On Thu Dec 17, at ThursdayDec 17 8:30 PM, SN jef chippewa wrote:
It is high time that MAKE MUSIC sorted this bug.
amen, babycakes! however, we all know that here, PLEASE PLEASE
PLEASE PLEASE PLEASE send your comments to makemusic support as
well. the linked parts are yet another otherw
SN jef chippewa wrote:
i'm upgrading my templates and am wondering if:
1) anyone feels there is some advantages of using one over the other
as a default for the file
This may be linked to closely to individual choices on workflow to
provide a universal answer, but my preference is to apply sc
My repertory is very small, but then it is largely out of tune.
sounds like you're ready for the orchestra. HAHAHAHAHAHA. erm... sorry.
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It is high time that MAKE MUSIC sorted this bug.
amen, babycakes! however, we all know that here, PLEASE PLEASE
PLEASE PLEASE PLEASE send your comments to makemusic support as well.
the linked parts are yet another otherwise terribly important feature
that was incompletely implemented and
i'm upgrading my templates and am wondering if:
1) anyone feels there is some advantages of using one over the other
as a default for the file
2) anyone has a brilliant solution to the different appearance of
fixed font expressions with enclosures in PT and (reduced) SC, an
issue that i hav
Isn’t Bratsche Italian also, just in a Germanized spelling? The full Italian
term is Viola da Braccio as contrasted to Viola da Gamba (arm versus leg).
Why not go with the Swedes: altfiol?
A month ago I bought myself a bratsch (the Danish spelling) just for the fun of
it. My repertory is very
Bratsche, that is...;-) Bratche is an "americanism"...;-) as is "Herr
Docktor" (correct: Herr Doktor)
"Bratsche" in german is just a synonym for "viola" which is italian,
actually. It is still in use, despite of all the "Bratschen-Witze" (viola
jokes) that are around. I read a lot of American lite
On 16 Dec 2009, at 17:36, John Howell wrote:
At 5:56 PM -0800 12/15/09, Ryan wrote:
Is the term "Bratschen" for violas obsolete in German? Would it be
better to
use "Violen"?
If you like, I could ask on the OrchestraList. Or the ViolaList.
I'm certainly not aware of any change from the t
At 1:19 PM -0500 12/17/09, Guy Hayden wrote:
To John Howell,
Get your galoshes out, Herr Docktor! I hear you are due for some BIG snow
Friday!
We in Tidewater are not expecting anything but more RAIN!
Que sera, sera! And here in the mountains, accurate predictions seem
to be awfully diffic
To John Howell,
Get your galoshes out, Herr Docktor! I hear you are due for some BIG snow
Friday!
We in Tidewater are not expecting anything but more RAIN!
Guy Hayden
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At 5:56 PM -0800 12/15/09, Ryan wrote:
Is the term "Bratschen" for violas obsolete in German? Would it be better to
use "Violen"?
If you like, I could ask on the OrchestraList. Or the ViolaList.
I'm certainly not aware of any change from the traditional
terminology, which is embedded in ever
In case you missed it, here is my kludge (but it IS a kludge!)
The best kludge for linked, voiced parts with grace notes in them is
to have a different copy of the file with the default grace note
spacing changed just for those parts. All the other parts (non-
voiced, or those without grace
I agree!
It is high time that MAKE MUSIC sorted this bug. It is the only thing
that really holds up the linked parts facility, which I think is a
huge time saver. I just couldn't imagine going back to the old slog
of extracting parts in every score! You've only got to get you head
around
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