>From my time at Sarasota Opera, we used CutePDF as it was our IT chief's
>favorite. We even had the pro version which gives you a lot of PDF editing
>power, and I went and sprung for it, myself, later. But the basic is a simple
>print-to-pdf and it is free, NOT shareware with ads.
Michael
Finale Win pdf export is buggy.
Download and install (free) Bullzip printer. In Finale click Print, choose
Bullzip as your printer and it will create Pdf file, which you can save in the
same folder.
I then create the cover and inside cover pages, place them and the saved file
in the Pdf
On 6/7/2019 5:56 PM, Don Hart wrote:
I'm on a mac so I'm not sure how this all corresponds, but I select
everything I want to print in the Finale print dialog and choose "save to
pdf" in the pdf dropdown menu. (If the score and parts page sizes differ,
each has to be saved separately after
." from the
> file menu. The zip file can then be sent as an attachment.
>
> Hope this helps.
>
>> On Fri, Jun 7, 2019 at 3:49 PM David H. Bailey
>> wrote:
>> On 6/7/2019 3:26 PM, Martin Nickless wrote:
>> > Hi can somebody help me with copying my
te:
> On 6/7/2019 3:26 PM, Martin Nickless wrote:
> > Hi can somebody help me with copying my finale parts onto a PDF and
> putting them all in one email I can export scores no problem via PDF but
> would like to get all parts printed I have already formatted them any help
>
On 6/7/2019 3:26 PM, Martin Nickless wrote:
Hi can somebody help me with copying my finale parts onto a PDF and putting
them all in one email I can export scores no problem via PDF but would like to
get all parts printed I have already formatted them any help would be fantastic
I am
Hi can somebody help me with copying my finale parts onto a PDF and putting
them all in one email I can export scores no problem via PDF but would like to
get all parts printed I have already formatted them any help would be fantastic
I am on Windows 10 and finale 25 kind regards Martin
Sent
Hey, you don’t even have to edit the part before you print it (though it is
highly recommended). Often there are collisions and bad system breaks that need
correction in raw parts.
As of Finale 2007, we have linked parts, which is to say all the parts reside
in the same file as the score. The
Greetings,
Fin Mac 25.5.0.259
What is the difference between: EDIT Parts and EXTRACT Parts
Do I have to EXTRACT parts before printing, or can I PRINT parts directly from
EDIT parts?
Thanks for the lesson,
Larry Eden
___
Finale mailing list
One would think so, but I've never found that option to have any effect on
this issue. Indeed, I've never seen that it does anything. But I leave it
checked anyway.
On Sat, Jan 21, 2012 at 11:23 PM, Darcy James Argue
djar...@earthlink.netwrote:
I haven't actually tried this, so I don't know
In response to the comment Perhaps there are some conditions in which the
Finale page size and the printer set up should not match, but I can't think
of why that should be. -- I routinely do this for booklet printing. I set
the page layout to 8.5 x 11 portrait, and the printer to 11x17 landscape
Thanks, James.
I don't think the people at MM are thoughtless, so my first assumption is that
there are reasons for decisions to implement things in the ways that they do
them. This is an example of why there are two places to control printing
parameters. Still, it seems that this is not
Chuck Israels wrote:
...snippage... Perhaps there are some conditions in which the Finale page
size and the printer set up should not match, but I can't think of why that
should be.
Besides the reason Jim Cooper mentioned, of printing booklets, there's
another reason. If one is wishes to
Is there anyway to have parts and score have different pages sizes without
having to go in and change the Mac printer page size to match each time you
print one or the other? This is a long-standing issue for me, and I haven't
figured out if it is possible.
In FinWin 2011: Under Document / Page Format one can choose
different page formats for score and parts. You will then have to
Manage parts / Generate Parts to see the difference.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
Hi Robert,
This is an annoyance up with which we have put as long as I can remember, and I
don't think there's a way around it. Raymond answered a different question.
It's the printing that requires the change, not the creation of the different
sizes within Finale, and I have long wondered
On Sat, Jan 21, 2012 at 3:01 PM, Chuck Israels cisra...@comcast.net wrote:
Hi Robert,
This is an annoyance up with which we have put as long as I
can remember, and I don't think there's a way around it. Raymond answered a
different question.
You guys are SO picky.
If a man does not keep
I haven't actually tried this, so I don't know whether it works, but isn't this
problem theoretically solved by selecting the Use Finale's Page Orientation
instead of printer's Page Orientation option?
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 21 Jan 2012, at 3:01 PM,
Can someone solve this problem for me?
I have a score that consists of Vocal, Piano, Bass and Drums. I add
the staves (above those) for big band. When I was through inputting
all the entries, I go to Manage Parts, then Generate Parts. All parts
are generated except for bass and drums. They
Kim,
Have you tried deleting the existing parts from the list, then create a new
set of parts?
