Hi Chuck,

The Duncan hairpins are font glyphs so their thickness isn't adjustable. Also, 
as you know, another consequence of them being font glyphs is that the lengths 
are fixed as well, so I'm not sure they'd work well for Jef's situation if he 
needs them to be rhythmically precise in both score and parts. The measure 
widths and beat spacing between score and parts would have to be identical -- 
either that or he'd need to use a separate set of expressions for both score 
and parts, at which point I'm not sure he'd be coming out ahead vs. just using 
smart shapes.

Cheers,

- DJA
-----
WEB: http://www.secretsocietymusic.org



On 13 Aug 2012, at 8:48 PM, Chuck Israels wrote:

> jef,
> 
> The Bill Duncan material has hairpin pairs in a variety of sizes (including 
> some with notations like "poco" inside them).  They work pretty well, 
> although they are defined with finer lines than I use with my normal hairpins 
> (and I don't know how to get in to Bill's to adjust the line thickness - does 
> anyone know?).  Whether this is worth it for what you are doing, I can't be 
> sure, but you might want to take a look.  I assume Nick Carter has examples 
> on his site.  If not, I can send you some.
> 
> Chuck
> 
> 
> On Aug 13, 2012, at 5:27 PM, SN jef chippewa wrote:
> 
>> 
>> rhythmic subdivisions and length of de/cresc. swell changes every 
>> quarter, so this doesn't work for about 90% of the region, otherwise, 
>> yeah, that would be the solution.  in case you're curious :-) :
>> http://newmusicnotation.com/TEMPFILES/hairpin_hellpassage.pdf
>> 
>> 
>>> Adjust once and copy them to other locations?
>> 
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> 
> Chuck Israels
> 8831 SE 12th Ave.
> Portland, OR 97202-7097
> 
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> 
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