Mark D Lew wrote:
I think the chopped off sidebar is a problem. Even if the lost
information is redundant and not really necessary, I just think it's a
turn-off to the user to see something that's gone off the edge and is
not accessible by scrolling. It is more frustrating than if the panel
Jari Williamsson / 05.2.26 / 03:15 AM wrote:
I have a new solution available now, where the submenu with names has a
fixed height and instead scrolls. Let me know if this doesn't work.
This only solves Interviews page, but other pages with the sub menu will
have the same problem if the screen
On Feb 26, 2005, at 12:15 AM, Jari Williamsson wrote:
I have a new solution available now, where the submenu with names has
a fixed height and instead scrolls. Let me know if this doesn't work.
Looks good to me.
mdl
___
Finale mailing list
A-NO-NE Music wrote:
So, it's not possible to do this with MP3 with XML interface?
Most schools have computers these days, no?
:-)
In all the classrooms? A most definite NO.
And while many of the music teachers are fine musicians, I have spoken
with a rather large sampling in my area who haven't
I was wondering if anyone happens to know of a utility/haxie that will
allow automatic keyboard access to all menu items, a la Windows.
Under OS 9 there is a wonderful little extension called PowerKeys that
did this - it meant that rather than having to remember a myriad of
Quickeys shortcuts,
Custom fields, custom fields, custom fields... I have been asking for
this for years.
Johannes
shirling neueweise wrote:
From: shirling neueweise
dedications could be entered in a new file info entry box.
by the way, any other suggestions for new file info fields?
- dedication
- composition
On Feb 26, 2005, at 12:49 AM, Dennis Bathory-Kitsz wrote:
I've made changes to the toolbar mockup at
http://maltedmedia.com/photos/toolbar.gif to reduce Playback and
Duplicate buttons to icons, add Click and item number next to
Attached
to, add a justification droplist, and add a snap-to-grid
On Feb 26, 2005, at 1:05 AM, Don Hart wrote:
Jari,
Thanks for keeping up this website and for adding helpful things like
the
new interviews.
I read through most of Tyler Turner's interview (I didn't realize the
escape
key did that!) and I thought I'd put out a general question about
Simple
Hi,
When I import a midi file into Finale, the drums won't appear. Finale is
creating a drums staff, but it remains empty. I tried this out using
several midi files. The pity is the main reason ARE the drums - I am
arranging some funk stuff and hoped I could take the drums out of a midi
file
At 09:17 AM 2/26/05 -0500, Christopher Smith wrote:
While I am still a hard-core Speedy person, I am forced to use Simple
on my laptop when I am away from my desktop computer (MIDI-less Speedy
without a numeric keypad is rather clumsy
I also use Speedy. In fact, as a funny aside: the Discovery
At 12:37 AM + 2/26/05, Owain Sutton wrote:
Simon Troup wrote:
Go to http://maps.google.com and browse a few maps.
No support for Safari. They need to do more homework.
No support for Europe. They really need to do some work. I feel
like the anti-Columbus, scrolling off into the
At 09:09 AM 2/26/05 -0500, you wrote:
In your tool bar mockup, where are the create and delete buttons
for text expressions? These are such useful buttons in the present
interface that I would hate to lose them.
Just forgotten as I tried to focus on how to 'commonize' the other elements.
Also
At 5:20 AM -0500 2/26/05, dhbailey wrote:
A-NO-NE Music wrote:
So, it's not possible to do this with MP3 with XML interface?
Most schools have computers these days, no?
:-)
In all the classrooms? A most definite NO.
And while many of the music teachers are fine musicians, I have
spoken with a
d. collins wrote:
The only question I'm
interested in is if and when it will be fixed.
How about contacting the management? MakeMusic is listed as NSADAQ:
MMUS, try that to find the key people you might want to address.
Best regards,
Jari Williamsson
At 09:17 AM 02/26/2005, Christopher Smith wrote:
While I am still a hard-core Speedy person, I am forced to use Simple
on my laptop when I am away from my desktop computer (MIDI-less Speedy
without a numeric keypad is rather clumsy, IMHO)
I recently bought a USB numeric keypad for just this
on 2/26/05 1:48 AM, Jari Williamsson at [EMAIL PROTECTED]
wrote:
I am, but I don't use a MIDI keyboard.
