It really can be a useful thing! I've never had a problem with signing to
someone that the cue I'm giving is their cue rather than their entrance.
Steve P.
On 22 Apr 2012, at 00:07, John Howell john.how...@vt.edu wrote:
At 10:02 AM +0100 4/21/12, Steve Parker wrote:
If i'm preparing music
On 22 Apr 2012, at 09:54, Steve Parker wrote:
It really can be a useful thing! I've never had a problem with signing to
someone that the cue I'm giving is their cue rather than their entrance.
Steve P.
How do you show the musician difference between a cue and an entrance?
Michael
I'm afraid I'm of the opinion that the conductor should see exactly what
the performer sees and that if the cues are in the part, they should be in
the score too.
But, as a performer I would not thank a conductor for indicating the start
of the cue to me, nor would I expect it, nor have I ever
On 2012-04-21 20:39, dc wrote:
Le 19/04/2012 20:59, Jari Williamsson écrit :
FYI, this is a freeware font project from MuseScore (=Georges, who
created the excellent music fonts Vienna, Stockholm, Olslo, etc.)
Have you tried these fonts and compared them to Maestro? What do you
think of
I'm talking a very specific situation: sight reading with the red light on!
If I was cued a cue in Beethoven 6 I would thank no-one.
I'm not talking about cueing to get the players in the right place - I expect
the players to know where they are! - just a bit of reassurance that the ff
they
Hello,
I am preparing to purchase a new mac and would like your imput regarding specs
necessary to properly run Finale and a program such as Pro Logic. I do have to
consider cost.
Nick Raspa
NJR Music Enterprises
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Finale mailing list
Depends what you want to do.
I have one of the first intel MacBooks and that will run Finale with no probs
and record 24+ (probably very +) tracks of 24/44.1 audio and run a ton of large
sample libraries.
Unless you specifically need to do something more than this then anything you
can
Well, if it works with you I can't argue with
success! But we might be talking past each
other. A cue (in conductor-speak) is a
downbeat or upbeat designed to bring a person or
a section in for a correct entrance, always
prepared (but never over-prepared). That's also
what orchestral
Finale will run on minimal specs. It's very light, even with Garritan playback.
I would concentrate on what is needed to run Pro Logic, which unfortunately I
can't advise you on.
Christopher
On Sun Apr 22, at SundayApr 22 11:02 AM, Nick Raspa wrote:
Hello,
I am preparing to purchase a
Hello Everyone,
FYI, response from Curtis at MM, A very helpful support person and answered my
question.
Thank you for contacting MakeMusic. I believe I have found a solution for your
whole rest positioning problem. This will have the whole rest in the default
position in the score, and will
Yes, I don't mean giving a grand gesture to cue the cue.. just a nod that we're
'there'. I would be unable to do this if player's cues were not also in front
of me.
I suppose I've just developed a feel in scoring for the places where regrouping
or reassurance may be needed.
This is not the
Logic for doing what? Recording? Virtual instruments?
Any Mac can do it, but if you are going to record audio or use a lot
of sample libraries, you'll want to tracks/record using a different
hard drive like a FireWire/usb2/thunderbolt drive. Using just one
drive for everything will drop your
This is conventional wisdom and very good advice.. but still depends on how
much you need to do at once.
My ageing MacBook has no problem recording 16 tracks or 24/44 to the internal
4200rpm drive.
External drives are so cheap though...
Steve P.
On 22 Apr 2012, at 18:53, Eric Dannewitz
when i moved from desktop to portable, for questions of
transportability and price i got the faster (2.53 GHz) of the two
macbook pro 13 available at the time rather than 15 or 17 and put
the saved money into a 24 monitor that stays home when i travel.
the 13 is much lighter and takes up less
I just replaced a 2006 iMac that I was using in my studio. It could
record fine at 44.1khz. Never more than 20 tracks.
However, if you start throwing plugins into the mix, things started
going south fast. Add say an instance of Aliverbor a waves
compressor...then the track count on the
I talked to a couple of composers I know:
Thay don't make any distiction between Major and Minor keys, i.e.
G natural minor is the same as Bb major as far as they're concerned.
If it was harmonic or melodic minor, they put accidentals where appropriate.
But for them it's notation on a printed
At 3:03 PM -0400 4/22/12, bill sinclair wrote:
I talked to a couple of composers I know:
Thay don't make any distiction between Major and Minor keys, i.e.
G natural minor is the same as Bb major as far as they're concerned.
[snip]
In other words, the composer/arranger does not
say by the way
On 22 Apr 2012, at 20:03, bill sinclair billsi...@aol.com wrote:
However, a copyist dees NOT know which kind it is when he sees the key
signature. He just sees
two flats. So, giving them an artificial name is nonsensical.
If a copyist cannot see the difference between major and minor in a
At 8:49 PM +0100 4/22/12, Steve Parker wrote:
If a copyist cannot see the difference between
major and minor in a score then find another
copyist.
Historically, however, typesetters (in the 16th
and 17th centuries) or engravers (in the 18th and
19th) were craftsmen but not necessarily
I originally used Finale only for note setting and Opcode Vision for sequencing
but Vision went the way of the dinosaur. So I have been using Finale for both
purposes (unfortunately). My use of audio is generally for demos - virtual
tracks with no live recording (at least not now). Since I
Not really hard drive space.
More throughput. Recording to a different drive to the one running the OS.
Steve P.
On 22 Apr 2012, at 22:06, Nick Raspa nj...@me.com wrote:
hard drive space is more the concern. Is my understanding correct?
___
Finale
Hello All,
I am writing today because I would like to learn how to have Finale play back
quarter tones. I use Finale 2011 on a Mac, version 10.6. A friend sent me a
.mus file that displays quarter tone notation and when I open it, the file
plays
it back correctly. I copied the quarter
So the OS is on my computer hard drive and the imputed data is going to a
separate drive that doesn't impact the main computer (such as in flash drive)
similar to hard drive partition except that the second drive (partition) is
external?
Nick Raspa
NJR Music Enterprises
On Apr 22, 2012, at
A separate partition on the same drive won't help you, as the mechanism is the
same. You need a separate PHYSICAL drive on a different bus, and I understand
that you need certain minimum rotation speeds and search speeds. I may be wrong
here, but I think flash drives are not quick enough for
Bill, it is very simple. For the people for whom the Finale
distinction is helpful, the feature is there. For those for whom it
is not, they can ignore it and always treat key sigs like a major key,
no matter what the mode.
I don't complain about features that are in the program that I don't
Flash drives are way fast enough for recording, they just don't have a
lot of space
Sent from my iSomething
--
On Apr 22, 2012, at 3:55 PM, Christopher Smith
christopher.sm...@videotron.ca wrote:
A separate partition on the same drive won't help you, as the mechanism is
the same. You need a
How much do you need?
http://www.amazon.com/Kingston-Digital-DataTraveler-DTR500-128GB/dp/B004X3XI
R2
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf
Of
Eric Dannewitz
Sent: Sunday, April 22, 2012 9:17 PM
To: finale@shsu.edu
Subject:
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