I don't understand how to buy the font set paying through paypal.
On your site I cannot find any order page.
Thanks
jclev...@aol.com ha scritto:
Hey folks. My associate Kent Williams presented ChordSymbol and JazzSymbol
in a video-conference for Indiana University Purdue University at
Indiana
Turn off "Update Automatically" in Document Options -> Multimeasure Rests.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 23 Jun 2010, at 8:22 PM, Matthew Hindson (gmail) wrote:
> I have an unusual problem in that I am defining a multimeasure rest bar to be
> a certain length (30
I have an unusual problem in that I am defining a multimeasure rest bar
to be a certain length (30 spaces), but after I print (well, actually,
during the process of printing) or save and reopen the file it reverts
back to what it was previously.
This is in a locked system.
Has anyone else enc
On 23.06.2010 22:08, Johannes Gebauer wrote:
Am 23.06.2010 um 21:56 schrieb Kim Patrick Clow:
I think CPO and the German ensembles get a lot
more state support in terms of grants and funding versus their
counterparts in the U.K. or the United States.
Really? Early Music Ensembles in Germany
On 23 Jun 2010 at 17:09, Dennis Bathory-Kitsz wrote:
> On Wed, June 23, 2010 4:58 pm, David W. Fenton wrote:
> > If they do it through email, I'll do it. Phone calls are so old-
> > fashioned!
>
> I know. But many businesses like them. I think it's so they can try to
> upsell you.
That would be
On Wed, June 23, 2010 4:58 pm, David W. Fenton wrote:
> If they do it through email, I'll do it. Phone calls are so old-
> fashioned!
I know. But many businesses like them. I think it's so they can try to upsell
you.
> But do you do online track *selling*?
As I mentioned in an earlier post, I ha
On 23 Jun 2010 at 16:53, Dennis Bathory-Kitsz wrote:
> On Wed, June 23, 2010 4:30 pm, David W. Fenton wrote:
> > On 23 Jun 2010 at 16:19, Dennis Bathory-Kitsz wrote:
> >> The production questions can be answered by asking Discmakers for a
> >> quote or emailing or even calling; they are VERY good
On 23 Jun 2010 at 16:39, Kim Patrick Clow wrote:
> But I still wished I could do recordings of my editions and get them
> heard, because music that's just sitting on a page really isn't
> "alive."
Amen to that!
The hard part is compensating the musicians fairly. For pros, that
just puts it comp
On Wed, June 23, 2010 4:30 pm, David W. Fenton wrote:
> On 23 Jun 2010 at 16:19, Dennis Bathory-Kitsz wrote:
>> The production questions can be answered by asking Discmakers for a
>> quote or emailing or even calling; they are VERY good and responsive.
>> BUT...
>
> We are not at that stage yet.
C
On Wed, Jun 23, 2010 at 4:32 PM, David W. Fenton
wrote:
> Then do you have some explanation of why musical organizations think
> it's worth their while to invest all that money in paying the
> commercial labels to produce/distribute their recordings?
My guess is maybe because they're doing so mu
On 23 Jun 2010 at 16:30, Dennis Bathory-Kitsz wrote:
> What I'm really waiting for is a viable high-resolution format --
> multi-channel, high bit/word rate, something that sounds really silky.
> I record live concerts in 24/96 format and the results remastered to
> CD are pallid and those committ
On 23 Jun 2010 at 16:25, Kim Patrick Clow wrote:
> On Wed, Jun 23, 2010 at 4:22 PM, David W. Fenton
> wrote:
>
> >
> > I haven't bought a physical CD in a "record store" for 5 years or
> > more.
>
> I always enjoyed browsing in a store. And sadly, J and R's in New York
> is the last place for d
On 23 Jun 2010 at 16:19, Dennis Bathory-Kitsz wrote:
> On Wed, June 23, 2010 3:19 pm, David W. Fenton wrote:
> > I would have assumed so. Unfortunately, we need texts and
> > translations, so we can't get by with a 4-page insert.
>
> This is where it adds up.
>
> The production questions can be
On Wed, June 23, 2010 4:22 pm, David W. Fenton wrote:
> I haven't bought a physical CD in a "record store" for 5 years or
> more.
I have ... there's one left in the nearby state capital, but I look for old
LPs of long-lost material.
> I haven't bought a physical CD online in several years (though
On Wed, Jun 23, 2010 at 4:22 PM, David W. Fenton
wrote:
>
> I haven't bought a physical CD in a "record store" for 5 years or
> more.
I always enjoyed browsing in a store. And sadly, J and R's in New York
is the last place for doing that in terms of classical music CDs.
But I completely agree
On Wed, Jun 23, 2010 at 4:08 PM, Johannes Gebauer
wrote:
>
> Am 23.06.2010 um 21:56 schrieb Kim Patrick Clow :
>
>> I think CPO and the German ensembles get a lot
>> more state support in terms of grants and funding versus their
>> counterparts in the U.K. or the United States.