I'd love to hear any details about your working method that you'd care to
give up.
BTW, I've modified the introduction text to Tyler's interview a little
bit. He doesn't work at MM any
From: Christopher Smith
My main worry with that sort of thing (and even with jef's basic
idea to merge the tools) is that to get a type of expression that is
different in function requires more mouse clicks.
not necessarily, with the duplicate button, you actually reduce the
number of mouse
on 2/26/05 8:17 AM, Christopher Smith at [EMAIL PROTECTED]
wrote:
How many reading this have been converted from *midi* speedy note
entry to
the new and improved simple note entry by Finale's recent push in
that
direction?
While I am still a hard-core Speedy person, I am forced to use
On Feb 26, 2005, at 6:17 AM, Christopher Smith wrote:
While I am still a hard-core Speedy person, I am forced to use Simple on my laptop when I am away from my desktop computer (MIDI-less Speedy without a numeric keypad is rather clumsy, IMHO) and I am suitably impressed with it. I know Linda
For Mac gurus:
I seem to remember that there's a way to make Adobe Acrobat documents open by default in Preview, but I can't remember how. Am I correct that this is possible. If so, how?
TIA
Chuck
Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax
dhbailey / 05.2.26 / 05:20 AM wrote:
In all the classrooms? A most definite NO.
OK.
And while many of the music teachers are fine musicians, I have spoken
with a rather large sampling in my area who haven't a clue how to do
more than turn a computer on and surf the web and read e-mail.
Ah yes.
Thank you.
Chuck
On Feb 26, 2005, at 12:22 PM, Carlberg Jones wrote:
At 12:14 PM -0800 2/26/05, Chuck Israels wrote:
I seem to remember that there's a way to make Adobe Acrobat documents open
by default in Preview, but I can't remember how. Am I correct that this
is possible. If so,
Chuck Israels writes:
For Mac gurus:
I seem to remember that there's a way to make Adobe Acrobat
documents open by default in Preview, but I can't remember how. Am
I correct that this is possible. If so, how?
Chuck,
Select one of your older Acrobat files and Get Info. In the panel you
can
On Feb 26, 2005, at 12:45 PM, Harold Owen wrote:
Chuck Israels writes:
For Mac gurus:
I seem to remember that there's a way to make Adobe Acrobat documents open by default in Preview, but I can't remember how. Am I correct that this is possible. If so, how?
Chuck,
Select one of your older
On 26 Feb 2005 at 6:52, Owain Sutton wrote:
David W. Fenton wrote:
Actually, even with the players that don't have index forward/back
buttons, if you turn on track display, it should display the index
numbers.
Huh? The cheap players I've mentioned earlier certainly dno't have
that
On Feb 26, 2005, at 11:46 AM, shirling neueweise wrote:
there will be user-definable default settings for the Text, including
not only font and size, but also leading and all other text attributes
(why this is not already the case escapes me...) and for the three
manners of attaching it.
On Feb 26, 2005, at 3:44 PM, A-NO-NE Music wrote:
Meanwhile, OSX comes with a little helper. Just hit Ctrl+Shift+F2 (if
nothing happens, hit Ctrl+Shift+F1 first then the feature is enabled).
See you can navigate menus with arrow keys then hit [ENTER]. I don't
like mousing and I got used to this
Is Finale Print Music up to 2005 version? If not, is it coming soon?
I have Finale 2005 on the main Dept computer and was thinking of
buying Printmusic for the 5 classroom iMacs, but I don't want
incompatible versions.
