Jeff,
How are you dealing with hairpin ends when they change to a sharp point at
certain length and subsequently become longer when working in tight situations?
This has been an issue for me since 2007 I believe.
Sent from my iPhone
On 2012-08-16, at 2:21 PM, SN jef chippewa
wrote:
>
> godd
goddammit, i just finished doing it all manually gr
yeah, i had looked in your PI, but somehow overlooked that option.
now seeing it, i have no clue how i missed it. pff.
thanks jari, great PI idea even if it didn't help me this time around :-)
>1. Launch "JW Change (Beta)
On 2012-08-14 01:29, SN jef chippewa wrote:
> i have a region with very detailled rhythm and cresc. / decresc.
> patterns throughout; half play <> and the other >< on exactly the
> same pitches and rhythmic points. is there some way to batch invert
> the 2nd half, or do i really have to adjust ea
Hi Chuck,
Wasn't intending to use jargon! "Font glyph" is just the name for what's inside
each character slot in a font. In a text font, a glyph would be a letter or a
number. In a graphic font, like Bill's Hairpins font, each glyph is a hairpin
(or hairpin pair, or similar).
That's why the li
On Aug 13, 2012, at 6:43 PM, Darcy James Argue wrote:
> Hi Chuck,
>
> The Duncan hairpins are font glyphs so their thickness isn't adjustable.
That is jargon with which I'm unfamiliar, but I have been unsuccessful in
trying to figure out how to change the line thickness. That they are not
re
Hi Chuck,
The Duncan hairpins are font glyphs so their thickness isn't adjustable. Also,
as you know, another consequence of them being font glyphs is that the lengths
are fixed as well, so I'm not sure they'd work well for Jef's situation if he
needs them to be rhythmically precise in both sco
jef,
The Bill Duncan material has hairpin pairs in a variety of sizes (including
some with notations like "poco" inside them). They work pretty well, although
they are defined with finer lines than I use with my normal hairpins (and I
don't know how to get in to Bill's to adjust the line thick
rhythmic subdivisions and length of de/cresc. swell changes every
quarter, so this doesn't work for about 90% of the region, otherwise,
yeah, that would be the solution. in case you're curious :-) :
http://newmusicnotation.com/TEMPFILES/hairpin_hellpassage.pdf
>Adjust once and copy them to ot
Adjust once and copy them to other locations?
JB
Sent from my iPhone using my thumbs w/out a spellchecker
On Aug 13, 2012, at 6:29 PM, SN jef chippewa
wrote:
>
> i have a region with very detailled rhythm and cresc. / decresc.
> patterns throughout; half play <> and the other >< on exactly t
i have a region with very detailled rhythm and cresc. / decresc.
patterns throughout; half play <> and the other >< on exactly the
same pitches and rhythmic points. is there some way to batch invert
the 2nd half, or do i really have to adjust each hairpin manually?
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