is the
ordinary dominant chord in A minor and is utterly routine for music in
that key; but in this song it strikes the ear as a completely
unexpected altered chord, whose uncanniness perfectly illustrates the
text.
It is not tonal.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
.
Put this down as another example of the French wanting to go it alone
(words like logiciel--for software-- are another example of
that...)
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http
there were numerous
critics and conductors who asserted that he was a coldly intellectual
composer whose music would never be popular.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http
figure out why; maybe it was the F word. Generally, students who
spoke to me afterwards said they were fascinated, or thanked me for
explaining a repertoire they hadn't previously understood.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
loved it. So did the teachers.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
thought about it oppositely: that a pop tune
gives up all its secrets on one listening, whereas with a classical
piece there are often new insights with every hearing.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing
On May 25, 2007, at 1:20 PM, David W. Fenton wrote:
All of these people would benefit from absorbing the message of
Wagner's Meistersinger.
That people should support German composers???
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
On May 25, 2007, at 3:15 PM, Mariposa Symphony Orchestra wrote:
Sure, I like Bach; I marvel especially at his contrapuntal creativity;
I enjoy the sound of his music.
Me, I like his grinding dissonances!
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
, I assume your
blanket condemnation does not extend to any of these musics, but is
limited to that properly called atonal. Even that puts you *way* out on
a limb.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing
.
And in modern practice, do I still need a double
barline with a change of key signature?
No.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
:
classical composition, like poetry, is not at all remunerative,
especially in America. One can become very famous indeed and still be
scrabbling for every penny.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale
.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
/2). The ones I have
seen (and that I use) contain only numbers and slashes, with no other
characters.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo
with a major orchestra.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
a lot from it.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
There is an orchestral work, _Le Méditation de Purun Baghat_, by
Koechlin that I have not heard but that has been described as a strict
monody, which I assume means unison throughout.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
reach.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
for a
hard hyphen.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On May 14, 2007, at 6:01 PM, keith helgesen wrote:
Speaking of OT - from whence commeth the whole nine yards? Origin
anyone?
You've been given two of the many folk-etymologies for this expression.
For the real story, visit
http://www.worldwidewords.org/articles/nineyards.htm
Andrew
* the volume occupied by a pound of water. The
proverb (in addition to being a good mnemonic for that fact) says in
effect that certain things are true under all circumstances.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale
, in
my _Procrustean Concerto for the B Flat Clarinet_ on MMC 2105.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
of flute,
playing the ordinary flute literature at the same pitch, but with a
mellower tone.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
I'll have to demure to the
Bach experts on that).
demur.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On May 15, 2007, at 11:23 AM, Kim Patrick Clow wrote:
On 5/15/07, Andrew Stiller [EMAIL PROTECTED] wrote:
My sources say it had no
literature of its own, but was simply an alternative type of flute,
Your sources are quite wrong then:
http://img.photobucket.com/albums/v601/graupner
,
colloquial US English uses bar in the British sense all the
time--it's just not acceptable in formal writing.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman
the world round. For this to be
true, a pint must be 16 oz. everywhere. So what's the deal here?
--Or is the 20-oz. pt. like a baker's dozen?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
.) but nothing works. All four parts,
apparently, must be assigned to Instrument 4 and nothing else.
That would be OK if I could only send the individual parts to different
channels, but I can't.
What's going on here, and what should I do about it?
Andrew Stiller
Kallisti Music Press
http
as a contestant on an Italian quiz show and cleaned up in the category
mushrooms.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
is required for the line to scan, then
the composer must either set the word to two syllables, or deliberately
violate the scansion. The latter is, of course, done all the time for
all kinds of musical reasons, but still it is an issue the composer has
to bear in mind.
Andrew Stiller
Kallisti
been put into scores in the past
fifty years, often by major composers. Check out any score by Crumb,
e.g.
I do some of these things myself. For example, I feel that if the
dynamic is not specified at the end of a hairpin, you're just asking
for trouble.
Andrew Stiller
Kallisti Music Press
http
.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
he could do his job?