Vince Leonard
www.finalebook.com
www.sibeliusbook.com
**
It's Tax Time! Get tips, forms, and advice on AOL Money amp;
Finance.
thanks to all for the comments.
At 17:02 +0100 1/28/07, Daniel Wolf wrote:
I've lived in Germany since 1989. I can't imagine that there is a
law regulating the format of sheet music but there may be either a
state regulation for workplaces or an agreement in the individual
orchestra's
Kim Patrick Clow wrote:
In a Finale 2005 file, I had to make a change to the score AFTER I
extracted the parts The score was no trouble, but after I updated the
part, adding an extra measure with a rest, so I'm not sure why the
empty measure after the big 4 didn't get absorbed ? What do I need
In the drop down menu associated with the measure item in the menu
bar, select multi-measure rests, and in the sub-menu select
break.
you can also select both the existing MM rest and the new empty
measure and create and avoid this step.
--
shirling neueweise ... new music publishers
shirling neueweise wrote:
[snip]
i can't do anything to avoid things like the violist who stuck a white
cloth on the tip of his bow and waved it above his head like a flag
during the single run-through dress rehearsal, but i want to try and
avoid having materials i spent time and money on
In the future, if you will be dealing with any orchestras in
Germany, ask them what size paper and what size staves and margins
and inter-staff space they want, and keep the printed response with
you at all times.
yeah, it just pisses me off that they are so easy to throw it at you
but
On Jan 28, 2007, at 7:21 AM, dhbailey wrote:
shirling neueweise wrote:
[snip]
i can't do anything to avoid things like the violist who stuck a
white cloth on the tip of his bow and waved it above his head like
a flag during the single run-through dress rehearsal, but i want
to try and
shirling neueweise wrote:
In the future, if you will be dealing with any orchestras in Germany,
ask them what size paper and what size staves and margins and
inter-staff space they want, and keep the printed response with you at
all times.
yeah, it just pisses me off that they are so easy
shirling neueweise wrote:
i long ago came to the conclusion that an orchestra is not a musical
body, but a political one.
Every group of humans larger than one is a political body. Orchestras
are certainly no exception. Professional orchestras are beyond
political: each one is a tribe.
Kim Patrick Clow wrote:
What do I need to
do to get the file to show the modification correctly?
You need to re-create the multimeasure rest, at least on that region.
Select the 5 bars, select the Measure tool, right click, and select
Create Multimeasure rest from the context menu.
--
On 28.01.2007 shirling neueweise wrote:
As to whether it's a law or not, I find it hard to believe that the German
government would have wasted time enacting any law governing the size and other
specifications of orchestra music.
hmmm, you've never spent time in germany, have you?
Now,
I've lived in Germany since 1989. I can't imagine that there is a law
regulating the format of sheet music but there may be either a state
regulation for workplaces or an agreement in the individual orchestra's
employment contract regarding the legibility of reading materials, i,e,
it would be
You all do know that in the USA there are union specifications for the size
of parts amount of staves for the major orchestras.
And even if you are a freelance composer with a small job for a symphony
performer, you better have those parts in the same whatever.
Vivian
Vivian Adelberg Rudow
--- Daniel Wolf [EMAIL PROTECTED] wrote:
In fact,
I've often been surprised at how tolerant musicians
are of parts with
bad page turns etc..
We're just resigned to it - so much of the music I buy
has really evil page turns that I don't even comment
on it anymore.
--
Io la Musica
Lora Crighton wrote:
--- Daniel Wolf [EMAIL PROTECTED] wrote:
In fact,
I've often been surprised at how tolerant musicians
are of parts with
bad page turns etc..
We're just resigned to it - so much of the music I buy
has really evil page turns that I don't even comment
on it anymore.
At 1:48 PM -0500 1/28/07, [EMAIL PROTECTED] wrote:
You all do know that in the USA there are union specifications for the size
of parts amount of staves for the major orchestras.
No, I don't think we do know that; at least I don't. Could you
provide specifics? There are MOLA guidelines, of
hi, recently a german orchestra refused to use the parts that i had
prepared for them, claiming they didn't meet the laws on minimum
size. it must be said that they were looking for pretty much any
excuse not to play the piece in fact, and they found one in this law!
the festival director
Hi everyone:
http://img.photobucket.com/albums/v601/graupner/parts-rest.jpg
In a Finale 2005 file, I had to make a change to the score AFTER I
extracted the parts The score was no trouble, but after I updated the
part, adding an extra measure with a rest, so I'm not sure why the
empty measure
This sounds entirely like you got caught in local politics. I have
seen this kind of thing (not exactly - but similar attitude) when
working at the WDR in Koln.