>
> Really? Early
On 23 Jun 2010 at 16:13, Kim Patrick Clow wrote:
> On Wed, Jun 23, 2010 at 4:06 PM, David W. Fenton
> wrote:
>
> >
> >> I know an early
> >> music orchestra that apparently had to help cover the recording
> >> costs for a CD they did with Chandos too. I wondered why didn't the
> >> ensemble just
Am 23.06.2010 um 21:56 schrieb Kim Patrick Clow :
> I think CPO and the German ensembles get a lot
> more state support in terms of grants and funding versus their
> counterparts in the U.K. or the United States.
Really? Early Music Ensembles in Germany get no state support at all as far as
I
On Wed, June 23, 2010 3:19 pm, David W. Fenton wrote:
> I would have assumed so. Unfortunately, we need texts and
> translations, so we can't get by with a 4-page insert.
This is where it adds up.
The production questions can be answered by asking Discmakers for a quote or
emailing or even callin
On Wed, Jun 23, 2010 at 4:06 PM, David W. Fenton
wrote:
>
>> I know an early
>> music orchestra that apparently had to help cover the recording costs
>> for a CD they did with Chandos too. I wondered why didn't the ensemble
>> just do their own recording and save all that expense themselves? I
>>
On 23 Jun 2010 at 15:56, Kim Patrick Clow wrote:
> I know an early
> music orchestra that apparently had to help cover the recording costs
> for a CD they did with Chandos too. I wondered why didn't the ensemble
> just do their own recording and save all that expense themselves? I
> guess the answ
On 23 Jun 2010 at 15:44, Dennis Bathory-Kitsz wrote:
> On Wed, June 23, 2010 3:28 pm, Kim Patrick Clow wrote:
> > I have a friend who has a modern composer that did that too, and the
> > results were just as heart breaking for him.
>
> My friend David Gunn spent close to $10K to record, produce a
On 23 Jun 2010 at 14:13, Dennis Bathory-Kitsz wrote:
> On Wed, June 23, 2010 1:25 pm, David W. Fenton wrote:
> > What I've found is that raw CDs with color printing cost around $1,
> > and with full packaging (jewel case and booklet), somewhere between
> > $1-$2 and up (depending on the size of th
On Wed, Jun 23, 2010 at 3:44 PM, Dennis Bathory-Kitsz
wrote:
>
> Maybe, like Albany, the composers pay? Most of the small labels are vanity
> operations -- or "artist funded", where the composer or performers have to
> apply for grants or raise money from family.
>
I understand that's how Naxos
On Wed, June 23, 2010 3:28 pm, Kim Patrick Clow wrote:
> I have a friend who has a modern composer that did that too, and the
> results were just as heart breaking for him.
My friend David Gunn spent close to $10K to record, produce and issue his CD
via the vanity label Albany Records. He's sold a
On Wed, Jun 23, 2010 at 2:13 PM, Dennis Bathory-Kitsz
wrote:
> It took me several years to recoup the costs (as I say, it's an
> electroacoustic CD with a small audience). I gave away half of them to radio
> stations, etc., in hopes of scoring royalties. Never happened even though it
> got a lot
On Wed, June 23, 2010 1:25 pm, David W. Fenton wrote:
> What I've found is that raw CDs with color printing cost around $1,
> and with full packaging (jewel case and booklet), somewhere between
> $1-$2 and up (depending on the size of the booklet, which probably
> has to be pretty extensive for our
Hey folks. My associate Kent Williams presented ChordSymbol and JazzSymbol
in a video-conference for Indiana University Purdue University at
Indianapolis today. You may see his QuickTime demo of entry in Finale using
these
fonts at _http://music.iupui.edu/imtc/2010/presenters/kent_williams/_
My viol consort is budgeting for a possible recording project, and I
was wondering what the going price is for small runs of CDs. I've
read up and understand the difference between duplication and
replication (we want the latter, of course), and have Google for
basic pricing.
What I've found i
Thanks for the warning because I still have 2003 installed.
On Wed, Jun 23, 2010 at 7:03 AM, Jari Williamsson <
jari.williams...@mailbox.swipnet.se> wrote:
> Richard Warnock wrote:
>
>> I recently uninstalled 2002 and it took with it all the fonts.
>>
>
> That was fixed for the unistaller around
Richard Warnock wrote:
I recently uninstalled 2002 and it took with it all the fonts.
That was fixed for the unistaller around Finale 2004 or something like that.
Best regards,
Jari Williamsson
___
Finale mailing list
Finale@shsu.edu
http://lists.sh
I recently uninstalled 2002 and it took with it all the fonts.
On Wed, Jun 23, 2010 at 5:04 AM, Daniel Wolf wrote:
> On a Windows machine, I have three older versions of Finale still
> installed, as I have always left an older version on, with all my defaults,
> before installing the next, with
On a Windows machine, I have three older versions of Finale still
installed, as I have always left an older version on, with all my
defaults, before installing the next, with any potential bugs. I now have
the disc for 2011 ready to install and am wonder if I can safely
de-install all but
Moi, aussi! S'il vous plait.
> From:
> Reply-To:
> Date: Tue, 22 Jun 2010 14:16:06 -0400
> To:
> Subject: [Finale] Re: JazzSymbol (replies to June 22, 2010 digest)
>
>
>
> In a message dated 6/22/2010 10:00:32 A.M. Pacific Daylight Time,
> finale-requ...@shsu.edu writes:
>
> Date: Mon,
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