Any listers have experience have experience with Noteflight?
http://www.noteflight.com/
Any reason I shouldn't recommend it to a friend who wants to post a few
simple compositions on his website without spending any money?
I've only spent a few minutes w/it but it seems like a really cool
On 2009/10/28, at 14:08, Randolph Peters wrote:
Finale speedy note entry really relies on having a numeric keypad,
but many laptop computers don't have one. If you've got an iPhone or
iPod touch, this free app can help:
Chuck Israels wrote:
It selects almost anything on the page and allows superficial edits
(like moving expressions and articulations) and then expands into the
particular tool you need to do more exacting edits. This is more
difficult to describe than to experience. It is a forward step. I bet
Dan Rupert wrote:
Any listers have experience have experience with Noteflight?
http://www.noteflight.com/
Any reason I shouldn't recommend it to a friend who wants to post a few
simple compositions on his website without spending any money?
I've only spent a few minutes w/it but it seems
I just keep my finger on the escape key - the most used key in finale
for me anyway. Personally I would find it problematic if it changed
back to the selection tool because how does the appl know if you've
finished doing what you're doing?
Matthew
Sent from my iPhone
On 29/10/2009, at
Downloaded and tried it yesterday -- it worked GREAT with Finale!
It's very responsive, and the click that you get when you press a key
is very helpful.
The best part is that I have a USB number pad that I've used for
years, but it never had an equals sign on it. So every time I wanted
On Oct 29, 2009, at 3:46 AM, dhbailey wrote:
Chuck Israels wrote:
It selects almost anything on the page and allows superficial edits
(like moving expressions and articulations) and then expands into
the particular tool you need to do more exacting edits. This is
more difficult to
One not mentioned so far I think is Edward Gregson's Partita
http://edwardgregson.com/en/works/44/partita/
Peter
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
Matthew Hindson
Sent: 27 October 2009 04:09
To: finale@shsu.edu
Subject:
Totally agree with this. It is a pain. I wish they would have it so if
you clicked somewhere off the page area it would default back to the
selector.
--- send out and aboot on my iPhone ---
On Oct 29, 2009, at 3:46 AM, dhbailey dhbai...@davidbaileymusicstudio.com
wrote:
Chuck Israels
Slightly off this topic, does Sibelius have anything comparable to
Finale's managed parts? That feature of Finale is unbelievably
powerful. It elegantly solves one of the biggest time wasters: managing
separate files for extracted parts. This relates to the selection tool
because you can
Actually, Sibelius put it a great Parts thing before Finale had it.
And it does save a TON of time (on either program).
And Sibelius has a scroll view, called Panorama view or something.
Now if Sibelius had a speedy entry feature (where you can do all the
pitches first and then the duration),
On 29.10.2009 Craig Parmerlee wrote:
Slightly off this topic, does Sibelius have anything comparable to Finale's
managed parts? That feature of Finale is unbelievably powerful. It elegantly
solves one of the biggest time wasters: managing separate files for extracted
parts. This relates to
At 1:36 PM -0400 10/29/09, Craig Parmerlee wrote:
Slightly off this topic, does Sibelius have anything comparable to
Finale's managed parts? That feature of Finale is unbelievably
powerful. It elegantly solves one of the biggest time wasters:
managing separate files for extracted parts.
Chuck Israels wrote:
On Oct 29, 2009, at 3:46 AM, dhbailey wrote:
Chuck Israels wrote:
It selects almost anything on the page and allows superficial edits
(like moving expressions and articulations) and then expands into the
particular tool you need to do more exacting edits. This is more
Johannes Gebauer wrote:
[snip] You know, it is really funny how people conceive the
world from their
perspective.
Sibelius introduced linked parts quite a while before Finale did. When
this happened there was an outcry on this list that Finale needed to
have it, too. So eventually MakeMusic
On 29 Oct 2009 at 15:43, John Howell wrote:
And all previous versions
back to Sib2 can be opened in any more recent version, and re-saved
in that version for sharing files. The so-called insurmountable
difficulties in implementing this don't seem to have bothered the Sib
developers.
On Oct 29, 2009, at 1:34 PM, dhbailey wrote:
Chuck Israels wrote:
Dear David,
I agree, but then it only takes using the escape key to get you
back to the selection tool, and I'm not sure how this function
would work otherwise. If there's a better way, maybe we could
propose it.