I spent a week there - working with Bill Dobbins, who was then the
leader of that band. Bill is a consummate musician and an
: shirling neueweise [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Saturday, January 27, 2007 10:14 PM
Subject: [Finale] parts - german laws
hi, recently a german orchestra refused to use the parts that i had
prepared for them, claiming they didn't meet the laws on minimum
size. it must be said
On Jan 27, 2007, at 11:14 PM, shirling neueweise wrote:
hi, recently a german orchestra refused to use the parts that i had
prepared for them, claiming they didn't meet the laws on minimum size.
it must be said that they were looking for pretty much any excuse not
to play the piece in
At 5:14 AM +0100 1/28/07, shirling neueweise wrote:
hi, recently a german orchestra refused to use
the parts that i had prepared for them, claiming
they didn't meet the laws on minimum size. it
must be said that they were looking for pretty
much any excuse not to play the piece in fact,
- Original Message -
From: Andrew Stiller [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Saturday, January 27, 2007 11:14 PM
Subject: Re: [Finale] parts - german laws
On Jan 27, 2007, at 11:14 PM, shirling neueweise wrote:
hi, recently a german orchestra refused to use the parts that i had
Johannes Gebauer wrote:
On 08.11.2006 Aaron Sherber wrote:
A measure-attached block, yes. But as I said above, I'm not sure how
useful this would be for page-attached blocks.
Personally I would hope that measure attached text blocks will be
considerably improved. Not only should there be
Matthew Hindson fastmail acct wrote:
[snip]
* I tried also extracting a part to a separate file (the 'old fashioned'
way) and the strange thing that happened there was that the last two
bars totally disappeared. Then I added to new bars at the end to
reenter the music manually - and it added
At 06:50 AM 11/8/2006, dhbailey wrote:
Entering page text blocks (as opposed to measure-attached text-blocks)
affects only the part they're on, not the whole score and other parts.
This isn't true, at least not for me. Page-attached blocks show up in
all parts and the score; measure-attached
Aaron Sherber wrote:
At 06:50 AM 11/8/2006, dhbailey wrote:
Entering page text blocks (as opposed to measure-attached text-blocks)
affects only the part they're on, not the whole score and other parts.
This isn't true, at least not for me. Page-attached blocks show up in
all parts and the
At 10:20 AM 11/8/2006, dhbailey wrote:
Here's hoping that MakeMusic comes up with a right-click dialog for text
blocks which includes a This Part Only option (among others)!
I think there are two issues here.
First, it's important to realize that the basic Fin2007 paradigm does
not let you
Aaron Sherber wrote:
At 10:20 AM 11/8/2006, dhbailey wrote:
Here's hoping that MakeMusic comes up with a right-click dialog for text
blocks which includes a This Part Only option (among others)!
I think there are two issues here.
First, it's important to realize that the basic Fin2007
At 11:26 AM 11/8/2006, dhbailey wrote:
I realized that about the data existing, so I had thought that the Show
in This Part Only option would do exactly as you say in your final
paragraph.
Okay, but your post just called it a 'This Part Only' option. I
wanted to be clear that this has to mean
On 8 Nov 2006 at 11:50, Aaron Sherber wrote:
If you implement 'Show in This Part Only'
as a menu item with a checkmark, then Finale needs to keep track not
just of the show/hide state for that particular part, but the
show/hide state for *every* part at once.
Doesn't Finale already have a
Dear list members,
I finally got around to doing parts for a piece in Finale 2007 today
using the dynamic parts feature.
There were a few bugs/annoyances and wondered if anyone else had found
the same, or if they were unique to me:
* When going to the Manage Parts box, and selecting New
Thank you David Bailey, I had assumed that because all the staves in
the score were blank the existing music would not 'move to the right'
when the next lot was put in. Anyway, I was able to move all the
parts into the correct places with the 'replace entries'. Problem no.
2 was that none
I have 5 string parts of a short concerto which I would like to put
into score form. I have successfully put in one part into the
appropriate line of a blank score using both the copy and insert method
and the option copy and insert method. However as soon as I put in the
next part the
Margaret whitby wrote:
I have 5 string parts of a short concerto which I would like to put into
score form. I have successfully put in one part into the appropriate
line of a blank score using both the copy and insert method and the
option copy and insert method. However as soon as I put in
dhbailey a écrit :
dc wrote:
jp.gilles écrit:
No, the title and the blank page deleted.
Thanks, Jean-Paul.
Too bad... Can one reinsert them in all parts in one go?
Yes, and even in the score as well, so my advice, to achieve what you
want, would be to create those title pages and blank
On 31.08.2006 jp.gilles wrote:
And then, what happens in 2007 if you use linked parts with title pages? Do the
parts also inherit the title pages?
No, the title and the blank page deleted.