When Stravinsky put a non crescendo marking in _The Firebird_, the
conductor turned to him and said, Young man, if you don't want a
crescendo then don't write anything.
Some things never change.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
repertoire is dominated by pieces written to the old
rule, and so may improperly carry it over to more recent work.
There are actually a great many conventional notations whose meaning
changed in the period between, say, Mendelssohn and Bartòk, but most
musicians don't realize this.
Andrew Stiller
.
2) Nonetheless, it should be the shortest possible measure that could
convey such an impression.
3) It should actively discourage the listener from imagining any kind
of subdivision.
I would consider any performance that worked against this conception to
be flawed.
Andrew Stiller
ready to
out-outrageous any joke.
Dick Higgins (primarily a poet) has a piece called Danger Music, (it
was published in _Source_) one movement of which consists solely of the
instruction: Crawl into the vagina of a living whale! (exclamation
point sic)
Beat that!
Andrew Stiller
Kallisti Music
On May 4, 2007, at 7:47 AM, Christopher Smith wrote:
his works for percussion are brilliant examples, ripe for inclusion in
any textbook on composition,
As they are, in fact, in my _Handbook of Instrumentation._
and vital study for anyone writing for percussion.
Andrew Stiller
Kallisti
On 4-May-07, at 6:38 AM, Phil Daley wrote:
Survey 100 people on the street.
At least 99 would say, John who?
To which you reply, You know: the guy Nicholas Cage named himself
after.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
, is by definition a minority taste. Expecting it to be popular
is like expecting fine dining at MacDonald's. (And no, that wasn't a
putdown of MacDonald's. Think about where you *do* find fine dining,
and what percentage of the population patronises it)
Andrew Stiller
Kallisti Music Press
http
with the trio Codona (an Oregon spinoff) about ten years
later, and was highly impressed. I reviewed the concert very favorably
for the _Buffalo News_, and even went so far as to buy one of their
records for my (small) jazz collection.
Andrew Stiller
Kallisti Music Press
http
not, IMO, automatically imply 4
dotted Q to any educated musician.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
, quoted above, prefers the
British pronunciation--which I imagine would sound a bit affected in an
American text. Imagine:
The most beautiful sound I evah heud: Maria (Maria Maria)
All the beautiful sounds in the weuld in a single weud: Maria (Maria
Maria)
Andrew Stiller
Kallisti Music Press
since heaps of English speakers otherwise won't
sing it as two syllables, if that is your intention.
The analogy doesn't follow. Auden's rhyming of fire w. Messiah shows
that British poetry divides fire as often as American, pronouncing it
fi-ah.
Andrew Stiller
Kallisti Music Press
http
a character in
a book.
And let's not get started on February.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
as rectangles. Clearly
some kind of font problem.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Apr 30, 2007, at 3:36 AM, Mark D Lew wrote:
A clear example of this is the long melisma in #5 of Handel's Messiah,
and the desi-i-i-i-i-i-ire of all nations shall come. This is
consistent with what basic correct choral diction would dictate for
any diphthong.
Is this that same
at all: he was a
tin-pan-alley crooner, one of the last of them. It's true that people
used to use jazz to refer to any type of modern American popular
music--but that hasn't been the case for fifty or more years now!
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
and is
impossible to suppress. AFAIK.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
, is/are the unnecessary prompts to save (e.g., after printing).
You'd think the developers would keep an eye out for this perennial and
clean it out of any new upgrade rather than foisting it--yet again--on
the users.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
, but a
buggy step backward. All subsequent Mac versions of Finale use 2K4 as a
baseline--and indeed, 2K7 is a superior product to 2K4, though it is
still dramatically inferior to 2K2.
Only half of this problem is MakeMusic's fault. The other half is
Apple's.