--
Rocky Road - in Oz
Fleeing from the Cylon tyranny, the last Battlestar,
On 26 Feb 2005 at 16:38, Christopher Smith wrote:
I know how to start a second ending with a tied note, but how do I
start a coda with a tied note? The note in question is both tied over
from the previous measure AND tied to the next measure, so my old
kludge of tying it right then editing
On 26 Feb 2005, at 4:48 PM, David W. Fenton wrote:
On 26 Feb 2005 at 16:38, Christopher Smith wrote:
I know how to start a second ending with a tied note, but how do I
start a coda with a tied note? The note in question is both tied over
from the previous measure AND tied to the next measure, so
On Feb 26, 2005, at 4:48 PM, David W. Fenton wrote:
On 26 Feb 2005 at 16:38, Christopher Smith wrote:
I know how to start a second ending with a tied note, but how do I
start a coda with a tied note? The note in question is both tied over
from the previous measure AND tied to the next measure, so
On Feb 26, 2005, at 4:53 PM, Darcy James Argue wrote:
On 26 Feb 2005, at 4:48 PM, David W. Fenton wrote:
On 26 Feb 2005 at 16:38, Christopher Smith wrote:
I know how to start a second ending with a tied note, but how do I
start a coda with a tied note? The note in question is both tied over
from
I am an experiencedSibelius user, about to
try and come to grips with Finale, of which at present I have the demo version
of 2004. A Finale score has been sent me as an ETF. It appears good
but the extracted parts are very badly laid out - huge spacing between staves -
and will need
Hi Finale listers,
I recall some time ago on this list there was mention of a way to mark
up an Acrobat document
with user notes in the margins to highlight needed items and such.
Can you do this with Acrobat 7, do you have to shell out bucks for
Distiller to do this, or is there a simple
Rocky Road wrote:
If you did it as an MP3 disc, the schools could play them on their DVD
player.
Actually, I do many of my classroom lessons straight off my iPod these
days using playlists - we leave an aux-in plug to the HiFi available in
the music rooms.
These suggestions had me laughing
I'm messing about with a whole load of aleatoric stuff, which I'm
creating by all sorts of measures and independent time signatures, staff
styles hiding barlines etc.
Placing notes is no problem, I can move them wherever I want. It's
placing repeat marks, around Lutoslawski-esque fragments,
On 27 Feb 2005 at 0:27, Owain Sutton wrote:
Is there a good reason for measure widths only
being dealt with within an (inadequate) dialogue box? I'd love to be
able to drag barlines to the left or right to adjust measures
accordingly.
Eh? Can't you do that already, when you have the
I recently read (on ProSoundWeb, I think) a piece on how the CD standard
is slipping in that manufacturers are not implementing all the features
(such as indexes). This was in the context of CD mastering and that newer
CD players may not honor the sizes of the gaps between tracks.
**Leigh
On
At 15:22 26.02.2005, you wrote:
When I import a midi file into Finale, the drums won't appear. Finale is
creating a drums staff, but it remains empty. I tried this out using
several midi files. The pity is the main reason ARE the drums - I am
arranging some funk stuff and hoped I could take the
To the group wisdom:
If I once knew how to do this, I have forgotten now. Could not find help in
the User Manual.
WinFin 2004. Full score of 8 groups. One system on each page.
On the last six pages need to move down the next to the bottom group. I
want to maintain the spacing between that
If I read query correctly;
Page layout tool, click'n'drag nominated group, group below should move
same.
Trust I haven't mis-read. Good luck,
Cheer Keith in OZ
Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Band Mob. 0436-620587
Private Mob 0417-042171
Dear List,
With regard to simple entry, does anyone else other than me prefer to use
voices instead of layers to indicate secondary/contrapuntal musical
elements?
The advantages of voices are clear:
1) You can execute them on the fly in the middle of a measure.
2) You have complete control over
Dear List,
I have been working on a Finale 2004 transcription project in MacOS 10.2.4
that simply involves a vocal staff with lyrics and 2 staves of piano. I have
found that the only way I can get any usable speed is to enter all the notes
in the vocal first and then go back and enter all the
On Feb 27, 2005, at 12:18 AM, Brian Williams wrote:
Dear List,
With regard to simple entry, does anyone else other than me prefer to
use
voices instead of layers to indicate secondary/contrapuntal musical
elements?
Can anyone think of any other common musical situations in which
layers are
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