Kurt,
Give it a try. I'll check them out, and report back.
Christopher
On Feb 27, 2005, at 4:12 PM, Kurt Gnos wrote:
Christopher,
thanks for the answer. I could send you some midi files that won't
work for me - maybe they will work for you?
Kurt
At 12:34 27.02.2005, you wrote:
On Feb 26, 2005, at
If you'd like, you can send them to me off list...I'd be curious to
see what is going on with these particular midi files...
-K
I was using midifiles I had downloaded from the net.
When it didn't work, I experimented using Nuendo, saving and
changing channels etc.
Kurt
At 22:12 27.02.2005, you
On Feb 27, 2005, at 11:34 AM, [EMAIL PROTECTED] wrote:
Greetings! I'm new to the list (though not to Finale) and have a question about swing playback.
I scanned music, converted it to MusicXML format using SharpEye, then imported it into Finale 2005 for editing. The music contains standard tr
Hi Steve, Andrew,
I haven't bought either the lights or the stands yet. Andrew Levin's
LED light is the cheapest one I've seen -- I will definitely look into
that one. And any additional portable stand rec's would be great.
Bring on the URLs.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 2
andrew (and others) i think the system update did it, as far as i can
tell, the characters all appear now as they should.
jef
From: Andrew Stiller <[EMAIL PROTECTED]>
...all the special noteheads had been jumbled in the way described.
An explanation/solution would be most welcome.
andrew, i just
> Personally, I much prefer to use 2005, but the @#$%*! composer I'm working
> for hasn't upgraded yet and needs the project in 2004 format. This would
> definitely be a great situation to have *BACKWARD COMPATIBILITY OF FILES*!
> (for all you MakeMusic lurkers out there).
> Brian
Here is a techni
On the same token, I think it was Darcy who was looking for some music
stands, cheap and light? This might be too late, A friend of mine
brought her new RMM stand to the gig, $25 very light, stable, and can
hold a book.
They sell them at Southwest Strings. Let me know if you need a URL.
steve
Thanks, Christopher, for the help.
Personally, I much prefer to use 2005, but the @#$%*! composer I'm working
for hasn't upgraded yet and needs the project in 2004 format. This would
definitely be a great situation to have *BACKWARD COMPATIBILITY OF FILES*!
(for all you MakeMusic lurkers out there
Sorry, Jari (and everyone else who was confused). I meant to type *SPEEDY*
entry instead of "simple" entry.
In SPEEDY ENTRY, you can launch a second voice from any note (or rest) at
any point in a measure and have complete control over stem direction and
vertical rest placement depending on where
Friends,
I just got back from the ASTA conference (American String Teacher's
Association) in Reno. While there I bought four LED music stand
lights.
The lights are bright, runs on three AAA batteries, it folds up to a
pretty small package, and if the salesperson is to be believed, it
can run 1
[EMAIL PROTECTED] wrote:
Hi Owain,
It's placing repeat marks, around Lutoslawski-esque fragments, that I
wish I had more control over.
I have both left and right repeat marks created as shape expression that
I use for some of the aleatoric music that I work on. Gives me a little
more flexibil
Brian Williams wrote:
it's slower than molasses! Finale 2003 in OS 9.2.2 is *WAAAYY*
faster than this! What's up?
christopher gave you some tricks, i would just add the following:
write a note to makemusic to let them know that you are disappointed
at the (general) sluggish behaviour since F2
I was using midifiles I had downloaded from the net.
When it didn't work, I experimented using Nuendo, saving and changing
channels etc.
Kurt
At 22:12 27.02.2005, you wrote:
Kurt,
Which sequencing software are you exporting (or save as midi file) out
of? Perhaps the problem is with the export?
Hi Owain,
It's placing repeat marks, around Lutoslawski-esque fragments, that
I wish I had more control over.
I have both left and right repeat marks created as shape expression
that I use for some of the aleatoric music that I work on. Gives me
a little more flexibility in moving things around
Christopher,
thanks for the answer. I could send you some midi files that won't work for
me - maybe they will work for you?
Kurt
At 12:34 27.02.2005, you wrote:
On Feb 26, 2005, at 8:23 PM, Kurt Gnos wrote:
At 15:22 26.02.2005, you wrote:
When I import a midi file into Finale, the drums won't app
Kurt,
Which sequencing software are you exporting (or save as midi file)
out of? Perhaps the problem is with the export?