Andrew Stiller
Kallisti Music Press
prominent contributors? There
is no mention of such a thing in Grove Online's list of music
dictionaries and encyclopedias, and this does not appear to be an
edition of Schilling.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
is the norm. The tremolo can--should--be notated as for other
insts., w. triple strokes thru the note stem. A continuous rub in a
specific direction can be indicated w. upbow or downbow symbols. All of
this is in my book.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
On a perhaps related front, I see that in FinMac 2K7a the font Hoefler
Text Ornaments disappears, though it temporarily reappears when the
textblock containing it is edited.
What's going on, and how do I fix it?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
The rules are as for güiro. See my book, pp. 184-186. There I give
forte as the loudest volume attainable on the sandblocks, but if
anything I think it would be less. Certainly a violin's fortissimo
would drown out anything the sandblocks could produce.
Andrew Stiller
Kallisti Music Press
dialog is already overstuffed. My feeling has long been
that Move/Copy Layers belongs within Mass Edit/Change, where it would
be called simply Layers.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing
disguised, and
playing material not associated w. him, would have attracted as little
attention under the specified circumstances as Bell did.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
would do so.
Really? Check out how Jefferson and Adams treated each other during the
former's presidency.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu
unsuccessfully to google, they have no online presence at all.
Finale users are a highly specialized subculture.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu
of
it. Instead, I will simply say this: that a busker is a form of beggar,
and everything else follows from that.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu
up on the Finale list at all, and
*extremely* surprised that the thread has proven to have the legs it
has shown.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http
of common civility that is sorely lacking these days in
many who have the luxury of the airwaves on their side.
Evidently you have not read many 19th-c. newspapers.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
-- there were never more than a few dozen of
these characters to begin with.
I doubt that Giuliani ever had the slightest hint of the squeegee
situation in Philadelphia: few in number, but positioned at crucial
intersections.
The whole world is not NYC, you know.
Andrew Stiller
Kallisti Music
?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
himself I remember only that he was already on his way out the
conservatory door, that this concert was his parting shot.
At that same conference I made friends w. Jean Laurendeau, who played
ondes martenot in Vivier's piece, and has gone on to be a major
exponent of his instrument.
Andrew
of worldly gifts.
I perceived the religious theme, and ignored it. The question how
can this doofus write so much better than me? does not require the
intervention of a creator to attract serious attention.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
superior--which is hogwash both as an equation and in historical fact.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
was not intended to encompass a period extending 70 or even fifty
years beyond the creator's death. Personally, I doubt the framers of
the constitution thought of anything more than 15 or 20 years--but
hey...
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
On Mar 26, 2007, at 4:59 AM, dhbailey wrote:
What's wrong with a movie with a wonderfully heart-warming tale: Boy
meets boat, boy loses boat, boy drowns. :-)
Any movie w. a major character based on Beatice Wood has got my vote.
Andrew Stiller
Kallisti Music Press
http
On Mar 26, 2007, at 5:08 AM, dhbailey wrote:
I wonder what drama there was in his life which people think will make
interesting movies.
Maybe a remake of *Some Like It Hot.* There's these two guys, see, who
are fleeing assassins, and try to disguise themselves off as members of
Tony
to allow Shaffer to tell his story, and
shouldn't be criticized for departing from accurate representation of
history.
And you've got to remember that the whole thing is derived from
Pushkin's *Mozart and Salieri,* wherein the historical inaccuracies
were not yet known to be such.
Andrew Stiller
On Mar 26, 2007, at 12:37 AM, Darcy James Argue wrote:
I followed the instructions in the manual RE: Nonstandard Key Sigs and
Accidental Octave Placement for my 15ma treble clef, but nothing
happened. I then opened an older document with a 15ma treble clef I
KNOW I had configured correctly,
be fantastic. We'll see.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Mar 25, 2007, at 8:46 PM, John Howell wrote:
Hmmm. What Amadeus did was to make Mozart look like an idiot!!
Maybe, but it booted Beethoven off the Greatest Classical Composer
throne and installed Mozart on it.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
version of Petrucci,
and anybody who wants a copy can have one.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
these.
