannes
--
Hello John (and David).
Thanks for clarification. You know, having worked as a conductor in
Germany, the Netherlands and -of course- in my own country, I've been
frustrated by many misunderstandings caused by the different pitch
names. The B/H discussion invited me to tell something from
Yes, I misunderstood.
You are right, the Command-A doesn't select all any more in the
Articulations tool.
Sorry for the confusion.
C.
On Nov 1, 2007, at 12:01 AM, Eric Dannewitz wrote:
I think you misunderstood. You used to be able to, on the Macintosh
version, switch to Scroll or Page
On Nov 1, 2007, at 12:23 AM, Richard Smith wrote:
Since, from the tone of the list recently, the religious war
between Finale and Sibelius seems to be waning as both packages
mature and since world wide communications and data sharing have
become so instant, I have some questions for the
David W. Fenton wrote:
Consider the case of Netscape, which chucked its entire
codebase and started from scratch.
Which is kind of my point. A rewrite, using mainly the same kind of
thinking, using mainly the same kind of tools, will not solve anything.
Best regards,
Jari Williamsson
Christopher Smith wrote:
Am I to understand that these answers will serve as ammunition for you
in a discussion you are presently having with a client? 8-)
Christopher
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At 7:59 AM +0100 11/1/07, Jari Williamsson wrote:
David W. Fenton wrote:
Consider the case of Netscape, which chucked its entire codebase
and started from scratch.
Which is kind of my point. A rewrite, using mainly the same kind of
thinking, using mainly the same kind of tools, will not
Christopher Smith wrote:
Yes, I misunderstood.
You are right, the Command-A doesn't select all any more in the
Articulations tool.
One might ask why MakeMusic would remove this very valuable shortcut.
Just one of those ways in which they're making Finale better and better
with each
Ref below for inserted comments
-Original Message-
From: Eric Dannewitz [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 01, 2007 8:30 AM
To: finale@shsu.edu
Subject: Re: AW: [Finale] Sibelius 5 - Second impressions
John Howell wrote:
Nor if you decide you want to change an
Hello,
There is a passage in Steven Powell's Music Engraving Today that reads:
Ritardando poco is correct Italian, but Poco rit. is often used by
publishers. Similarly, diminuendo poco a poco is correct, though poco
a poco diminuendo is frequently used. As my editor says, 'an
additional
On 1 Nov 2007 at 8:33, Christopher Smith wrote:
I have been sending work to other cities while never
leaving my basement for ten years now.
You must be getting very pasty and white by this time, like those
fish who live in the water down in caves with no light.
--
David W. Fenton
On 1 Nov 2007 at 4:44, dhbailey wrote:
It's quite possible to be successful at it -- it costs money, certainly,
but it's something auto makers do all the time. They keep on bringing
out annual upgrades to existing models until a whole new model is
finally ready to present to the public,
On 1 Nov 2007 at 13:47, John Howell wrote:
At 7:59 AM +0100 11/1/07, Jari Williamsson wrote:
David W. Fenton wrote:
Consider the case of Netscape, which chucked its entire codebase
and started from scratch.
Which is kind of my point. A rewrite, using mainly the same kind of
thinking,
On Oct 31, 2007, at 8:23 PM, Richard Smith wrote:
1. Have we gotten to the point where .PDF is the best way to deliver
music to clients and publishers or should editable data files
(Finale, Sibelius or others) continue to be expected.
I always send PDF files and I think of that as
Couldn't you use stemless noteheads? If you have TG Tools select
Modify... select Remove... select Stems and Rests..and you won't have
to mess with stems at all. Put your notes in, remove the stems, then
ente your bass sstuff.
R.
On Nov 1, 2007, at 5:03 PM, dc wrote:
I enter figured bass
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