At 4:14 PM -0400 10/29/09, David W. Fenton wrote:
On 29 Oct 2009 at 15:43, John Howell wrote:
And all previous versions
back to Sib2 can be opened in any more recent version, and re-saved
in that version for sharing files. The so-called insurmountable
difficulties in implementing this
On Thu, Oct 29, 2009 at 4:49 PM, dhbailey
dhbai...@davidbaileymusicstudio.com wrote:
And on the Sibelius list there is no discussion at all of Finale can do
xyz, why can't Sibelius do it? and no discussion of Finale did abc in its
last upgrade, I wonder when Sibelius will do it? The
Dear list,
I am using WinFin 2110a and GPO4. I am working on a full orchestra
score, including all horns, trumpets, trombones and strings loaded with
KS (keyswitched) patches.
Am I correct in that all I need to do, when using the KS patches, to
change between mute and open for the brass,
At 16:49 -0400 29/10/09, dhbailey wrote:
As a long-time Speedy Entry user in Finale, I have to say that it didn't take
me too long to get comfortable with Sibelius' Rhythm First, Pitch Second entry
mode. It's not all that difficult, and if you wish to change the rhythm after
having input
On 10/29/09 1:00 PM, finale-requ...@shsu.edu finale-requ...@shsu.edu
wrote:
From: Andrew Stiller kalli...@ix.netcom.com
Reply-To: finale@shsu.edu
Date: Wed, 28 Oct 2009 16:34:17 -0400
To: finale@shsu.edu
Subject: Re: [Finale] RE: OT Dies Irae
Howard Shore used it throughout his scores to
Ray Horton wrote:
Dear list,
I am using WinFin 2110a and GPO4. I am working on a full orchestra
score, including all horns, trumpets, trombones and strings loaded with
KS (keyswitched) patches.
Am I correct in that all I need to do, when using the KS patches, to
change between mute and
Haroldo Mauro Jr. wrote:
At 16:49 -0400 29/10/09, dhbailey wrote:
As a long-time Speedy Entry user in Finale, I have to say that it didn't take
me too long to get comfortable with Sibelius' Rhythm First, Pitch Second entry
mode. It's not all that difficult, and if you wish to change the
At 18:36 -0400 29/10/09, dhbailey wrote:
Haroldo Mauro Jr. wrote:
At 16:49 -0400 29/10/09, dhbailey wrote:
As a long-time Speedy Entry user in Finale, I have to say that it didn't
take me too long to get comfortable with Sibelius' Rhythm First, Pitch
Second entry mode. It's not all that
Thanks for quick reply, David.
I thought I had read that any use of the word mute or whatever would
work. If I read that, the answer, I suppose, is sometimes.
I just tried some tests using the expressions supplied, and they do
work, even though there is no playback effect ascribed to
At 7:45 PM -0200 10/29/09, Haroldo Mauro Jr. wrote:
To me it is inconvenient because when I use Speed Entry with an
external keyboard, I keep my eyes on the screen and don't look at
the keyboard. If I hit a wrong note when entering music, my ears
warn me, so I can play the right note before
On 29 Oct 2009 at 19:59, John Howell wrote:
I'm not a keyboardist, so I've never attempted
real-time keyboard note entry.
Well, I *am* one, and after a couple of tries at it, concluded it was
waste of time as it could just never be accurate enough to not cause
more trouble than it was
Hmm, I spoke too soon. When I created a new file using staves with
GPO4 sounds, the supplied expressions ( mute and open for the brass,
or arco and pizz for the strings,) switched correctly. When I
carefully copied those expressions into my orchestral piece, the arco
and pizz indications
Friends,
Apparently this is an issue which relates to a small group of scores,
and is not generally applicable. I had the experience and reproduced it
myself before submitting the tech support request, but they could not
reproduce it, and neither could I.
ns
Noel Stoutenburg wrote:
Case
Thanks for sharing this with us, along with the fact that
even you can't reproduce it all the time.
It's interesting that you could reproduce it yourself before
submitting it, yet now you can't. Did you reboot your
machine in between times? Or did you exit Finale at least?
Perhaps it was
OK, when I load new staves and patches for the brass, the keyswitches
work OK. Something had gotten fouled up with the old ones. Easily
replaced.
Thanks, David.
RBH
Ray Horton wrote:
Hmm, I spoke too soon. When I created a new file using staves with
GPO4 sounds, the supplied
I'm not a keyboardist, so I've never attempted
real-time keyboard note entry.
Well, I *am* one, and after a couple of tries at it, concluded it was
waste of time as it could just never be accurate enough to not cause
more trouble than it was worth.
I say whatever is fastest and accurate
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