Critical editions of the piece correct numerous other errors in the old
publications, but these are the usual minor stuff that makes little
difference in the actual sound of the piece.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
ending *must* be numbered differently--one way or
another--than the first, or confusion will reign. Voilà tout. People
like Johannes can use 16a and 16b if they want--but they cannot
leave everything blank, or they are doing a disservice to the
performers.
Andrew Stiller
Kallisti Music Press
to
unambiguously refer to a particular measure without fear of being
misunderstood. That being the case, measures in first and second
endings *must* be numbered differently, one way or another.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
player who insisted passionately that key
signatures for horns were always and forever improper. This current
discussion smells a lot like that...
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale
must mean the second bar *of* C--but
that would be *two* after C--so there is always confusion in such cases
unless the conductor takes care to phrase his request with of, or
says something like the second full measure after C.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
articulation or slur tip placement for those
several of my fonts for which no FAN files exist? That in fact Finale's
behavior in such cases has been *deliberately* reverted to what it was
in Finale 2.X? Some improvement, there!
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
as there is no other instrument called by that
name (in English, anyway)--and Franklin himself just called it
armonica without the modifier.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http
in the instrumentation list that precedes the first page of score.
2) Cram the three names onto the first page, extending a little
above and a little below the staff. On all subsequent pp. use the
abbreviations Vc, Vne, Fag all on one line.
Andrew Stiller
Kallisti Music Press
http
that is NOT what you're doing!) lower it a
minor 3rd.
Even easier: find the alto sax settings and duplicate them. Add 1 to
the transposition interval, click the Chromatic Transposition radio
button and you're home free.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
the bottom staff.
If the instrument were written an octave below its sounding pitch
(like the celesta), this expanded range would require the use of bass
clef.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
mouse clicks?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
a system break, but are attached to the word [end].
Deleting [end] deletes the hyphens as well, and I've had to replace
them with an appropriate text expression.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale
this was done,
and the effect is as if there are alternating black and white beams.
Very confusing.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo
of these wrong (it's been years), but
the basic system is as I've outlined it.
If nothing else, these syllables make great Scrabble words (no, they're
not in the official dictionary--which is one reason I refuse to play by
the official dictionary).
Andrew Stiller
Kallisti Music Press
http
For whatever it may be worth, I had a similar (not identical) problem
with my LaserJet 5000N printer when I upgraded to FinMac 2K7. The
solution turned out to be to change the printer ID in the Page Setup
dialog from the name of my printer to the generic Any Printer.
Andrew Stiller
Kallisti
scores (Ravel and Messiaen) and they do not remove
staff lines.
Debussy, La Mer, International Music Co. (presumably a reproduction of
the original pubn.) blanks out the staff lines but, oddly enough, not
the stems.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
, the Bonaparte's Retreat part of it (much of
the music in that movement is entirely original to Copland)?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman
Clarinet Quintet, for instance.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Mar 6, 2007, at 2:23 PM, [EMAIL PROTECTED] wrote:
And of course Mahler's famous quote from The Sound of Music in the
finale
of his first symphony - Soh, a needle pulling thread
And don't forget White Christmas in the 9th!
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com
haven't the faintest idea how to create French beams in the
first place (except one note at a time w. Special Tools), and
certainly, therefore, no idea how to undo them.
Any ideas?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
the German says?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
I protracted an extended illness.
Contracted. I contracted an extended illness. Or maybe I contracted
a protracted illness :-
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
to break down.
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
as:
Even when it lies forgetful in the dust, / Still it abides in patience.
--but this doesn't quite feel right to me. Have I gone astray somehow,
or is this basically correct?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
On Mar 4, 2007, at 11:47 AM, shirling neueweise wrote:
I agree, Schlußlied is another possibility.
end song!? more likely schlaflied, as was suggested elsewhere.
End song is an awkward translation. Concluding Song or Final Song
is more idiomatic, and makes perfect sense.
Andrew
an octave *lower.*
As for the high G the 2d Brandenburg requires, there are numerous
examples of its use on trumpets of various sizes--not necessarily in F,
but what does that matter?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti
201 - 300 of 1025 matches
Mail list logo