-K
Hi,
When I import a midi file into Finale, the drums won't appear.
Finale is creating a drums staff, but it remains empty. I tried this
out using several midi files. The
On 27 Feb 2005 at 20:42, Jari Williamsson wrote:
> David W. Fenton wrote:
> > On 27 Feb 2005 at 16:00, Jari Williamsson wrote:
> >>I don't understand this statement. In Simple Entry you _can_ enter
> >>layers on the fly in the middle of a measure (which you can't with
> >>Speedy). Just select the
David W. Fenton wrote:
On 27 Feb 2005 at 16:00, Jari Williamsson wrote:
I don't understand this statement. In Simple Entry you _can_ enter
layers on the fly in the middle of a measure (which you can't with
Speedy). Just select the note where you want the layer to start (in an
existing layer), switc
Ok ... I'm a tyro on this one ... how does one activate the "voices"
function. I've always used layers, didn't know there was an option.
Dean
On Feb 27, 2005, at 12:19 AM, Mark D Lew wrote:
On Feb 26, 2005, at 11:50 PM, Cindy Pribble wrote:
What I hate about it is that I cannot globally remove o
On 27 Feb 2005 at 16:00, Jari Williamsson wrote:
> Brian Williams wrote:
>
> > With regard to simple entry, does anyone else other than me prefer
> > to use voices instead of layers to indicate secondary/contrapuntal
> > musical elements?
> >
> > The advantages of voices are clear:
> > 1) You ca
Doesn't surprise me at all. But competition is good. I actually hope the
hall of fame is going to be extended (and thanks Jari for the kind words
about my work, I may extend the examples page with examples of my custom
music font - not for sale, just to make that clear).
Perhaps we will soon se
Hello!
When looking at the referrals to Finale tips site (to see where the
traffic comes from/goes to), I get quite a couple of hits from this site:
http://beta.sibelius.com/cgi-bin//chat/chat.pl
And the referrals from this site started on the very same day I
announced the reviews and Hall of Fa
Most of the time I use layers, but there are times when "voices" work
well. I like the advantage of adding a second voice above or below
the existing voice when the divisi is short. You control the stem
direction by the position of the cursor (insertion point). If it's
below the original note,
Please do not post the message I just sent. I would like
to resend it with my e-mail address indicated differently to reduce my
future spam. I will do the resend shortly.
Thanks!
--- Begin Message ---
Greetings! I'm new to the list (though not to Finale) and have a
question about swin
On Feb 26, 2005, at 4:38 PM, Christopher Smith wrote:
Greetings collected wisdom.
I know how to start a second ending with a tied note, but how do I
start a coda with a tied note? The note in question is both tied over
from the previous measure AND tied to the next measure, so my old
kludge of t
Greetings! I'm new to the list (though not to Finale) and have a
question about swing playback.
I scanned music, converted it to MusicXML format using SharpEye, then
imported it into Finale 2005 for editing. The music contains standard
triplets, dotted 8th/16th combinations, and pairs of
Brian Williams wrote:
With regard to simple entry, does anyone else other than me prefer to use
voices instead of layers to indicate secondary/contrapuntal musical
elements?
The advantages of voices are clear:
1) You can execute them on the fly in the middle of a measure.
I don't understand this st
Brian Williams wrote:
With regard to simple entry, does anyone else other than me prefer to use
voices instead of layers to indicate secondary/contrapuntal musical
elements?
The advantages of voices are clear:
1) You can execute them on the fly in the middle of a measure.
I don't understand this st
On Feb 27, 2005, at 12:18 AM, Brian Williams wrote:
Dear List,
I have been working on a Finale 2004 transcription project in MacOS
10.2.4
that simply involves a vocal staff with lyrics and 2 staves of piano.
I have
found that the only way I can get any usable speed is to enter all the
notes
in t
On Feb 26, 2005, at 8:23 PM, Kurt Gnos wrote:
At 15:22 26.02.2005, you wrote:
When I import a midi file into Finale, the drums won't appear. Finale
is creating a drums staff, but it remains empty. I tried this out
using several midi files. The pity is the main reason ARE the drums -
I am arrangi
On Feb 26, 2005, at 11:50 PM, Cindy Pribble wrote:
What I hate about it is that I cannot globally remove or add only one
layer from the staff.
I'm not sure I'm understanding your objection here. Doesn't it work to
choose "select active layer only" from the menu, then select the entire
staff to
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