Actually, you can re-add them, and they will inherit the textblocks from
the score. For me this is
On 31.08.2006 dhbailey wrote:
Yes, and even in the score as well, so my advice, to achieve what you want,
would be to create those title pages and blank pages, AFTER you've gotten the
score set up as you wish and have generated the parts.
Not necessary. You can even create them in the
dc a écrit :
My scores generally have a title page, followed by a blank page, with
the score starting on page 3. I need to keep this same disposition in
the parts. But, when I extract the parts, these first two pages
disappear. And if I want to keep the title and composer's name, the
dc wrote:
jp.gilles écrit:
No, the title and the blank page deleted.
Thanks, Jean-Paul.
Too bad... Can one reinsert them in all parts in one go?
Yes, and even in the score as well, so my advice, to achieve what you
want, would be to create those title pages and blank pages, AFTER you've
On 31 Aug 2006 at 7:31, dhbailey wrote:
Yes, and even in the score as well, so my advice, to achieve what you
want, would be to create those title pages and blank pages, AFTER
you've gotten the score set up as you wish and have generated the
parts.
Then in the PageLayout tool, under the
[EMAIL PROTECTED] / 04.11.23 / 6:27PM wrote:
Your layout should stay if you are using the regular cut and paste.
But if for some reason it doesn't, lock the format before you clear
out the part. (Mass Edit Tool, type cmd-A then cmd-L . Then to
unlock cmd-U.) I make a habit of locking the
Owain Sutton wrote:
One hassle I have is that much of what I deal with is microtonal,
which makes converting from a concert-pitch microtonal score to
transposed instrument parts a real pain (when oh when oh when will the
'nonstandard key signature' business be replaced by something
(anything)
[EMAIL PROTECTED] / 04.11.22 / 7:05PM wrote:
I use the clip file feature to bring the score's form into the first
part which will become my score/cue/composition template for that
particular song.
Thanks everyone responding to my question.
I was interested in this clip file feature. For a
Daniel Wolf wrote:
24-tone equal temperament (quartertone tuning) is used only by a segment
of the microtonal community. The nonstandard key signature feature has
the great virtue of being adaptable to a wide variety of tuning systems,
with as many accidentals and nominals as you need, and all
Hi Hiro,
Cmd+Option+V is Paste. You want insert from clip file. Here:
1. In the Mass Edit tool, highlight the measures in your source file
that you want to copy to your target file.
2. Hold down the option key and go to EditCopy to Clip File
3. Choose a location for your file and name it...I
[EMAIL PROTECTED] / 04.11.23 / 1:28PM wrote:
Cmd+Option+V is Paste.
Yes, I understand that. I was trying to follow this instruction:
For example, if I have just done Flute 1, I then save
that part as Flute 2, clear out the notes etc (using the clear key)
leaving the template blank with the
[EMAIL PROTECTED] / 04.11.23 / 1:28PM wrote:
Cmd+Option+V is Paste.
Yes, I understand that. I was trying to follow this instruction:
For example, if I have just done Flute 1, I then save
that part as Flute 2, clear out the notes etc (using the clear key)
leaving the template blank with the layout
I have been trying to search MailMan2 dB but I am getting too many hits
on this subject. Please forgive me if this subject was covered before.
My long time gripe:
Finale offers 3 ways of creating parts, but none of which is convenient
as dead MOTU Mosaic was. Finale encourages to create
At 05:26 PM 11/22/2004, A-NO-NE Music wrote:
as dead MOTU Mosaic was. Finale encourages to create separate extracted
part files for best results, but it does not offer dynamic file link for
future editing. My first question is that if there is a feature I am
missing here.
No, you are not missing
Hello Hiro,
I have a one measure blank template that I use for each new
score/cue/composition that I do parts for.
I use the clip file feature to bring the score's form into the first
part which will become my score/cue/composition template for that
particular song. I can then add anything
I agree that linked parts and score files would be desirable. However,
since we don't have this feature (and I doubt that we will see this
before Finale2k8), here is what I do:
Part Extraction is the very last thing I do. Before I do this, I
duplicate my score file, and prepare the duplicate
The only way I ever work is to get my score 100% correct in all ways,
from basic layout to nitty-gritty proofreading to final tweaking. Only
when it's in a state I'd be happy to make it public do I extract parts.
Each one individually needs a lot of subsequent tweaking, but in the
whole
At 05:43 PM 11/22/04, you wrote:
Personally, I create extracted parts files, and then I go through each
part to neaten things up, make sure page turns are in the right place,
etc. When I need to correct a mistake, I change it both in the source
score and in the part. If I have to make
I hear the pain out there this spring I played trb. in the pit for
Pajama Game, and the part was so bad I took it home and rewrote the
entire thing in Finale. It took a long time, but at least I could play
the show.
Dean M. Estabrook
technology is a fickle mistresscan't live with
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